STATEMENT SHOWING the DETAILS of GROSS SALARY for APRIL 2013 EMP CODE EMPLOYEE NAME DESIGNATION GROSS SALARY ( Rs

Total Page:16

File Type:pdf, Size:1020Kb

STATEMENT SHOWING the DETAILS of GROSS SALARY for APRIL 2013 EMP CODE EMPLOYEE NAME DESIGNATION GROSS SALARY ( Rs STATEMENT SHOWING THE DETAILS OF GROSS SALARY FOR APRIL 2013 EMP_CODE EMPLOYEE NAME DESIGNATION GROSS_SALARY ( Rs. Ps.) 330 VIDYA A DESHPANDE AGM(HR) 117814.00 395 KATAGERI AD DGM(F) 138290.00 400 MAHULI VV ES 121549.00 491 ARAVIND G HEGDE AGM(HR) 116914.00 499 KAMADOLLI R V AE (C) 103823.00 549 GABBUR BM AGM[F] 141604.00 605 JAYACHANDRA B AGM[F] 116715.00 623 CHANDRANATH B S AEE(M) 87861.00 660 MADAGAONKAR C B AGM(S) 82521.00 671 KARUNAKARA RAO K AEE(C)NG 105313.00 672 BHAT K N AEE(C)NG 105063.00 712 MOHANDAS M ES 122762.00 722 GADIYAR N A AEE(C)NG 104863.00 724 MURTHY BV ES 122849.00 732 UMESH K AEE(C)NG 105313.00 741 BASAVARAJ MV AGM[F] 118980.00 743 MURALIDHAR SV AGM(F) 120730.00 745 KENIKAR S R A.G.M(HRD) 91903.00 754 PRAKASH N H A.G.M(C.C) 12779.00 762 RAMALAKSHMI.K AEE(C)NG 105713.00 791 MAGALAD K V S E (C) 117610.00 794 KESARI G S CE[C] 146565.00 806 PRAKASH HN CE(C) 146815.00 808 PRABHU K Accounts Officer 107003.00 830 LAKSHMANA P J AEE(C) 103173.00 835 APPANNASETTY BR AEE(NG) 128898.00 836 LINGESHWAR S AEE(NG) 129273.00 840 RANGANATH T L AEE()NG 112460.00 841 KRISHNA PRASAD B V AEE(NG) 103453.00 843 SHANKAR M AEE(C) 103323.00 844 DODDAMALLASWAMY H M A E E 103703.00 849 JAYANNA K P A E E (C) 103156.00 855 SANDYRANI N R MATRON 95454.00 869 ARASANAL M S AEE(C) 104201.00 870 JOSEPH W MANTERIO AEE(CIVIL) 110131.00 871 ASHWATHANARAYAN S A A E E (NG) 102252.00 873 KADVADKAR D V AEE(C)NG 104572.00 874 UMESH K BHAT AEE(NG) 102632.00 875 NAIK D J A E E 102502.00 877 KADAM S A AEE(C)NG 106113.00 879 PATIL G M AEE (C)NG 99642.00 888 KADLEPPANAVAR M R AEE (C) NG 131473.00 889 GUNDAPPANAVAR B G A E E (NG) 102438.00 890 SREEDHARA REDDY J V AEE (C)/NG 134265.00 892 BHARATH A HALAGI AEE(C)NG 102252.00 895 SEETHALAXMAMMA K V MATRON 106962.00 EMP_CODE EMPLOYEE NAME DESIGNATION GROSS_SALARY ( Rs. Ps.) 898 SHANKARE GOWDA K C SE(C) 144446.00 899 SHIVANAL V S S E (C) 114687.00 900 DAMODARA BHANDARY P SE(C) 114972.00 901 RAGHU DV EE(C) 143396.00 909 BALASUBRAMANYA K N S E ( CIVIL ) 114972.00 910 RAJARAM G SE 140212.00 916 PRAKASHKUMAR SHETTY P EE 144696.00 921 MALLIKARJUNAMURTHY N SE(C) 115775.00 923 UDNUR K B S E (C) 114753.00 926 PRABHAKARA K EE(C) 114912.00 928 AMARANATH S EE(C) 114853.00 929 MUJUMDAR D R SE(C) 146846.00 932 RAMAMURTHY S SE(C) 144446.00 933 SRIDHAR RAO S L EE(C) 114937.00 935 RAMACHANDRARAO SR SE(C) 143771.00 936 PATIL SS EE 144446.00 937 Prakash Chandrashekar Bewoor E.E(c) 145032.00 938 RAMANUJAN S N S E (CIVIL) 116688.00 939 NAGARAJA S N E