2013 Annual Report July 1, 2012 Through June 30, 2013 a Letter from Our Board President
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Eclectic Arts & Culture in Austin
ECLECTIC ARTS & CULTURE IN AUSTIN MORE THAN 150 PERFORMING ARTS VENUES AND EXHIBITION SPACES 99 venues (includes schools and churches) + 56 exhibition spaces LOCALLY OWNED CREATIVE BUSINESSES 81 private art and craft galleries 50 book stores 26 privately-owned dance studios FINANCIAL IMPACT Total Creative Sector Economic Impact = $2,689,530 *The Economic Impact of the Creative Sector in Austin - 2012 Update by TXP, Inc. THE CREATIVE SECTOR SUPPORTS NEARLY 49,000 JOBS IN AUSTIN Employment in the creative sector has risen by about 25% over the past five years, which is more rapid than the 10% growth of the local economy as a whole. *The Economic Impact of the Creative Sector in Austin - 2012 Update by TXP, Inc. NOTABLE AREA ARTISTS Michael Ray Charles (visual artist) Kendra Scott (jeweler) Natalia Ancisco (contemporary) Melissa Miller (visual artist) Frederico Archuletta (public art) Shawn Smith (visual artist) Sarah Bird (novelist) Roi James (visual artist) Deborah Hay (dancer/choreographer) NOTABLE ARTS & CULTURE VENUES Art on 5th Gallery Black Lagoon South Austin Popular Culture Center Ballet Austin grayDUCK Gallery The Long Center Bass Concert Hall Harry Ransom Center The Paramount and State Theaters Big Ass Canvas Lora Reynolds Gallery The Thinkery Big Medium Mexic-Arte Museum Umlauf Sculpture Garden & Museum Blanton Museum Okay Mountain Wally Workman Gallery Bullock Texas State History Museum One World Theatre Women and Their Work The Contemporary Austin Pump Project Yard Dog Art Gallery Davis Gallery Salvage Vanguard Theatre ZACH -
Chapter 9 Quiz
Name: ___________________________________ Date: ______________ 1. The diffusion of authority and power throughout several entities in the executive branch and the bureaucracy is called A) the split executive B) the bureaucratic institution C) the plural executive D) platform diffusion 2. A government organization that implements laws and provides services to individuals is the A) executive branch B) legislative branch C) judicial branch D) bureaucracy 3. What is the ratio of bureaucrats to Texans? A) 1 bureaucrat for every 1,500 Texas residents B) 1 bureaucrat for every 3,500 Texas residents C) 1 bureaucrat for every 4,000 Texas residents D) 1 bureaucrat for every 10,000 Texas residents 4. The execution by the bureaucracy of laws and decisions made by the legislative, executive, or judicial branch, is referred to as A) implementation B) diffusion C) execution of law D) rules 5. How does the size of the Texas bureaucracy compare to other states? A) smaller than most other states B) larger than most other states C) about the same D) Texas does not have a bureaucracy 6. Standards that are established for the function and management of industry, business, individuals, and other parts of government, are called A) regulations B) licensing C) business laws D) bureaucratic law 7. What is the authorization process that gives a company, an individual, or an organization permission to carry out a specific task? A) regulations B) licensing C) business laws D) bureaucratic law 8. The carrying out of rules by an agency or commission within the bureaucracy, is called A) implementation B) rule-making C) licensing D) enforcement 9. -
San Jacinto Largest Floor Plates in Austin Cbd Under Construction
SAN1836 JACINTO 230,609 RSF DELIVERING Q1 2021 1836 SAN JACINTO LARGEST FLOOR PLATES IN AUSTIN CBD UNDER CONSTRUCTION Uniquely located within the Capitol Complex, adjacent to the bustling Innovation and Medical Districts. 