DRAMA, THEATRE AND DANCE 2005-2011 SCHOLARSHIP

BOOKS: Hauptman, Ira J, Partition (full-length play) New York: Playscripts, 2006. 84 pages; Partition was translated into Italian in Milan, 2005-6, for possible production in Italy and inclusion in an anthology of plays about science projected by Sironi Editore. I assisted with the translation. Hauptman, I., Starry Messenger (Dramatic Publishing Company, Woodstock, IL, 2011) authored.

PEER-REVIEWED PUBLICATIONS: Mccurley, Dallas, “Winds and The Ways of the Wu: Toward a Ritual Performative Synthesis in Early China” Baylor Journal of Theatre and Performance Vol 3.1 (Spring 2006): 41-66. Profeta, K. Theater, Dance and Performance Training, 2:2, 2011, “Training the Anti-Spectacular for Ralph Lemon’s Dance that Disappears.” p 215-30.

BOOK CHAPTERS: Feiner, H., “Intuition in Practice: Emotion in the Artistic Process”, in PLAYING WITH THEORY IN THEATRE PRACTICE, Palgrave Macmillan Press, UK. ISBN 978-0-230-57780-0. Pgs. 125-138, 2011. Mccurley, Dallas, In This is China: The First 5000 Years Ed. Haiyang Yuan, Berkshire Reference Publishing, April 2010:“The Development of Drama” (8 pp) Mccurley, Dallas, In This is China: The First 5000 Years Ed. Haiyang Yuan, Berkshire Reference Publishing, April 2010: “The Shang” (8 pp) Mccurley, Dallas, In This is China: The First 5000 Years Ed. Haiyang Yuan, Berkshire Reference Publishing, April 2010: “The Qin” (6 pp) Mccurley, Dallas, In Berkshire Encyclopedia of China (5 vols.) Berkshire Reference Publishing, April 2009:“Drama” 641-644 Mccurley, Dallas, In Berkshire Encyclopedia of China (5 vols.) Berkshire Reference Publishing, April 2009: “Qin Dynasty” 1827-1831 Mccurley, Dallas, In Berkshire Encyclopedia of China (5 vols.) Berkshire Reference Publishing, April 2009:“Shang Dynasty” 1941-1944

PRESENTATIONS: Feiner, Harry: July 2009 FIRT International Conference, Feeling and Political Theatre: Brechtian Tradition and Neuroscience, Lisbon Hauptman, Ira J, Panel member after the performance of my play Partition at the Massachusetts Institute of Technology, May 15, 2006. Healey, M., SHREK! The Musical, 2nd National Tour, Dir. Stephen Sposito, Associate Costume Coordinator Healey, M., DRAWN AND QUARTERED INTAR NYC, Dir. Louis Moreno, June 2011 Healey, M., The Uninvited Cornerstone Theater, LA, Dir. Shishir Kurup, April/May 2011 Healey, M., Starry Messenger, Theater for New City, NYC Dir. Susan EInhorn January/February 2011 Malone, J., “Black Atlantic Art: Competition, Improvisation and the Evolution of Rhythm Tap,” Yale University, November 2011. Malone, J., “Excavating American Dance: The Influence of African Dance Aesthetics on Rhythm Tap,” Yale University, November, 2011. Dallas McCurley Paper presentation: “Connecting to the Cosmos: Associative Magic in Musical Instrumentation, Stage Space, and Performance at Some Pre-Bronze Age Sites in China” at 13th International CHIME Conference: “Music and Ritual in China & East Asia,” Bard College, NY., Oct 17, 2008. Dallas McCurley Chair/Discussant of session: “Historical Migration Between the Worlds of Ritual and Popular Performance” at 13th International CHIME Conference: “Music and Ritual in China & East Asia,” Bard College, NY., Oct 18, 2008. Mccurley, Dallas, “On the Martial History of Xi (‘theatre’)” at 14th International CHIME Conference: “ China and East Asian Music: The Future of the Past” (Nov 18-23, 2009) Musical Instruments Museum (MIM), Brussels, Belgium. Mccurley, Dallas, “Early Ruist ritual staging and implications of audience-performer relationships” (in Chinese) at Conference on Confucian and Buddhist Philosophies, (May 18-22, 2009) Tianjin, PRC. Profeta, K. Andrew T. Mellon Foundation, December 2011. Convening of Dance centers and artists. Presentation entitled “Dance Dramaturgy: When and How is it Useful?”. Profeta, K. SDHS Conference Dance Dramaturgy: Catalyst, Perspective and Memory, June 2011. Roundtable: “Dramaturgical Reports from the Field”, with Thomas Defrantz and Talvin Wilks. Repole, C., Conference In Beijing, China – invited guest presenter – (Musical Theatre) December 2010