E (C) 115756.00 942 GOWDA M C M EE(C) 115471.00 943 P K HUNAGUND AGM(F) 88879.00 945 MURALIDHARA MK EE(C) 144696.00 946 JUNAID IRFANI H E SE (C)-2 143503.00 961 USHA N PS 117764.00 963 RAMMURTHY T EE(C) 114753.00 974 NANDAKUMAR VS EE 141503.00 977 BYCHAPPA AEE 129523.00 978 INAYATHULLA K S AEE-C(NG) 129747.00 979 KUMAR S A E E 110590.00 980 SRINIVASAMURTHY KS AEE(NG) 128648.00 982 KRISHNAPRASAD K T AEE (C)NG 131323.00 983 LOKANNA S AEE (C) NG 134015.00 987 CHANDRASHEKARA REDDY K A E E 105813.00 991 SAMPATHKUMAR M V AEE(C) 103203.00 1009 SANGTI S V E E (C) 142653.00 1012 JAGADEESH D K E E 112113.00 1014 CHAVADI P K SE(C) 143503.00 1017 SREENIVAS TK PS 120230.00 1018 ALUR C S EE(c) 141503.00 1019 VENKATESHAPRASANNA K EE 141503.00 1020 KALAPUR P N E E (C) 113366.00 1021 NAGESH SV SE[C] 140828.00 1022 TELKAR A V EE(c) 141078.00 1024 KULKARNI A P AEE(C) 104822.00 1026 KUNKUR U R EXE ENGINEER(C) 112213.00 1027 DODDAMANI I F A E E 104572.00 1028 MUGALI R N A E E 103203.00 1029 GODAKHINDI A D AEE (NG) 130723.00 EMP_CODE EMPLOYEE NAME DESIGNATION GROSS_SALARY ( Rs. Ps.) 1033 PATHAK G N AEE (C) 105763.00 1038 KAMMAR S S AEE(CIVIL) 102473.00 1045 PRAHALAD RAO K A E E 104422.00 1046 DESAI A R M AE (ELE) 80538.00 1047 SERAO CM AEE(M) 109903.00 1049 NATARAJ MV AEE(NG) 129073.00 1050 RAMACHANDRA S K AEE(C)NG 104572.00 1060 GURUPRASAD Law Officer 101873.00 1061 BHADRAGOUDAR S C EE(ELE) 81692.00 1062 SHET B H AEE (ELE) 82439.00 1064 PATTANASHETTYS G A E E (M)NG 108513.00 1079 SHIVAMOGGA A J A E (ELE) 80413.00 1080 KULKARNI R H AEE (C) 84609.00 1081 SAMPATHKUMAR R AGM(HRD) 86709.00 1085 PANCHAL S D AEE (C) 134015.00 1087 NAGESHA RAO K S AO 97283.00 1091 BETDUR D K AEE(C)/NG 134288.00 1095 SRINIVASAMURTHY H K EE (C) 143653.00 1097 SATYAMURTHY KN EE 140828.00 1098 DAYANANDA M V EE(C) 112363.00 1099 MADHUSUDANA RAO BR EE(C) 141253.00 1100 MANJUNATH K R EE(C) 112363.00 1101 NAGENDRA C B EE(C) 143503.00 1102 RUHUL AMEEN EE(C) 112113.00 1104 RAMADAS H L EE 141253.00 1106 RAVIKUMAR S EE[C] 141503.00 1108 CHANDRANNA Y A EE (C) 143753.00 1114 PRAKASH S EE[C] 141503.00 1116 MANOHAR G EE(C) 141503.00 1118 CHANDRA GUPATA S EE(C) 115416.00 1120 KULKARNI.S.A EE-CIVIL 141481.00 1121 MURAHARI R P EE(C) 112363.00 1124 MOHAN MURTHY N EE(C) 120238.00 1126 PHANIRAJ AV EE(C) 140828.00 1130 BADARISHAPRASAD M K EE(C) 112463.00 1132 JOSHI RG AEE(C) 131590.00 1135 RAJARAM P G E E 113487.00 1152 NAGENDRA KUMAR K A O 93284.00 1153 SWAMINATHAN C EE 137615.00 1154 SHIVAKUMAR B P EE(C) 112313.00 1172 SHARIFF MA EE(C) 141503.00 1173 MULIMANI S C AE(ELE)NG 80503.00 1176 RAMESH U C SE(M) 143653.00 1181 SHYAMASUNDAR B S SE(Eletrical) 141253.00 1193 GUDDAD S P EE(C) 140690.00 1196 NIMBARGI M.K. S.E.