American Painting Sculpture
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Hamilton Easter Fiel
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American Prints 1860-1960
American Prints 1860-1960 from the collection of Matthew Marks American Prints 1860-1960 from the collection of Matthew Marks American Prints 1860-1960 from the collection of Matthew Marks Bennington College, Bennington, Vermont Introduction The 124 prints which make up this exhibition have been selected from my collection of published on the occasion over 800 prints. The works exhibited at Bennington have been confined to those made by ot an exhibitionat the American artists between 1860 and 1960. There are European and contemporary prints in my A catalogue suchasthis and the exhibitionwhich collection but its greatest strengths are in the area of American prints. The dates 1860 to Suzanne Lemberg Usdan Gallery accompaniesit.. is ot necessity a collaborativeeffortand 1960, to which I have chosen to confine myself, echo for the most part my collecting Bennington College would nothave been possible without thesupport and interests. They do, however, seem to me to be a logical choice for the exhibition. lt V.'CIS Bennington \'ermonr 05201 cooperation of many people. around 1860 that American painters first became incerested in making original prints and it April 9 to May9 1985 l am especially graceful to cbe Bennington College Art was about a century later, in the early 1960s, that several large printmaking workshops were Division for their encouragementand interestin this established. An enormous rise in the popularity of printmaking as an arcistic medium, which projectfrom thestart. In particular I wouldlike co we are still experiencing today, occurred at that cime. Copyright © 1985 by MatthewMarks thankRochelle Feinstein. GuyGood... in; andSidney The first American print to enter my collection, the Marsden Hartley lirhograph TilJim, who originally suggestedche topicof theexhibi- (Catalogue #36 was purchased nearly ten years ago. -
Oral History Interview with Katherine Schmidt, 1969 December 8-15
Oral history interview with Katherine Schmidt, 1969 December 8-15 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Katherine Schmidt on December 8 & 16, 1969. The interview took place in New York City, and was conducted by Paul Cummings for the Archives of American Art, Smithsonian Institution. Interview DECEMBER 8, 1969 [session l] PAUL CUMMINGS: Okay. It's December 8, 1969. Paul Cummings talking to Katherine Schubert. KATHERINE SCHMIDT: Schmidt. That is my professional name. I've been married twice and I've never used the name of my husband in my professional work. I've always been Katherine Schmidt. PAUL CUMMINGS: Well, could we start in 0hio and tell me something about your family and how they got there? KATHERINE SCHMIDT: Certainly. My people on both sides were German refugees of a sort. I would think you would call them from the troubles in Germany in 1848. My mother's family went to Lancaster, Ohio. My father's family went to Xenia, Ohio. When my father as a young man first started out in business and was traveling he was asked to go to see an old friend of his father's in Lancaster. And there he met my mother, and they were married. My mother then returned with him to Xenia where my sister and I were born. -
The Artistic Journey of Yasuo Kuniyoshi at Smithsonian American
The Artistic Journey Of Yasuo Kuniyoshi At Smithsonian American Art Museum Previous Page: Kuniyoshi used a Japanese subject, festive kites flown on annual celebrations in his native land, in ?Fish Kite,? 1950, but incorporated a date of American significance, ?July 4,? which appears upper right. Fukutake Collection, Okayama, Japan. By Stephen May ASHINGTON, D.C. ? It is W hard to believe that there has not been a comprehensive exhibition in the United States of the art of Yasuo Kuniyoshi (1889?1953) in nearly 70 years. The Japanese-born artist was one of the most respected Modernists in this country between the Starting in the early 1920s, Kuniyoshi spent summers at an artists? colony in Ogunquit. He said of Maine?s terrain, ?That severe landscape and simple New England buildings were my God.? ?Maine Family,? circa 1922?23. The Phillips Collection, Washington, D.C. During summers in Ogunquit, Maine, Kuniyoshi became fascinated with American folk art, collecting it and incorporating aspects into works like ?Boy Stealing Fruit,? 