1836 SAN JACINTO CONTENTS CLICK ICON TO NAVIGATE AN AUTHENTIC AUSTIN EXPERIENCE WITH ABUNDANT ON-SITE AND WALKABLE AMENITIES LOCATION REGIONAL AERIAL VIEW MOBILITY INTERSECTION OF DELL MEDICAL, AREA DEVELOPMENT UT, CAPITOL COMPLEX & INNOVATION DISTRICT CAPITOL COMPLEX AMENITIES ARTS & ENTERTAINMENT LARGEST FLOORPLATES WITHIN THE CBD FOOD & DRINKS OFFERING UNPARALLELED VIEWS GREENSPACE HOSPITALITY 1836 SAN JACINTO OFF-SET CORE DESIGN OVERVIEW DELIVERING EFFICIENT INTERIOR SPACE PROGRAMMING FEATURES GROUND FLOOR PLAN TYPICAL FLOOR PLAN TERRACE FLOOR PLAN EXTENSIVE 9TH FLOOR CONFERENCE CENTER & EVENT SPACE CONTACT FEATURING AN OUTDOOR TERRACE INFORMATION © April 25, 2019. CBRE. All Rights Reserved. INTERSECTION 1 OF INNOVATION Pflugerville 1836 SAN JACINTO UNIVERSITY OF TEXAS Lake Travis W 17 MLK The Jr. 16 JUDGE’S Blvd En The f Domain ie HILL ld Rd W Arboretum 17th 18361836 SAN SAN JACINTOJACINTO St d Lake Travis Jr. Blv E MLK W d 1 v 5th l St B o t n i UPTOWN c MEDICAL t a S J n d n n v a l CAPITOL y S L B 20 r COMPLEX 360 W W 1 ma 2th a St 16 L Bridge o SH-130 i N n o t CENTRAL & Hwy 290 n W WATERLOO HEALTH A 10th PARK West Lake 9 n St th St a E 12 Highland S t S WEST a c W a 5th END v St W CATALYST TO EMERGING DISTRICT 6th La St W AUSTIN, TX 8 7th Mueller St CONGRESS Ideally situated between the University MARKET INNOVATION e v A E W t 1 5 s 1 of Texas, Dell Medical School and Tex- Innovation th S S th S t y t es t r i in District ng r as Capitol, 1836 San Jacinto is well po- WAREHOUSE o T W C SEAHOLM 3r d St Downtown E sitioned to be the employment catalyst W C 7th Austin esa CONVENTION St r Cha Austin ve within Austin’s Innovation District. -
Bush Artist Fellows
Bush Artist Fellows AY_i 1/14/03 10:05 AM Page i Bush Artist Fellows AY 1-55 1/14/03 10:07 AM Page 1 AY 1-55 1/14/03 10:07 AM Page 2 Bush Artist Fellows CHOREOGRAPHY MULTIMEDIA PERFORMANCE ART STORYTELLING M. Cochise Anderson Ananya Chatterjea Ceil Anne Clement Aparna Ramaswamy James Sewell Kristin Van Loon and Arwen Wilder VISUAL ARTS: THREE DIMENSIONAL Davora Lindner Charles Matson Lume VISUAL ARTS: TWO DIMENSIONAL Arthur Amiotte Bounxou Chanthraphone David Lefkowitz Jeff Millikan Melba Price Paul Shambroom Carolyn Swiszcz 2 AY 1-55 1/14/03 10:07 AM Page 3 Bush Artist Fellowships stablished in 1976, the purpose of the Bush Artist Fellowships is to provide artists with significant E financial support that enables them to further their work and their contributions to their communi- ties. An artist may use the fellowship in many ways: to engage in solitary work or reflection, for collabo- rative or community projects, or for travel or research. No two fellowships are exactly alike. Eligible artists reside in Minnesota, North and South Dakota, and western Wisconsin. Artists may apply in any of these categories: VISUAL ARTS: TWO DIMENSIONAL VISUAL ARTS: THREE DIMENSIONAL LITERATURE Poetry, Fiction, Creative Nonfiction CHOREOGRAPHY • MULTIMEDIA PERFORMANCE ART/STORYTELLING SCRIPTWORKS Playwriting and Screenwriting MUSIC COMPOSITION FILM • VIDEO Applications for all disciplines will be considered in alternating years. 3 AY 1-55 1/14/03 10:07 AM Page 4 Panels PRELIMINARY PANEL Annette DiMeo Carlozzi Catherine Wagner CHOREOGRAPHY Curator of -
Hrough a Career in Public Service; And
By:AAKacal H.R.ANo.A274 RESOLUTION 1 WHEREAS, The Texas House of Representatives is pleased to 2 recognize the Bob Bullock Scholars Program of Baylor University and 3 this year 's participants in the initiative; and 4 WHEREAS, Established in 2000 to honor the memory of 5 Lieutenant Governor Bob Bullock, this exemplary program promotes 6 the study of politics among Baylor University students; and 7 WHEREAS, Each participant in the program works for a house or 8 senate member on a full-time basis during the legislative session 9 to learn firsthand about the political structure of Texas 10 government; the Bob Bullock Scholars Program is a model for those 11 who seek to serve others through a career in public service; and 12 WHEREAS, Dr.AJames A. Curry, the Bob Bullock Professor of 13 Public Policy and Administration at Baylor University, has served 14 as the director of the program since its inception; and 15 WHEREAS, The 12 Bob Bullock Scholars participating in the 16 2019 session of the Texas Legislature are: Shelby Boswell with 17 Governor Greg Abbott, Daniel Burch with Senator Brian Birdwell, 18 Alyssa Foy with Representative Donna Howard, Cat Haseman with 19 Senator Judith Zaffirini, Cameron Kallina with Representative John 20 Zerwas, Kaitlin Kassal with the Senate Finance Committee, Mackenzie 21 Martin with Representative Jeff Leach, Codi Nguyen with 22 Representative Hubert Vo, Dade Pritchett with Representative Kyle 23 Kacal, Amelia Tidwell with the Senate Education Committee, Jackie 24 Wittry with Senator Larry Taylor, and Tanner -