PERFORMANCES, EXHIBTIONS AND OTHER SCHOLARLY WORK: Critchell, Yin Mei: 2005 November: Nomad: The River, Staten Island College CUNY, NY Critchell, Yin Mei: 2005 September: Nomad: The River Asian Contemporary Theater Festival Shanghai China Critchell, Yin Mei: 2005 September: Nomad: The River, Beijing Modern Dance Theater, Beijing, China Critchell, Yin Mei: 2005 August: Whisper From the Oracle Bones (Prologue), Dance in Queens Museum 2005 Performance, Queens Museum of Arts, NY Critchell, Yin Mei: 2005 April: Nomad: The River, Puffin Room, NYC Critchell, Yin Mei: 2005 April: Nomad: The River Touring Trinity College, CT Critchell, Yin Mei :2005 March: Nomad: The River, world premiere, Dance Theater Workshop, NY Critchell, Yin Mei: 2005 February: Yin Mei Dance-Selected work, performance and discussion, Rubin Museum, NY Critchell, Yin Mei: 2005 January: Nomad: The River, performance and lecture demonstration, CUNY Graduate Center Theater, NY Critchell, Yin Mei: 2005 January: Nomad: The River (excerpt), performance for the American Program of Arts Presenters (APAP), The Duke Studios, NY Critchell, Yin Mei, Jan 2006 - CUNY Graduate Center & AAARI Present Yin Mei Dance“ Cursive” A solo Evening Dance theatre performance at Elebash Hall, New York. Critchell, Yin Mei, Feb 2006 - Whit Box Gallery & Ethan Cohen Gallery Present Yin Mei Dance “Ink/Paper/Body” A solo Installation Performance at The Whit Box Gallery, New York. Critchell, Yin Mei, Feb. 2006 - CUNY TV broad casting “Study With The Best” Features Yin Mei Dance. Critchell, Yin Mei, Feb 2006 - UMASS Amherst Asian Arts & Cultural Program, The New World Theater Performing Arts Center Present “Nomad: The River” Evening Dance Theatre Performance by Yin Mei Dance at The Bowker Auditorium Amherst, Mass. Critchell, Yin Mei, Feb 2006 – The Vision Festival Present Yin Mei’s “ Ink/Paper/Body” Solo Installation Performance at 14 street Y Theatre New York. Critchell, Yin Mei, Mar 2006 – The Asian Cultural Council with the Sotheby’s Present Yin Mei “Cursive” Solo Installation Performance at The Sotheby’s New York. Critchell, Yin Mei, May 2006 – New York Foundation for the Arts Presents Yin Mei solo, New York. Critchell, Yin Mei, May 2006 – House of the World Culture Berlin, Germany “In transit” Festival. Critchell, Yin Mei, Oct 2006 – Voice of American Radio broad casting. Critchell, Yin Mei, Oct/06 – Mar/07 – Queens Museum of Art Queens, New York Queens International Biennial 2006 Exhibition/Installation Performance “Magic in The Square Word - Cursive”. Critchell, Yin Mei, Nov 2006 – The Puffin Room Presents Yin Mei Dance “Magic in The Square Word – Ink/Paper/body/Scent” Solo Installation Performance at The Puffin Room, New York. Critchell, Yin Mei, Nov 2006 – Duke Performances Present Yin mei “Ink/Paper/Body/Scent” Solo Installation Performance at Duke University Nasher Museum Durham, NC. Critchell, Yin Mei, Dec 2006 – James Cohan Gallery Presents Yin Mei Dance “Ink/Paper/Body/Scent” Solo Installation Performance at James Cohan Gallery New York. Critchell, Yin Mei, Reviews: Classical Voice of North Carolina Durham Nasher Museum & Duke Performances: Yin Mei By Karen Mooman. Critchell, Yin Mei, Reviews: Independent Weekly Durham, North Carolina Arts & Entertainment Dance: Dancing in the tongues: Yin Mei’s Human Ideogram translate Abandon and Abandonment By Byron Woods November 29, 2006. Critchell, Yin Mei, Art Review January Issue (2007) ; New York: Another 48 Hours “Art Pilgrimage New York” By Jonathan Neil, Photograph by Max Farago. Critchell, Yin Mei, Wake Forest Journal, North Carolina Dance Project: “Nomad” Is A Spiritual Trip By Lynn Felder Feb 23 2007. Critchell, Yin Mei, Voice Of Dance – Inside – Features San Francisco CA ,Summoning All The Theatrical Crafts Yin Mei Dance, Nomad: the River Yerba Buena Center For The Arts San Francisco, CA By Allan Ulrich March 27, 2007. Critchell, Yin Mei, DanceviEw Times San Francisco Letter 25; Yin Mei Dance Nomad: The River Yerba Buena Center For The Arts By Rita Felciano March, 2007. Yin Mei Critchell 2008 August (2wks) City of Paper Workshop Montreal, Concordia University Canada. Yin Mei Critchell 2008 August (2wks) City of Paper Workshop NYC. Yin Mei Critchell 2008 December 5th & 6th, Variation Without A Theme (Duet) Choreography- performance a Critchell, Yin Mei Shanghai Theatre Academy “International Master Seminar of Directing” China (2009) Critchell, Yin Mei Demystifying Chinese Aesthetics - Chinese Opera and Dance Symposium & WorkshopsToronto