The Call Spring-Summer 2010
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The Collected Works of Ambrose Bierce
m ill iiiii;!: t!;:!iiii; PS Al V-ID BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Henrg W, Sage 1891 B^^WiS _ i.i|j(i5 Cornell University Library PS 1097.A1 1909 V.10 The collected works of Ambrose Blerce. 3 1924 021 998 889 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021998889 THE COLLECTED WORKS OF AMBROSE BIERCE VOLUME X UIBI f\^^°\\\i COPYHIGHT, 1911, Br THE NEALE PUBLISHING COMPANY CONTENTS PAGE THE OPINIONATOR The Novel 17 On Literary Criticism 25 Stage Illusion 49 The Matter of Manner 57 On Reading New Books 65 Alphab£tes and Border Ruffians .... 69 To Train a Writer 75 As to Cartooning 79 The S. p. W 87 Portraits of Elderly Authors .... 95 Wit and Humor 98 Word Changes and Slang . ... 103 The Ravages of Shakspearitis .... 109 England's Laureate 113 Hall Caine on Hall Gaining . • "7 Visions of the Night . .... 132 THE REVIEWER Edwin Markham's Poems 137 "The Kreutzer Sonata" .... 149 Emma Frances Dawson 166 Marie Bashkirtseff 172 A Poet and His Poem 177 THE CONTROVERSIALIST An Insurrection of the Peasantry . 189 CONTENTS page Montagues and Capulets 209 A Dead Lion . 212 The Short Story 234 Who are Great? 249 Poetry and Verse 256 Thought and Feeling 274 THE' TIMOROUS REPORTER The Passing of Satire 2S1 Some Disadvantages of Genius 285 Our Sacrosanct Orthography . 299 The Author as an Opportunity 306 On Posthumous Renown . -
Vanausdall on Duncan and Klooster, 'Phantoms of a Blood- Stained Period: the Complete Civil War Writings of Ambrose Bierce'
H-Indiana Vanausdall on Duncan and Klooster, 'Phantoms of a Blood- Stained Period: The Complete Civil War Writings of Ambrose Bierce' Review published on Thursday, August 1, 2002 Russell Duncan, David J. Klooster, eds. Phantoms of a Blood-Stained Period: The Complete Civil War Writings of Ambrose Bierce. Amherst: University of Massachusetts Press, 2002. xiv + 343 pp. $60.00 (cloth) ISBN 1-55849-327-1; $19.95 (paper), ISBN 978-1-55849-328-5. Reviewed by Jeanette Vanausdall (independent historian, Indianapolis)Published on H-Indiana (August, 2002) Writer as Witness Writer as Witness Phantoms of a Blood-Stained Period: The Complete Civil War Writings of Ambrose Bierce, edited by Russell Duncan and David J. Klooster, is a useful addition to the small assortment of Bierce collections available to students and scholars today. Bierce was perhaps the most significant American writer to have actually been a soldier throughout the war. For this reason alone he would be worth reading. But Bierce holds special interest for the student of the war because his work was so markedly different from most first-hand accounts, particularly the revisionist regimental histories that littered the literary landscape during the decades after the war. Rather than glorify the war and the soldiers who fought it, Bierce insisted upon exposing the bloodiness, brutality, stupidity, fear and cowardice to which he had been witness. Bierce genuinely deplored the war, but he also seemed to revel in his reputation as the foremost malcontent of his generation. Born in Meigs County, Ohio in 1842, Bierce's family was living in Indiana when the war broke out. -
Numbers 1 & 2 Spring & Fall 2008
Jeffers Studies Volume 12 Numbers 1 & 2 Spring & Fall 2008 A Double Issue Including a Special Section of Early and Unpublished Work Contents Editor’s Note iii Articles Kindred Poets of Carmel: The Philosophical and Aesthetic Affinities of George Sterling and Robinson Jeffers John Cusatis 1 The Ghost of Robinson Jeffers Temple Cone 13 Jeffers’s Isolationism Robert Zaller 27 Special Section of Early and Unpublished Work The Collected Early Verse of Robinson Jeffers: A Supplement Robert Kafka 43 Haunted Coast Dirk Aardsma, Transcriber and Editor 57 Book Review The Collected Letters of Robinson Jeffers with Selected Letters of Una Jeffers, Volume One, 1890 –1930 Reviewed by Gere S. diZerega, M.D. 77 News and Notes 93 Contributors 99 Cover photo: Robinson Jeffers and George Sterling, c. 1926. Courtesy Jeffers Literary Properties. George Hart Editor’s Note This double issue of volume 12 of Jeffers Studies continues our commit- ment to present readers with original Jeffers material—photos, drafts, unpublished and obscure work, and so on—that will aid and enhance scholarship and interest readers in general. The special section in this volume contains two such items: a supplement to The Collected Early Verse and a transcription of an unpublished manuscript from Occidental College’s Jeffers collection. Robert Kafka has unearthed eight poems from Jeffers’s early years that have never before been collected. Four of the poems originally appeared in The Los Angeles Times, and the other four were included in correspondence or uncatalogued archival collec- tions. One manuscript was given to a one-time girlfriend, and we are happy to reproduce an image of it and a photo of the young lady, Vera Placida Gardner. -
“An Occurrence at Owl Creek Bridge” (1891) Ambrose Bierce (1842-1914?)