About Austin
Discover Austin City… no Limits! sponsor or endorser of SAA. ustin sustains many vibrant cultures and subcultures flourishing Downtown Austin looking across Lady Bird Lake. in a community that allows room for new ideas. The beauty of our (Lower Colorado River Authority) A green spaces, the luxury of a recreational lake in the middle of the city, historic downtown architecture blending with soaring new mixed-use high rises, and a warm climate provide inspiration and endless activities for citizens and visitors. BUILDINGS AND LANDMARKS If you haven’t heard the city’s unofficial motto yet, chances are you will In 1845, Austin became a state capital when the United States annexed the soon after arriving – “Keep Austin Weird” – a grassroots, underground Republic of Texas. The current capitol building was completed in 1888 on mantra that’s filtered upward, encouraging individuality and originality in an area of high ground, replacing the previous one that had burned with an every form. It’s an apt phrase, since from its beginnings Austin has imposing Renaissance Revival native pink granite and limestone structure, embodied an independent, unconventional spirit. the largest state capitol building in the nation. The dome is topped by the Goddess of Liberty, a zinc statue of a woman holding aloft a gilded Lone Star. From many vantage points downtown there are unobstructed views of the Capitol, planned for and protected by state law. Visitors are free to explore EARLY AUSTIN the beautifully maintained Capitol grounds and the building itself, where tour guides are available. The soaring interior of the Rotunda is a magnificent Austin began as the small, isolated frontier town of Waterloo, settled on the space and an excellent place to cool down during a summer walk. -
An Audit Report on the Bob Bullock Texas State History Museum February 2012 Report No
John Keel, CPA State Auditor An Audit Report on The Bob Bullock Texas State History Museum February 2012 Report No. 12-016 An Audit Report on The Bob Bullock Texas State History Museum SAO Report No. 12-016 February 2012 Overall Conclusion The Bob Bullock Texas State History Museum (Museum) has effective controls over revenues Background Information and expenditures, and it generally complies The Bob Bullock Texas State History with requirements for administering the Bob Museum (Museum) opened on April 21, Bullock Texas State History Museum Fund 2001. The Texas Legislature authorized (Museum Fund). Texas Government Code, the State Preservation Board to manage the design, construction, and Section 445.011, requires the Museum to the governance of the Museum. The extent possible to pay for operating costs from Museum is a division of the State Preservation Board. The Museum was revenues generated; however, it also established to help educate visitors authorizes the Legislature to appropriate funds about the history of Texas. for the Museum’s operation. The total cost for the Museum in fiscal year 2011 was more than $13.1 million. According to the State Preservation Board’s annual financial reports for fiscal years 2009 through 2011, the Museum’s operating costs averaged $6,539,574 and its operating revenues averaged $6,288,848, resulting in an average annual operating deficit of $250,726. In addition, at least $6,935,844 in other Museum costs for fiscal year 2011 were paid from funding sources outside of operating revenues, including $6,056,466 for debt service related to the Museum’s construction.1 The Museum has controls in place to ensure that enterprise fund revenues are properly managed, safeguarded, and accounted for. -
Mary Moody Nurthen Theatre Society
