Witch Fever Gripped East Anglia for 14 Terrible Months
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Accused: Fairfield’S Witchcraft Trials September 25, 2014 – January 5, 2015 Educator Guide
Accused: Fairfield’s Witchcraft Trials September 25, 2014 – January 5, 2015 Educator Guide Accused: Fairfield’s Witchcraft Trials September 25, 2014 – January 5, 2015 Teacher Guide Index Introduction: The Legacy of Witchcraft Page 3 Essential Questions & Big Ideas Page 5 Accused Suggested Mini-Activity Page 6 Online Teacher Resources: Lesson Plans & Student Activities Page 7 Student & Teacher Resources: Salem Pages 9 - 10 New England Witchcraft Trials: Overview & Statistics Page 10 New England Witchcraft Timeline Pages 12 - 13 Vocabulary Page 14 Young Adult Books Page 15 Bibliography Page 15 Excerpts from Accused Graphic Novel Page 17 - 19 Educator Guide Introduction This Educator Guide features background information, essential questions, student activities, vocabulary, a timeline and a booklist. Created in conjunction with the exhibition Accused: Fairfield’s Witchcraft Trials, the guide also features reproductions of Jakob Crane’s original illustrations and storylines from the exhibition. The guide is also available for download on the Fairfield Museum’s website at www.fairfieldhistory.org/education This Educator Guide was developed in partnership with regional educators at a Summer Teacher Institute in July, 2014 and co-sponsored by the Fairfield Public Library. Participants included: Renita Crawford, Bridgeport, CT Careen Derise, Discovery Magnet School, Bridgeport, CT Leslie Greene, Side By Side, Norwalk, CT Lauren Marchello, Fairfield Ludlowe High School, Fairfield, CT Debra Sands-Holden, King Low Heywood Thomas School, Stamford, CT Katelyn Tucker, Shelton Public Schools, CT About the Exhibition: In 17th century New England religious beliefs and folk tradition instilled deep fears of magic, evil, and supernatural powers. How else to explain unnatural events, misfortune and the sudden convulsions and fits of local townspeople? In this exhibition, the fascinating history of Connecticut’s witchcraft trials is illuminated by author and illustrator Jakob Crane. -
The Threat of Witchcraft Destroyed
Clarke said she’d lie with the Devil, The threat of Witchcraft destroyed In the shape of a gentleman, Or, the trial and condemnation of Elizabeth Clarke in the county of Essex, hung at Three times a week for six years, Chelmsford the 29. of July last. He’d say ‘Besse, I must lie with you’ and she volunteered. To the Tune of, Doctor Faustus: or, Fortune my Foe. Clarke flew to witchcraft gatherings at night, In the forest, it was out of sight, They’d feast and dance till the Devil came, Learn his magical arts and swear their allegiance. Twenty-six women Clarke accused of witchcraft, Her housekeeper Helen carried out evil tasks, With the help of Elimanzer, her familiar, She cursed Grace Glascock’s daughter. Clarke blamed Anne West for the death of John Edwards, Said she quarrelled with his mother Susan, Anne was found to have suspicious marks, Richard Edwards owned a shop in In Manningtree,aw a place in Essex, She claimed they were merely birthmarks. Lived an evil, malicious witch, Manningtree, Her name was Elizabeth Clarke, Refused to sell Clarke bread and brie, Clarke was found guilty when she was tried, She worked for Satan; she had three She killed his cattle, muttering charms, Hung whilst the crowd roared and cried, Devil’s marks. Conspired with the Devil to bring about ‘Kill the witch, end our suffering and fear’, these harms. Clarke trembled and wept, shocked by the cheer. Essex had been wrecked by the Civil War, Matthew Hopkins, the witchfinder-general, Now that we know Clarke’s fate, Struck by famine and disease, yet it Arrived in March to interrogate Clarke, I must give you a Hopkins update, swore, With his assistant Stearne and searcher After Clarke, his first suspect, Loyalty to the Roundheads, Philips, Two hundred witches he did inspect. -
The Discovery of Witches, by Matthew Hopkins
The Discovery of Witches, by Matthew Hopkins THE DISCOVERY OF WITCHES IN Answer to severall QUERIES, LATELY Delivered to the Judges of Assize for the County of NORFOLK And now published by MATTHEW HOPKINS, Witch-finder FOR the Benefit of the whole KINGDOME M. DC. XLVII. EXOD. 22.18. Thou shalt not suffer a witch to live. Certaine Queries answered, which have been and are likely to be objected against MATTHEW HOPKINS, in his way of finding out Witches. Querie 1. That he must needs be the greatest Witch, Sorcerer, and Wizzard himselfe, else he could not doe it. Answ. If Satan's kingdome be divided against it selfe, how shall it stand? Querie 2. If he never went so farre as is before mentioned, yet for certaine he met with the Devill, and cheated him of his Booke, wherein were written all the Witches names in England, and if he looks on any Witch, he can tell by her countenance what she is; so by this, his helpe is from the Devill. Answ. If he had been too hard for the devill and got his book, it had been to his great commendation, and no disgrace at all: and for judgement in Phisiognomie, he hath no more then any man else whatsoever. Querie 3. From whence then proceeded this his skill? was it from his profound learning, or from much reading of learned Authors concerning that subject? Answ. From neither of both, but from experience, which though it be meanly esteemed of, yet the surest and safest way to judge by. -