university, Canada (2009) Critchell, Yin Mei Hong Kong Academy of Performing Art (2009) Critchell, Yin Mei 2009-2010 City of Paper, Premiere (Jacob’s Pillow/Spoleto Festival etc. U.S. tour) Critchell, Yin Mei 2009 December Carmina Burana, Premiere Queens Choral Society (Colden Theater NY) Critchell, Yin Mei 2009 May Drumming, Dance to an evening of Steve Reich (Queens College Music Hall) Critchell, Yin Mei (2009 January City of Paper, The Asia Society, NYC (work-in-progress showing) at The Merce Cunningham Studio NYC. Einhorn, Susan : Directed a staged reading of THE PLEASURE PRINCIPLE by Joshua James, at the Ensemble Studio Theatre, January 10, 2008. Einhorn, Susan: Directed a staged reading of GARBO”S LAST WALK by Kristof Bathory at the National Arts Club, January 25, 2008. Einhorn, Susan: Directed the world premiere of ON NAKED SOIL by Rebecca Schull, Theater for the New City, NYC, April 12-May 4, 2008. New York Time’s review April 16, 2008, Backstage review April 18, 2008. Einhorn, Susan: Directed the world premiere staged reading of the new musical LIFT, music by Aaron McAllister, book by Daryl Fazio, at the York Theatre, NYC, as part of their developmental reading series, May 15, 2008 Einhorn, Susan: Directed the New York premiere of Kim Merrill’s FINDING CLAIRE, Theater for the New City, NYC, February 3-20th, 2005. Very positive review published in The New York Times on February 12, 2005. Einhorn, Susan: Directed the world premiere of HIGHER POWER by Tug Yourgrau as part of THE WHITE HOUSE PLAYS , the HB Playwrights Theatre, NYC, June 8-26, 2005. Einhorn, Susan: Directed a workshop of UNCLE JED’S BARBERSHOP, co-created with composer David Wohl and writer Kenneth Grimes, at the Aurora Theatre in Denver, Colorado, August 4-7th, 2005. Einhorn, Susan: Directed a workshop of UNCLE JED’S BARBERSHOP at St. Clement’s Theatre, NYC, September 20-October 2, 2005, as part of the New York Musical Theatre Festival. Script selected as one of 17 for full production out of a pool of 400 national submissions. New York Times review, September 27th, 2005. Einhorn, Susan A, Directed a reading of THE REST OF OEDIPUS, words and music by Bob Montgomery, June 15, 2006, NYC. Einhorn, Susan A, Directed the world premiere of AFRAID OF THE DARK by Joshua James, at New World Stages, NYC, as part of THE A TRAIN PLAYS , a benefit for the Off-Broadway theatre community, August 2, 2006. Einhorn, Susan A, Directed a reading of ANNA ALONE by Rebecca Schull, October 22, 2006, NYC. Einhorn, Susan A, Directed a staged and fully sung reading of THE REST OF OEDIPUS, words and music by Bob Montgomery, at LaMama ETC, NYC, reading series curated by George Ferencz, November 13, 2006. Einhorn, Susan A, In Development: ANNA ALONE by Rebecca Schull, third revision in progress since above-cited reading I AM NOT BREAKFAST by Drew Sachs, fourth revision currently in submission at Primary Stages, NYC and Theatre J in Washington, DC. Einhorn, Susan A, In Development: THE PLEASURE PRINCIPLE by Joshua James, second revision currently in submission at Primary Stages, NYC and The Vineyard Theatre, NYC. Einhorn, Susan A, In Development: THE TORMENT by Nicole Quinn, currently working on second revision THE REST OF OEDIPUS, words and music by Bob Montgomery, third revision currently in submission at the Public Theatre, NYC. Einhorn, Susan The Rest of Oedipus, after Sophocles’ OEDIPUS AT COLONUS (way after), words and music by Robert Montgomery, premiere, Hippeas Colonus Theatre, Colonus (Athens) Greece, July 2009, and subsequent revised presentation at the Aaron Copland Schhol of Music, September, 2009 Einhorn, Susan Feeding Time at the Human Zoo, by Dave Weiner, Turnip Festival at the American Globe Theater, won best play, best actress and honorable mention for best direction and best actor, May 2009 Einhorn, Susan Playboy of the Western World, by J.M. Synge, part of Irish Theatre Festival, guest artist Stephen Rea, Goldstein Theatre, October 2008 Einhorn, Susan On Naked Soil, Imagining Anna Akhmatova, written by and starring Rebecca Schull, world premiere, Theatre for the New City, Apriil, 2009 Einhorn S., Directed STARRY MESSENGER by Ira Hauptman, world premiere, Theater for the New City, January 27-February 3, 2011, NYC. New York Times review, February 7, 2011. Einhorn