ANALYSIS “An Occurrence at Owl Creek Bridge” (1891) Ambrose Bierce (1842-1914?) “[Stephen] Crane made no comment whatever, sliding his glass of whiskey up and down. Later he asked whether [journalist Robert H.] Davis had read Bierce’s ‘Occurrence at Owl Creek Bridge.’ ‘Nothing better exists. That story contains everything. Move your foot over,’ and he wanted to know what Bierce was like personally--especially whether he had plenty of enemies. ‘More than he needs,’ Davis said. ‘Good,’ said Crane. ‘Then he will become an immortal,’ and shook hands, just shaking his head when Davis gestured toward his untouched whiskey.” [1897] John Berryman Stephen Crane (World/Meridian 1962) 170 His best and most reprinted story is “An Occurrence at Owl Creek Bridge.” A captured Confederate is hung from a bridge by Union troops, but the rope breaks--and he falls into the creek! He escapes ashore and finally makes it back to his plantation: “He must have traveled the entire night.” He rushes toward the open arms of his wife coming down from the veranda to embrace him. “As he is about to clasp her he feels a stunning blow upon the back of the neck... His body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek Bridge.” The surprise ending and the gothic horror are in the tradition of Poe. As a whole, however, the story is a brilliant early example of Modernism, combining techniques of Realism, Impressionism and Expressionism with Naturalistic themes: “Objects were represented by their colors only; circular horizontal -
Geography and Warfare in Ambrose Bierce's Civil War Texts
BENEDICT VON BREMEN Battlefi eld Topography: Geography and Warfare in Ambrose Bierce’s Civil War Texts Whether in camp or on the march, in barracks, in tents, or en bivouac, my duties as topographical engineer kept me working like a beaver – all day in the saddle and half the night at my drawing table. It was hazardous work […] Our frequent engagements with the Confederate outposts, patrols, and scouting parties [...] fi xed in my memory a vivid and apparently imperishable picture of the locality – a picture serving instead of accurate fi eld notes, which, indeed, it was not always convenient to take, with carbines cracking, sabers clashing, and horses plunging all about. These spirited en- counters were observations entered in red.1 A quarter-century ago I was myself a soldier […] To this day I cannot look over a landscape without noting the advantages of the ground for attack or defense; here is an admirable site for an earthwork, there a noble place for a fi eld battery.2 No country is so wild and diffi cult but men will make it a theatre of war […].3 Ambrose Gwinnett Bierce (1842-?), although “rediscovered”4 every so oft en, belongs to the most well-known authors of Gilded Age and fi n de siècle America. “Bitter Bierce,” sarcastic commentator of his time and countrymen, was among the most well-known journalists on the U.S. west coast from the 1880s onward and attained some national fame at the turn of the century.5 His stories “An Occurrence at Owl Creek Bridge” and “Chickamauga” are U.S. -
The Early Years Ambrose Bierce Didn't Rise to Writing Fame in Quite
Introduction – The Early Years Ambrose Bierce didn’t rise to writing fame in quite the same glory as Edgar Allen Poe, but in many ways his writing style and story telling was no less compelling. Bierce left his mark in history during this time period as a journalist, humorist, satirist, and editor. He developed his character, credentials and influence through his writing. He is best known for his Civil War short stories and his very own ‘Devil’s Dictionary’. The unique elements of Bierce’s writing provided not only entertainment, but also information. Through his writing he was able to share his opinions in an influential way which gave him both prestige and power. Ambrose Bierce was born on a farm, the tenth child of thirteen children, all with names beginning with ‘A’, in Elkart, Ohio .It appears that Bierce the writer and Bierce the man were consciously developed by him through a series of half truths. What is known about Ambrose Bierce is more what he wanted you to know. With his fame came the scrutiny of his critics. He earned the reputation of being known as Bitter Bierce, and his critics could be harsh. Walter Neale’s book about the Ambrose Bierce’s life is a tribute to the author through the eyes of a friend. Even Neale has difficulty reconciling the many contradictions surrounding the truth about Ambrose Bierce. Neale writes after researching Bierce’s early life, “It is now clear to me why Bierce misrepresented his early life. He was ashamed of his lowly estate while in Elkhart (Neale, p39).” Ambrose Bierce repeatedly told Neale the story of his early life saying that “he was born on a farm in the Western Reserve, in Ohio, and had there remained until he was about seventeen, when he tired of farm life, ran away from home, to Chicago, and had there engaged in free-lance work for newspapers until he enlisted in the Union Army at the outbreak of the Civil War.” With great pride he would continue that “he came from an old New England family, cultured, and of local distinction. -