[E] 140578.00 1202 SRIDHAR.B.N SE (ELEC) 140103.00 1204 GOPINATH G A E E(C) 105590.00 EMP_CODE EMPLOYEE NAME DESIGNATION GROSS_SALARY ( Rs. Ps.) 1210 ANANDA RAO M AO 86627.00 1212 LATKAN N B A O 111092.00 1213 NAGARAJ C AGM(F) 112659.00 1216 EKBOTE KP SE(E) 140578.00 1217 OSEKAR A B A E (E) 78946.00 1226 KULKARNI K R AEE(E)NG 85737.00 1227 KOTRESHAPPA KS AGM(HR) 112434.00 1228 RAMAKRISHNA RAJ T AGM(Law) 107053.00 1229 SHIVAMURTHY GB SE(E) 140578.00 1232 SRIKANTH MA AEE(NG) 129073.00 1233 VISWANATH V S SE(ELE) 115321.00 1234 DALEGOWDA H AEE(C)NG 105013.00 1235 RAMANNA K C AEE(C) 105763.00 1238 NARENDRA D AEE (C)-NG 131473.00 1240 RAGHUNATH C K AEE(C) 133991.00 1243 KULAKARNI S L EE (CIVIL) 134265.00 1244 VENKATESHAMURTHY H AEE(NG) 128923.00 1246 THIMMEGOWDA T EE(C) 130441.00 1248 SRINIVAS BN AEE(NG) 129073.00 1249 NIRANJAN B AEE (C) RT 134415.00 1250 VERNEKAR A V A E E(C) 104522.00 1252 SALIMATH J M A E E(C) 106113.00 1253 RAPHEL D'SOUZA AEE(C)NG 115592.00 1254 RAMESH V EE(CIVIL) 105870.00 1256 MASTHIGOWDA P C A EE(C)NG_RT 105713.00 1258 CHANDRAMOULI R S A EE [C]NG_RT 106113.00 1259 MANJUNATH N AEE (C) 131573.00 1260 KRISHNAMUTHY N V AEE(C)NG 102473.00 1261 SREENIVASA T A EE(NG) 103703.00 1262 BHAKTHAVATHSALAM J AEE (C)/NG 131323.00 1264 RAMAKRISHNAIAH G AEE(NG) 129323.00 1266 JAYASIMHA S B AEE C 124145.00 1267 VENKATESHWARA RAO M S AEE (C)-NG 131473.00 1270 NARASIMHAMURTHY B G AEE(C) 136955.00 1271 RANGANATH BABU HR AEE(N G) 129073.00 1272 CHANDRAPRAKASH J AEE(C)/RT 134165.00 1273 NAGABHUSHANRAO D S AEE(CIVIL) 131573.00 1274 VIJAYA KUMAR D AEE(C)NG 108189.00 1275 SRINIVAS V AEE-C(NG) 131763.00 1277 RAJENDRAN M A E E 104672.00 1279 NARASIMHASWAMY. S.V. AEE (C )NG 129347.00 1281 NAGABUSHAN B N AEE NG 103073.00 1288 LAKSHMINARAYANA N R EE (CIVIL) 131223.00 1291 SUBRAMANYA BN AEE(NG) 128823.00 1292 PRABHAKAR T AEE(C) 102382.00 1293 MARGABANDHU K S AEE (C)/NG 131473.00 1297 GOPAL RAO S V AEE(C)NG 97623.00 1299 LAMANI H T A E E (NG) 97694.00 EMP_CODE EMPLOYEE NAME DESIGNATION GROSS_SALARY ( Rs. Ps.) 1300 VENKATESH AEE(C) 100934.00 1301 PUTTAPPA B T AEE(C) 126109.00 1303 MADHUSUDHANA T A AEE(C) 102723.00 1304 MATHAD R G SE[EL] 138290.00 1305 MANI K AEE(Civil) 131965.00 1309 JANAKI S MATRON 95454.00 1310 SUBRAMANYA K L AEE(C)-NG 125859.00 1314 RATNAMMA T M MATRON 98082.00 1315 ASHWATHNARAYANA REDDY C AEE(C) 82222.00 1317 NAGARAJ N AEE(C) 100584.00 1321 SAVANUR R R AEE (CIVIL) 97944.00 1328 BADARI NARAYANA SR Accounts Officer 103439.00 1331 PRABHAKAR E A E E 99210.00 1336 NAGARAJ K C EE(CIVIL) 112713.00 1339 DAYANANDA G N EE(C) 123722.00 1343 SHYAMASUNDAR D EE(C) 110074.00 1346 MURALIDHAR RAO A N EE(C) 110224.00 1348 MOHAN K ARKASALI EE (C) 140440.00 1353 RADHAKRISHNA KS EE(C) 138290.00 1355 LAKSHMINARASIMHA H A S.E[E] 138540.00 1358 BABU RAJENDRA PRASAD S.E.