S., Directed LITTLE BUNDLES OF JOY by David Wiener, world premiere, Turnip Festival at the American Globe Theatre, NYC, April 27, 2011. Einhorn S., Produced and was directorial consultant for MYTH AMERICA by Pam Winterdink, Rosendale Theatre, Rosendale, NY, April 30, 2011. Einhorn S., Directed a concert reading of UNCLE JED’S BARBERSHOP, of which I am co-creator, written by Kenneth Grimes, composed by David Wohl, Shadow Theatre Company at the Aurora Fox Theatre, Aurora, Colorado, May 27-May 29th, 2011. Feiner, Harry: Re-design of Prelude, Pascal Rioult Dance Theatre European Tour, Belgium, Switzerland and France, November 2005 Feiner, Harry: Sets and Lights, Bartleby the Scrivener, The Blue Heron, November 2005 Feiner, Harry: Set Design, Julius Caesar, Shakespeare Festival of New Jersey, October 2005 Feiner, Harry: The Mikado, River Rep, Ivoryton Playhouse, July 2005 Feiner, Harry: Development Residency at Kaatsban International Center for Dance, March 2005 Feiner, Harry: Represented in the World Design Exibition, Toronto, March 2005; Media and select Gallery Exibition Feiner, Harry: Two River Theatre Company, The Beauty Queen of Leenane, Scenery Design, January 2005. Feiner, Harry A, Set Design, Cendrillon, Manhattan School of Music, April 2006. Feiner, Harry A, Set Design, Waiting for Godot, Becckett Centenary Festival, Two River Theatre Company, March 2006. Feiner, Harry A, Re-design of Prelude, Pascal Rioult Dance Theatre Bynum Theater, Pittsburgh, April, 2006. Feiner, Harry A, Set design of Ravel Project, Pascal Rioult Dance Theatre European Tour, France, December 2006; France and Italy, March, 2007. Feiner, Harry A, Set and Lighting Design, Engaging Shaw, Bennington Center for the Arts, August 2006. Feiner, Harry A, Ballet, Pascal Rioult Dance Theatre, Scenery for Kansas City Orfeo, Lric Theater, Kansas City; September 2006. Feiner, Harry A, Scenery an d Lighting Design, Ain’t Misbehavin’, Two River Theatre Company, September 2006. Feiner, Harry A, Set design, The Best Man, New Jersey Rep Theatre, September 2006. Feiner, Harry A, Scene Design, Arms and the Man, The Pearl Theatre Company (Off-Broadway), September 2006. Feiner, Harry A, Scene Design, The School for Wives, The Pearl Theatre Company (Off-Broadway), November 2006. Feiner, Harry A, IFTR-FIRT Conference paper on Court Theatre and Idealistic Form in Composition and Architecture, Published by The Prague Theatre Institute in Patronage, Spectacle and the Stage, ISBN 80- 7008-190-2, 2006; pg. 42-51. Feiner, Harry A, AFTR Conference, Chicago, November 2006. Panel member on Scenography. Feiner, Harry A, Scene Design, Toys in the Attic, The Pearl Theatre Company (Off-Broadway), January 2007. Feiner, Harry A, Scene Design, The Cave Dwellers, The Pearl Theatre Company (Off-Broadway), March 2007. Feiner, Harry A, Scene Design, Biography, The Pearl Theatre Company (Off-Broadway), April 2007. Feiner, Harry A, Scene Design, Love and Murder, New Jersey Rep Theatre, April 2007. Feiner, Harry A, Set design of Ravel Project, Pascal Rioult Dance Theatre European Tour, France; France and Italy, March, 2007. Feiner, Harry A, Scenery design for The Firebird, Pascal Rioult Dance Theatre, European Tour, France and Italy, April 2007. Feiner, Harry A, Scene Design, Hamlet, The Pearl Theatre Company (Off-Broadway), September 2007. Feiner, Harry A, Scene Design, The Constant Couple, The Pearl Theatre Company (Off-Broadway), November 2007. Feiner, Harry A, Scene Design. The Firebird, USA Exhibit for The Prague Quadrennial International Scenography Exhibition, June 2007. Feiner, Harry A, Scene Design, Therese Raquin, The Ensemble Theatre Company (Santa Barbara), February 2008 Feiner, Harry A, Scene Design, La Mandragola, The Pearl Theatre Company (Off-Broadway), February 2008 Feiner, Harry A, Scene Design, Ghosts, The Pearl Theatre Company (Off-Broadway), March 2008 Feiner, Harry A, Scene Design, The Importance of Being Earnest, The Pearl Theatre Company (Off- Broadway), April 2008 Feiner, Harry A, Articles: A Postcard from Auschwitz, Brandeis Magazine, Summer 2008 Fiener, Harry A, A production photo of my design for The Adding Machine will appear in the next edition of The Bedford Anthology of Drama. 