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Sky Pilot, How High Can You Fly - Not Even Past
Sky Pilot, How High Can You Fly - Not Even Past BOOKS FILMS & MEDIA THE PUBLIC HISTORIAN BLOG TEXAS OUR/STORIES STUDENTS ABOUT 15 MINUTE HISTORY "The past is never dead. It's not even past." William Faulkner NOT EVEN PAST Tweet 19 Like THE PUBLIC HISTORIAN Sky Pilot, How High Can You Fly by Nathan Stone Making History: Houston’s “Spirit of the Confederacy” I started going to camp in 1968. We were still just children, but we already had Vietnam to think about. The evening news was a body count. At camp, we didn’t see the news, but we listened to Eric Burdon and the Animals’ Sky Pilot while doing our beadwork with Father Pekarski. Pekarski looked like Grandpa from The Munsters. He was bald with a scowl and a growl, wearing shorts and an official camp tee shirt over his pot belly. The local legend was that at night, before going out to do his vampire thing, he would come in and mix up your beads so that the red ones were in the blue box, and the black ones were in the white box. Then, he would twist the thread on your bead loom a hundred and twenty times so that it would be impossible to work with the next day. And laugh. In fact, he was as nice a May 06, 2020 guy as you could ever want to know. More from The Public Historian BOOKS America for Americans: A History of Xenophobia in the United States by Erika Lee (2019) April 20, 2020 More Books The Munsters Back then, bead-craft might have seemed like a sort of “feminine” thing to be doing at a boys’ camp. -
Lighting up Shabbat at Jewish Care
ISSUE 76 | WINTER 2016/5777 LIGHTING UP SHABBAT AT JEWISH CARE FOR FRIENDS AND SUPPORTERS OF Contents News and features Editorial enquiries: 020 8922 2761 News stories ............................................................................................................................................4 Email: [email protected] Design & production by News in photos ............................................................................................................................................5 Mark Wingrove, Jewish Care’s in-house Shabbat at Jewish Care ............................................................................................................................................8 design studio to keep costs to a minimum Cover photo Developing supportive communities..................................................................................................................10 Volunteer Shoshi Silverblatt and Selig Court resident Hani Bayer Health Insight’s from leading practitioners ................................................................................................ 13 at a Jewish Care Havdalah Michael’s lasting legacy ........................................................................................................................................17 Contributing writers Naomi Creeger, Simon Morris, Ask us a question ........................................................................................................................................18 Kezia Racher, Hannah Richter Tara Shaw, -
Psaudio Copper
Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column. -
Eric Burdon & the Animals River Deep Mountain
Eric Burdon & The Animals River Deep Mountain High / Ring Of Fire mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: River Deep Mountain High / Ring Of Fire Country: Germany Style: Classic Rock MP3 version RAR size: 1245 mb FLAC version RAR size: 1867 mb WMA version RAR size: 1574 mb Rating: 4.9 Votes: 366 Other Formats: RA TTA APE AUD AAC AC3 MP3 Tracklist Hide Credits River Deep Mountain High River Deep Mountain High A1 7:20 Written-By – P. Spector/J. Barry/E. Greenwich* I'm An Animal A2 5:32 Written-By – Stewart Sylvester* I'm Dying, Or Am I ? A3 4:32 Written-By – Eric Burdon Gemini B1 Written-By – Steve Hammond The Madman (Running Through The Fields) B2 17:15 Written-By – Andy Somers*, George Bruno Money Ring Of Fire Ring Of Fire C1 5:25 Written-By – June Carter*, Merle Kilgore Coloured Rain C2 9:30 Written-By – Chris Wood , James