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City Council to Now Decide on Baseball Fields at Griffith Park's
Los Feliz Ledger Read by 100,000+ Residents and Business Owners in Los Feliz, Silver Lake, Vol 9. No. 12 June 2014 Atwater Village, Echo Park & Hollywood Hills Over Spending Map Shows Creates New Faultline Under LFVBID Mindset Two Local By Allison B. Cohen and Schools Jessica Ogilvie By Ryan White and Ameera Butt, Ledger LOS FELIZ—The Los Feliz Contributing Writers Village Business Improve- ment District (LFVBID) When the California governing board has a his- Geological Survey released a tory of erratic spending and new preliminary map of the has increased its costs on its Hollywood Fault in January, annual Street Festival 524% the agency also unleashed a since 2004 when the event new set of worries for those was nearly self liquidating who live, work or own proper- according to financial re- ties within the freshly detailed cords obtained by the Ledger. fault corridor. In 2004, the street fair Now, in the wake of a was staged by the LFVBID Los Angeles Times analysis at a cost of $19,496 and with that provides a new fly-over revenue of $18,000 meaning view of just which buildings 92% of raised revenue funded most likely sit atop the fault, the event. school administrators and oth- But in 2013, for example, ers along the fault’s presumed the festival cost $121,680 to path are either planning to stage with incoming sponsor- minimize risks or vigorously ships of $73,436, creating a SOUTH OF THE BOULEVARD—Los Feliz is wealthy north of the Boulevard. But on any given Saturday, nearly all of Los Feliz is just a regular low to middle class Los Angeles neighborhood with a median household income of $50,000 contesting the map’s accuracy. -
Interview with Slug from Atmosphere
Interview with Slug from Atmosphere Ever since the start of their own record label with Rhymesayers Entertainment and the release of their debut album Overcast! during the mid-’90s, Minneapolis hip-hop duo Atmosphere has risen to be one of the biggest names in independent music. Recently I managed to have a chat the MC of the duo in Slug about the group’s North Of Hell Tour making a stop at Lupo’s Heartbreak Hotel on November 18, their new album Southsiders, life continuously on the road, and an inside look at one of the most talented rappers around today. Rob Duguay: Atmosphere will be coming to Lupo’s on November 18 to once again set the stage on fire. You’ve performed in Providence numerous times, so what always makes you want to mark The Creative Capital on your calendar when you head out on tour? Slug: We’ll go anywhere that’ll let us perform so there’s no real way to answer the question on why we keep coming back. The real question is why do you let us keep coming back? We keep coming back to Providence because you guys treat us like you love us. You guys treat us like we’re amazing and that’s the kind of validation you just don’t get everywhere. I’m a freak for validation, I love it, it’s like orgasmic. Technically we’ll go anywhere that lets us/ Estonia, Providence, Uruguay, anywhere. RD: We’re all looking forward to the show at Lupo’s and it should be a blast. -
Videojuegos Con Rock, (En Orden Cronológico)
Grado en Historia y Ciencias de la Música EL USO DEL ROCK COMO GÉNERO MUSICAL EXTRADIEGÉTICO EN LOS VIDEOJUEGOS (1970-2016): HISTORIA Y EVOLUCIÓN TRABAJO DE FIN DE GRADO Autor: Álvaro Entrena Mucientes Tutor: Miguel Díaz Emparanza 2 EL USO DEL ROCK COMO GÉNERO MUSICAL EXTRADIEGÉTICO EN LOS VIDEOJUEGOS (1970-2016): HISTORIA Y EVOLUCIÓN 3 4 Grado en Historia y Ciencias de la Música EL USO DEL ROCK COMO GÉNERO MUSICAL EXTRADIEGÉTICO EN LOS VIDEOJUEGOS (1970-2016): HISTORIA Y EVOLUCIÓN TRABAJO DE FIN DE GRADO Fdo. Álvaro Entrena Mucientes Fdo. Miguel Día Emparanza 5 A Josetxo, Pablo y Adrián. Sin ellos este trabajo no existiría. A mis padres y a mis abuelos. 