CESAR ROMERO (Cesar Julio Romero Jr.) Filmografia Essenziale Dal 1951 Al 1988

Total Page:16

File Type:pdf, Size:1020Kb

CESAR ROMERO (Cesar Julio Romero Jr.) Filmografia Essenziale Dal 1951 Al 1988 CESAR ROMERO (Cesar Julio Romero Jr.) Filmografia essenziale dal 1934 al 1950 ANNO TITOLO TITOLO ORIGINALE REGIA VOTO 1934 L' UOMO OMBRA THE THIN MAN W. S. VAN DYKE 8 1935 CAPRICCIO SPAGNOLO THE DEVIL IS A WOMAN JOSEF VON STERNBERG 8 1935 IL CARDINALE RICHELIEU CARDINAL RICHELIEU ROWLAND V. LEE 6,5 1935 CODICE SEGRETO RENDEZVOUS WILLIAM K. HOWARD 7,5 1935 IL CONQUISTATORE DELL' INDIA CLIVE OF INDIA RICHARD BOLESLAWSKI 7 1935 IL RE DELL' OPERA METROPOLITAN RICHARD BOLESLAWSKI 7 1935 STERMINATELI SENZA PIETA` SHOW THEM NO MERCY ! GEORGE MARSHALL 7 1935 L' UOMO DAI DIAMANTI DIAMOND JIM A. EDWARD SUTHERLAND 6,5 1935 LE VIE DELLA FORTUNA THE GOOD FAIRY WILLIAM WYLER 7 1936 LA BISBETICA INNAMORATA LOVE BEFORE BREAKFAST WALTER LANG 7 1936 LA MOGLIE DEL NEMICO PUBBLICO PUBLIC ENEMY'S WIFE NICK GRINDE 6 1936 L' ULTIMA PARTITA FIFTEEN MAIDEN LANE ALLAN DWAN 7,5 1937 ALI` BABA` VA IN CITTA` ALI BABA GOES TO TOWN DAVID BUTLER 7 1937 ALLE FRONTIERE DELL' INDIA WEE WILLIE WINKIE JOHN FORD 7 1937 LA CAMERA DELLA MORTE SHE'S DANGEROUS L. R. FOSTER • M. CARRUTH 6 1938 AMORE SENZA DOMANI ALWAYS GOODBYE SIDNEY LANFIELD 6,5 1938 STELLA DEL NORD HAPPY LANDING ROY DEL RUTH 7 1939 LE AVVENTURE DI CISCO KID THE RETURN OF THE CISCO KID HERBERT I. LEEDS 6,5 1939 CHARLIE CHAN NELL' ISOLA DEL TESORO CHARLIE CHAN AT TREASURE ISLAND NORMAN FOSTER 6,5 1939 GLI INDOMABILI FRONTIER MARSHAL ALLAN DWAN 7 1939 LA PICCOLA PRINCIPESSA THE LITTLE PRINCESS WALTER LANG 7,5 1939 SIAMO FATTI COSI` WIFE, HUSBAND AND FRIEND GREGORY RATOFF 7,5 1941 ADDIO BROADWAY ! THE GREAT AMERICAN BROADCAST ARCHIE MAYO 7 1941 TRE SETTIMANE D' AMORE WEEK-END IN HAVANA WALTER LANG 7 1942 DESTINO TALES OF MANHATTAN JULIEN DUVIVIER 7,5 1942 IN MONTAGNA SARO` TUA SPRINGTIME IN THE ROCKIES IRVING CUMMINGS 7,5 1942 VOGLIO ESSERE PIU` AMATA ORCHESTRA WIVES ARCHIE MAYO 7 1943 FIOR DI NEVE WINTERTIME JOHN BRAHM 6,5 1943 L' ISOLA DELLE SIRENE CONEY ISLAND WALTER LANG 7,5 1947 IL CAPITANO DI CASTIGLIA CAPTAIN FROM CASTILLE HENRY KING 7,5 1947 CARNEVALE IN COSTARICA CARNIVAL IN COSTA RICA GREGORY RATOFF 6 1948 LA BELLA IMPRUDENTE