Digital Television: an Overview
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Cisco Explorer 8640HDC DVR with M-Card Interface
Data Sheet Cisco Explorer 8640HDC DVR with M-Card Interface The Cisco® Explorer™ 8640HDC DVR with Multi-Stream CableCARD™ (M-Card™) interface provides high quality video, audio, DVR, and two-way capabilities that cable operators have come to expect. The platform provides faster processing of applications while also supporting bandwidth management objectives. The 8640HDC becomes the multimedia service gateway for the home – sharing and managing video and audio experiences between the television and other home network devices. Figure 1. Cisco Explorer 8640HDC DVR (image may vary from actual product and specification) Features Network Utilization Enhancements ● 1 GHz Tuning allows service providers to expand network bandwidth to provide additional services such as HD and VOD, VoIP video, and high speed data ● MPEG-4 (H.264) Decoding supports compression technology that provides better video quality at about half the data rate of MPEG-2 ® ● DOCSIS 2.0 provides increased upstream throughput for future advanced services and provides a path for future IP video services (optional software) ● Digital-Only Tuning enables service providers to improve bandwidth efficiency and accelerate the transition to an all-digital network by migrating analog subscribers to digital services tru2way™ and Conventional Network Support ● M-Card Interface uses a Multi-Stream CableCARD for separable security ● Axiom™ DVR Middleware supports OpenCable™ tru2way (formerly OCAP™) applications such as Service Navigators, Games, and many other future applications (optional -
A Producer's Handbook
DEVELOPMENT AND OTHER CHALLENGES A PRODUCER’S HANDBOOK by Kathy Avrich-Johnson Edited by Daphne Park Rehdner Summer 2002 Introduction and Disclaimer This handbook addresses business issues and considerations related to certain aspects of the production process, namely development and the acquisition of rights, producer relationships and low budget production. There is no neat title that encompasses these topics but what ties them together is that they are all areas that present particular challenges to emerging producers. In the course of researching this book, the issues that came up repeatedly are those that arise at the earlier stages of the production process or at the earlier stages of the producer’s career. If not properly addressed these will be certain to bite you in the end. There is more discussion of various considerations than in Canadian Production Finance: A Producer’s Handbook due to the nature of the topics. I have sought not to replicate any of the material covered in that book. What I have sought to provide is practical guidance through some tricky territory. There are often as many different agreements and approaches to many of the topics discussed as there are producers and no two productions are the same. The content of this handbook is designed for informational purposes only. It is by no means a comprehensive statement of available options, information, resources or alternatives related to Canadian development and production. The content does not purport to provide legal or accounting advice and must not be construed as doing so. The information contained in this handbook is not intended to substitute for informed, specific professional advice. -
Wii2hdmi Specification
Wii2HDMI specification Introduction Wii2HDMI is an upscaling video converter for the Wii console. The converter accepts all standard Wii video modes (NTSC 480i and 480p, PAL 576i) and produces a full high-resolution HDMI signal at 720p or 1080p output. This plug and play solution requires no special software or configuration. Just plug it in and start enjoying hi-res Wii gaming! Features Video and audio in full digital HDMI format, no transmission loss! Supports all Wii display modes (NTSC 480i 480p, PAL 576i). HDMI upscaling to 720p or 1080p high definition output. Provides advanced signal processing with exceptional color reproduction. High quality, state of the art motion adaptive de-interlacing for 480i and 576i input. No power adaptor and no messy cords — just one HDMI cable from your Wii to your HDTV. Hassle free, plug and play installation. Just plug it in and start using it right away! Specifications Dimensions: 1.3" x 2.9" x 0.6" (34 x 73 x 14 mm) Weight: 0.5 oz (15g) Power Consumption: less than 2 watts Supported Video input Mode: Includes all the display modes of the Wii console (480i, 480p, 576i) Supported HDMI output Mode: 720p@60Hz, 1080p@60Hz Input Connector: Wii AV Multi Out Plug Output Connectors: 1x HDMI Connector, 1x 3.5mm Stereo Audio Jack 1 Wii2HDMI specification Connecting to a TV/Monitor with HDMI Input 1. Ensure that both your Wii console and HDTV are powered OFF. 2. Insert the AV Multi Out Plug on the Wii2HDMI adapter into the AV Multi Out jack on the back of the Wii console, as shown below. -