An Occurrence at Owl Creek Bridge Bierce, Ambrose
An Occurrence at Owl Creek Bridge Bierce, Ambrose Published: 1988 Categorie(s): Fiction, Short Stories, War & Military Source: http://gutenberg.org 1 About Bierce: Ambrose Gwinnett Bierce (June 24, 1842 – 1914?) was an American ed- itorialist, journalist, short-story writer and satirist. Today, he is best known for his short story, An Occurrence at Owl Creek Bridge and his satirical dictionary, The Devil's Dictionary. The sardonic view of human nature that informed his work – along with his vehemence as a critic – earned him the nickname, "Bitter Bierce." Despite his reputation as a searing critic, however, Bierce was known to encourage younger writers, including the poet, George Sterling and the fiction writer, W. C. Morrow. In 1913, Bierce traveled to Mexico to gain a firsthand perspective on that country's ongoing revolution. While traveling with rebel troops, the eld- erly writer disappeared without a trace. Also available on Feedbooks for Bierce: • The Damned Thing (1898) Copyright: This work is available for countries where copyright is Life+70. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 I A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man's hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. Some loose boards laid upon the ties supporting the rails of the railway supplied a footing for him and his execution- ers—two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. -
Jack London Collection
http://oac.cdlib.org/findaid/ark:/13030/tf8q2nb2xs No online items Inventory of the Jack London Collection Processed by The Huntington Library staff; machine-readable finding aid created by Gabriela A. Montoya Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org/huntingtonlibrary.aspx?id=554 © 1998 The Huntington Library. All rights reserved. Inventory of the Jack London 1 Collection Inventory of the Jack London Collection The Huntington Library San Marino, California Contact Information Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org/huntingtonlibrary.aspx?id=554 Processed by: David Mike Hamilton; updated by Sara S. Hodson Date Completed: July 1980; updated May 1993 Encoded by: Gabriela A. Montoya © 1998 The Huntington Library. All rights reserved. Descriptive Summary Title: Jack London Collection Creator: London, Jack, 1876-1916 Extent: 594 boxes Repository: The Huntington Library San Marino, California 91108 Language: English. Access Collection is open to qualified researches by prior application through the Reader Services Department. For more information please go to following URL. Publication Rights In order to quote from, publish, or reproduce any of the manuscripts or visual materials, researchers must obtain formal permission from the office of the Library Director. In most instances, permission is given by the Huntington as owner of the physical property rights only, and researchers must also obtain permission from the holder of the literary rights In some instances, the Huntington owns the literary rights, as well as the physical property rights. -
George Sterling Papers M0021
http://oac.cdlib.org/findaid/ark:/13030/tf8m3nb3dv No online items Guide to the George Sterling Papers M0021 Department of Special Collections and University Archives 1999, revised 2017 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the George Sterling M0021167 1 Papers M0021 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: George Sterling papers source: Blaettler, Rudolph source: Bynner, Witter source: Bender, Albert M. (Albert Maurice), 1866-1941 Creator: Sterling, George, 1869-1926 Identifier/Call Number: M0021 Identifier/Call Number: 167 Physical Description: 1 Linear Feet(2 boxes) Date (inclusive): 1909-1942 Date (bulk): 1920-1926 Abstract: George Sterling (1869–1926) was an American writer, poet and playwright based in the San Francisco, California Bay Area. Immediate Source of Acquisition The majority of the Sterling papers came to Stanford as a gift of Rudolf Blaettler, collector. The Bynner-Sterling correspondence is a gift of Witter Bynner. (Oct 1960) Biographical / Historical American poet and playwright George Sterling was born in Sag Harbor, N.Y. on December 1, 1869. He was educated on the East Coast and attended St. Charles College in Maryland. In 1896 he married Carrie Rand of Oakland, California, and from 1898 to 1908 he was private secretary to Frank C. Havens of that city. Sterling's first volume of poems, " Testimony of the Suns and Other Poems, was published in 1903. After that time, there were nine other volumes and a number of separate poems published. From 1908 to 1915, Sterling was one of the leaders of the artist colony at Carmel, California. -
Shiloh: Bloody Sacrifice That Changed the Arw