JULIA MISBEHAVES JACK CONWAY 7 1948 IL FIGLIO DELLA TEMPESTA DEEP WATERS HENRY KING 7 1948 LA SIGNORA IN ERMELLINO THAT LADY IN ERMINE E. LUBITSCH • O. PREMINGER 7,5 1949 L' INDIAVOLATA PISTOLERA THE BEAUTIFUL BLONDE FROM BASHFUL BEND PRESTON STURGES 7 1950 SEI CANAGLIA, MA TI AMO LOVE THAT BRUTE ALEXANDER HALL 6,5 1950 LO SFRUTTATORE ONCE A THIEF W. LEE WILDER 6 www.eurodeon.it CESAR ROMERO (Cesar Julio Romero Jr.) Filmografia essenziale dal 1951 al 1988 ANNO TITOLO TITOLO ORIGINALE REGIA VOTO 1951 L' AMORE E` BELLO HAPPY-GO-LOVELY BRUCE HUMBERSTONE 7 1951 LA CITTA` CHE SCOTTA F.B.I. GIRL WILLIAM BERKE 6,5 1951 IL CONTINENTE SCOMPARSO LOST CONTINENT SAM NEWFIELD 6,5 1952 I GIGANTI DELLA GIUNGLA THE JUNGLE WILLIAM BERKE 6 1953 LA SPADA DEL DESERTO PRISONERS OF THE CASBAH RICHARD L. BARE 6 1953 LA SPADA DI GRANADA EL CORAZON Y LA ESPADA E. DEIN • C. VEJAR HIJO 6 1954 VERA CRUZ IDEM ROBERT ALDRICH 8,5 1955 L' AMERICANO THE AMERICANO WILLIAM CASTLE 6 1955 DESTINO SULL' ASFALTO THE RACERS HENRY HATHAWAY 6,5 1956 L' ANGELO DEL RING THE LEATHER SAINT ALVIN GANZER 6,5 1956 IL GIRO DEL MONDO IN 80 GIORNI AROUND THE WORLD IN 80 DAYS MICHAEL ANDERSON 7,5 1957 L' INFERNO CI ACCUSA THE STORY OF MANKIND IRWIN ALLEN 6,5 1958 IL GENERALE DEI DESPERADOS VILLA ! JAMES B. CLARK 6 1960 COLPO GROSSO OCEAN'S ELEVEN LEWIS MILESTONE 7,5 1960 PEPE IDEM GEORGE SIDNEY 6,5 1961 7 DONNE DALL' INFERNO SEVEN WOMEN FROM HELL ROBERT D. WEBB 6,5 1962 UNA SPOSA PER DUE IF A MAN ANSWERS HENRY LEVIN 7 1963 I LEONI DI CASTIGLIA EL VALLE DE LAS ESPADAS JAVIER SETÒ 6 1963 I TRE DELLA CROCE DEL SUD DONOVAN'S REEF JOHN FORD 8 1964 MADAME P...E LE SUE RAGAZZE A HOUSE IS NOT A HOME RUSSELL ROUSE 6,5 1965 IL BOIA E` DI SCENA TWO ON A GUILLOTINE WILLIAM CONRAD 6,5 1965 PATTO A TRE MARRIAGE ON THE ROCKS JACK DONOHUE 7 1966 BATMAN - THE MOVIE IDEM LESLIE H. MARTINSON 7 1968 MILIONI CHE SCOTTANO HOT MILLIONS ERIC TILL 7,5 1968 SKIDOO SKIDOO ! OTTO PREMINGER 7 1968 UN DOLLARO PER 7 VIGLIACCHI IDEM DAN ASH 6,5 1969 BERSAGLIO UMANO TARGET: HARRY HENRY NEILL 6,5 1969 IL COLPO ERA PERFETTO, MA... THE MIDAS RUN ALF KJELLIN 6,5 1969 IL COMPUTER CON LE SCARPE DA TENNIS THE COMPUTER WORE TENNIS SHOES ROBERT BUTLER 6,5 1969 GANGSTER TUTTOFARE CROOKS AND CORONETS JIM O'CONNOLLY 7 1969 LATITUDINE ZERO IDO ZERO