Witches and Witchcraft in Ely
Witches and Witchcraft in Ely A HISTORY Francis Young Printed for the author by Cambridge Print Solutions Cambridge, 2013 Published by Francis Young © Francis Young 2013 Francis Young has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. francisyoung.wordpress.com ISBN 978-0-9926404-0-8 Table of Contents Introduction 1 1. Hereward and the Witch 3 2. A Necromancer in the Lady Chapel 5 3. Witchcraft and the Reformation 9 4. Witchfinders in Ely 11 5. Witchcraft in Ely in Modern Times 15 Notes 20 Introduction The Cambridgeshire Fens are one of the last places in England where traditional belief in witchcraft was widespread. Until as late as the mid-twentieth century, Fenland communities were isolated, and their inhabitants were more vulnerable to environmental illnesses, such as malaria, than the rest of the population. A hard life, geographical isolation, close-knit communities and mistrust of outsiders may all have contributed to the Fenlanders’ abiding belief in the power of witchcraft. Ely’s place in the history of English witchcraft is a special one. As the cathedral city at the heart of the Fens, under the independent jurisdiction of the Bishop, Ely was the place where anyone locally accused of witchcraft would be brought to trial. The city was the hub from which John Stearne completed the last stage of Matthew Hopkins’s infamous witch-hunt in the 1640s, and Ely was the scene for the (quite literal) downfall of the first ‘witch’ to appear in English history. -
Empowering Popularity: the Fuel Behind a Witch-Hunt
EMPOWERING POPULARITY: THE FUEL BEHIND A WITCH-HUNT ________________________________ A Thesis Presented to The Honors Tutorial College Ohio University ________________________________ In Partial Fulfillment Of the Requirements for Graduation From the Honors Tutorial College With the degree of Bachelor of Arts in History ________________________________ Written by Grace Konyar April 2017 Table of Contents List of Figures ……………………………………………………………………….2 Introduction………………………………………………………………………….3 Chapter One………………………………………………………………………..10 Who Lives, Who Dies, Who Tells Your Story: The Development of Witchcraft as a Gendered Crime Chapter Two………………………………………………………………………………...31 The World Turned Upside Down: The Fragility of the Suffolk and Essex Witch-Hunts Chapter Three ……………………………………………………………………………...52 That Would Be Enough: The Tipping Point of Spectral Evidence Chapter Four………………………………………………………………………74 Satisfied: The Balance of Ethics and Fame Conclusion………………………………………………………………………………….93 Bibliography………………………………………………………………………………..97 1 List of Figures Image 1: Frontispiece, Matthew Hopkins, The Discovery of Witches, London, 1647…...........................................................................................................................40 Image 2: Indictment document 614 of the Essex Summer Sessions for Maria Sterling. Courtesy of The National Archives- Kew, ASSI 35/86/1/72. Photograph by the author………………………………………………………………………………....41 Image 3: Frontispiece, A True Relation of the Araignment of eighteen Witches, London, 1945……………………………………...……….…………………………48 -
The Salem Witch Trials from a Legal Perspective: the Importance of Spectral Evidence Reconsidered
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1984 The Salem Witch Trials from a Legal Perspective: The Importance of Spectral Evidence Reconsidered Susan Kay Ocksreider College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Law Commons, and the United States History Commons Recommended Citation Ocksreider, Susan Kay, "The Salem Witch Trials from a Legal Perspective: The Importance of Spectral Evidence Reconsidered" (1984). Dissertations, Theses, and Masters Projects. Paper 1539625278. https://dx.doi.org/doi:10.21220/s2-7p31-h828 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE SALEM WITCH TRIALS FROM A LEGAL PERSPECTIVE; THE IMPORTANCE OF SPECTRAL EVIDENCE RECONSIDERED A Thesis Presented to The Faculty of the Department of History The College of Williams and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Susan K. Ocksreider 1984 ProQuest Number: 10626505 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10626505 Published by ProQuest LLC (2017). -
Myths and Monty Python: Using the Witch-Hunts to Introduce Students to Significance