20Mf605t/17 Magnavox
20MF605T 20" LCD TV Memorable performance, super sound! With a sharper, brighter picture, smart features for hassle-free fun and virtual surround high performance audio, the 20MF605T brings new heights to home entertainment and even doubles as a PC monitor. • EDTV and SDTV-compatible • Crisp, clear, ultra-sharp picture • Fast response time panel technology • Multiple Audio/Video inputs (480i/p, 720p, 1080i) • VGA input for use as a PC monitor • Smart picture and sound presets • Virtual Surround Sound for enhanced sound • High-performace audio 20MF605T/17 EDTV and SDTV ready An enhanced definition TV (EDTV) receives any 20" LCD TV digital signal and displays it at 480p. Standard definition TV (SDTV) is a digital television format that includes 480-line resolution in both interlaced and Product specifications progressively scanned formats. Picture/Display • VESA Mount: 100 x 100 mm High quality display • Aspect ratio: 4:3 • Child Protection: Child Lock+Parental Control High quality display delivers the very best in high • Brightness: 450 cd/m² • Picture in Picture: Picture in graphics resolution display through the use of outstanding • Contrast ratio (typical): 500:1 components including a high-end scaler and state-of- • Display screen type: LCD SVGA Active Matrix TFT Tuner/Reception/Transmission the-art 2D combfilter. • Picture enhancement: 2D Combfilter, Automatic • Tuner bands: Hyperband, S-Channel, UHF, VHF skin tone correction, Black stretch, Blue stretch, • TV system: NTSC Fast response time Green enhancement, Motion adaptive de- • Video Playback: Multi-system Faster response time delivers improved display of interlacing, Progressive Scan, White stretch • Aerial Input: 75 ohm F-type video action with faster transitions that dramatically • Screen enhancement: Anti-Reflection coated • Number of channels (cable): 125 reduce visible image artifacts in the display of fast- screen • Number of channels (off-air): 69 moving images. -
WGAW Reply Comments to the FCC on Set-Top Box Competition
Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Expanding Consumers’ Video Navigation Choices ) MB Docket No. 16-42 ) Commercial Availability of Navigation Devices ) CS Docket No. 97-80 ) REPLY COMMENTS OF WRITERS GUILD OF AMERICA, WEST, INC. Marvin Vargas Senior Research & Policy Analyst Ellen Stutzman Senior Director, Research & Public Policy Writers Guild of America, West, Inc. 7000 West 3rd Street Los Angeles, CA 90048 (323) 951-4000 May 23, 2016 Summary It is often the case that when new technology emerges incumbent providers make alarmist predictions about guaranteed harms resulting from these innovations. While some concerns may be reasonable, the overwhelming majority of outlined harms are never realized. As CBS Chairman and CEO Les Moonves said in 2015, “All these technology initiatives that supposedly were going to hurt us have actually helped us. SVOD has helped us. DVR has helped us. The ability to go online with our own content, CBS.com, and the trailing episodes – all have helped us.”1 With the entertainment industry currently dominated by a handful of companies that have never been more profitable, it is clear that new technology and forms of content distribution have helped, not hurt the industry. While new technology can create some business uncertainty, there is strong evidence that pro-consumer developments that make legal content more accessible to viewers benefits both consumers and content creators. The Federal Communications Commission’s proposed rules for a competitive navigation device market follow this path. The current pay-TV set-top box market is controlled by incumbent distributors who charge consumers high fees and exercise their gatekeeping power to limit content competition. -
Digital Television and the Allure of Auctions: the Birth and Stillbirth of DTV Legislation
Federal Communications Law Journal Volume 49 Issue 3 Article 2 4-1997 Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman Covington & Burling Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Communications Law Commons, and the Legislation Commons Recommended Citation Goodman, Ellen P. (1997) "Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation," Federal Communications Law Journal: Vol. 49 : Iss. 3 , Article 2. Available at: https://www.repository.law.indiana.edu/fclj/vol49/iss3/2 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Digital Television and the Allure of Auctions: The Birth and Stillbirth of DTV Legislation Ellen P. Goodman* I. INTRODUCTION ................................... 517 II. ORIGINS OF THE DTV PRovIsIoNs OF THE 1996 ACT .... 519 A. The Regulatory Process ..................... 