DAISAKUSEN ISHIRO HONDA 6 1969 LA STRANA MALEDIZIONE DI MONTEZUMA A TALENT FOR LOVING RICHARD QUINE 6 1972 SPRUZZA, SPARISCI E SPARA NOW YOU SEE HIM, NOW YOU DON'T ROBERT BUTLER 7 1974 LO SPETTRO DI EDGAR ALLAN POE THE SPECTRE OF EDGAR ALLAN POE MOHY QUANDOUR 6 1975 L' UOMO PIU` FORTE DEL MONDO THE STRONGEST MAN IN THE WORLD VINCENT MC EVEETY 7 1976 CARIOCA TIGRE IDEM GIULIANO CARNIMEO 5 1988 MORTUARY ACADEMY IDEM MICHAEL SCHROEDER 7 www.eurodeon.it.
Recommended publications
  • February 2017
    LearnAboutMoviePosters.com February 2017 MARCH BRINGS THREE MAJOR MOVIE POSTER AUCTIONS The month of March will bring poster collectors not one, not two, but THREE major movie poster auctions. Here’s a quick breakdown. eMovieposter.com’s March Major Auction - 02/26 - 3/12 - This auction will be presented in four parts, part I beginning February 26th, part II February 28th, part III March 2 and part IV beginning March 5. The auction preview is now online.. Details on page 2. Ewbank’s Vintage Poster Auction - 03/03 - This auction will take place March 3rd and features 351 lots including movie posters from the U.K., U.S. and France. The auction preview is here. Details on page 4. Heritage Auction’s Vintage Movie Posters Signature Auction - 3/25-26 - Featuring over 950 lots of rare and popular movie posters, this auction will be conducted live and online beginning March 25th. The auction preview is here. Details on page 8. WELCOME NEW LAMP SPONSOR ASTON’S AUCTIONEERS AND VALUERS We are proud to announce that Aston’s Auctioneers & Valuers has joined the LAMP family as a sponsor. Aston’s is the U.K.’s leading specialist Auctioneers of Movie Posters & Film Memorabilia, holding three large auctions each year. Read more about Aston’s on page 7. EMOVIEPOSTER.COM’S MARCH MAJOR AUCTION PART I BEGINS FEBRUARY 26th 2 3 RARE STAR WARS MARLER HAYLEY POSTER SET BEING AUCTIONED AT EWBANK’S Entertainment, Memorabilia and Vintage Poster Auction March 2nd - 3rd A rare and highly sought-after set of cinema posters promoting the 1977 film Star Wars: Episode IV A New Hope is being put under the hammer by leading Surrey auction house Ewbank’s, with a presale guide price of between £3,000 and £5,000.
    [Show full text]
  • XXIV:4) Ernst Lubitsch, to BE OR NOT to BE (1942, 99 Min.)