(ELEC)MGHE 110074.00 1375 JEYA S MATRON 100562.00 1377 SAROJAMMA K T MATRON 96552.00 1378 ALPHONES DOMELLO S ACCM 59790.00 1379 GOPALA GOWDA AK SE(E) 135326.00 1380 SATHISH M S A C C M 64377.00 1381 POL P S MATRON 97623.00 1387 NARASIMHAMURTHY S SEE 109156.00 1392 BALARAMAN T S EE(C) 110679.00 1398 VEDAMURTHY M SE(ELE) 134012.00 1405 HEGDE L S SE(M) 108540.00 1413 VENKATESH B AEE 100234.00 1414 UMESH K N E E 107585.00 1426 KRISHNAMURTHY S SE[M] 132137.00 1432 KALAGI V N E E(C) 105195.00 1436 BAIG M A A E E (E) 96670.00 1438 KARUNAKAR SLN AEE(NG) 125819.00 1439 MARKANDA REDDY A E E(E)-NG 130347.00 1441 RAVICHANDRAN L AEE [E] NG 120855.00 1442 SHIVAPRASAD V A E E(E)NG 98294.00 1443 ONKARAPPA H C AEE(ELE)NG 118348.00 1445 PHANIRAJ RAO T AEE 98857.00 1446 PRAKSH S R S E (E) 107395.00 1450 RADHAKRISHNA K SE[E] 132362.00 1451 KAMALAKSHA K SE(E) 98061.00 1452 JAYAKUMAR M AEE[E] 123145.00 1453 PONNURANGAM M Law Officer 84446.00 1454 MURTHY R AGM(Law) 104361.00 EMP_CODE EMPLOYEE NAME DESIGNATION GROSS_SALARY ( Rs.
Recommended publications
  • Trials and Justice in Awaara: a Post-Colonial Movie on Post-Revolutionary Screens?
    Law Text Culture Volume 18 The Rule of Law and the Cultural Imaginary in (Post-)colonial East Asia Article 4 2014 Trials and Justice in Awaara: A Post-Colonial Movie on Post-Revolutionary Screens? Alison W. Conner University of Hawaii at Manoa Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Conner, Alison W., Trials and Justice in Awaara: A Post-Colonial Movie on Post-Revolutionary Screens?, Law Text Culture, 18, 2014, 33-55. Available at:https://ro.uow.edu.au/ltc/vol18/iss1/4 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Trials and Justice in Awaara: A Post-Colonial Movie on Post-Revolutionary Screens? Abstract Perhaps surprisingly, one of the most popular Chinese movies of all time is actually an Indian film. Filmed in 1951 in newly independent India, Awaara (The Vagabond) was released in China after the official introduction of the opening and reform policies in 1979, when the country embarked on its current post- socialist, post-revolutionary course. Known as Liulangzhe in China, Awaara received a rapturous response from Chinese audiences and even now everyone over a certain age remembers watching the movie. Thanks to the Internet, many younger Chinese have also seen Awaara, sometimes dubbed in Chinese (I first saw it dubbed in Chinese myself), or if they haven’t seen it they can tell you why their parents and grandparents loved it so much. This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol18/iss1/4 Trials and Justice in Awaara: A Post-Colonial Movie on Post-Revolutionary Screens? Alison W Conner Introduction Perhaps surprisingly, one of the most popular Chinese movies of all time is actually an Indian film.
