GENIUS FRIEND by Edward Chaney
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Primary Sources Database Guide UTS LIBRARY
Primary Sources Database Guide UTS LIBRARY February 2013 This guide contains detailed information on our subscription primary sources databases, as well as a number of freely available online primary sources. Contents Online Primary Source Collections available via UTS Library ............................................. 4 Archives Unbound: 19th Century English-Language Journals from the Far East ............. 4 Archives Unbound: La Guerra Civil Española .................................................................. 4 Archives Unbound: Revolution in Honduras and American Business: The Quintessential “Banana Republic” .......................................................................................................... 5 Archives Unbound: The Hindu Conspiracy Cases: Activities of the Indian Independence Movement in the U.S., 1908-1933 ................................................................................... 6 ArtStor ............................................................................................................................. 7 Confidential Print Series .................................................................................................. 8 Confidential Print: Latin America, 1833-1969 .................................................................. 8 Confidential Print: Middle East 1839-1969 ....................................................................... 9 Confidential Print: North America, 1824-1961: Canada, the Caribbean and the USA ...... 9 Defining Gender, 1450-1910 ........................................................................................ -
The Book of Ebenezer Le Page and Guernsey Literature and History
‘THE ROCK WHENCE YE ARE HEWN’: THE BOOK OF EBENEZER LE PAGE AND GUERNSEY LITERATURE AND HISTORY It say in the Bible ‘Look unto the rock whence ye are hewn, and to the hole of the pit whence ye are digged.’ Well, those people are the rock whence I was hewn, and the hole of the pit whence I was digged. I haven’t said nothing about my cousins, and the cousins of my cousins; but then half the island is my cousins, and the cousins of my cousins. The Book of Ebenezer Le Page was published posthumously in 1981 and was highly praised on publication by such major contemporary novelists as John Fowles and William Golding. The novel sold well and created an interest in Guernsey life that it had seldom attracted before. Doubtless the vivid local colour of the book and its evocation of Guernsey’s ‘otherness’ within modern British and European culture had a large part to do with its success. The circumstantial details of the publication of the novel o·er the stu· of good journalistic copy. The Book of Ebenezer Le Page is Edwards’s only published novel. He began it when he was in his late sixties; he made a few unsuccessful attempts to publish it when he was in his early seventies; and it was finally published in 1981, five years after his death in 1976. Very little else is known of Edwards’s life. He was born on Guernsey in 1899, but left the island as a young man to study at Bristol University. -
“Thy Pyramyds Buylt up with Newer Might”: Shakespeare and the Cultural Memory of Ancient Egypt Edward Chaney
Aegyptiaca. Journal of the History of Reception of Ancient Egypt “Thy pyramyds buylt up with newer might”: Shakespeare and the Cultural Memory of Ancient Egypt Edward Chaney Introduction: Given that we have lost 99 per cent of the documentation of the ancient world, one doesn’t have to be a Jungian advocate of the collective unconscious (or perhaps preferable in this context, Halbwachs’ Mémoire collective or even Warburgian engrams) to credit continuities for which there may be minimal material evidence. In an age at risk of reverting to ideologically-driven iconoclasm we should perhaps make a particular effort to fill the lacunae left by destruction, whether the result of “direct action” (damnatio memoriae) or mere decadence. Given that in 1843 Lepsius discovered an apparently unique copy, Shakespeare could not have read the Middle Kingdom’s Debate between a Man and his Soul, yet surely it has too much in common with Hamlet’s famous soliloquy for us to disregard resemblances. I begin with Moses and his admirer, Machiavelli, merely mentioning Freud’s Moses and Monotheism which first drew me back from Grand Touring to ancient Egypt. But I’d like to start by paying grateful tribute to my former PhD supervisor, Joe Trapp, Ernst Gombrich’s successor as director of the Warburg Institute, who as well as introducing me to the wondrous Frances Yates, introduced me to the writings of Jan Assmann. Not the least of Prof Assmann’s achievements has been to lend Freud’s foray into Egyptology a respectability it has sometimes lacked. Whatever one thinks of his answers, whether in cultural history or psychoanalysis, Freud asked the important questions. -
'Ebenezer's Creator: New Book Tells the Story'
