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EXAUDI Repertoire 20Th-‐CENTURY and CONTEMPORARY a Ignacio

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EXAUDI Repertoire 20Th-‐CENTURY and CONTEMPORARY a Ignacio EXAUDI Repertoire 20th-CENTURY AND CONTEMPORARY A Ignacio Agrimbau The Humanist wp Georges Aperghis Récitations Richard Ayres No.33 (Valentine Tregashian considers…) UKp B Joanna Bailie Artificial Environment no.6 wp Luciano Berio E si fussi pisci Harrison Birtwistle Three Latin Motets The Last Supper On the Sheer Threshold of the Night Pierre Boulez cummings ist der Dichter C John Cage The Wonderful Widow of Eighteen Springs A Flower Four2 Hymns and Variations Litany for the Whale Ear for EAR Song Books Cornelius Cardew Ode Machines from Paragraph 5 of The Great Learning Ah, Thel Niccolò Castiglioni Hymne Stephen Chase Jandl Songs D James Dillon Hyades E Peter Eötvös SCHILLER: Energische Schönheit Gabriel Erkoreka Hymni Sacri F Morton Feldman Christian Wolff in Cambridge Voices and Cello Brian Ferneyhough Missa Brevis Stelae for Failed Time Michael Finnissy Anima Christi Seven Sacred Motets Descriptive Jottings of London wp Maldon Vertue Palm-Sunday Now wp Kiss me as if wp Marriage wp Christopher Fox Catalogue Irraisoné Open the Gate American Choruses A Glimpse of Sion’s Glory Rendered Account Preluding wp comme ses paroles wp G Stefano Gervasoni In dir Richard Glover Corradiation wp Michael Zev Gordon nine birds (rising wp H John Habron Con beso de su boca (2005) wp Andrew Hamilton right and wrong wp Morgan Hayes E Vesuvio monte wp Chung Shih Hoh River South wp Mantra:Imagine UKp Philip Howard Do not look down on me wp J Evan Johnson Colophons ("That other that ich not whenne") reflecting pool / monument wp K Dorothy Ker The Truth of Fire wp Dmitri Kourliandski Voice-off wp L Alvin Lucier Unamuno György Ligeti Lux Aeterna Nonsense Madrigals Elisabeth Lutyens The Country of the Stars Verses of Love Motet (Excerpta Tractati Logico-Philosophici) Magnificat and Nunc Dimittis M Rytis Mazulis ajapajapam UKp Sybilla UKp Eduardo Moguillansky band: wachs Claudia Molitor Das Schwein, das Schwein wp Lorem ipsum wp N Peter Nelson Bloom Luigi Nono Sarà dolce tacere P Arvo Pärt Stabat Mater Wallfährtslied Gerard Pesson cantate = pays wp Enno Poppe Interzone Alberto Posadas Vocem flentium wp Amber Priestley Unloose to the murmur wp bien ou chaud, bien serrés Ukp Gwyn Pritchard Luchnos R Filip Rathé Un muro de malos sueños Wolfgang Rihm Quo me rapis UKp mit geschlossenem Mund Sieben Passions-texte UKp S Evis Sammoutis Onomatopoeia wp James Saunders #[unassigned] Giacinto Scelsi Tre Canti Sacri Three Latin Prayers Salvatore Sciarrino Tutti i miraggi delle acque UKp Responsorio delle Tenebre UKp 12 Madrigali Arnold Schoenberg De profundis (Psalm 130) Matthew Shlomowitz Instrumental Music wp Howard Skempton Rise up, my love He wishes for the Cloths of Heaven The Flight of Song The Voice of the Spirits The Bridge of Fire Roundels of the Year The Song of Songs Five Poems of Mary Webb Two Poems of Edward Thomas Music wp Music, when soft voices die Four by the Clock Snape Interval wp Igor Stravinsky The Dove Descending Threni (solos) A Sermon, a Narrative and a Prayer (solos) The Flood (solos) T Michael Tippett complete a cappella choral music Andrew Toovey LUX V Edgard Varèse Etude pour Espace UKp Philip Venables numbers 76-80 tristan und isolde wp W James Weeks Amor de lonh Selbstbildnis als Laute wp Sint lumbi Stella Matutina wp Liebeslied als Geige wp The Open Consort Mala punica wp Inscription wp Judith Weir Missa del Cid King Harald’s Saga Vertue Love bade me welcome Christian Wolff Instrumentalist(s)-Singer(s) Madrigals X Iannis Xenakis Nuits .
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    City Research Online City, University of London Institutional Repository Citation: Pace, I. (2017). Michael Finnissy - The Piano Music (10 and 11) - Brochure from Conference 'Bright Futures, Dark Pasts'. This is the other version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17523/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] BRIGHT FUTURES, DARK PASTS Michael Finnissy at 70 Conference at City, University of London January 19th-20th 2017 Bright Futures, Dark Pasts Michael Finnissy at 70 After over twenty-five years sustained engagement with the music of Michael Finnissy, it is my great pleasure finally to be able to convene a conference on his work. This event should help to stimulate active dialogue between composers, performers and musicologists with an interest in Finnissy’s work, all from distinct perspectives. It is almost twenty years since the publication of Uncommon Ground: The Music of Michael Finnissy (Aldershot: Ashgate, 1998).
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