Myths and Monty Python: using the witch-hunts to introduce students to significance In this article Kerry Apps In 2014 I began my first placement in a department which was fairly new and was introduces students to the looking to re-develop its Key Stage 3 program. Significance was somewhat missing and significance of the witch-hunts I was asked to develop a concept-based enquiry upon either the French Revolution or in the modern era, at the time the witch-hunts to fit into our Year 8 curriculum which takes students from the early when they occurred, and in modern into the modern period. The Charter School, North Dulwich, where this research took place, is a mixed comprehensive in south London with a very talented the middle of the eighteenth teaching staff. Students come from a wide range of backgrounds and challenge and century. She presents her stretch is a big focus at the school. rationale for choosing the witch-hunts as a focus for It would seem elementary here to have selected the French Revolution. It is considered the study of significance, and a traditionally important topic and intrinsic to the development of modern Europe. In shows how her thinking about the debates surrounding what constituted significant topics to teach around the time I her teaching has evolved was looking to enter into teaching (2012–13) the French Revolution would have won. through her evaluation of her Yet I elected to work on the witch-hunts. First, because it is a topic I am passionate students’ learning, and her about and second, I felt that studying the significance of the witch-hunts would 1 own re-teaching, over time. -
The Relationship Between Witchcraft and Femininity: Witchcraft As a Sex-Specific Crime Witchcraft in Early Modern English Drama
THE RELATIONSHIP BETWEEN WITCHCRAFT AND FEMININITY: WITCHCRAFT AS A SEX-SPECIFIC CRIME WITCHCRAFT IN EARLY MODERN ENGLISH DRAMA A Master’s Thesis by TURKAN YILMAZ Lingue e Letterature Europee, Americane e Postcoloniali European Joint Masters’ Degree in English and American Studies CA’ FOSCARI UNIVERSITY VENICE February, 2015 To the lost womanhood… ii THE RELATIONSHIP BETWEEN WITCHCRAFT AND FEMININITY: WITCHCRAFT AS A SEX-SPECIFIC CRIME WITCHCRAFT IN EARLY MODERN ENGLISH DRAMA Lingue e Letterature Europee, Americane e Postcoloniali Universita Ca Foscari, Venezia by TURKAN YILMAZ In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in European Joint Masters’ Degree in English and American Studies CA’ FOSCARI UNIVERSITY VENICE February, 2015 iii ABSTRACT THE RELATIONSHIP BETWEEN WITCHCRAFT AND FEMININITY: WITCHCRAFT AS A SEX-SPECIFIC CRIME WITCHCRAFT IN EARLY MODERN ENGLISH DRAMA Yilmaz, Turkan M.A., Department of Literature Supervisor: Prof. Dr. Laura TOSI February, 2015 The present thesis is an attempt to understand the close relationship between femininity and witchcraft in early modern English society, and to analyze the religious, socio- historical, and cultural reasons for that association. Then, I aim to present how witchcraft material is approached by the contemporary English dramatists. With this aim, the first chapter consists of four subchapters each of which includes the explanation of four different reasons for the strong association of witchcraft with femininity. The second chapter includes comparative analysis of three plays; namely The Witch by Thomas Middleton, The Witch of Edmonton by William Rowley, Thomas Dekker and John Ford, and Macbeth by William Shakespeare. Accordingly, how witchcraft theme is interpreted and incorporated in the corpora of those plays and the function of witch scenes constitute the main concern of the second chapter. -
Finding the Witch's Mark
Hamline University DigitalCommons@Hamline Departmental Honors Projects College of Liberal Arts Spring 2014 Finding the Witch’s Mark: Female Participation in the Judicial System During the Hopkins Trials 1645-47 Shannon M. Lundquist Hamline University Follow this and additional works at: https://digitalcommons.hamline.edu/dhp Part of the Cultural History Commons, European History Commons, History of Gender Commons, History of Religion Commons, Social History Commons, and the Women's History Commons Recommended Citation Lundquist, Shannon M., "Finding the Witch’s Mark: Female Participation in the Judicial System During the Hopkins Trials 1645-47" (2014). Departmental Honors Projects. 18. https://digitalcommons.hamline.edu/dhp/18 This Honors Project is brought to you for free and open access by the College of Liberal Arts at DigitalCommons@Hamline. It has been accepted for inclusion in Departmental Honors Projects by an authorized administrator of DigitalCommons@Hamline. For more information, please contact [email protected], [email protected]. Finding the Witch’s Mark: Female Participation in the Judicial System During the Hopkins Trials 1645-47. Shannon Lundquist An Honors Thesis Submitted for partial fulfillment of the requirements for graduation with honors in History from Hamline University March 31, 2014 1 Table of Contents Introduction ........................................................................................................................ 2 The Hopkins Trials ............................................................................................................. -
John Lowes-2008