    [Show full text]
  • My God, That's My Tune'
    The composer recently made it on the New York hit parade with a song titled In every city. In an interview R. D. Burman talks about his craft. Left: R. D. Burman with Latin American composer Jose Flores. Below: The 'Pantera' team, among others R.D. Burman (centre), Jose Flores and (far right) Pete Gavankar. HENEVER an Indian achieves a Wmilestone abroad, he instantly gets more recognition in his own coun- try. Perhaps it's the colonial hangover that still makes us believe that they are always right over there. In this case however, the distinction is not going to make any difference as the person gaining it is already a household name here. Rahul Dev Burman, who has given music for 225 Hindi films, has made it to the New York hit parade with a song titled In every city. He is all set to launch the album—'Pantera'—in India. Two people have been responsible for getting him there—his father Sachin Dev Burman who was the only member of the family willing to let him enter films, and Pete Gavankar, a friend of thirty years who goaded him into seek- ing new pastures and has financed the album. Intrigued, we decided to find out just how the international album had come about and while we were at it, also gauge just how much R.D. had already packed into his life of 45 years. It turned out to be much more than we had thought as we had to have several sittings before we were through. But R.D.
    [Show full text]
  • POPULAR CINEPHILIA in NORTH INDIA. Madhuri Shows The
    This article was downloaded by: [Ravi Kant] On: 03 August 2015, At: 10:40 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London, SW1P 1WG Journalism Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rjos20 Popular Cinephilia in North India Ravikant Published online: 03 Aug 2015. Click for updates To cite this article: Ravikant (2015): Popular Cinephilia in North India, Journalism Studies, DOI: 10.1080/1461670X.2015.1054161 To link to this article: http://dx.doi.org/10.1080/1461670X.2015.1054161 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden.
    [Show full text]
  • SD Burman Booklet
    SD BURMAN - 200 SONGS 11. Phoolon Ke Rang Se Artiste: Kishore Kumar 01. Kora Kagaz Tha Film: Prem Pujari Artistes: Lata Mangeshkar & Lyricist: Neeraj Kishore Kumar 12. Aaj Phir Jeene Ki Film: Aradhana Artiste: Lata Mangeshkar Lyricist: Anand Bakshi Film: Guide 02. Khoya Khoya Chand Lyricist: Shailendra Artiste: Mohammed Rafi 13. Tere Mere Sapne Ab Film: Kala Bazar Artiste: Mohammed Rafi Lyricist: Shailendra Film: Guide 03. Teri Bindiya Re Lyricist: Shailendra Artistes: Lata Mangeshkar & 14. Hum Aap Ki Ankhon Mein Mohammed Rafi Artistes: Geeta Dutt & Mohammed Rafi Film: Abhimaan Film: Pyaasa Lyricist: Majrooh Sultanpuri Lyricist: Sahir Ludhianvi 04. Mana Janab Ne Pukara 15. Ab To Hai Tumse Har Artiste: Kishore Kumar Artiste: Lata Mangeshkar Film: Paying Guest Film: Abhimaan Lyricist: Majrooh Sultanpuri Lyricist: Majrooh Sultanpuri 05. Mere Sapnon Ki Rani 16. Din Dhal Jaye Haye Artiste: Kishore Kumar Artiste: Mohammed Rafi Film: Aradhana Film: Guide Lyricist: Anand Bakshi Lyricist: Shailendra 06. Ek Ladki Bheegi Bhagi Si 17. Aasman Ke Neeche Artiste: Kishore Kumar Artistes: Lata Mangeshkar & Film: Chalti Ka Nam Gaadi Kishore Kumar Lyricist: Majrooh Sultanpuri Film: Jewel Thief 07. Tere Mere Milan Ki Lyricist: Majrooh Sultanpuri Artistes: Lata Mangeshkar & 18. Aaye Tum Yaad Mujhe Kishore Kumar Artiste: Kishore Kumar Film: Abhimaan Film: Mili Lyricist: Majrooh Sultanpuri Lyricist: Yogesh 08. Gaata Rahe Mera Dil 19. Yeh Dil Na Hota Bechara Artistes: Lata Mangeshkar & Artiste: Kishore Kumar Kishore Kumar Film: Jewel Thief Film: Guide Lyricist: Majrooh Sultanpuri Lyricist: Shailendra 20. Hum Bekhudi Mein Tum Ko 09. Dil Ka Bhanwar Artiste: Mohammed Rafi Artiste: Mohammed Rafi Film: Kala Pani Film: Tere Ghar Ke Samne Lyricist: Majrooh Sultanpuri Lyricist: Hasrat Jaipuri 21.