6 7 “Cada época tiene su forma de contar historias, y el videojuego es una gran parte de nuestra cultura. Puedes ignorar los videojuegos o aceptarlos y empaparte de su gran calidad artística. Algunas personas están cautivadas con los videojuegos de la misma forma que a otras personas les encanta el cine o el teatro”. Andy Serkis “¿Que los videojuegos son malos? Eso mismo decían del Rock & Roll”. Shigeru Miyamoto 8 9 ÍNDICE 10 11 I. Introducción I.1.- Punto de partida……………………………………….…………….17 I.2.- Objetivos del estudio………………………………….………..……20 I.3.- Estado de la cuestión………………………………….…………..…21 I.4.- Marco teórico………………………………………………….…….23 I.5.- Introducción a la música popular urbana……………………………24 II: El origen de los medios audiovisuales: a evolución del cine mudo al sonoro……………………………………………………………………………28 III: Historia de los videojuegos III.1.- El nacimiento de la informática: máquinas de cálculo, computadoras y el origen de los videojuegos………………………42 III.2.- Años 70: El establecimiento de los videojuegos como industria y medio audiovisual. -
Interview with Slug from Atmosphere,Sage Francis Grasps
Interview with Slug from Atmosphere Ever since the start of their own record label with Rhymesayers Entertainment and the release of their debut album Overcast! during the mid-’90s, Minneapolis hip-hop duo Atmosphere has risen to be one of the biggest names in independent music. Recently I managed to have a chat the MC of the duo in Slug about the group’s North Of Hell Tour making a stop at Lupo’s Heartbreak Hotel on November 18, their new album Southsiders, life continuously on the road, and an inside look at one of the most talented rappers around today. Rob Duguay: Atmosphere will be coming to Lupo’s on November 18 to once again set the stage on fire. You’ve performed in Providence numerous times, so what always makes you want to mark The Creative Capital on your calendar when you head out on tour? Slug: We’ll go anywhere that’ll let us perform so there’s no real way to answer the question on why we keep coming back. The real question is why do you let us keep coming back? We keep coming back to Providence because you guys treat us like you love us. You guys treat us like we’re amazing and that’s the kind of validation you just don’t get everywhere. I’m a freak for validation, I love it, it’s like orgasmic. Technically we’ll go anywhere that lets us/ Estonia, Providence, Uruguay, anywhere. RD: We’re all looking forward to the show at Lupo’s and it should be a blast. -
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S Top Five Can’T Miss Shows of November
Mike D’s Top Five Can’t Miss Shows of November 1. Saturday, November 15: Deerhoof, Lightning Bolt, Priests; $10 advance / $12 day of; 8pm doors / 9pm show; All ages; The Met, 1005 Main St., Pawtucket. Great month for indie rock. Deerhoof return to Providence supporting their new album La Isla Bonita. The band crossed noise with indie pop for a result that leads to all songs getting stuck in my head for days after listening. The song “Mirror Monster” off their new record shows a more mellow, almost ambient approach for the band. Make sure to catch them when they make it this way, playing smaller venues for low prices with big indie support acts (Trans Am and Cibo Matto elsewhere for example). This show features Providence noise rock icons Lightning Bolt, whose live shows surpass memorable every single time. Brian Chippendale, drummer / vocalist, once told me got his classic mic sound from stealing them from pay phone recievers. No clue where he can find them now. D.C.’s Priests open the bill; not too familiar with them, but upon first listen they remind me a lot of Red Aunts. 2. Wednesday, November 19: 95.5 WBRU Presents Joywave, Jetty; $7.95 advance / $10 day of; 8pm doors / 9pm show; All ages; The Met, 1005 Main St., Pawtucket. We might finally be out of the radio days of “Eat A Banjo” movement. Rochester, NY’s Joywave has been killing the airwaves lately. First getting heavy play featured on electronic music project Big Data’s “Dangerous” and is now getting heavy play with their hit single “Tongues.” Tongues is a blast, a mix of ’80s disco and more current electronica for a refreshing, not-a-banjo-on-the-radio sound.