Capaldi*, Steve Winwood To Love Somebody D1 7:20 Written-By – Barry Gibb, Robin Gibb As The Years Go Passing By D2 10:12 Written-By – Deadric Malone Companies, etc. Recorded At – T.T.G. Studios Printed By – Gerhard Kaiser GmbH Credits Arranged By – The Animals Drums, Percussion, Vocals – Barry Jenkins Engineer – Brian Ingoldsby Guitar, Vocals – Andy Summers, John Weider Lead Vocals – Eric Burdon Mixed By [Remix] – Andy Summers, Zoot Money Organ, Piano [Various], Bass Guitar, Vocals – Zoot Money Producer – The Animals Notes Label Info: Unverkäufliche Musterplatte - Sample not for sale Double Back release Recorded at T.T.G.: Sunset Sound Studios, Hollywood, Calif., Oct. -
Pirates Update
THREE AUGUST GIGS SET PIRATES FOR FERRY TOUR BREAK. As many of you are already aware, Mick has been co-opted into the Bryan Ferry world touring band until the end of 2002. It has UPDATE meant that we have not been able to plug in any UK Pirates gigs No 5 - Summer 2002 apart from these three dates we’ve rapidly slotted in during the B.F. tour ‘holiday’ in August. These are unfortunately likely to be the only chance you will have to see the band live this year. IT WAS NUMBER ONE, IT’S.. 4 FRIDAY 09 AUGUST - THE BORDERLINE3 WEST END OF LONDON Compact, good atmosphere guaranteed. A favourite band venue. Manette Street, (Off Charing Cross Road), London W1. 2 mins. Tottenham Court Rd tube (Central/Northern lines), buses along Oxford St. Tickets: £11 in advance, £12 on the night. Box office for personal callers 10am - 6pm Mon - Sat: Bar Salsa, 96 Charing Cross Road, London WC2 1AH. (Telephone Bookings: 020 7395 0777. Ticket Agency: Stargreen: 020 7734 8932 (+Booking Fee). Doors 8.30pm. Promoter's Web Site: www.borderline.co.uk 4 FRIDAY 16 AUGUST - BOOM! BOOM! CLUB3 SUTTON, SURREY On 27th March, the band went entered the pressurised televi- New venue due to problems with the W.P.C. and The Woodstock. into BBC Television Centre to sion studio environment not hav- At Sutton United Football Club, Gander Green Lane, Sutton, record Shakin', Honey Hush and ing even met Johnny before! Surrey. Opp. West Sutton BR Station (10 mins to Wimbledon, 3 Peter Gunn for an upcoming trans- Simon who had at least played mins Sutton BR) Tickets: £10. -
Goodnight Saigon: Billy Joel’S Musical Epitaph to the Vietnam War
Touro Law Review Volume 32 Number 1 Symposium: Billy Joel & the Law Article 5 April 2016 Goodnight Saigon: Billy Joel’s Musical Epitaph to the Vietnam War Morgan Jones Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Law Commons, and the Other Music Commons Recommended Citation Jones, Morgan (2016) "Goodnight Saigon: Billy Joel’s Musical Epitaph to the Vietnam War," Touro Law Review: Vol. 32 : No. 1 , Article 5. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol32/iss1/5 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Jones: Goodnight Saigon GOODNIGHT SAIGON: BILLY JOEL’S MUSICAL EPITAPH TO THE VIETNAM WAR Morgan Jones* Billy Joel adopted new personae and took on new roles in several songs on both 1982’s The Nylon Curtain1 and his penultimate studio album to date, 1989’s Storm Front.2 In what some have seen as an attempt to reach a more adult audience, to “move pop/rock into the middle age and, in the process, earn critical respect,”3 Joel put on new hats (literally, at times: his fedora-wearing balladeer appears prominently in the video for “Allentown”) for “Allentown” and “The Downeaster ‘Alexa’,” “Pressure” and “We Didn’t Start the Fire,” and “Goodnight Saigon” and “Leningrad.”4 Each of these pairs of songs saw Joel endeavoring to make statements about issues that were bigger than he and his own life, which was in stark contrast to his sources of inspiration for his earlier, more self-centered albums. -
Download Date 27/09/2021 09:14:37