1923. Columbus Museum of Art, Ohio. two world wars, admired for his photographer, Kuniyoshi combined compelling and often challenging elements from his Japanese heritage paintings and works on paper. A with the realistic tradition of painter, printmaker and American painting to create a distinctly individual oeuvre. The lack of attention to his work may be due to this unique blending of Eastern and Western styles that makes categorization difficult. This background makes particularly welcome ?The Artistic Journey of Yasuo Kuniyoshi,? on view at Smithsonian American Art Museum (SAAM), its only venue, through August 30. -
Oral History Interview with Raphael Soyer, 1981 May 13-June 1
Oral history interview with Raphael Soyer, 1981 May 13-June 1 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Funding for this interview was provided by the Wyeth Endowment for American Art. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Raphael Soyer on May 13, 1981. The interview was conducted by Milton Brown for the Archives of American Art, Smithsonian Institution. Interview Tape 1, side A MILTON BROWN: This is an interview with Raphael Soyer with Milton Brown interviewing. Raphael, we’ve known each other for a very long time, and over the years you have written a great deal about your life, and I know you’ve given many interviews. I’m doing this especially because the Archives wants a kind of update. It likes to have important American artists interviewed at intervals, so that as time goes by we keep talking to America’s famous artists over the years. I don’t know that we’ll dig anything new out of your past, but let’s begin at the beginning. See if we can skim over the early years abroad and coming here in general. I’d just like you to reminisce about your early years, your birth, and how you came here. RAPHAEL SOYER: Well, of course I was born in Russia, in the Czarist Russia, and I came here in 1912 when I was twelve years old. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Charles Demuth H
WHITNEY MUSEUM OF AMERICAN ART 10 WEST 8th STREET NEW YORK CITY To PUBLICITY COPY to be Returned to: WHITNEY MUSEUM of AMERICAN ART 7 |.c- >1^ c TITLES OF BOOKS IN THIS SERIES ALREADY PUBLISHED GEORGE BELLOWS BERNARD KARFIOL ALEXANDER BROOK GEORGE LUK.S MARY CASSATT HENRY LEE MCFEE GLENN O. COLEMAN KENNETH HAYES MILLER ARTHUR B. DAVIES MAURICE PRENDERGAST CHARLES DEMUTH H. E. SCHNAKENBERG GUY PENE DUBOIS JOHN SLOA N WILLIAM GLACKENS EUGENE SPEICHER ROBE RT HENRI ALLEN TUCKER EDWARD HOPPER JOHN H. T W A C H T M A N IN PREPARATION THOMAS H. BENTON GASTON LACHAISE CHARLES BURCHFIELD JOHN MARIN PRESTON DICKINSON BOARD MAN ROBINSON ERNEST F IENE CHARLES SHEELER WALT KUHN WILLIAM ZORACH And others Publication of the books entitled MARY CASSATT, GLENN O. COLEMAN and allen tucker has been postponed. These volu mes will appear in 1932. CONTENTS PAGE Foreword 5 Portrait of the Artist 6 Charles Demuth. By William Murrell .... 7 Biographical Note 13 Bibliography 13 Illustrations 15 FOREWORD Th is book is one of a series devoted to the work of various American artists and is published by the Whitney Museum of American Art, founded by Gertrude V. Whitney. The purpose of these books, like that of the Museum which sponsors them, is to promote a wider knowledge and appreciation of the best in American art. For assistance in preparing this volume for pub- lication, we wish gratefully to acknowledge our indebtedness to the Kraushaar Galleries and An American Place for information regarding paint- ings used for illustration, to The Arts magazine for the loan of its files of photographs, and to the mu- seums and private collectors whose paintings, re- produced in this book, add so notably to the value of the illustrations. -