St. Edward'sUniversity THEATERARTS STAFF AND FACULTY The Dean , School of Humanities . Father Louis T. Brusatti Artistic Director/Associate Professor David M. Long Managing Director/Adjunct Instructor .. Michelle S. Polgar Spitfire Area Coordinator/Assistant Professor .. ..... .... .. .. .. .. Sheila M. Gordon Administrative Coordinator . Angela Flowers APRIL19-29, 2012 Costume Shop Manager/Adjunct Instructor . T'Cie Mancuso Technical Director/Adjunct Instructor ... .. Joe Carpenter Assistant Technical Director .... ... .. .. .. .. ... .... ..... .. .. .. K. Eliot Haynes Grill Master Electrician . ... Austin Sheffield EV LUNNING JR. Costume Technical Specialist . Michelle Heath DIRECTOR Assistant Professors ..... .. .... .. .... Kathryn Eader Ev Lunning Jr. LISA LARATTA Richard Robichaux SCENE DESIGNER Adjunct Instructors .. Brooks Barr Tara Cooper STEPHEN PRUITT Bhagirit Crow LIGHTING DESIGNER Kathy Dunn Hamrick Cara Johnson AUSTIN RAUSCH Bill McMillin COSTUME DESIGNER SPECIALTHANKS Jo Ann Schatz Austin Bolt Inc. K. ELIOT HAYNES Father Louis T. Brusatti SOUND DESIGNER Carol Caruthers Kate Hahn JORDYN CAMPBELL Sister Donna Jurick, SND MAKE-UP/HAIR DESIGNER LamaVision Productions Ladies of Charity / Lakeway Thrift Store George E. Martin , PhD SUSAN FINNIGAN Bill McMillin MUSIC DIRECTOR Brent McWilliams Motorblade Postering Service BILL MCMILLIN* St. Edward's University Marketing Office PRODUCTION STAGE MANAGER Natalie Stott Texas State University Theatre Department UT-Austin Department of Theatre and Dance AMPARO GARCIA-CROW,* Kevin West JARRET MALLON* EQUITY GUESTS Playwrights Horizons, Inc, New York City, produced the New York premiere of The Spitfire Grill Off-Broadway in 2001. MEDIASPONSOR: The Spitfire Grill received its world premiere production by the George Street Playhouse, November 5, 2000. David Saint, Artistic Director, Michael Stotts, Managing Director. The Spitfire Grill is presented by special arrangement with SAMUEL FRENCH, INC., THECOMPANY MUSICALNUMBERS - PERCY TALBOT . -
Page 1 of 3 Review: Gilbert and Sullivan's 'Patience' | Austin Arts
Review: Gilbert and Sullivan's 'Patience' | Austin Arts: Seeing Things Page 1 of 3 SUBSCRIBE TODAY PRINT OR E-EDITION Register Now | Sign In | E-mail preferences NEWS ENTERTAINMENT HOOKEM.COM CLASSIFIEDS CARS HOMES JOBS HOME A-LIST EVENTS MUSIC MOVIES TV FOOD/DRINK ARTS RECREATION BIZ DIRECTORY BLOGS PHOTOS/VIDEO CUSTOMER SERVICE ADVERTISE What are you looking for? Where is it? City, State or zip When is it? Tonight, Date Events Venues Movies Restaurants Performers + Add Listing Site Web Archive Web Search by YAHOO! LATEST PHOTO GALLERIES » Celebrity Fire Fest Lucy the RECENT ARTS COVERAGE: photos, July Music Festival Poodle Circus The Dorothy and Herbert Vogel collection at Blanton defies convention 2012 Party The fine art of recording: The Miro Quartet tackles Beethoven’s Razumovsky quartets A chat with Louis Grachos, new director of AMOA-Arthouse LATEST AP ENTERTAINMENT HEADLINES » More arts coverage | Follow this blog on Twitter @artsinaustin | Read recent Beloved actor Andy Griffith arts reviews dies in NC at age 86 Austin360 blogs > Austin Arts: Seeing Things > Archives > 2012 > June > 13 > Entry Jeanne Claire van Ryzin is the arts critic for the Share 5 Austin American- 0 Statesman where she has worked since 1999. She 0 covers visual art, theater, Review: Gilbert and Sullivan’s ‘Patience’ New 'Spider-Man' snares $7.5M in midnight shows dance, music, performance, public art, By Cate Blouke | Wednesday, June 13, 2012, 10:36 AM Deena from 'Jersey Shore': I didn't use sidewalk architecture and just about any combination Kitsch -
Places to Visit in GSCTX Tip Sheet
Places To Visit in GSCTX Tip Sheet Location City Area County The Eckert James River Bat Cave Preserve Mason 1 Mason Fort Mason, a Texas Frontier Fort Mason 1 Mason Topaz Hunting (Seaquist Ranch, Lindsay Ranch, Bar M Ranch) Mason 1 Mason Fort Concho San Angelo 1 Tom Green International Lilly Collection San Angelo 1 Tom Green San Angelo Museum of Fine Arts San Angelo 1 Tom Green Sheep Tour San Angelo 1 Tom Green Cameron Park Zoo Waco 2 McLennan Dr. Pepper Museum Waco 2 McLennan Mayborn Museum Waco 2 McLennan Texas Ranger Museum Waco 2 McLennan Waco Mammoth National Monument Waco 2 McLennan Blue Baker Bakery Tour College Station 3 Brazos George W. Bush Presidential Library College Station 