Thursday 10 September 2015 GUERNSEY PRESS EBENEZER LE PAGE 27 It was a literary success on both sides of the Atlantic but until now we have known little about the Guernsey-born author of The Book of Ebenezer Le Page. That will change next week, when a biography of GB Edwards by his friend Professor Edward Chaney is launched at the Guernsey Literary Festival. It explodes the myth that Edwards based Ebenezer on himself and explains how an elementary school teacher from a small island who had dropped out of Bristol University came to establish himself in a stellar London literary set. Ebenezer fan Nick Le Messurier couldn’t wait to get his hands on an advance copy... Ebenezer’s creator New book tells the story Professor Edward Chaney befriended GB Edwards as a young art student. HEN I got my hands on a Edwards had created characters who I In this new biography of Edwards, Edwards was not an easy man to get on review copy of The Book recognised, characters my father and Genius Friend, Professor Edward with, but he must have been impressed of Ebenezer Le Page by mother talked about at the kitchen Chaney seeks to put this right. by the young student because he GB Edwards in 1981 I was table, characters to whom I might even It has not been an easy task. Before he based the character of the rebellious mesmerised from the first have been related. died, Edwards destroyed much of his Neville Falla on Chaney and left him page. I couldn’t believe And yet, though The Book of Ebenezer other work and Professor Chaney has the completed manuscript of the book, thatW this novel, feted by no less a writer Le Page was a publishing success, painstakingly pieced together his life dedicating it to him and his wife. -
Tradition and an Individual Talent Edward Chaney Text Copy
1 William Rose: Tradition and an Individual Talent. Edward Chaney Almost a century ago in ‘Tradition and the Individual Talent’, T.S. Eliot demonstrated that he had no need of a post-modernist mother-hen to remind him that ‘the past [is] altered by the present’, but gave equal emphasis to the fact that ‘the present is directed by the past’. He was indeed acutely conscious that: ‘the poet who is aware of this will be aware of great difficulties and responsibilities.’1 Not so, the Damiens and Traceys of contemporary ‘visual culture’, who ride (if they ever read) roughshod over the admonitions of Eliot, Yeats, Pound, Wyndham Lewis and more recently of Ernst Gombrich, Peter Fuller and Roger Scruton.2 This culture couldn’t even accommodate Kitaj’s Leftist compromise with ‘the Great Tradition’, hailing instead the egregious Martin Creed for his oh-so-challenging, on- and-off light switch or, more recently, his sweaty runners sprinting up and down the traditional art gallery upon which such ‘happenings’ (as they were once so quaintly known) depend for their trifling conceptualist impact.3 The YBA Turner Prizists and their tax-funded sponsors still fail to understand that new art will always be recognizable as ‘contemporary’ regardless of their frantic, self-promotional exaggerations of this ingredient. Writing in the midst of a Great War, which put the artistic ‘avant-garde’ into an alas only temporary shade, Eliot warned us that although ‘the material of art is never quite the same’, ‘art never improves’ and even as it evolves, nothing is ever abandoned en route; the cave paintings, Homer, Shakespeare and Michelangelo are never ‘superannuated’. -
Impact Case Study (Ref3b) Page 1 Institution: Southampton Solent
Impact case study (REF3b) Institution: Southampton Solent University Unit of Assessment: 34: Art and Design: History, Practice, Theory Title of case study: Promoting the popular understanding of the importance of the Grand Tour and its role in advocating civil society since the Renaissance. 1. Summary of the impact (indicative maximum 100 words) Professor Chaney’s research has had a major impact on the awareness of the Grand Tour as one of the most significant cultural phenomena since the Renaissance, today’s cultural tourism being its most obvious legacy. This has been achieved by international publications, the organization of conferences, exhibitions, numerous well attended public lectures throughout Britain, continental Europe, Egypt, America and Australia, and contributions to television and radio programmes, including BBC 4 and Radio 4. His promotion of Italian culture has been recognized by the Italian government with the title of Commendatore. His research continues to reach global audiences through Adam Matthew Digital’s publication on The Grand Tour, 2009. 2. Underpinning research (indicative maximum 500 words) After graduating with a first in art history, Prof Chaney chose the Warburg in preference to the Courtauld Institute in order to broaden his cultural range and be taught by Ernst Gombrich. Having produced a mid-17th-century travelogue for his MPhil dissertation, he concluded that while the 18th-century Grand Tour was relatively well-covered, the origins of (and deeper justifications for) this extraordinary cultural phenomenon were insufficiently studied. After the Reformation those in newly Protestant countries who had once gone on pilgrimages to Rome were obliged to evolve new, non-Catholic justifications to travel abroad, among which secularized criteria, art, antiquity and architecture eventually predominated leading directly to today’s tourism. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details RB KITAJ AND THE IDEA OF EUROPE Francis Marshall Doctor of Philosophy University of Sussex January 2016 Volume I TEXT 3 ACKNOWLEDGEMENTS In the course of researching this thesis I have made use of a number of publicly accessible research facilities. These are: The Print Room, British Museum, London The Library, Pallant House Art Gallery, Chichester The Special Collections Library, Leeds University The Special Collections Library, The University of California, Los Angeles The Archive of the National Gallery, London The Archive of the Philadelphia Museum of Art The Hyman Kreitman Archive and Study Room, Tate Gallery, London The Prints & Drawings Study Room, Tate Gallery, London Blythe House, Victoria & Albert Museum, London The National Art Library, Victoria & Albert Museum, London The Prints and Drawings Study Room, Victoria & Albert Museum, London In addition, many individuals have assisted me by providing first-hand information about Kitaj, providing important leads and avenues for research, responding to early drafts, allowing me access to the archives and collections in their care, dealing patiently with my persistent enquiries, or simply being generous with their time.