    February 7, 2012 (XXIV:4) Ernst Lubitsch, TO BE OR NOT TO BE (1942, 99 min.) Directed and produced by Ernst Lubitsch Original story by Melchior Lengyel Ernst Lubitsch Screenplay by Edwin Justus Mayer Original Music by Werner R. Heymann Cinematography by Rudolph Maté Film Editing by Dorothy Spencer Production Design by Vincent Korda Selected for the National Film Registry, 1996. Carole Lombard...Maria Tura Jack Benny...Joseph Tura Robert Stack...Lieut. Stanislav Sobinski Felix Bressart...Greenberg Lionel Atwill...Rawitch Stanley Ridges...Professor Siletsky Sig Ruman...Col. Ehrhardt Tom Dugan...Bronski Charles Halton...Producer Dobosh 1932 Trouble in Paradise, 1932 One Hour with You, 1932 George Lynn...Actor-Adjutant Broken Lullaby, 1931 The Smiling Lieutenant, 1930 Monte Henry Victor…Capt. Schultz Carlo, 1928 The Patriot, 1927 The Student Prince in Old Maude Eburne...Anna Heidelberg, 1925 Lady Windermere's Fan, 1924 The Marriage Halliwell Hobbes...Gen. Armstrong Circle, and 1915 Zucker und Zimmt. Miles Mander...Major Cunningham EDWIN JUSTUS MAYER (November 8, 1896, New York City, New York – September 11, 1960, New York City, New York) ERNST LUBITSCH (January 28, 1892, Berlin, Germany – has 48 Hollywood writing credits, among them 1958 The November 30, 1947, Hollywood, California) has 76 directing Buccaneer (1938 script), 1953 “Broadway Television Theatre” credits (some of which are 1948 That Lady in Ermine, 1946 (play - “The Firebrand”), 1945 Masquerade in Mexico (story), Cluny Brown, 1943 Heaven Can Wait, 1942 To Be or Not to Be, 1945 A Royal Scandal, 1942 To Be or Not to Be, 1941 They Met 1941 That Uncertain Feeling, 1940 The Shop Around the in Bombay, 1941 Underground (story), 1940 Lucky Partners, Corner, 1939 Ninotchka, 1938 Bluebeard's Eighth Wife, 1937 1939 Rio, 1939 Exile Express, 1939 Midnight (story), 1938 The Angel, 1935 La veuve joyeuse, 1934 The Merry Widow, 1933 Buccaneer, 1936 Till We Meet Again, and 1932 Wild Girl.
    [Show full text]
  • The Museum of Modern Art Department of Film
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art .
    [Show full text]
  • MY MAN GODFREY (1936) 94 Min
    September 7, 2004 (IX:2) GREGORY LA CAVA (10 March 1892, Towanda, Pennsylvania—1 March 1952, Malibu, California, heart attack) directed 169 films, the last of which was an uncredited directing job on One Touch of Venus 1948. Some of the others were Stage Door 1937, She Married Her Boss 1935, Gabriel Over the White House 1933, The Half Naked Truth 1932, The Life of Reilly 1923, and A Quiet Day in the Country. TED TETZLAFF (3 June 1903, Los Angeles—7 January 1995, Fort Baker, California) shot 114 films beginning with Atta Boy 1926 and ending with Hitchcock’s Notorious 1946. Some of the others were Those Endearing Young Charms 1945, Cafe Society 1939, Tom Sawyer, Detective 1938, Soldiers of the Storm 1933, Tol'able David 1930, and The Flying Marine 1929. He directed World Premiere in 1941, then from 1947 on directed 13 more features, among which were Son of Sinbad 1955, Johnny Allegro 1949, Fighting Father Dunne 1948 and Riffraff 1947. WILLIAM POWELL (29 July 1892, Pittsburgh—5 March 1984, Palm Springs, California, cardiac arrest) acted in six Thin Man films, beginning with The Thin Man 1934. He played George Wilson in the first film made of Fitzgerald's The Great Gatsby 1926. His first film was When Knighthood Was in Flower 1922; the last was Mister Roberts 1955. There were 98 in all, among them How to Marry a Millionaire 1953, Mr. Peabody and the Mermaid 1948, The Senator Was Indiscreet 1947, Life with Father 1947, Ziegfeld Follies 1946, The Great Ziegfeld 1936, Manhattan Melodrama 1934, and The Four Feathers 1929.