3 Brazos The Jersey Barnyard La Grange 3 Fayette Texas Renaissance Festival Todd Mission 3 Grimes Blue Bell Creameries Brenham 3 Washington Brenham Miniature Horses Brenham 3 Washington Burton Cotton Gin & Museum Burton 3 Washington Peeka Ranch - Alpacas Burton 3 Washington Washington-on-the Brazos State Historic Site Washington 3 Washington Lyndon B. Johnson National Historical Park Johnson City 4 Blanco Pedernales Falls State Park Johnson City 4 Blanco Eagle Eye Observatory Burnet 4 Burnet Longhorn Caverns Burnet 4 Burnet Eugene Clarke Library Lockhart 4 Caldwell Chisholm Wolf Foundation Dale 4 Caldwell Enchanted Rock Fredericksburg 4 Gillespie Museum of the Pacific War Fredericksburg 4 Gillespie Lyndon B. Johnson Ranch Stonewall 4 Gillespie Aquarena Center San Marcos 4 Hays Wonder World Cave & Wildlife Park San Marcos 4 Hays Hamilton Pool Preserve Dripping -
Karen Maness 3902 Cherrywod Road Austin, Texas 78722 Telephone: 1-512-799-7528 E-Mail: [email protected]
_____________________________________ Karen Maness 3902 Cherrywod Road Austin, Texas 78722 telephone: 1-512-799-7528 e-mail: [email protected] CURRICULUM VITAE EDUCATION Whittier College, Scholars Program B.A. (Scholars Program-Educational Design, crafted personalized educational course trajectory) Major: Art and its Application to Theatrical Design (1995) Advisor, Prof. Kim Russo Cobalt Studios, White Lake, NY Advanced Studies in Translucent Backdrop Painting (2000) The Florence Academy of Art Academic Drawing, 19th Century Italian Landscape Painting, Human Anatomy, Academic Figurative Painting (2001 and 2003) TEACHING EXPERIENCE The University of Texas at Austin, Austin, TX Department of Theatre & Dance, Faculty Lecturer: Scenic Art; Advanced Scenic Art; Figurative Painting: Costume Rendering (2001 to date) St. Edwards University, Austin, TX Guest Lecturer: Scenic Art in Regional Theatre (2006) University of Alabama, Birmingham, Birmingham, AL Presenting Artist, United States Institute for Theatre Technology South East Regional Conference Master Class: Translucent Backdrop painting (2006 The Costa Rica Center for Science and Culture, Center for Advanced Study in the Arts, Institute for Digital Performing Arts, San Jose, Costa Rica Presenting Artist and Lecturer, ArtesAméricas Program From the Studio to the Stage: Scenic Art Master Class (2005) Cal State University Long Beach, Long Beach, CA Presenting Artist, United States Institute for Theatre Technology National Conference Master Class, From Pixel to Bristol: Pneumatic -
2017-18 University Report
Connecting people with art is at the core of what we do at the Blanton, and education is at the heart of that mission. The Blanton is the art museum of The University of Texas at Austin and also the principal art SEPTEMBER 2017 – AUGUST 2018 museum for Austin. During the year that this bulletin covers, Fall 2017 through Summer 2018, we had record-setting attendance, welcoming over 200,000 visitors, and we have plans to continue growing the museum’s audience, which encompasses everyone from schoolchildren from the region’s public schools to tourists visiting our vibrant city. UT STUDENTS VISITED THE BLANTON This bulletin focuses specifically on one aspect of the Blanton’s 26,212 outreach and engagement: with faculty and scholars at UT Austin. The Blanton is considered a leader and model among university art museums, recognized not only for enriching the educational climate of the university, but also for working with our academic peers to forge unique, interdisciplinary programs. In the pages ahead, you will have an opportunity to read about some of these partnerships and, more broadly, 11,292 UT STUDENTS PARTICIPATED IN CUSTOM- MESSAGE about the ways in which the Blanton is an intrinsic part of learning at UT. DESIGNED EXPERIENCES AT THE BLANTON THAT SUPPORTED THEIR When hiring curators or other leadership for the museum, it has always been a priority for me that they reflect a passion for teaching. Not only CLASSROOM LEARNING are our extraordinary educators committed to fostering unique curricular experiences for our UT students, but so too is the rest of our staff.