Out of sight: the mediation of the music festival Item Type Book chapter Authors Goodall, Mark D. Citation Goodall MD (2015) Out of sight: the mediation of the music festival. In: McKay G (Ed.) The Pop Festival: History, Music, Media, Culture. London: Bloomsbury. Rights (c) 2015 Bloomsbury. Full-text reproduced with publisher permission. Download date 27/09/2021 09:14:37 Link to Item http://hdl.handle.net/10454/10323 The University of Bradford Institutional Repository http://bradscholars.brad.ac.uk This work is made available online in accordance with publisher policies. Please refer to the repository record for this item and our Policy Document available from the repository home page for further information. To see the final version of this work please visit the publisher’s website. Access to the published online version may require a subscription. Citation: Goodall MD (2015) Out of sight: the mediation of the music festival. In: McKay G (Ed.) The Pop Festival: History, Music, Media, Culture. London: Bloomsbury. Copyright statement: © 2015 Bloomsbury. Full-text reproduced with publisher permission. Chapter 4. Out of sight: the mediation of the music festival The children danced night and day. Eric Burdon, Monterey1 The pop festival grows from nothing; it rises up from an empty space into an audio- visual spectacle, captivating the thousands of individuals who have made the pilgrimage to witness it. Over the years these musical staged events, with a strong visual dimension, have attracted media producers, especially film-makers. This chapter explores how the pop festival has been mediated over time, from the early pioneering films of music festivals through to the modern festival. -
Gold Castle Label Discography the Label Was Founded in 1986 by Danny Goldberg and Juilan Schlossberg
Gold Castle Label Discography The label was founded in 1986 by Danny Goldberg and Juilan Schlossberg. Originally distributed by PolyGram, it switched its distribution to CEMA (Capitol) in 1989. 171 Series (Distributed by PolyGram): 171 001-1 –No Easy Walk to Freedom –Peter, Paul & Mary [1986] Weave Me the Sunshine/Right Field/I’d Rather Be in Love/State of the Heart/No Easy Walk to Freedom//Greenland Whale Fisheries/Whispered Words/El Salvador/Greenwood/Light One Candle 171 002-1 –Trust Your Heart –Judy Collins [1987] Trust Your Heart/Amazing Grace/Jerusalem/Day by Day/The Life You Dream//The Rose/Moonfall/Morning Has Broken/When a Child Is Born/When You Wish Upon a Star 171 003-1 –The Washington Squares –Washington Squares [1987] 171 004-1 –Recently –Joan Baex [1987] 171 005-1 –Waiting for a Miracle: Singles 1970-1987 –Bruce Cockburn [1987] 2-LP set. 171 006-1 –Intervals in Sunlight –John Weider [1987] 171 007-1 –Pilgrims –Eliza Gilkyson [1987] 171 008-1 –The Trouble with Normal –Bruce Cockburn [1987] Reissue of Gold Mountain GM-3283. 171 009-1 –Dancing in the Dragon’sJaws –Bruce Cockburn [1987] Reissue of Gold Mountain GM-3276. 171 010-1 –Stealing Fire –Bruce Cockburn [1987] Reissue of Gold Mountain GM-80012. Lovers in a Dangerous Time/Maybe the Poet/Sahara Gold/Making Contact/Peggy’sKitchen Wall//To Raise the Morning Star/Nicaragua/If I Had a Rocket Launcher/Dust and Diesel. 171 011-1 –Short Vacation –Kenny Vance [1987] 171 012-1 –Sunbathing in Leningrad –David Hayes [1988] Lindonvarne/Summer Storm/County Fair/October Wind/Elephant -
ABOUT the RESTORATION This New Digital Restoration Was Undertaken by the Criterion D
“California at that point was PRESENTS everybody’s idea of a new kind of place to find yourself . It wasn’t just the drugs, but the kind of music and the lifestyle that it began to represent.” —D. A. Pennebaker “Monterey was the purest, most beautiful moment of the whole sixties trip . It was a magical, pure moment in time.” —Dennis Hopper “Ralph Gleason and Bill Graham helped bring San Francisco and Los Angeles together. They were the musical ambassadors who really made the festival happen.” —Lou Adler On a beautiful June weekend in 1967, at the beginning of the Summer of Love, the first Monterey International Pop Festival roared forward, capturing a decade’s spirit and ushering in a new era of rock and roll. Monterey featured career-making performances by Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few among a wildly diverse cast that included Simon and Garfunkel, the Mamas and the Papas, the Who, the Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic vérité style, D. A. Pennebaker captured it all, immortalizing moments that have become legend: Pete Townshend destroying his guitar, Jimi Hendrix burning his. ABOUT THE RESTORATION This new digital restoration was undertaken by the Criterion D. A. Pennebaker, Chris Hegedus, and Frazer Pennebaker. Collection with L’Immagine Ritrovata and Metropolis Post. The soundtrack was remastered by Eddie Kramer from the The original 16 mm A/B reversal was scanned in 16-bit 4K original analog 8-track tapes produced by Lou Adler and resolution. The restoration was supervised and approved by John Phillips. -