2008 (Circulation approximately 60,000.) Fiener, Harry A,Scene Design, Take Me Out, The Ensemble Theatre Company (Santa Barbara), September 2008 Fiener, Harry A,Scene Design, A Streetcar Named Desire, Shakespeare Festival of New Jersey, September 2008 Fiener, Harry A,Scene Design, The Oedipus Cycle, The Pearl Theatre Company (Off-Broadway), October 2008 Fiener, Harry A,European touring sets for Black Diamond & The Firebird, Rioult Dance Theatre, Italy, Switzerland & France, Fall 2008 Fiener, Harry A,Scene Design, Nathan the Wise, The Pearl Theatre Company (Off-Broadway), December 2008 Feiner, Harry: Set Design October, 2009 THE PLAYBOY OF THE WESTERN WORLD, directed by J.R. Sullivan The Pearl Theatre Co. –Off Broadway Feiner, Harry: Set Design April, 2009 VIEUX CARRE`, directed by Austin Pendleton The Pearl Theatre Co. –Off Broadway Feiner, Harry: Set Design March, 2009TARTUFFE, directed by Gus Kaikkonen The Pearl Theatre Co. –Off Broadway Feiner, Harry: Set Design February, 2009, TWELFTH NIGHT, directed by J.R. Sullivan The Pearl Theatre Co. –Off Broadway Feiner, Harry: Scene Design January, 2009 , BURIED CHILD, directed by Jonathan Fox Ensemble Theatre, Santa Barbara Feiner, Harry: Décor, April, 2009 THE GREAT MASS, choreographed by Pascal Rioult, Joyce Theatre, NY RIOULT- Pascal Rioult Dance Theatre Feiner, H., September, 2011 Scene Design, THE BALD SOPRANO, directed by Hal Brooks Feiner, H., November, 2011Scene Design, RICHARD II, directed by J.R. Sullivan Feiner, H., January, 2011 Scene Design, THE MISANTHROPE, directed by Joe Hanreddy Feiner, H., December, 2011 Scen Design, THE MAN WHO CAME TO DINNER, directed by Dan Wackerman Feiner, H., April, 2011 Scene Design, GHOSTS, directed by Jonathan Fox Feiner, H., August , 2011 Scene Design, ARMS AND THE MAN, directed by Warren Hammock Feiner, H., June, 2011 Projections, CELESTIAL TIDES, choreographed by Pascal Rioult, Joyce Theatre, NY Feiner, H., January, 2011 Scenery and Lighting design, THE MAGIC FLUTE, directed by Claudia Zahn Greenberg, Jeffrey Lighting Designer: Ragtime Dir: Christine Kahler Surflight Theatre June 2009 Greenberg, Jeffrey Lighting Designer: Lady Be Good Dir: Steve Steiner Surflight Theatre May 2009 Greenberg, Jeffrey Lighting Designer: Anything Goes Dir. Charles Repole Queens College Mar. 2009 Greenberg, Jeffrey Lighting Designer: Preppies Dir. Craig Evans Blair Academy Feb. 2009 Hauptman, Ira J, Staged reading of a short play, GODOT, ACT 3, at FirstStage, Hollywood, May 17, 2009. Hauptman, Ira J, Production of GODOT, ACT 3, at UC Irvine World Premiere Weekend, April 25, 2009. Hauptman, Ira J, Staged reading of my full-length play STARRY MESSENGER by Break a Leg Productions at the CUNY Graduate Center as part of the Center's Science and the Arts series, February 26, 2009. Hauptman, Ira J, Production of STARRY MESSENGER by the Bangalore Little Theatre at a conference of the Astronomical Society of India and the Indian Institute of Astrophysics, February 18, 2009. Hauptman, Ira J, The production was restaged by the Bangalore Little Theatre at the Alliance Francaise de Bangalore March 19 and 20, 2009, for four more performances. Hauptman, Ira J, Invited member of a panel at the “Culture Talk” series at the Castillo Theatre in Manhattan, November 8, 2009. Hauptman, Ira. “Partition” (full-length play): September 23-October 15, 2005 revival at Theatre du Rideau, Brussels, Belgium, for a three-week run in French translation. Hauptman, Ira. “Partition” (full-length play): Winter 2005, assisted with an Italian translation by an editor at a Milan publishing house. Hauptman, Ira. “Partition” (full-length play): May 23, 2005 staged reading at l’Institut Henri Poincare, Paris, in French with professional actors. Hauptman, Ira. “Partition” (full-length play): July 12-15, 2005; the play was a featured topic at Mathematics and Narrative, An Interdisciplinary Conference, Mykonos, Greece. Hauptman, Ira. “Partition” (full-length play): August 4, 2005; the play was discussed in an article about the conference in the British journal Nature. Hauptman, Ira. “The Troublesome Reign of King John”, May 2005, staged reading at FirstStage, Hollywood. Hauptman, Ira J, Starry Messenger (full-length play) received a staged reading (professional) by FirstStage in the Hollywood Court Theatre, March 2006. Hauptman, Ira J, In December 2006 Starry Messenger was also accepted