Oral History Interview with Isabel Bishop, 1987 November 12-December 11
Oral history interview with Isabel Bishop, 1987 November 12-December 11 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Isabel Bishop on November 12, 1987. The interview took place in Riverdale, NY, and was conducted by Cynthia Nadelman for the Archives of American Art, Smithsonian Institution. Interview CYNTHIA NADELMAN: Isabel, can you say when you were born and where? Your actual birthdate. ISABEL BISHOP: I was born in Cincinnati, Ohio in March, 1902. CYNTHIA NADELMAN: What day? ISABEL BISHOP: March third. CYNTHIA NADELMAN: Also say your middle name also. Do you have a middle name? ISABEL BISHOP: No. Just Isabel Bishop. CYNTHIA NADELMAN: Okay. You lived in Cincinnati not very long I guess. ISABEL BISHOP: About a year. CYNTHIA NADELMAN: And then you moved . ? ISABEL BISHOP: To Detroit, Michigan. CYNTHIA NADELMAN: Do you have brothers and sisters? ISABEL BISHOP: No, I didn't have brothers and sisters . I didn't mean to say that. I meant to say it was like a separate world because they were two pairs of twins. One was fifteen years older than I and the other I guess twelve. CYNTHIA NADELMAN: Twelve years also older? ISABEL BISHOP: Yes. CYNTHIA NADELMAN: And they were both twins? ISABEL BISHOP: A boy and a girl in each. -
EXHIBITION of AMERICAN ART LEAVES for PARIS April
38418 - 17 THE MUSEUM OF MODERN ART F0R 14 WEST 49TH STREET, NEW YORK IMMEDIATE RELEASE TELEPHONE: CIRCLE 7-MKE TO EDITORS OUTSIDE NEW YORK CITY: Artists and lenders of paintings and sculptures here listed are natives or residents in various cities and towns throughout the country. Localities are given in every instance. Today, April 20, the large Exhibition of American Art 1609-1938, which the Museum of Modern Art has assembled for Paris,, will leave New York for France on the S.S. Lafayette. More than one thousand items are included in the exhibition which will be held at the Jeu de Paume, Paris, from May 24 to July 13. For more than a year, at the invitation of the French Government, the Museum has been assembling the exhibition. The largest section includes approximately 200 oils and watercolors, 40 sculptures, and 80 prints, the work of artists in all parts of the United States during the past three centuries. The exhibits shown in this section have been selected by Mr. A. Conger Goodyear, President of the Museum, assisted by Mr. Alfred H. Barr, Jr., Director, and Miss Dorothy C. Miller, Assistant Curator of Painting and Sculpture. Mr. Barr is sailing this week to supervise the in stallation of the exhibition in Paris. The following pieces of sculpture and contemporary paintings will be shown in the exhibition: CONTEMPORARY PAINTINGS: GIFFORD BEAL, b. 1879, New York. Lives in New York. "Horse Tent" (1937) Lent by the Artist GEORGE WESLEY BELLOWS, b. 1882, Columbus, Ohio; d. 1925 "Stag at Sharkey's" (1909) Lent by the Cleveland Museum of Art, Cleveland, Ohio . -
Harn Museum Modern Collection
Modern Collection American, European and Latin American art The Harn Museum’s modern collection includes nearly 1,000 works spanning from the mid-19th century through the first half of the 20th century. The collection is divided into three geographically defined sub- collections: American art, European art and Latin American art. American art is further divided into three genre categories: painting, sculpture, and prints and drawings. A major strength of the modern collection is its representation of American art from the 1910s through the 1940s. Areas of special importance include landscapes, urban themes, social realist themes and Works Progress Administration prints. These works represent many significant movements in American art such as Impressionism, early Modernism, Cubism, Geometric Abstraction, Regionalism, and Urban and Social Realism. The core of the collection was established in the early 1990s through a major gift from William H. and Eloise R. Chandler of more than 50 paintings by well-known American artists such as George Bellows, John Steuart Curry, Philip