The British Invasion: Finding Traction in America by Piacentino Vona A
The British Invasion: Finding Traction in America by Piacentino Vona A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2018 © Piacentino Vona 2018 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract As a period of American History, the 1960s has provided historians and academics with a wealth of material for research and scholarship. Presidents John F. Kennedy, Lyndon B. Johnson and Richard Nixon, the Vietnam War, the hippie era, and the Civil Rights Movement, among other topics have received thorough historical discussion and debate. Music was another key aspect in understanding the social history of the 1960s. But unlike the people and events mentioned above, historians have devoted less attention to music in the historical landscape. The British Invasion was one such key event that impacted America in the 1960s. Bands such as the Beatles, the Rolling Stones, and the Who found their way into the United States and majorly impacted American society. Using secondary sources, newspaper articles, interviews and documentaries on these bands, this thesis explores the British Invasion and its influence in the context of 1960s America. This thesis explores multiple bands that came in the initial wave. It follows these bands from 1964-1969, and argues that the Beatles, the Rolling Stones, and the Who shared common multiple factors that allowed them to attain the traction to succeed and to maintain that success in the United States. -
Gig” “This Won’T TICKETS Be Just MONKEYSARCTICTO SEE
Gruff Rhys Pete Doherty Wolf Alice SECRET ALBUM DETAILS! Tune-Yards “I’ve been told not to tell but…” 24 MAY 2014 MAY 24 The Streets IAN BROWN IAN “This won’t Arctic be just another gig” Monkeys “It’s not where you’re from, it’s where you’re at...” on their biggest weekend yet and what lies beyond ***R U going to be down the front?*** Interviews with the stellar Finsbury Park line-up Miles Kane Tame Impala Royal Blood The Amazing Snakeheads TICKETS TO SEE On the town with Arctics’ THE PAST, PRESENT favourite new band ARCTIC & FUTURE OF MUSIC WIN 24 MAY 2014 | £2.50 HEADLINE US$8.50 | ES€3.90 | CN$6.99 MONKEYS BLACK YELLOW MAGENTA CYAN 93NME14021105.pgs 16.05.2014 12:29 BLACK YELLOW MAGENTA CYAN 93NME14018164.pgs 25.04.2014 13:55 ESSENTIAL TRACKS NEW MUSICAL EXPRESS | 24 MAY 2014 4 SOUNDING OFF 8 THE WEEK THIS WEEK 16 IN THE STUDIO Pulled Apart By Horses 17 ANATOMY OF AN ALBUM The Streets – WE ASK… ‘A Grand Don’t Come For Free’ NEW 19 SOUNDTRACK OF MY LIFE Anton Newcombe, The Brian Jonestown Massacre BANDS TO DISCOVER 24 REVIEWS 40 NME GUIDE → THE BAND LIST 65 THIS WEEK IN… Alice Cooper 29 Lykke Li 6, 37 Anna Calvi 7 Lyves 21 66 THINK TANK The Amazing Mac Miller 6 Snakeheads 52 Manic Street Arctic Monkeys 44 Preachers 7 HOW’s PETE SPENDING Art Trip And The Michael Jackson 28 ▼FEATURES Static Sound 21 Miles Kane 50 Benjamin Booker 20 Mona & Maria 21 HIS TIME BEFORE THE Blaenavon 32 Morrissey 6 Bo Ningen 33 Mythhs 22 The Brian Jonestown Nick Cave 7 Massacre 19 Nihilismus 21 LIBS’ COMEBACK? Chance The Rapper 7 Oliver Wilde 37 Charli XCX 32 Owen Pallett 27 He’s putting together a solo Chelsea Wolfe 21 Palm Honey 22 8 Cheerleader 7 Peace 32 record in Hamburg Clap Your Hands Phoria 22 Say Yeah 7 Poliça 6 The Coral 15 Pulled Apart By 3 Courtly Love 22 Horses 16 IS THERE FINALLY Courtney Barnett 31 Ratking 33 Arctic Monkeys Courtney Love 36 Rhodes 6 Barry Nicolson gets the skinny Cymbals Eat Guitars 7 Royal Blood 51 A GOOD Darlia 40 Röyksopp & Robyn 27 on their upcoming Finsbury Echo & The San Mei 22 Park shows. -
D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor.