I Info SAMUEL BABCOCK
SAMUEL BABCOCK (1760-1813), ARCHETYPAL PSALMODIST OF THE FIRST NEW ENGLAND SCHOOL OF COMPOSERS by Laurie J. Sampsel Bachelor of Music Education, Youngstown State University, 1986 Master of Flute Performance, Youngstown State University, 1988 Master of Library Science, Kent State University, 1989 Submitted to the Graduate Faculty of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 info i UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Laurie J. Sampsel It was defended on February 13, 2009 and approved by Don O. Franklin, Professor, Music Karl D. Kroeger, Professor Emeritus, University of Colorado at Boulder Mary S. Lewis, Professor, Music Dissertation Director: Deane L. Root, Professor, Music 2009 ii Copyright © by Laurie J. Sampsel 2009 iii SAMUEL BABCOCK (1760-1813), ARCHETYPAL PSALMODIST OF THE FIRST NEW ENGLAND SCHOOL OF COMPOSERS Laurie J. Sampsel, PhD University of Pittsburgh, 2009 The life, musical activities, compositions, and musical relationships of the Boston-area composer Samuel Babcock (1760-1813) make him an archetypal psalmodist active during the period from 1790 to 1810. Research on early American Protestant sacred music to date has focused on the major composers and compilers of the period such as William Billings and Andrew Law, and on indexing the repertory. This dissertation approaches the topic from a different historiographical perspective, measuring Babcock against the criteria suggested by musicologist Nym Cooke for a composer more typical of the First New England School. Part I of the dissertation establishes the facts of Babcock’s life, analyzes and describes his music, and documents the distribution of his works.
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