Evergood, Rockwell Kent, Leon Kroll, Jack Levine, John Marin and John Sloan. During the last decade, the Harn has significantly added to the quality and depth of these holdings through purchases and generous gifts. These important contributions have continued to shape the museum’s representation of modern art in new and exciting directions. American paintings from the 19th century include fine examples by William Morris Hunt, Herman Herzog, William Aiken Walker and J. Alden Weir. Major movements of American art in the first half of the 20th century represented in the collection include Impressionism by artists such as Childe Hassam and Theodore Robinson; Post-Impressionism by Maurice Prendergast; and early Modernism and Abstraction by Milton Avery, Francis Criss, Preston Dickinson, Werner Drewes, Lyonel Feininger, Suzy Frelinghuysen, Albert Gallatin, Raymond Jonson, John Marin, Georgia O’Keeffe, Ben Shahn and Joseph Stella. -
Paintings by Nineteen Living Americans December 13, 1929 to January 12, 1930, the Museum of Modern Art, New York
Paintings by nineteen living Americans December 13, 1929 to January 12, 1930, the Museum of modern art, New York Author Museum of Modern Art (New York, N.Y.) Date 1930 Publisher [publisher not identified] Exhibition URL www.moma.org/calendar/exhibitions/1912 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art PAINTINGS BY NINETEEN f LIVING AMERICANS - y * 9 fl BM i »V 4 *Vv£v| |Tj jreSff Archive MoMA MUSEUM OF MODERNART - ' PAINTINGS BY NINETEEN LIVING AMERICANS DECEMBER 13 1929 TO JANUARY 12 1930 THE MUSEUM OF MODERN ART NEW YORK CONTENTS ACKNOWLEDGMENTS FOREWORD CATALOG AND ILLUSTRATIONS Charles E. Burchfield Charles Demuth Preston Dickinson Lyonel Feininger George Overbury "Pop" Hart Edward Hopper Bernard Karfiol Rockwell Kent Walt Kuhn Yasuo Kuniyoshi Ernest Lawson John Marin Kenneth Hayes Miller Georgia O'Keeffe Jules Pascin John Sloan Eugene Speicher Maurice Sterne Max Weber . ACKNOWLEDGMENTS The exhibition has been selected from the following collections MR. WILLIAM RUSSELL ALLEN, BOSTON MR. JERE ABBOTT, NEW YORK MRS. JOHN O. BLANCHARD, NEW YORK MISS L. P. BLISS, NEW YORK MR. STEPHEN C. CLARK, NEW YORK MR. FRANK CROWNINSHIELD, NEW YORK MRS. G. WARRINGTON CURTIS, NEW YORK MR. CHARLES DANIEL, NEW YORK THE DOWNTOWN GALLERY, NEW YORK MR. A. E. GALLATIN, NEW YORK MR. A. CONGER GOODYEAR, NEW YORK PROF. CLIFTON R. HALL, PRINCETON, NEW JERSEY DR. AND MRS. F. H. HIRSCHLAND, NEW YORK MR. FERDINAND HOWALD, COLUMBUS, OHIO MRS. -
20Th Century Painters
20TH CENTURY PAINTERS A Special Exhibition of Oils, Water Colors and Drawings Selected from the Collections of American Art in the Metropolitan Museum JUNE 16,1950 THE METROPOLITAN MUSEUM OF ART In this exhibition of works by twentieth century American painters drawn from its own collections, the Metropolitan Museum presents for the first time an extensive selection from the Alfred Stieglitz Collection, given to the Museum in 1949 by his executrix, Georgia O'Keeffe. 20TH CENTURY PAINTERS PAINTINGS IN OIL, UNLESS OTHERWISE NOTED EDWIN AUSTIN ABBEY. 1852-1911 King Lear's Daughters. Dated 1898. Gift of George A. Hearn, 1913 IVAN LE LORRAINE ALBRIGHT. 1897- Fleeting Time, Thou Hast Left Me Old. Painted in 1929-1930. George A. Hearn Fund, 1950 JOHN WHITE ALEXANDER. 1856-1915 Study in Black and Green. Painted about 1900. George A. Hearn Fund, 1908 DARREL AUSTIN. 1907- The Tightrope. Painted in 1941. George A. Hearn Fund, 1941 WILLIAM BAZIOTES. 1912- Dragon. Dated 1950. Arthur H. Hearn Fund, 1950 GIFFORD BEAL. 1879- The Albany Boat. Dated 1915. George A. Hearn Fund, 1917 GEORGE WESLEY BELLOWS. 1882-1925 Up the Hudson. Painted in 1908. Gift of Hugo Reisinger, 1911 THOMAS HART BENTON. 1889- Roasting Ears. Egg tempera and oil. Painted in 1938-1939. Arthur H. Hearn Fund, 1939 July Hay. Egg tempera on masonite. Dated 1943. George A. Hearn Fund, 1943 EUGENE BERMAN. 1899- The Muse of the Western World. Dated 1942. George A. Hearn Fund, 1943 GEORGE BIDDLE. 1885- A Woman with a Letter. Painted in 1933. Arthur H. Hearn Fund, 1937 ISABEL BISHOP. 1902- Tvoo Girls.