Colonial Correspondents and Joseph Dalton Hooker
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Disciplinary Culture
Disciplinary Culture: Artillery, Sound, and Science in Woolwich, 1800–1850 Simon Werrett This article explores connections between science, music, and the military in London in the first decades of the nineteenth century.1 Rather than look for applications of music or sound in war, it considers some techniques common to these fields, exemplified in practices involving the pendulum as an instrument of regulation. The article begins by exploring the rise of military music in the late eighteenth and early nineteenth centuries, and then compares elements of this musical culture to scientific transformations during 1 For broad relations between music and science in this period, see: Myles Jackson, Harmonious Triads: Physicians, Musicians, and Instrument Makers in Nineteenth-Century Germany (Cambridge, MA: MIT Press, 2006); Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840–1910 (Cambridge, MA: MIT Press, 2012); Emily I. Dolan and John Tresch, “‘A Sublime Invasion’: Meyerbeer, Balzac, and the Opera Machine,” Opera Quarterly 27 (2011), 4–31; Emily Thompson, The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933 (Cambridge, MA: MIT Press, 2004). On science and war in the Napoleonic period, see for example: Simon Werrett, “William Congreve’s Rational Rockets,” Notes & Records of the Royal Society 63 (2009), 35–56; on sound as a weapon, Roland Wittje, “The Electrical Imagination: Sound Analogies, Equivalent Circuits, and the Rise of Electroacoustics, 1863–1939,” Osiris 28 (2013), 40–63, here 55; Cyrus C. M. Mody, “Conversions: Sound and Sight, Military and Civilian,” in The Oxford Handbook of Sound Studies, eds. Trevor Pinch and Karin Bijsterveld (Oxford: Oxford University Press, 2012), pp. -
La Trobeana Is Kindly Sponsored by Mr Peter Lovell Lovell Chen Architects & Heritage Consultants
LAA TTROBEANAROBEANA Journal of the C. J. La Trobe Society Inc. Journal ofVol.11, the No.C. J. 3, LaNovember Trobe 2012Society Inc. ISSN 1447-4026 Vol. 6, No. 2, June 2007 ISSN 1447-4026 La Trobeana is kindly sponsored by Mr Peter Lovell LOVEll CHEN ARCHITECTS & HERITAGE CONSULTANTS Lovell Chen Pty Ltd, Level 5, 176 Wellington Pde, East Melbourne 3002, Australia Tel: +61 (0)3 9667 0800 Fax: +61 (0)3 9416 1818 Email [email protected] ABN 20 005 803 494 Contents 4 Introduction 37 Jane Wilson A Word from the President Research Report: Charles La Trobe’s contribution to the establishment of the 5 Adrienne E. Clarke Horticultural Gardens at Burnley A Message from the Chancellor of La Trobe University 39 Susan Priestley Crises of 1852 for Lieutenant-Governor Tributes La Trobe, Captain William Dugdale and La Trobeana Henrietta Augusta Davies Journal of the C J La Trobe Society Inc. Dr Brian La Trobe Vol. 11, No 3, November 2012. 6 Tim Gatehouse 46 Dr Jean McCaughey The Turkish La Trobe: The career of ISSN 1447-4026 7 Claude Alexandre de Bonneval, the Editorial Committee 8 Mr Bruce Nixon Sultan’s advisor at the Ottoman Court Loreen Chambers (Hon Editor) Helen Armstrong Articles 54 Roz Greenwood Dianne Reilly Book Review: The French Closet by Robyn Riddett 9 R.W. Home Alison Anderson Burgess La Trobe’s ‘honest looking German’: Designed by Ferdinand Mueller and the botanical Reports and Notices Michael Owen [email protected] exploration of gold-rush Victoria Helen Botham For contributions and subscriptions enquiries contact: 56 Anna Murphy Anniversary of the Death of The Honorary Secretary: Dr Dianne Reilly AM 17 The C. -
Natural Selection: Charles Darwin & Alfred Russel Wallace
Search | Glossary | Home << previous | next > > Natural Selection: Charles Darwin & Alfred Russel Wallace The genius of Darwin (left), the way in which he suddenly turned all of biology upside down in 1859 with the publication of the Origin of Species , can sometimes give the misleading impression that the theory of evolution sprang from his forehead fully formed without any precedent in scientific history. But as earlier chapters in this history have shown, the raw material for Darwin's theory had been known for decades. Geologists and paleontologists had made a compelling case that life had been on Earth for a long time, that it had changed over that time, and that many species had become extinct. At the same time, embryologists and other naturalists studying living animals in the early 1800s had discovered, sometimes unwittingly, much of the A visit to the Galapagos Islands in 1835 helped Darwin best evidence for Darwin's formulate his ideas on natural selection. He found theory. several species of finch adapted to different environmental niches. The finches also differed in beak shape, food source, and how food was captured. Pre-Darwinian ideas about evolution It was Darwin's genius both to show how all this evidence favored the evolution of species from a common ancestor and to offer a plausible mechanism by which life might evolve. Lamarck and others had promoted evolutionary theories, but in order to explain just how life changed, they depended on speculation. Typically, they claimed that evolution was guided by some long-term trend. Lamarck, for example, thought that life strove over time to rise from simple single-celled forms to complex ones. -