A brief history of witchcraft in England. Popular belief in witchcraft (persons who were supposed to have entered into a compact with the Devil) prevailed in England throughout the Middle Ages and was entertained by many eminent men. During the reign of James 1st (1566-1625) He earned the unenviable reputation of being, “the wisest fool in Christendom” for his ill judged favouritism. He tightened the witchcraft laws and regarded those who doubted witchcraft as being witches themselves. The pact with the Devil and the keeping of imps was given renewed emphasis. Witches were to be executed by hanging. And so the new turbulent scene was set as Shakespeare’s witches chanted... ...Double double toil and trouble Fire burn and cauldron bubble... (Macbeth 1606) And now unravelled in a short space of time (1642-1645) the painful trials and deaths of almost 300 alleged witches. ... the keeping of imps was forbidden John Lowes, Rector at Brandeston Lowes was accused by his own parishioners of having Papist leanings, many of his flock detested him for being vexatious and turbulent, there being one occasion the rector gave a parishioner a bloody nose during a row in the churchyard. Tempers were further inflamed when he took the side of a woman who had been accused of witchcraft thus gaining an unjustifiable reputation of being a witch himself. Petitions by his parishioners to the Church Authorities to have him removed, met without success but all this made the rector an eventual target of the self appointed Witch Finder General Matthew Hopkins. In 1642 at Framlingham, Hopkins extracted confessions from two suspected witches, who, under extreme duress linked the rector to witchcraft. -
You're a Witch
EDUCATION Aha! RESOURCE You’re a Witch EARLY MODERN EUROPEAN WITCH-HUNTS Year 8 The Australian Research Council Centre of Excellence for the History of Emotions About Us THE AUSTRALIAN RESEARCH COUNCIL CENTRE OF EXCELLENCE FOR THE HISTORY OF EMOTIONS (Europe, 1100–1800) The Australian Research Council Centre of Excellence for the History of Emotions (CHE) was established in 2011. It recognises the importance of emotion in shaping our mental, physical and social wellbeing, and that the expression, understanding and representation of emotions has changed over time. Through its innovative research, the Centre seeks to build on our understanding of emotions, past and present, and provide insight into contemporary Australian culture. With a focus on the medieval and early modern periods, the Centre’s research examines four key themes: Meanings, Change, Performance, and Shaping the Modern. Through its education and public outreach programs, and affiliations with industry and cultural organisations, the Centre aims to invigorate our culture, and engage the community in the consideration of emotions and their impact on history. For more information about the Centre’s research and public outreach programs go to www.historyofemotions.org.au About This Lesson Resource Aha! You're a Witch! ARC Centre of Excellence for the History of Emotions Curriculum Series Wendy Norman Curriculum Writer Dr Carly Osborn Series Editor Dr Abaigéal Warfield Researcher Our thanks to Mandi Dimitriadis of Makers Empire and DECD for her feedback on an early version of this material. WHO WE ARE This material is provided under a Creative Commons License Attribution-NonCommercial-NoDerivs 3.0 Australia (CC BY-NC-ND 3.0 AU). -
Rastrick High School Year 8 History History Home Learning: 17Th Century England Information Booklet
Rastrick High School Year 8 History History Home Learning: 17th Century England Information Booklet Y8 History Home Learning: How Bloody and Brutal was 17th Century England? Information booklet Lesson Two: Were witches real? Witches in the 1600s were believed to be usually old poor women with: • birth marks, pocs or warts on their face • Sunken faces with hairy lips • and familiars. Familiars were demons that followed witches that were believed to assume the form of animals, usually cats. These ideas that we hold about what witches look like are stereotypical. Stereotype means an oversimplified image of a person or thing that are usually wrong. In 1597 James I produced a book on witchcraft entitled ‘Daemononlogie’. In the book he explained how to ‘spot’ a witch simply by looking for the previous signs. He also said a witch could be spotted: 1. If they are a friend, neighbour or relative of a witch. 2. If a person dies or has an accident after arguing with the accused. 3. If everybody who lives near the person believes that they are a witch. Why did people believe in witches? Lesson Three: Were witches real? Who was Matthew Hopkins? A bloodthirsty Altofts man was responsible for the deaths of more than 300 women - according to an old legend. Nearly 350 years ago self-styled ‘Witch-finder General’ Matthew Hopkins roamed the counties of eastern England preying on elderly women. His reign of terror began in 1644 when he was employed by towns to seek out and destroy women believed to be witches. Such has been the interest in Matthew Hopkins’ crimes that in 1968 Vincent Price starred in a horror film called The Witch- finder General.