North Alabama Historical Review Volume 1 North Alabama Historical Review, Volume 1, 2011 Article 14 2011 Shiloh: Bloody Sacrifice that Changed the arW Jeshua Hinton Follow this and additional works at: https://ir.una.edu/nahr Part of the Public History Commons, and the United States History Commons Recommended Citation Hinton, J. (2011). Shiloh: Bloody Sacrifice that Changed the arW . North Alabama Historical Review, 1 (1). Retrieved from https://ir.una.edu/nahr/vol1/iss1/14 This Article is brought to you for free and open access by UNA Scholarly Repository. It has been accepted for inclusion in North Alabama Historical Review by an authorized editor of UNA Scholarly Repository. For more information, please contact [email protected]. Articles 161 Shiloh: Bloody Sacrifice that Changed the War Jeshua Hinton The Battle of Shiloh effected a great change on how the American people and its soldiers viewed and fought the Civil War. William Tecumseh Sherman is famous for stating “war is hell,” and Shiloh fit the bill. Shelby Foote writes: This was the first great modern battle. It was Wilson’s Creek and Manassas rolled together, quadrupled, and compressed into a smaller area than either. From the inside it resembled Armageddon […] Shiloh’s casualties [roughly 23,500-24,000], was more than all three of the nation’s previous wars.1 The battle itself was a horrific affair, but Shiloh was simply more than numbers of killed, or the amount of cannon fired, or some other quantifiable misery. The deaths at Shiloh made America comprehend what type of cost would be exacted to continue the war, and was a foreshadowing of the blood-letting that lie ahead. -
Homes of Famous Carmelites
Homes of Famous Carmelites To see on Google Maps: https://bit.ly/2XBf0Lx Numbers in parentheses refer to the map in Creating Carmel by Ann and Harold Gilliam (1992), pgs. 66-67. · Mary Hunter Austin House (24) – Miss Austin moved to Carmel around 1907, after her participation in the legendary California Water Wars, and after living in the Mojave Desert for many years. An ardent feminist and human rights activist, the prolific poet, playwright and novelist built the serene and secluded “Rose Cottage” th located at 4 Avenue and Monte Verde Street. It sits on a flat spot on top of a steeply sloped property down in a gully, and there is a huge oak tree in front of it. Mary Austin did much of her writing in a tree house she called “Wick-i-up.” The cottage has extensive gardens and two gates with paths leading to it from each side of the intersection of Lincoln and Fourth. · George Sterling House (12) – The handsome poet known to his friends as “The King of Bohemia” built a bungalow in the piney slopes above Carmel Mission, located on Torres Street. It is the third house south of 10th Avenue on the east side. The poet’s home featured a large living room with an oversized fireplace made of stones Sterling had hauled from Carmel Valley. Friends and fellow artists such as Upton Sinclair, Jack London and James Hopper gathered here to carouse, organize beach parties and tell tales. The house is surrounded by a high wire fence. · Arnold Genthe House (32) – At the turn of the 20th century, Genthe’s photographs of San Francisco’s society matrons and the denizens of Chinatown earned him a living but it was his record of the aftermath of the 1906 earthquake that made him famous. -
TOPOPHONES in RAY BRADBURY's SCIENCE FICTION Nataliya Panasenko University of SS Cyril and Methodius in Trnava, Trnava, Slovakia
© 2018 N. Panasenko Research article LEGE ARTIS Language yesterday, today, tomorrow Vol. III. No 1 2018 WHERE, WHY, AND HOW? TOPOPHONES IN RAY BRADBURY'S SCIENCE FICTION Nataliya Panasenko University of SS Cyril and Methodius in Trnava, Trnava, Slovakia Panasenko, N. (2018). Where, why, and how? Topophones in Ray Bradbury's science fiction. In Lege artis. Language yesterday, today, tomorrow. The journal of University of SS Cyril and Methodius in Trnava. Warsaw: De Gruyter Open, 2018, III (1), June 2018, p. 223-273. DOI: 10.2478/lart-2018-0007 ISSN 2453-8035 Abstract: The article highlights the category of literary space, connecting different topophones with the author's worldview. Topophones in the works by Ray Bradbury are used not only for identifying the place where the events unfold but they equally serve as the background to the expression of the author's evaluative characteristics of the modern world, his attitude to science, the latest technologies, and the human beings who are responsible for all the events, which take place not only on the Earth, but also far away from it. Key words: chronotope, chronotype, topophone, author's worldview, microtoponym, Biblical allusions. Almost no one can imagine a time or place without the fiction of Ray Bradbury ("Washington Post") 1. Introduction The literary critic Butyakov (2000) once called Ray Bradbury one of the most prominent writers of the 20th century, "A Martian from Los Angeles". This metaphor containing two topophones shows how important literary space was for the author who represented the genre of science fiction. Bradbury violates the laws of nature and sends his readers to the distant future to conquer other planets or readily makes them travel to the past.