    [Show full text]
  • Movies, Only Orkers Crack Their Union Local’S Safe and Oct
    The Accountant 556 Suspense A 13 6:15p; 18 9:25p; 19 7:30p; 24 8:55p; Treasury agent closes in on a brilliant 25 4:05p; 30 8:55p; 31 7:15p, PARMT freelance accountant who works for 241 Oct. 1 10:30p; 2 8p; 10 4p, 8:30p dangerous criminal organizations. Ben Adopt a Highway Drama When an daughter are held captive for 53 days by Affleck, Anna Kendrick, J.K. Simmons, ex-convict finds an abandoned baby in a A a former student. Corina Akeson, Reese Jon Bernthal. (2:30) ’16 TNT 138 Oct. 3 dumpster, he gains a new lease on life, 8p; 4 5:15p Abducted Action A war hero Alexander, Caroline Chan, Paralee Cook. deciding to dedicate himself to making 555 takes matters into his own hands (TV14, 2:00) ’19 LMN 109 Oct. 29 12p The Accused Drama Raped in a sure the child has a good life. Ethan A 56 bar, a woman hires a prosecutor who Hawke, Chris Sullivan, Christopher Hey- when a kidnapper snatches his Abduction Action A young man must young daughter during a home run for his life soon after learning that the goes after the patrons who encouraged erdahl, Elaine Hendrix. (NR, 1:21) ’19 invasion. Scout Taylor-Compton, Daniel folks who raised him are not his real par- her attackers. Kelly McGillis, Jodie Foster, STRZED 352 Oct. 8 8:11a; 20 4p Joseph, Michael Urie, Najarra Townsend. ents. Taylor Lautner, Lily Collins, Alfred Bernie Coulson, Leo Rossi. (2:00) ’88 Adopted in Danger Suspense A DNA (NR, 1:50) ’20 SHOS-E 323 Oct.
    [Show full text]
  • 6/13/2010 Dvdsiv Page 1 TITLE * = in a Large Case, Or Multiple Movies On
    DVDsIV 6/13/2010 TITLE * = In a large case, or multiple movies on 1 disc * Treasures Of Black:Devils Daughter,Gang Wars,Bronze Buck,UpInAir *And then there were none: Classic Mystery Movie * *Angel One Five / King & Country * *At War With The Army: Dean Martin: Stage And Screen *Aztec Temple Of Blood: Unsolved History *BangBros / Playboy Sizzlers / Ancient Secrets of Kama Sutra * *Battler, The/Bang The Drum Slowly (Paul Newman) * *Birth of a Nation *Black :Pacific Inferno,Death Of Prophet,TNT Jackson,Black Fist * *Body And Soul: Paul Robeson 2 * *Borderline: Paul Robeson 2 * *Caesar And Claretta / The Apple Cart ( Helen Mirren ) * *Carole Lombard 1: Man Of The World - We're Not Dressing *Carole Lombard 2: Hands Across The Table *Carole Lombard 3: Love Before Breakfast, Princess Comes Across * *Carole Lombard 4: True Confession *Classic Disaster Movies: Virus; Hurricane; Deadly Harvest * *Cry Panic: Classic Mystery Movie *Death Defying Acts / Houdini's Death Defying Acts *Emperor Jones: Paul Robeson 1 * *Empire of The Air, Ken Burns' America *Five Million Years To Earth (Quatermass And The Pit) *Giant Of Marathon / War Of The Trojans * *Go For Broke / Beyond Barbed Wire * *Great Bank Hoax / Great Bank Robbery * *HammerIcons: StopMe;Cash Demand;Snorkel;Maniac;NeverCandy;Damned *Huey Long: Ken Burns' America *Human Beast (The La Bete Humaine) *In Search of Cezanne/The Bolero * *Japan At War: Black Rain,Father Kamikaze,Japan's Longest,Okinawa *Jeopardy / To Please A Lady * *Jerico: Paul Robeson 3 * *Kill Da Wabbit (part of Looney Tunes Collection)
    [Show full text]
  • Gregory La Cava (1936, 94 Min.)