    [Show full text]
  • Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
    Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social.
    [Show full text]
  • Name of the Centre : DAV Bachra No
    Name of the Centre : DAV Bachra No. Of Students : 474 SL. No. Roll No. Name of the Student Father's Name Mother's Name 1 19002 AJAY ORAON NIRMAL ORAON PATI DEVI 2 19003 PUJA KUMARI BINOD PARSAD SAHU SUNITA DEVI 3 19004 JYOTSANA KUMARI BINOD KUMAR NAMITA DEVI 4 19005 GAZAL SRIVASTVA BABY SANTOSH KUMAR SRIVASTAVA ASHA SRIVASTVA 5 19006 ANURADHA KUMARI PAPPU KUMAR SAH SANGEETA DEVI 6 19007 SUPRIYA KUMARI DINESH PARSAD GEETA DEVI 7 19008 SUPRIYA KUMARI RANJIT SHINGH KIRAN DEVI 8 19009 JYOTI KUMARI SHANKAR DUBEY RIMA DEVI 9 19010 NIDHI KUMARI PREM KUMAR SAW BABY DEVI 10 19011 SIMA KUMARI PARMOD KUMAR GUPTA SANGEETA DEVI 11 19012 SHREYA SRIVASTAV PRADEEP SHRIVASTAV ANIMA DEVI 12 19013 PIYUSH KUMAR DHANANJAY MEHTA SANGEETA DEVI 13 19014 ANUJ KUMAR UPENDRA VISHWAKARMA SHIMLA DEVI 14 19015 MILAN KUMAR SATYENDRA PRASAD YADAV SHEELA DEVI 15 19016 ABHISHEK KUMAR GUPTA SANT KUMAR GUPTA RINA DEVI 16 19017 PANKAJ KUMAR MUKESH KUMAR SUNITA DEVI 17 19018 AMAN KUMAR LATE. HARISHAKAR SHARMA RINKI KUMARI 18 19019 ATUL RAJ RAJESH KUMAR SATYA RUPA DEVI 19 19020 HARSH KUMAR SHAILENDRA KR. TIWARY SNEHLATA DEVI 20 19021 MUNNA THAKUR HIRA THAKUR BAIJANTI DEVI 21 19022 MD.FARID ANSARI JARAD HUSSAIN ANSARI HUSNE ARA 22 19023 MD. JILANI ANSARI MD.TAUFIQUE ANSARI FARZANA BIBI 23 19024 RISHIKESH KUNAL DAMODAR CHODHARY KAMLA DEVI 24 19025 VISHAL KR. DUBEY RAJEEV KUMAR DUBEY KIRAN DEVI 25 19026 AYUSH RANJAN ANUJ KUMAR DWIVEDI ANJU DWIVEDI 26 19027 AMARTYA PANDEY SATISH KUMAR PANDEY REENA DEVI 27 19028 SHIWANI CHOUHAN JAYPAL SINGH MAMTA DEVI 28 19029 SANDEEP KUMAR MEHTA
    [Show full text]
  • Vividh Bharati's Role in 'Unifying' the Indian Nation
    Vividh Bharati’s 5932/011116 vIvIdh BhaRatI's Role IN 'UNIfyINg' the INdIaN NatIoN Jawhar Sircar RKMIC, 29th January 2014 I. FREEDOM AT MIDNIGHT: 1. When we look back at the last six or seven decades, we see with amazement how India has emerged from a country that was tormented by internal convulsions and external threats to be now ranked among the top countries of the world. The entire picture has changed so dramatically, especially in the last two decades since we opened up our economy that India is now growing rapidly enough to be noticed. Though it has finally been afflicted by the world-wide economic contagion and is passing through a rather low, the world takes note: which it did not, earlier. The 21st century belongs to Asia and it is beyond doubt that China and India would be playing a major role, notwithstanding temporary hiccups along the way. 2. The question is how did this India, that is now proud of her high seat in the assembly of nations of the world, emerge as a cohesive nation that is finally solidly bonded. Let us take ourselves back to the stroke of the midnight hour, on the night of 14th/15th August 1947, when this nation was born: a memorable period that happens but once in a nation’s life-time. It was the most challenging of times, as not only was it a bleeding baby that had been severed from its sibling, but it was in the midst of violence, confusion and rioting. One was reminded of Churchill’s scathing remarks that "in a few years, no trace will remain" for "anarchy will lead to internecine warfare".