The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886
The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886 Sascha Nolden, Simon Nathan & Esme Mildenhall Geoscience Society of New Zealand miscellaneous publication 133H November 2013 Published by the Geoscience Society of New Zealand Inc, 2013 Information on the Society and its publications is given at www.gsnz.org.nz © Copyright Simon Nathan & Sascha Nolden, 2013 Geoscience Society of New Zealand miscellaneous publication 133H ISBN 978-1-877480-29-4 ISSN 2230-4495 (Online) ISSN 2230-4487 (Print) We gratefully acknowledge financial assistance from the Brian Mason Scientific and Technical Trust which has provided financial support for this project. This document is available as a PDF file that can be downloaded from the Geoscience Society website at: http://www.gsnz.org.nz/information/misc-series-i-49.html Bibliographic Reference Nolden, S.; Nathan, S.; Mildenhall, E. 2013: The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886. Geoscience Society of New Zealand miscellaneous publication 133H. 219 pages. The Correspondence of Julius Haast and Joseph Dalton Hooker, 1861-1886 CONTENTS Introduction 3 The Sumner Cave controversy Sources of the Haast-Hooker correspondence Transcription and presentation of the letters Acknowledgements References Calendar of Letters 8 Transcriptions of the Haast-Hooker letters 12 Appendix 1: Undated letter (fragment), ca 1867 208 Appendix 2: Obituary for Sir Julius von Haast 209 Appendix 3: Biographical register of names mentioned in the correspondence 213 Figures Figure 1: Photographs -
Bon Voyage? 250 Years Exploring the Natural World SHNH Summer
Bon Voyage? 250 Years Exploring the Natural World SHNH summer meeting and AGM in association with the BOC World Museum Liverpool Thursday 14th and Friday 15th June 2018 Abstracts Thursday 14th June Jordan Goodman, Department of Science and Technology Studies, University College London In the Wake of Cook? Joseph Banks and His ‘Favorite Projects’ James Cook’s three Pacific voyages spanned the years from 1768 to 1780. These were the first British voyages of exploration in which natural history collecting formed an integral part. Joseph Banks and Daniel Solander were responsible for the collection on the first voyage, HMS Endeavour, between 1768 and 1771; Johann and Georg Forster, collected on the second voyage, HMS Resolution, between 1772 and 1775; and David Nelson continued the tradition on the third voyage, HMS Resolution, from 1776 to 1780. Though Cook’s first voyage brought Banks immense fame, it was the third voyage that initiated a new kind of botanical collecting which he practised for the rest of his life. He called it his ‘Favorite Project’, and it consisted of supplying the royal garden at Kew with living plants from across the globe, to make it the finest botanical collection in the world. Banks appointed David Nelson, a Kew gardener, to collect on Cook’s third voyage. Not only would the King’s garden benefit from a supply of exotic living plants, but the gardeners Banks sent out to collect them would also learn how best to keep the plants alive at sea, for long periods of time and through many different climatic conditions. -
Tasmanian Heritage Register Entry
Tasmanian Heritage Register Datasheet 134 Macquarie Street (GPO Box 618) Hobart Tasmania 7001 Phone: 1300 850 332 (local call cost) Email: [email protected] Web: www.heritage.tas.gov.au Name: Cambria THR ID Number: 12021 Status: Provisionally Registered Municipality: Glamorgan-Spring Bay Council Tier: State Location Addresses Title References Property Id 13566 Tasman HWY, Swansea 7190 TAS 148001/1 3362795 13569 Tasman HWY, Swansea 7190 TAS 104887/4 5280910 Lot 1 Tasman HWY, Swansea 7190 TAS 251306/1 3362891 Front elevation of the Rear elevation of the Cambria main house Interior, main house, main house, Cambria main house, Cambria with pinetum Cambria DPIPWE 2019 DPIPWE 2019 DPIPWE 2019 DPIPWE 2015 Restored brick and Cobbled stable floor, Shearing shed, Oyster Bay pine stone stable building, Cambria Cambria posts, barn, Cambria Cambria DPIPWE 2019 DPIPWE 2019 DPIPWE 2019 DPIPWE 2019 Nut Walk, Cambria Main house, Redcliffe Red Banks and the Inner paddocks and Meredith River from dividing hedgerows, DPIPWE 2019 DPIPWE 2020 Cambria Cambria DPIPWE 2019 DPIPWE 2019 Setting: The house at Cambria stands above the steep bank of the Meredith River near Swansea on the East Coast, Wednesday, February 17, 2021 Page 1 of 13 commanding a view of Oyster Bay and Schouten Island. It shares the riverine environment with the house at Red Banks (THR#12020), only about 200 metres away on the Meredith’s opposite bank. The river widens into a shallow estuary below the Cambria house. The surrounding coastal land is open as a result of thousands of years of Aboriginal use of fire for land management—followed by almost two centuries of European farming. -