for performance by the Bangalore Little Theatre in the History of Ideas project of the Institute of Advanced Studies in Bangalore. Hauptman, Ira J, American Jewish Historical Society Salutes A Monumental Moment in Our Nation’s History. I co -wrote the script for The American Jewish Historical Society’s Tribute to Franklin and Eleanor Roosevelt, held at the Society’s Center for Jewish History, New York, 2006. Hauptman, Ira J, Math Lab (one-act play) received a staged reading (professional) by FirstStage, Hollywood, June 2006. Hauptman, Ira J, Partition (full-length play) received staged readings presented by the Massachusetts Institute of Technology Office of the Arts and the Underground Railway Theater, a professional company in the Boston area, 2006. Hauptman, Ira, playwright: BAD DATE, one-act play performed at FirstStage, Hollywood, June 3, 2007. Hauptman, Ira, playwright: STARRY MESSENGER, full-length play, presented by the Magic Theatre, San Francisco, in a staged reading at the San Francisco Exploratorium Sept. 26, 2007. Ira Hauptman, Spring 2008 - Publication in book form of an Italian translation of my full-length play PARTITION in Trieste, Italy.,April 2008. Fifteen hundred copies were distributed at FEST, an International Science Media Fair in Trieste, April 16-20. Hauptman, I., Zoo Story 2011, a play given a staged reading at FirstStage, Burbank, May 29, 2011. Hauptman, I., Starry Messenger, a play produced at Theater for the New City, Manhattan, January 27— February 13, 2011. Meghan Healey The Rover, The New School, November 2008, Dir. Erica Gould, NYC Meghan Healey Milk-n-Honey - Fall Tour, Lightbox Theater Company, Dir. Ellen Beckerman, October- November 2008 Meghan Healey Prelude to the First Day, Twilight Theater, September 2008, Dir. Sturgis Warner, NYC Meghan Healey Max and the Truffle Pig, NYMF, September 2008, Dir. Erica Gould, NYC Meghan Healey Mrs. Warren’s Profession, Boundless Theater Co., August 2008, Dir. Emineh De Lourdes, International Theater Festival, PR Healey, M., “Shrek Rocks the Arsht Center” by Christine Dolen, The Miami Herald, 12/8/2011 Healey, M., “Fantastic, Funny Shrek Finds Swamp Full of Laughs in Fort Meyers” by Chris Silk, Naples Daily News 11/30/2011 Healey, M., “Theater Review: Shrek the Musical improves on Shrek the Movie” by Drew Sterwald, Fort Meyers News-Press, 11/30/2011 Healey, M., “A Palette of Wine, Blood, and Sex” by Andy Webster, New York Times Theater Review, 6/16/2011 Healey, M., “Theater Review (NYC): Drawn and Quartered by Maggie Bofill at INTAR” by Jon Sobel for Stage Mage Theater Blog 6/7/2011 Healey, M., “Drawn and Quartered at INTAR” by Nicole Villanueve, Backstage.com 6/8/2011 Healey, M., “Maggie Bofill’s Drawn and Quartered” by Chloe Carter Brown, New York Theater Review 6/9/2011 Healey, M., “Quartered isn’t Very Well-Drawn” by Frank Sheck, New York Post 6/20/2011 Healey, M., “The Unrequited: Between Two Worlds Review by Rebecca Haithcoat LA WEEKLY 5/5/2011 Healey, M., “The Unrequited” by Leigh Kennicott, Stage Happenings 5/18/2011 Healey, M., “The Church Against the Stars” by Maura Kelley Off-Off Online 2/12/2011 Healey, M., “Science and Religion on a Collision Course at Galileo’s Trial” By Daniel Gold, New York Times 2/7/2011 Jacqui Malone, “Feet Talk to Me,” Tapology 2008, Youth Tap Festival, Flint Michigan, October 2008 (five-day residency). Jacqui Malone, Presenter, Silver Belles’ Annual Benefit, Cotton Club, New York City, March 2008. Jacqui Malone, “Black Traditions in Tap,” New York University, May 2007. Jacqui Malone, “Drumming as Dance,” Institute for Research in African American Studies, Columbia University, New York City, April 2007. Jacqui Malone, “Drumming as Dance,” Yale University, New Haven, Conn., February 2007 Jacqui Malone,Public Interview with Photographer C. Daniel Dawson, Institute for Research in African American Studies, Columbia University, New York City, November 2006. Jacqui Malone, “Feet Talk to Me,” Tapology 2006, Youth Tap Festival, Flint Michigan, October 2006 (five-day residency). Jacqui Malone,Program designer and panel moderator, “Rhythm Tap Artists as Mentors,” Center for Jazz Studies, Columbia University, October 2006. Jacqui Malone, “Black Traditions in Tap,” Iolani School, Honolulu, Hawaii, March 2006 (five-day residency). Jacqui Malone, “Dance Writing & Research,” Panelist, Fordham University (Fordham/Alvin Ailey Program), New York City, October, 2005. Jacqui Malone, “Feet Talk to Me,” Tapology 2005, Youth Tap Festival, Flint Michigan, October 2005 (three-day residency). Jacqui Malone, “Researching Dance,” Summer Mellon Institute, Schomburg Center for Research in Black Culture, New York City, July 2005. Malone, Jacqui: “Dance Writing and Research, “Fordham University (Fordham/Ailey Program), New York City, October 2005 Malone, Jacqui: “Understanding Rhythm Tap,” University of North Carolina (Chapel Hill), October 2005 Four-Day Residency, Tapology 2005 Youth Tap Festival, Flint, Michigan, October 2005. Malone, Jacqui: “Writing Dance Lives, “ Mellon Institute, Schomburg Center for Research in Black Culture, New York Public Library, July 2005 Jacqui Malone, “Dance Writing & Research,” Panelist, Alvin Ailey American Dance Center (Fordham University/Alvin Ailey Program), New York City, October, 2009. Jacqui Malone, Research Consultant, Joe Turner’s Come and Gone, Broadway, Belasco Theatre, March 2009. Jacqui Malone, Presenter, Silver Belles’ Annual Benefit, Cotton Club, New York City, March 2009. Jacqui Malone, “Feet Talk to Me,” Tapology 2008, Youth Tap Festival, Flint Michigan, October 2008 (five-day residency). Malone, J., “Cholly Atkins” America’s Irreplaceable Dance Treasures, Online Exbibition, Dance Heritage Coalition, 2011. Matthews, Susan E, 2006, DancePerformed in "Knitting Orders at 92 Street Y Dance Center in NYC. Matthews, Susan E, 2006, rehearsal of Porter's Too Much on My Plate", which was performed in 2007. Matthews, Susan E, 2006, member/ rehearsal director of KO-RYO Dance Theator. Matthews, Susan E, Performed at the Flamboyan Theator at Clemente Soto Belez in NYC on May 19-21, 2006. Matthews, Susan E, 2006, Chairman of the Board at Dance New Amsterdam, New York. Mccurley, Dallas, Staging (Chinese Opera training, choreography, musical directing, and directing) of my translation/adaptation of Snow in Midsummer, 2006. Mccurley, Dallas, Translation /Adaptation of 13th century Yuan drama Dou E Yuan (adapted as Snow in Midsummer), 2006. Mccurley, Dallas, Dracula by Bram Stoker (1897). Drakula. Full-length kabuki playscript, performed at QC (2009). Mccurley, Dallas, Co-Moderator (with Joseph Mills): Intercultural Seminar on Beijing Opera production of Oedipus Queens College-CUNY (Oct 5, 2009) Mccurley, Dallas, Drakula Queens College-CUNY, Flushing, NY 2009 Playwright (script & musical score) and kabuki staging(director/choreographer/vocal coach) (kabuki-inspired adaptation of Stoker’s novel, Drakula) Mccurley, Dallas, Sable Smoke (2009) Co-Performer (with Gilbert Adair) Centre for Contemporary Poetics, University of London-Birkbeck Centre for Contemporary Poetics Research, UK Mills, Joseph Performed with Choreographer Catherine Tharin in a duet titled “Chicha Libre.” November 6-9 of 2008 at West End Theatre at 263 West End Ave, New York City. Mills, Joseph Queens College, - City University of New York, December, 2009, set design for Shaman’s Song. Mills, Joseph 92nd Street Y – Harkness Center for Dance, January, 2010, set design for 7 Questions About Angels. Mills, Joseph Shaman’s Song. 2009. 9 dancers. 10 minutes Music: Bobby Mc Farrin Sound Design: Ralph Carhart Set Design: Joseph Mills Mills, Joseph Performer/Soloist, Soon the Radiance, by Catherine Tharin, “Tea Dances,” Time Lapse Dance, New York, NY, November 21, 2009 Mills, Joseph Performer/Soloist, Soon the Radiance, by Catherine Tharin, The Flea, New York, NY, November Mills, Joseph Performer/Soloist, Untitled Dance in Silence, by Catherine Tharin, John Ryan Theatre, DUMBO Dance Festival 2009, Brooklyn, NY, September 2009 Mills, J., Empty Reflections. 2011. Duet exploring body images and self-confidence. Choreography for a celebration of Playwright Quiara Alegria Hudes. Duet 6 minutes Music: Zoe Keating Set Design: Joseph Mills, Premier at New York City College of Technlology, Brooklyn, NY. December 1, 2011. Mills, J., On the Head of a Pin. 2010. An emergence of pure angelic form. Musing on the philosophical question, “How many angels can dance on the head of a pin?” A trio for 3 women with costumes, properties and set of white tulle. 