    [Show full text]
  • Majrooh: the Poet Who Captured the Times
    Majrooh: The poet who captured the times. The Hindu Business Line, March 18, 2021 https://www.thehindubusinessline.com/blink/watch/majrooh-sultanpuri-wrote-songs- for-more-than-250-films-in-his-five-decade-long-stint-in-bollywood/article34099511.ece Few people would have heard what can possibly be classified as the first pseudo-rap song in Hindi films- the song “Dekhiye, Sahibo, Who koi, Aur thi”, from the 1966 musical suspense thriller “Teesri Manzil”. All the other songs of this film are heard on the radio even now. All, except this one. And yet, this is an amazingly creative composition with words and phrases sung in a staccato fashion, which could easily pass for what later became the rap style. The song, sung brilliantly by Rafi and Asha and composed by R.D. Burman was written by the eminently versatile Majrooh Sultanpuri. R.D.Burman was a young, unknown composer then. Majrooh of course knew him well as S.D. Burman’s son and assistant. After all Majrooh had worked with S.D. Burman in many of Dev Anand films from the 1950s and the duo had given us hit songs like “Hum hain Rahi pyaar ke hum se kuch na boliye” and “Chal ri sajni ab kya soche” among many others. The story goes that Majrooh recommended him to Shammi Kapoor who was very picky about his songs. Shammi Kappor agreed to listen to this young upstart. The first composition that R.D. Burman played was the one which ultimately became “Deewana mujh sa nahin”- Kapoor immediately recognized it as based on a Nepali folk song which he had heard in Darjeeling! And the rest was history- Teesri Manzil was Burman’s first major hit.
    [Show full text]
  • Anthems of Resistance
    A Celebration of Progressive Urdu Poetry Anthems of Resistance So what if my pen has been snatched away from me I hav dipped my fingers in the blood of my heart So what if my mouth has been sealed, I have turned Every link of my chain in to a speaking tonge Ali Husain Mir & Raza Mir 1 Anthems of Resistance A Celebration of Progressive Urdu Poetry Ali Husain Mir & Raza Mir IndiaInk 2 Brahma’s Dream ROLI BOOKS © Ali Husain Mir and Raza Mir, 2006 First published in 2006 IndiaInk An imprint of Roli Books Pvt. Ltd. M-75, G.K. II Market New Delhi 110 048 Phones: ++91 (011) 2921 2271, 2921 2782 2921 0886, Fax: ++91 (011) 2921 7185 E-mail: [email protected]; Website: rolibooks.com Also at Varanasi, Bangalore, Jaipur Cover : Arati Subramanyam Layout : Narendra Shahi ISBN: 81-86939-26-1 Rs. 295 Typeset in CentSchbook BT by Roli Books Pvt. Ltd. and printed at Syndicate Binders, New Delhi 3 CONTENTS Acknowledgements A Note on Translation and Transliteration Preface 1 Over Chinese Food: The Progressive Writers’ Association 2 Urdu Poetry and the Progressive Aesthetic 3 Saare Jahaan Se Achcha: Progressive Poets and the Problematic of Nationalism 4 From Home to the World: The Internationalist Ethos 5 Dream and Nightmare: The Flirtation with Modernity 6 Progressive Poetry and Film Lyrics 7 Voh Yaar Hai Jo Khushboo Ki Taraah, Jis Ki Zubaañ Urdu Ki Taraah 8 An Exemplary Progressive: The Aesthetic Experiment of Sahir Ludhianvi 9 Javed Akhtar’s Quiver of Progressive Arrows: A Legacy Survives 10 New Standard Bearers of Progressive Urdu Poetry: The Feminist Poets 11 A Requiem ..