    February 12, 2019 (XXXVIII:3) Gregory La Cava (1936, 94 min.) DIRECTED BY Gregory La Cava WRITING Morrie Ryskind & Eric Hatch (screen play), Eric Hatch (novel), Zoe Akins, Gregory La Cava, Robert Presnell Sr. (contributing writers, uncredited) PRODUCER Charles R. Rogers (executive producer) MUSIC Charles Previn, Rudy Schrager (uncredited) CINEMATOGRAPHY Ted Tetzlaff (photographer) FILM EDITING Ted J. Kent, Russell F. Schoengarth ART DIRECTION Charles D. Hall Academy Awards, USA 1937 The film was nominated for Oscars for Best Actor in a Leading Role (William Powell), Best Actress in a Leading Role (Carole Lombard), Best Actor in a Supporting Role (Mischa Auer), Best Actress in a Supporting Role (Alice Brady), Best Director (Gregory La Cava), and Best Writing, Screenplay (Eric Hatch, Morrie Ryskind). ventured to Hollywood where, in 1922, he would begin directing two-reel comedies, a production genre that was a direct National Film Preservation Board, USA 1999 competitor to animation. During this phase of his career, he The film was selected for preservation in the National Film worked with such comedy luminaries as Bebe Daniels (Feel My Registry. Pulse, 1928), Richard Dix, and W. C. Fields (So's Your Old Man, 1926 and Running Wild, 1927) He and Fields were also drinking CAST buddies. La Cava worked his way up to feature films in the silent William Powell...Godfrey era, but it is for his work in sound films of the 1930s—especially Carole Lombard...Irene Bullock comedies—that he is best known today. And though he did not Alice Brady...Angelica Bullock always get credit, he also often had a hand in creating the Gail Patrick...Cornelia Bullock screenplays for his films.
    [Show full text]
  • Glamour: Women, History, Feminism
    Praise for Glamour ‘In her relish for brassy blondes, gutsy flamboyance and tinsel vulgarity, Dyhouse writes like a woman who knows her way around the lipstick counter and the flea market. She shows how a parade in the trappings of glamour expressed aspiration and assertion at odds with mousy, unobtrusive conformity. Glamour was a cynical business, but also a shriek of camp defiance. All fur coat and no knickers. Dyhouse has whipped the stopper from a vintage bottle of Evening in Paris and conjured a vanished world – cheap, a little tarty, but impossible to forget.’ Amanda Vickery, author of Behind Closed Doors ‘In Glamour: Women, History, Feminism, Carol Dyhouse has written a study of the conception of glamour in the twentieth century that is sprightly, provocative, and penetrating. She adds greatly to our understanding of a phenomenon that has been central to women’s attitudes toward themselves … This work will be interesting to both scholars and general readers alike.’ Lois Banner, author of American Beauty ‘In her survey of changing ideas about “glamour” throughout the twentieth century and beyond, Carol Dyhouse has succeeded in fashioning scholarly empirical research into a clear, engaging and enthusiastic account.’ Elizabeth Wilson, author of Adorned in Dreams ‘Rigorously researched and persuasively argued, Glamour represents an important contribution to the social history of fashion and of fabulousness.’ Caroline Weber, author of Queen of Fashion ‘Riveting – from perfume to sexual politics and the precise definition of “It”, Dyhouse
    [Show full text]
  • THE BOX OFFICE CHECK-UP of 1935
    1 to tell the world!* IN 1936 THE BOX OFFICE CHECK-UP of 1935 An annual produced by the combined editorial and statistical facilities of Motion Picture Herald and Motion Picture Daily devoted to the records and ratings of talent in motion pictures of the year. QUIGLEY PUBLISHING COMPANY THE PUBLIC'S MANDATE by MARTIN QUIGLEY 1 The Box Office Check-Up is intended to disclose guidance upon that single question which in the daily operations of the industry over- shadows all others; namely, the relative box office values of types and kinds of pictures and the personnel of production responsible for them. It is the form-sheet of the industry, depending upon past performances for future guidance. Judging what producers, types of pictures and personalities will do in the future must largely depend upon the record. The Box Office Check-Up is the record. Examination of the record this year and every year must inevitably dis- close much information of both arresting interest and also of genuine im- portance to the progress of the motion picture. It proves some conten- tions and disproves others. It is a source of enlightenment, the clarifying rays of which must be depended upon to light the road ahead. ^ Striking is the essential character of those pictures which month in and month out stand at the head of the list of Box Office Cham- pions. Since August, 1934, the following are among the subjects in this classification: "Treasure Island," "The Barretts of Wimpole Street," "Flirta- tion Walk," "David Copperfield," "Roberta," "Love Me Forever," "Curley
    [Show full text]
  • The Museum of Modern Art Department of Film
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art .