“A Valuable Monument of Mathematical Genius”\Thanksmark T1: the Ladies' Diary (1704–1840)
Historia Mathematica 36 (2009) 10–47 www.elsevier.com/locate/yhmat “A valuable monument of mathematical genius” ✩: The Ladies’ Diary (1704–1840) Joe Albree ∗, Scott H. Brown Auburn University, Montgomery, USA Available online 24 December 2008 Abstract Our purpose is to view the mathematical contribution of The Ladies’ Diary as a whole. We shall range from the state of mathe- matics in England at the beginning of the 18th century to the transformations of the mathematics that was published in The Diary over 134 years, including the leading role The Ladies’ Diary played in the early development of British mathematics periodicals, to finally an account of how progress in mathematics and its journals began to overtake The Diary in Victorian Britain. © 2008 Published by Elsevier Inc. Résumé Notre but est de voir la contribution mathématique du Journal de Lady en masse. Nous varierons de l’état de mathématiques en Angleterre au début du dix-huitième siècle aux transformations des mathématiques qui a été publié dans le Journal plus de 134 ans, en incluant le principal rôle le Journal de Lady joué dans le premier développement de périodiques de mathématiques britanniques, à finalement un compte de comment le progrès dans les mathématiques et ses journaux a commencé à dépasser le Journal dans l’Homme de l’époque victorienne la Grande-Bretagne. © 2008 Published by Elsevier Inc. Keywords: 18th century; 19th century; Other institutions and academies; Bibliographic studies 1. Introduction Arithmetical Questions are as entertaining and delightful as any other Subject whatever, they are no other than Enigmas, to be solved by Numbers; . -
List of Honorary Fellows
LIST OF HONORARY FELLOWS. 847 LIST OF HONORARY FELLOWS .110 AT MARCH 1897. His Royal Highness The PRINCE OF WALES. FOREIGNERS (LIMITED TO THIRTY-SIX BY LAW X.). Elected. 495 1897 Alexander Agassiz, Cambridge (Mass.). 1897 E.-H. Amagat, Paris. 1889 Marcellin Pierre Eugene Berthelot, Paris. 1895 Ludwig Boltzmann, Vienna. 1864 Rohert Wilhelm Bunsen, Heidelberg. 1897 Stanislao Cannizzaro, Rome, 1883 Luigi Cremona, Rome. 1877 Carl Gegenbaur, Heidelberg, 1888 Ernst Haeckel, Jena. 1883 Julius Hann, Vienna. 1884 Charles Hermite, Paris. 1879 Jules Janssen, Paris, 1864 Alhert von Kblliker, Wilrzhurg. 1864 Rudolph Leuckart, Leipzig, 1897 Gabriel Lippmann, Paris. 1895 fileuthere-6lie-Nicolas Mascart, Paris. 1888 Demetrius Ivanovich Mendel6ef, St Petersburg. 1895 Carl Menger, Vienna. 1886 Alphonse Milne-Edwards Paris. 1864 Theodore Mommsen, Berlin. 1897 Fridtjof Nansen, Christiania. 1881 Simon Newcomb, Washington. 1895 Max von Pettenkofer, Munich. 1895 Jules Henri Poincare, Paris. 1889 Georg Hermann Quincke, Heidelberg. 1886 Alphonse Renard, Ghent. 1897 Ferdinand von Ricbthofen, Berlin. 1897 Henry A. Rowland, Baltimore. 1897 Giovanni V. Schiaparelli, Milan, 1881 Johannes Iapetus Smith Steenstrup, Copenhagen. 1878 Otto Wilhelm Strove, St Petersburg. 1886 Tobias Robert Thaten, Upsala. 1874 Otto Torell, Lund. 1868 Rudolph Yirchow, Berlin. 1892 Gustav Wiedemann, Leipzig. 1897 Ferdinand Zirkel, Leipzig. Total, 36. 848 LIST OF HONORARY FELLOWS. BRITISH SUBJECTS (LIMITED TO TWENTY BY LAW x.). Elected. 1889 Sir Robert Stawell Ball, Kt., LL.D., F.R.S., M.R.I. A., Lowndean, Professor of Astronomy in the University of Cambridge, Cambridge 1897 The Very Rev. John Caird, D.D., LL.D., Principal of the Uni- versity of Glasgow, Glasgow. 1892 Colonel Alexander Ross Clarke, C.B., R.E., F.R.S., Redhill, Surrey 1897 George Howard Darwin, M.A., LL.D., F.R.S., Plumian Professor of Astronomy in the University of Cambridge, Cambridge. -
Endrés As an Illustrator
