Furniture Table Leg Styles
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Inwood Room Object Descriptions
Inwood Room Object Descriptions Inwood Room Inwood Room Inwood Room Inwood Room Inwood Room Inwood Room Inwood Room Inwood Room Inwood Room Inwood Room Inwood Room Glossary Adam, Robert: (1728–1792) A Scottish architect and furniture designer between 1773 and 1795. After traveling to Italy and seeing Roman ruins, he and his brothers facilitated a Neo-Classical style in England that sought to simplify Rococo—a style that coincided with the Louis XIV style in France. Adam’s furniture is characterized by: techniques such as gilding, marquetry, fluting and reeding; low-relief classic Greek and Roman ornament such as husks, vases, swags, urns, griffins, anthemions, and honeysuckles; woods including mahogany, satinwood, and rosewood; and furniture with straight, tapered, fluted legs. Amphora: A large, two-handled, earthenware vessel with a narrow neck and an ovoid body, originally used in Greece for the storage of grain. Later adopted as a Neoclassical decorative motif. Anthemion: Leafage resembling the flower of a honeysuckle. This design was used during the Adam period and the Regency period. Appliqué or applied ornament: Carved or shaped decoration, usually wood or metal, glued or nailed to furniture. Inwood Room Apron: A wooden panel that connects the surface and legs of a table or chair. It is placed at right angles to the underside of a tabletop or seat of a chair, and extends between the top of the legs. Aprons are also used on bottoms of cabinets, chests, and other furnishings. Ball foot: The foot of the leg is round. Baroque: (circa 1620–1700) A period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, theater, and music. -
How to Know Period Styles in Furniture; a Brief History of Furniture From
LIBRARY TAT TBACHCNB OOl_L ANTA BARBARA. CALIFORNIA LIBRARY I'A 2 HOW TO KNOW PERIOD STYLES IN FURNITURE A Brief History of Furniture from the Days of Ancient Egypt to the Present Time, Illustrated with over 300 Typical Examples and a Brief Description of Each Period By W. L. KIMERLY STATE NOffiAL SCH00L MANUAL ARTS Af'D H6KE SANTA BARBARA, CALIFORNIA 1912 GRAND RAPIDS FURNITURE RECORD CO. Grand Rapids, Michigan Copyright, 1912, By W. L. Kimerly, Grand Rapids, Mich. Copyright, 1912, By The Grand Rapids Furniture Record Co. Grand Rapids, Mich. THE OBJECT OF THIS BOOK Most books published on furniture are too voluminous for any one except the professional designer. Many of them are in a foreign language and they are invari- ably high in price. It is the object of this book to arrange in a clear, practical way, a brief history of furniture, illustrating same with typical examples of each period and a brief description of each, so as to produce a CO handy reference for all who may wish to understand "Period Styles in Furniture." W. L. KIMERLY. March 1, 1912. PREFACE A knowledge of period styles in furniture is as necessary to those who would properly furnish a home as a knowledge of grammar is to those who would speak correctly. All period styles have a history and an exceedingly interesting one. The historical styles in furniture are those that have stood the test of time; they were not created in a day, but were gradually developed to fit the needs of civilization and society; a change in government or religion has always been reflected in the character of the furniture. -
English Furniture of the Cabriole Period
^ English Furniture of the Cabriole Teriod^ by H. ^Ipray Tipping Jonathan C^pe SleTen Gower Street, London First published 1922 All Rights reserved PRINTED IN GREAT BRITAIN BY RICHARD CLAY & SONS. LIMITED, BUNGAY, aUFFOLK. QNTV. OP MASSACKIOTTIS 'AT BOSTON -LffiRART Contents Chapter i Illustrations Plate I Writing Desk on Stand: Walnut, c. 1710. 2 Small Writing Bureau with Legs : Walnut, c. 1 710-15. 3 Scrutoire^ or Writing Bureau: Mahogany, c. 1740-50. 4 Bureau-Dressing-Table : Mahogany, c. 1750. 5 Mahogany Writing Cabinet, c. 1735. Double 6 Che§l of Drawers : Mahogany, c. 1 750. 7 (i) Walnut Chair with High Curved Carved Back. c. 1695. (2) Walnut Chair of Fully Developed Queen Anne Type. c. 1 714. „ 8 Walnut Settee of Small Size. c. 1710. „ 9 Large Walnut Settee, c. 1730. „ 10 Walnut Chair of Office, c. 1730. jj 1 1 (i) Child's Walnut Arm Chair, c. 1725. (2) Mahogany Writing Chair, c. 1745. „ 12 (i) Walnut Arm Chair, Uphol§lered. c. 1740. (2) Mahogany Chair, Arm Supports springing from the Corners of the Frame, c. 1750. 5, 13 (i <y 2) Walnut Stools with Claw-and-Ball Feet. c. 1730. J, 14 Mahogany Stools (i) Spinet Stool, c. 1735. (2) Chippendale Chino-Gothic Style, c. 1755. 5, 15 Small Mahogany Settee of Two Chairback Type. c. 1750. „ 16 Large Mahogany Sofa. c. 1760. ,,17 Round Flap Dining-Table. c. 1730. 5, 18 Side-Table with Breche Violette Marble Top. c. 1730. vii Illustrations Plate 19 Tea or China Table, c. 1725. 20 Tea or China Table, c. -
New York Furniture the Federal Period 1788-1825
The Federal Period 1788-1825 by John L. Scherer New York State Museum The University of the State of New York Cover photograph: Regents of the University Detail of a classical card table, c. 1820. Attributed to Michael Manin C. Barell, Chll11allm, Allison. Sec page 26. B.A., I.A., Ll..B. Muttontown R. Carlos Carballada, Vice Chunccllor, B.S. Rochester Willard A. Genrich, Ll .. B. Buffalo Emlyn I. Criffith, A.B., J.D. Rome Jorge L. Batista, B.A., J.D. Bronx Laura Bradley Chodos, B.A., M.A. Vischer Ferry Louise P. Matteoni, B.A., M.A., Ph.D. Bayside J. Edward Meyer, B.A., LLB. Chappaqua Floyd S. Linton, A.B., M.A., M.P.A. Miller Place Mimi Levin Lieber, B.A., M.A. Manhattan Shirley C. Brown, B.A., M.A., Ph.D. Albany Norma Gluck, B.A., M.S.W. Manhatwn James W. McCabe, Sr., A.B., M.A. Johnson City Adelaide L. Sanford, B.A., M.A., Ph.D. Hollis Walter Cooper, B.A., Ph.D. Rochester Gerald J. Lustig, B.A., M.D. Staten Island President of the University and Commissioner of Education Thomas Sobol Executive Deputy Commissioner of Education Thomas E. Sheldon Deputy Commissioner for Cultural Education Carole F. Huxley Assistant Commissioner and Director of the New York State Museum Martin E. Sullivan Director, Division of Research and Collections NEW YORK r I Paul Scudiere Director of Publications, New York State Museum Miriam S. Soffer THE STATE OF !,EARNING fhc St.He Educrnon Department doc~ not di"cnnun,He on the b,1::,1::, of age, color, rdig1on, creed, d1::,.:ibil1t;, manta! <,LHU'>.