    [Show full text]
  • Screwball Comedies: Eine Filmographie, Eine Bibliographie 2003
    Repositorium für die Medienwissenschaft Hans Jürgen Wulff Screwball Comedies: Eine Filmographie, eine Bibliographie 2003 https://doi.org/10.25969/mediarep/12854 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Screwball Comedies: Eine Filmographie, eine Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 50). DOI: https://doi.org/10.25969/mediarep/12854. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0050_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 50, 2003: Screwball Comedy. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 17. Dezember 2002. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0050_03.pdf. Screwball Comedies: Eine Filmographie, eine Bibliographie Zusammengestellt v. Hans J. Wulff Inhalt: Angel (Engel); USA 1937, Ernst Lubitsch, D: Marle- I. Die Filme (A-Z) ne Dietrich, Herbert Marshall. II. Die Regisseure (A-Z) III. Die Stars (A-Z) Annabel Takes a Tour; USA 1938, Lew Landers, D: IV. Chronologie Jack Oakie, Lucille Ball. V. Bibliographie Another Thin Man (Noch ein dünner Mann; aka: [*] Für Hinweise danke ich Christine Noll Brinckmann, Dünner Mann, dritter Fall); USA 1939, W.S. Van Thomas Christen, Karl-Dietmar Möller, Jörg Schweinitz Dyke, D: William Powell, Myrna Loy.
    [Show full text]
  • Promotion of Classic Hollywood Film Costume In
    PROMOTION OF CLASSIC HOLLYWOOD FILM COSTUME IN 1930S AMERICAN FASHION MAGAZINES by LINDSAY DANIELLE REAVES VIRGINIA S. WIMBERLEY, COMMITTEE CHAIR AMANDA J. THOMPSON XIAO TONG WILLIAM F. BOMAR SHIRLEY P. FOSTER A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Science in the Department of General Human Environmental Sciences in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2013 Copyright Lindsay Danielle Reaves 2013 ALL RIGHTS RESERVED ABSTRACT The world of twenty-first-century fashion evolves into new forms at a more rapid pace when compared with clothing developments of the past. Elements of previous fashion trends are constantly recycled into new clothing to appease the public’s cravings. But, to whom does the public look for fashion inspiration? According to the “trickle-down” theory proposed by Simmel (1904) and Sproles (1985), the lower classes turn to the upper classes to find out what styles are in vogue at the moment. Although emulation of upper-class fashions appears to have been happening for some time, it seems fashion inspiration was “kicked into high gear” with the glamorous effects and global outreach of American Hollywood cinema, beginning in the 1930s. When the American film industry boomed in the first half of the twentieth century, actors became the inspiration for fashion as well. The glamour exuding from the Hollywood films produced during the 1930s inspired and influenced the clothing choices of the American public. Well-known costume designers such as Gilbert Adrian, Edith Head, Travis Banton, Howard Greer, Walter Plunkett, and Orry-Kelly designed costumes and personal clothing for many Hollywood leading ladies.
    [Show full text]