3 dancers, 8 minutes, Music: Michael Hunt, Costume and Set Design: Joseph Mills Mills, J., John Ryan Theatre, 2011 DUMBO Dance Festival (curated), New York, NY, September 25, 2011. Mills, J., Hatch Series (curated), Jennifer Muller/The Works Space, New York, NY, April 16, 2011. Mills, J., Premiered at the 92nd Street Y – Harkness Dance Center, Fridays at Noon Series (curated), New York, NY, December 10, 2010. Mills, J., Reflections in the Well of Solace. 2002. A meditation on grief, loss, and transcendence in the wake of 9/11. 9 dancers. 20 minutes, Music: Michael Hunt, Set Design: Joseph Mills, Blanche M. Touhill Performing Arts Center , University of Missouri St. Louis, St. Louis, MO. Performed by Modern America Dance Company, April 1-2, 2011 Mills, J., Dancer/Company member, Performing with Heidi Latsky Dance, “Somewhere,” performed at Mason Gross School of the Arts, December 6, Rutgers University, New Brunswick, NJ, December, 6, 2011 Profeta, K. Performance piece: as Dramaturg: Alexandra Beller/Dances, Other Stories. Premiere in Boston at ICA (July 2011). Profeta, K. Performance piece: as Movement Coach: Elevator Repair Service, The Select (The Sun Also Rises). New York premiere at New York Theater Workshop (September 2011). Repole, C., Carousel – Director – Pittsburgh Civic Light Opera, Van Kaplan Producer [July 2005] Repole, C., Anything Goes – Director – Westchester Broadway Theatre, Bill Stutler and Bob Funking producers, [June 2005] Repole, C., Brigadoon – Director – Merry-Go-Round Playhouse, Auburn, New York, Ed Sayles producer [May-June 2005] Repole, C., Lisa Asher in Concert – Director – Glen Falls Arts Festival, [January 2005] Repole, Charles, National Music Theater Network, Inc. NMTN's Evaluation Program,, 2006. Repole, Charles, Cinderella [Musical] North Shore Music Circus, Beverley, MA August 2006, Director. Repole, Charles, 42nd Street [Musical] Civic Light Opera, Pittsburg, PA , June - July 2006 , Director. Repole, Charles, American Jewish Historical Society Celebration, New York City, NY May 2006, Director. Repole, Charles, MAUREEN BRENNAN & GEORGE DVORSKY – Together Again! Crest Theater, Delray Beach, Florida - Feb 20 -21 – Director. Repole, Charles, Jewish Historial Society , 15West 16th street - concieved (with Dan Kaplan) and directed an event "Jewish Chaplains at War" August 1.2007 - October 9, 2007 (performance October 9, 2007). Repole, Charles, Civic Light Opera Pittsburgh PA - Directed the musical "White Christmas" July 2nd - 11th 2007 (proformances July 10, 2007 - July 22, 2007). Repole, Charles, Edited and created DVD - "Jewish Chaplains at War" November 10th -20th - Presented for viewing December 1, 2007. Repole, Charles, Chaplains and the DPs – Conceived (with Dan Kaplan) and Directed - American Jewish Historical Society, New York City (May 21, 2008) Repole, Charles, “Marymount Manhattan at the York 2008” conceived and directed – performances June 20-21, 2008 Repole, Charles, Civic Light Opera Pittsburgh PA - Directed the musical "Annie Get Your Gun” (performances July 22, 2008 – August 3, 2008). Repole, Charles, North Shore Music Theatre, Beverly MA , Directed the Musical “42nd Street” (October 2008) nominated for an IRNE (Independent Reviewers of New England) Award in the Best Director category for 42nd STREET Repole, Charles Director / Choreographer - I Love You You’re Perfect Now Change, Westchester Broadway Theatre, July-August 2009 Repole, Charles Director – Barry Manilow’s Copacabana, Pittsburgh Civic Light, July 2009 Repole, Charles Director - 2009 Emma Lazarus Statue of Liberty Award and the Global Leadership Award - American Jewish Historical Society Participant: Kenneth J. Bialkin, Mikhail Gorbachev, David A Harris, Charlie Rose and George Shultz. (March 26, 2009) Repole, C., Directed - “My Fair Lady” (Westchester Broadway Theatre) Sept 2011 Repole, C., Directed - “Jesus Christ Superstar”, (Pittsburgh, CLO) July 2011 Repole, C., Directed - “My Fair Lady”, (North Shore Musicals, Boston, MA) May 2011 Nominated for IRNE (Independent Reviewers of New England) best Director 2011 Repole, C., Directed - Benefit for MainStreet Musicals, (Ethical Cultural Society, New York City) November 8, 2010 Repole, C., Directed - “Carole Demus Summer Nights”, (Don’t Tell Mama’s, New York City) October 2010 (has toured east coast 2010-2012)