519 B. The FirstBills ............................ 525 1. The Commerce Committee Bills ............. 526 2. Budget Actions ......................... 533 C. The Passage of the 1996Act .................. 537 Ill. THE AFTERMATH OF THE 1996 ACT ................ 538 A. Setting the Stage .......................... 538 B. The CongressionalHearings .................. 542 IV. CONCLUSION ................................ 546 I. INTRODUCTION President Clinton signed into law the Telecommunications Act of 1996 (1996 Act or the Act) on February 8, 1996.1 The pen he used to sign the Act was also used by President Eisenhower to create the federal highway system in 1957 and was later given to Senator Albert Gore, Sr., the father of the highway legislation. -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
232-ATSC 4K HDTV Tuner Contemporaryresearch.Com DATASHEET T: 888-972-2728
232-ATSC 4K HDTV Tuner contemporaryresearch.com DATASHEET t: 888-972-2728 The 232-ATSC 4K HDTV Tuner, our 5th-generation ATSC HDTV tuner, adds new capabilities to the industry-standard 232- ATSC series. New features include tuning H.264 programs up to 1080p and output scaling up to 4K. The new tuner is fully compatible with control commands for previous models. The integrator-friendly HDTV tuner is controllable with 2-way RS-232, IP Telnet and UDP, as well as wireless and wired IR commands. An onboard Web page enables remote Web control. A new menu-driven display simplifies setup. A full-featured, commercial grade HDTV tuner, the 232-ATSC 4K can receive both analog and digital MPEG-2/H.264 chan- nels, in ATSC, NTSC, and clear QAM formats. Using an optional RF-AB switch, the tuner can switch between antenna and cable feeds. • Tunes analog and digital channels in ATSC, NTSC, and clear QAM formats • Decodes MPEG2 and H.264 digital channels up to 1080p 60Hz • HDMI selectable video output resolutions: 480i, 480p, 720p, 1080i, 1080p, and 4K or Auto • Analog HD RGBHV and Component video output resolutions: 480i, 480p, 720p, 1080i, and 1080p, or Auto • Analog HD outputs can operate simultaneously with HDMI depending on colorspace setting • RGBHV or Component output selection from front-panel settings, Web page, or control commands • 1080p and 2160p set to 60Hz for more universal applications, 1080i and 720p can be set to 60 or 59.94Hz • AC-3, PCM, or Variable PCM audio formats for digital audio ports and HDMI • Simultaneous HDMI, SPDIF, and Analog -
MC14SM5567 PCM Codec-Filter
Product Preview Freescale Semiconductor, Inc. MC14SM5567/D Rev. 0, 4/2002 MC14SM5567 PCM Codec-Filter The MC14SM5567 is a per channel PCM Codec-Filter, designed to operate in both synchronous and asynchronous applications. This device 20 performs the voice digitization and reconstruction as well as the band 1 limiting and smoothing required for (A-Law) PCM systems. DW SUFFIX This device has an input operational amplifier whose output is the input SOG PACKAGE CASE 751D to the encoder section. The encoder section immediately low-pass filters the analog signal with an RC filter to eliminate very-high-frequency noise from being modulated down to the pass band by the switched capacitor filter. From the active R-C filter, the analog signal is converted to a differential signal. From this point, all analog signal processing is done differentially. This allows processing of an analog signal that is twice the amplitude allowed by a single-ended design, which reduces the significance of noise to both the inverted and non-inverted signal paths. Another advantage of this differential design is that noise injected via the power supplies is a common mode signal that is cancelled when the inverted and non-inverted signals are recombined. This dramatically improves the power supply rejection ratio. After the differential converter, a differential switched capacitor filter band passes the analog signal from 200 Hz to 3400 Hz before the signal is digitized by the differential compressing A/D converter. The decoder accepts PCM data and expands it using a differential D/A converter. The output of the D/A is low-pass filtered at 3400 Hz and sinX/X compensated by a differential switched capacitor filter. -
PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon
PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon VIDEO TAPE Fuji Film PRO-T120 VHS Video Cassette (FUPROT120)............................3.29 XA10 Professional HD Camcorder DVC-60 Mini DV Cassette (FUDVC60) .......................................3.35 Pocket Cinema Camera Ultra-compact, the XA10 DVC-80 Mini DV Cassette (FUDVC80)........................................7.99 shares nearly all the Pocket Cinema Camera is a HDV Cassette, 63 Minute (FUHDVDVM63) .................................6.99 functionality of the XF100, true Super 16 digital film DV141HD63S HDV (FUDV14163S) ............................................7.95 but in an even smaller, camera that’s small enough run-and-gun form factor. to keep with you at all times. Maxell 64GB internal flash drive Remarkably compact (5 x 2.6 DV-60 Mini DV Cassette (MADVM60SE) .................................3.99 and two SDXC-compatible x 1.5”) and lightweight (12.5 M-DV63PRO Mini DV Cassette (MADVM63PRO)......................5.50 card slots allow non-stop oz) with a magnesium alloy chassis, it features 13 stops of T-120 VHS Cassette (MAGXT120) ..........................................2.39 recording. Able to capture dynamic range, Super 16 sensor size, and and records 1080HD STD-160 VHS Cassette (MAGXT160).....................................2.69 AVCHD video at bitrates up to lossless CinemaDNG RAW and Apple ProRes 422 (HQ) files to fast STD-180 VHS Cassette (MAGXT180)......................................3.09 24Mbps, the camcorder’s native 1920 x1080 CMOS sensor also SDXC cards, so you can immediately edit or color correct your HG-T120 VHS Cassette (MAHGT120) .....................................1.99 lets you choose 60i, 24p, PF30, and PF24 frame rates for media on your laptop. Active Micro Four Thirds lens mount can HG-T160 VHS Video Cassette (MAHGT160) ............................2.59 customizing the look of your footage. -
DRM) Technology in Contemporary Copyright
The Role of Digital Rights Management (DRM) Technology in Contemporary Copyright Joseph Straus Munich International Forum on the Centennial of Chinese Copyright Legislation Renmin University of China, Beijing October 15, 2010 © J. Straus 2010 -1- Points to Consider • Copyright & technology – two old companions – dialectic relationship • Technology promoter of (re)production and distribution of works & challenge of copyright • Digitization – new quantitative & qualitative challenge • Legal & technical response • Where is the right balance of interests: creators & publishers v. users, hardware manufacturers, etc. → social progress? © J. Straus 2010 -2- Copyright & Technology – Two Old Companions China, the Technological Frontrunner • 105 AD - Lun Cai invents paper manufacturing technique • 1041 AD – Sheng Bi invents movable type printing • No legal impact – due to social/intellectual environment [no revolution] and due fragmented to agricultural economy [Chao Xu] © J. Straus 2010 -3- Copyright & Technology – Two Old Companions Europe – the Late(r) Commer • 1439 – Johannes Gutenberg invents movable type printing • 1469 – Johann von Speyer granted printing privilege by the city of Venice • Etching technique (copper engraving) invented – privileges for reproduction granted (Albrecht Dürer) • 15th-17th Century – numerous such privileges granted in Europe Social Revolution (Renaissance, humanism, reformation) & technology & market → protection against copying → printers & publishers, i.e. industry prime beneficiary • Idea of intellectual property -
Telecommunications Technology Transfers Contents
CHAPTER 6 Telecommunications Technology Transfers Contents Page INTRODUCTION . 185 TELECOMMUNICATIONS IN THE MIDDLE EAST . 186 Telecommunications Systems . 186 Manpower Requirements . 190 Telecommunications Systems in the Middle East. ........: . 191 Perspectives of Recipient Countries and Firms . 211 Perspectives of Supplier Countries and Firms . 227 IMPLICATIONS FOR U.S. POLICY . 236 CONCLUSIONS . 237 APPENDIX 6A. – TELECOMMUNICATIONS PROJECT PROFILES IN SELECTED MIDDLE EASTERN COUNTRIES. 238 Saudi Arabian Project Descriptions . 238 Egyptian Project Descriptions . 240 Algerian Project Description . 242 Iranian Project Description . 242 Tables Table No. Page 51. Market Shares of Telecommunications Equipment Exports to Saudi Arabia From OECD Countries, 1971, 1975-80 . 194 52. Selected Telecommunications Contracts in Saudi Arabia . 194 53. Market Shares of Telecommunications Equipment Exports to Kuwait From OECD Countries, 1971,1975-80 . 198 54. Selected Telecommunications Contracts in Kuwait . 198 55. Market Shares of Telecommunications Equipment Exports From OECD Countries, 1971, 1975-80 . 202 56. Market Shares of Telecommunications Equipment Exports to Algeria From OECD Countries, 1971,1975-80 . 204 57. Market Shares of Telecommunications Equipment Exports to Iraq From OECD Countries, 1971, 1975-80 . 206 58. Selected Telecommunications Contracts in Iraq . 206 59. Market Shares of Telecommunications Equipment Exports to Iran From OECD Countries, 1971, 1975-80 . 208 60. Saudi Arabian Telecommunications Budgets As Compared to Total Budgets . 212 61. U.S. Competitive Position in Telecommunications Markets in the Middle East Between 1974 and 1982 . 233 Figures Page l0. Apparent Telecommunications Sector Breakdowns-Saudi Arabia, 1974-82 . 195 11. Apparent Market Share, Saudi Arabia, 1974-82 . 196 12. Apparent Sector Breakdowns-Kuwait, 1974-82 . 197 13. Apparent Market Share-Kuwait, 1974-82 .