chapter∑ 4 Endrés as an illustrator Franco Pupulin According to the definition provided by Botanical Gardens Conservation International, “the main goal of botanical illustration is not art, but scientific accuracy”. A botanical illustrator must portray a plant with enough precision and detail for it to be recognized and distinguished from another species, and the need for exactness is what fundamentally differentiates botanical illustration from more general flower painting. If, traditionally, the best botanical illustrators try to understand the structure of plants and to communicate that in an aesthetically pleasing manner, combining science and art, this was probably not the concern of Auguste R. Endrés when preparing his orchid illustrations in Costa Rica. He had, however, a remarkable artistic talent, and his activity was influenced by the great tradition of orchid painting. The results of his illustration work not only attain the highest levels of botanical accuracy, but set a new standard in orchid art and science. As we will see, only because his masterful plates were lost among the forgotten materials of Reichenbach’s venomous legacy, was Endrés’ work prevented from having a major influence on the discipline of botanical illustration. The golden age of botanical illustration in Europe Beginning in the 17th century, and more frequently during the Enlightenment of the 18th Century, European artists and scientists undertook major projects for collecting and cataloguing nature in its amazing variety. 1613 saw the publication of the Hortus Eystettensis1 (literally the Garden of Eichstätt), a landmark work in the history of botanical art and one of the greatest botanical sets ever created. -
Joseph Dalton Hooker
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Joseph Hooker Takes a "Fixed Post": Transmutation And
Joseph Hooker Takes a "Fixed Post": Transmutation and the "Present Unsatisfactory State of Systematic Botany", 1844-1860 Author(s): Richard Bellon Source: Journal of the History of Biology, Vol. 39, No. 1 (Spring, 2006), pp. 1-39 Published by: Springer Stable URL: http://www.jstor.org/stable/4331989 Accessed: 24-05-2018 19:09 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Springer is collaborating with JSTOR to digitize, preserve and extend access to Journal of the History of Biology This content downloaded from 206.253.207.235 on Thu, 24 May 2018 19:09:40 UTC All use subject to http://about.jstor.org/terms Journal of the History of Biology (2006) 39: 1-39 ? Springer 2006 DOI 10.007/sI 0739-004-3800-x Joseph Hooker Takes a "Fixed Post": Transmutation and the "Present Unsatisfactory State of Systematic Botany", 18 441860 RICHARD BELLON Lyman Briggs School Michigan State University E-30 Holmes Hall East Lansing, MI 48825 USA E-mail: hellonr(@.~msu.edu Abstract. Joseph Hooker first learned that Charles Darwin believed in the transmuta- tion of species in 1844. For the next 14 years, Hooker remained a "nonconsenter" to Darwin's views, resolving to keep the question of species origin "subservient to Botany instead of Botany to it, as must be the true relation." Hooker placed particular emphasis on the need for any theory of species origin to support the broad taxonomic delimitation of species, a highly contentious issue. -
Global Affinities: the Natural Method and Anomalous Plants in the Nineteenth Century Lorelai Kury
HoST - Journal of History of Science and Technology Vol. 15, no. 1, June 2021, pp. 39-70 10.2478/host-2021-0003 SPECIAL ISSUE GLOBAL FLORA: MASTERING EXOTIC PLANTS (EIGHTEENTH—NINETEENTH CENTURIES) Global Affinities: The Natural Method and Anomalous Plants in the Nineteenth Century Lorelai Kury Casa de Oswaldo Cruz, Fiocruz, Brazil [email protected] Sara Albuquerque IHC-Nova FCSH, Pólo Universidade de Évora, Portugal [email protected] Abstract: Approaching from an analysis of the work of Robert Brown (1773-1858) and Friedrich Welwitsch (1806-1872) on Rafflesiaand Welwitschia, this article explores how the “natural method” became a tool for understanding extra-European flora in the nineteenth century. As botanists worked to detect “hidden affinities” between plants that would enable them to identify the so-called natural families to which even anomalous species belonged, they relied on comparison as their basic methodological procedure, making it essential for them to have access to collections. In their scientific writings, professional botanists tended to steer clear of any emphasis on plant exoticism. While botany engaged in dialogue with various types of approaches, the field essentially normalized the exotic. The article’s exploration of the hermetic style of scientific texts and the way botanists incorporated illustrators’ work sheds light on the complexity of the spaces where natural history was done, in a context where plants were circulating from around the globe. Keywords: Rafflesia; Welwitschia; Robert Brown; natural method; exoticism © 2021 Lorelai Kury, Sara Albuquerque. This is an open access article licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by/4.0/).