    [Show full text]
  • MUS211 India/Bollywood 1. “Karnataka Sangeeta” 11:14 T
    MUS211 India/Bollywood 1. “Karnataka Sangeeta” 11:14 T. Viswanathan An example of karnataka sangeeta (Carnatic music), or classical (art) music from Southern India. Note the use of the drone, here played by an electronic sruti box. Like all Indian classical music this is based on a particular raga (a complex, evocative, melodic mode) and a rhythmic cycle called tala. 2. “Raga Mishra Ghara” 8:59 Ravi Shankar This is North Indian classical music performed by world-renowned sitar player Ravi Shankar. Note the presence again of the drone. This music is also based on raga and tala, but tends to feature even more improvisation than karnataka sangeeta. 3. “Chabi Kho Jaye” 7:07 Lata Mangeshkar & Shailendra Singh http://www.youtube.com/watch?v=HlInS7agcfc 1973 filmi sangeet sung by the most recorded woman in the world, Lata Mangeshka,r in duet with Shailendra Singh from the film, “Bobby.” The film and the song were hits and the song is quite racy, with lyrics about a couple locked in a room with a lost key. Note the girlish quality of Mangeshkar’s voice and use of western instruments and harmonies. No drone is used. 4. “Tere Chehre Se Nazar Nahin” 4:53 Kishore Kumar & Lata Mangeshkar http://www.youtube.com/watch?v=e7YOPrsX0gE “From Your Face.” A love song from the 1976 film Kabhi Kahbi. Again, note the girlish quality of Mangeskar’s voice and the western instruments (violins, flute, electric bass, among others) and harmony. 5. “In Aankhon Ki Masti” 5:43 Asha Bhosle http://www.youtube.com/watch?v=FLDb5xk556E “Intoxicating Eyes.” This is Lata Mangeshkar’s sister, Asha Bhosle.
    [Show full text]
  • Annexure 1B 18416
    Annexure 1 B List of taxpayers allotted to State having turnover of more than or equal to 1.5 Crore Sl.No Taxpayers Name GSTIN 1 BROTHERS OF ST.GABRIEL EDUCATION SOCIETY 36AAAAB0175C1ZE 2 BALAJI BEEDI PRODUCERS PRODUCTIVE INDUSTRIAL COOPERATIVE SOCIETY LIMITED 36AAAAB7475M1ZC 3 CENTRAL POWER RESEARCH INSTITUTE 36AAAAC0268P1ZK 4 CO OPERATIVE ELECTRIC SUPPLY SOCIETY LTD 36AAAAC0346G1Z8 5 CENTRE FOR MATERIALS FOR ELECTRONIC TECHNOLOGY 36AAAAC0801E1ZK 6 CYBER SPAZIO OWNERS WELFARE ASSOCIATION 36AAAAC5706G1Z2 7 DHANALAXMI DHANYA VITHANA RAITHU PARASPARA SAHAKARA PARIMITHA SANGHAM 36AAAAD2220N1ZZ 8 DSRB ASSOCIATES 36AAAAD7272Q1Z7 9 D S R EDUCATIONAL SOCIETY 36AAAAD7497D1ZN 10 DIRECTOR SAINIK WELFARE 36AAAAD9115E1Z2 11 GIRIJAN PRIMARY COOPE MARKETING SOCIETY LIMITED ADILABAD 36AAAAG4299E1ZO 12 GIRIJAN PRIMARY CO OP MARKETING SOCIETY LTD UTNOOR 36AAAAG4426D1Z5 13 GIRIJANA PRIMARY CO-OPERATIVE MARKETING SOCIETY LIMITED VENKATAPURAM 36AAAAG5461E1ZY 14 GANGA HITECH CITY 2 SOCIETY 36AAAAG6290R1Z2 15 GSK - VISHWA (JV) 36AAAAG8669E1ZI 16 HASSAN CO OPERATIVE MILK PRODUCERS SOCIETIES UNION LTD 36AAAAH0229B1ZF 17 HCC SEW MEIL JOINT VENTURE 36AAAAH3286Q1Z5 18 INDIAN FARMERS FERTILISER COOPERATIVE LIMITED 36AAAAI0050M1ZW 19 INDU FORTUNE FIELDS GARDENIA APARTMENT OWNERS ASSOCIATION 36AAAAI4338L1ZJ 20 INDUR INTIDEEPAM MUTUAL AIDED CO-OP THRIFT/CREDIT SOC FEDERATION LIMITED 36AAAAI5080P1ZA 21 INSURANCE INFORMATION BUREAU OF INDIA 36AAAAI6771M1Z8 22 INSTITUTE OF DEFENCE SCIENTISTS AND TECHNOLOGISTS 36AAAAI7233A1Z6 23 KARNATAKA CO-OPERATIVE MILK PRODUCER\S FEDERATION
    [Show full text]
  • Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
    Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social. In fact, Jaikishan was mostly the point of contact for producers, directors and actors to incorporate their requests due to his friendly nature. Of course, both were great human beings, and were incredibly simple in spite of fame and richness.
    [Show full text]