Proquest Dissertations
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Chan-Wook Park, OLDBOY/OLDEUBOI (2003, 120 Min)
November 30, 2010 (XXI:14) Chan-wook Park, OLDBOY/OLDEUBOI (2003, 120 min) Directed by Chan-wook Park Story by Garon Tsuchiya Based on the comic by Nobuaki Minegishi Screenplay by Jo-yun Hwang, Chun-hyeong Lim, Joon-hyung Lim and Chan-wook Park Produced by Seung-yong Lim Original Music by Hyun-jung Shim Cinematography by Chung-hoon Chung Film Editing by Sang-Beom Kim Min-sik Choi...Dae-su Oh Ji-tae Yu...Woo-jin Lee Hye-jeong Kang...Mi-do Dae-han Ji...No Joo-hwan Dal-su Oh...Park Cheol-woong Byeong-ok Kim...Mr. Han Seung-Shin Lee...Yoo Hyung-ja Jin-seo Yun...Lee Soo-ah Dae-yeon Lee...Beggar Kwang-rok Oh...Suicidal Man Tae-kyung Oh...Young Dae-su CHUNG-HOON CHUNG (15 June 1970, Seoul, Republic of Korea) Yeon-suk Ahn...Young Woo-jin has been cinematographer for 11 films: Thirst / Bakjwi 2009, I'm a Il-han Oo...Young Joo-hwan Cyborg, But That's OK / Saibogujiman kwenchana 2006, Dasepo Naughty Girls / Dasepo sonyo 2006, Tainted Love 2006, Lady Awards Vengeance / Chinjeolhan geumjassi 2005, Antarctic Journal / Asia-Pacific Film Festival – Best Director, Best Actor Namgeuk-ilgi 2005, Three... Extremes / Sam gang yi 2004 (segment Bangkok International Film Festival – Best Director "Cut"), Oldboy / Oldeuboi 2003, and Record / Zzikhimyeon British Independent Film Awards – Best Foreign Film jukneunda 2000. Cannes Film Festival – Grand Prize of Jury Grand Bell Awards, South Korea – Best Director, Best Actor, Best MIN-SIK CHOI (Dae-su Oh) Film Editing, Best Lighting, Best Music (27 April 1962, Seoul, South Korea) has appeared in 16 films: I Hong Kong -
Brian Robert Gold
Dreaming of a Laissez-Faire Korea: Protestant ‘Self-Reconstruction’ Capitalists, 1910s-1990s by Brian Robert Gold A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Department of History and Classics University of Alberta © Brian Robert Gold, 2014 ii Abstract This dissertation traces the evolution, survival and re-emergence of a Korean ‘self- reconstruction’ capitalism from the 1910s to the 1990s. Self-reconstruction capitalist thought and practice kept alive in the ‘margins’ the only tradition of classical economic liberalism in modern Korean history, one inextricably mixed with Korean and American Protestant ethical thinking. It provided a laissez-faire capitalist model that stood in contrast to the developmental state-led capitalism used first by the Japanese colonial government and then the South Korean state to enact the ‘economic miracle.’ Because of its Protestant background it overlapped with but differed significantly from the neoliberalism that has prevailed in South Korea since the 1997 Asian Crisis. Following a laissez-faire capitalist model, self-reconstruction capitalists consciously diverged from developmental state business and social practices. These divergences included seeking profitability, business focus, independence from government loans, and allowing their offspring to marry outside the elite. In contrast the developmental state encouraged maximizing revenue, business diversification, reliance on government-backed loans, and, socially, intermarriage within the business and political elite. Self-reconstruction capitalists were the first Korean capitalists to implement employee stock sharing plans, and corporate philanthropy. They were also the first to advocate export-led growth, and the value of societal ‘trust’ as essential to economic development. -
A CULTURAL INTERPRETATION of the SOUTH KOREAN INDEPENDENT CINEMA MOVEMENT, 1975 2004 by Nohchool Park Submitted to the Gradu
A CULTURAL INTERPRETATION OF THE SOUTH KOREAN INDEPENDENT CINEMA MOVEMENT, 1975 2004 BY Nohchool Park Submitted to the graduate degree program in Theatre and Film and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Michael Baskett Chairperson Tamara Falicov Catherine Preston John Tibbetts Robert Antonio Date defended: November 20, 2008 The Dissertation Committee for Nohchool Park certifies that this is the approved version of the following dissertation: A CULTURAL INTERPRETATION OF THE SOUTH KOREAN INDEPENDENT CINEMA MOVEMENT, 1975 ¡ 2004 Committee: Michael Baskett Chairperson Tamara Falicov Catherine Preston John Tibbetts Robert Antonio Date Approved: November 20, 2008 ii TABLE OF CONTENTS Acknowledgements iv Abstract v Introduction 1 Endnotes 20 Chapter I South Korean Cinema in the 1970s 22 Frozen Times and Resistant Minds 23 The Visual Age Group 26 The Cultural Center Generation 34 Endnotes 40 Chapter II The Small Film 45 The Small Film Festival 46 The Minjung Discourse and Its Application in Youth Culture 48 The Minjung Discourse and the Small Film Festival 53 The Small Film Movement: A Re-Articulation of New Cinema Discourse 58 Endnotes 63 ¤ ¥ £ ¤ ¦ ¥ ¥ § ¨ © ¥ ¤ ¥ ¥ ¥ ¥ ¨ Chapter III £ 66 The Imagined Minjung Community 66 ! " # $ % ! & ' ( ! ! ) ! " # 74 ! " # $ An Activist Cinema 86 ! " # $ * # ( ! # ! " # 102 Endnotes 118 ¥ + ¨ § Chapter IV T¤ 128 " # ! - " The , 129 Han Ok-Hee and the Kaidu Club 132 Kim So-Young: Modernity, Women, and the Fantastic 141 Byun Young-Ju and Ryu Mi-Rye: From History to the Personal 154 The Woman s Film: The Solidarity of the Defeated 165 Endnotes 168 Chapter V The Independent Documentary Movement 173 Kwangju Video: The Ground Zero of Documentary 174 Kim Dong-Won: A Case of Documentary Humanism 181 % / ) 0 ( # ! 1 2 3 1 4 " ! ( # 5 6 The Post- . -
Korean Spirituality Korean to Introduction
Introduction to Korean Spirituality IntroductionIntroduction toto KOREANKOREAN ISBN 978-9934-18-456-7 SPIRITUALITYSPIRITUALITY 9 789934 184567 Introduction to KOREAN SPIRITUALITY Edited by Seo Jinseok and Kaspars Kļaviņš This work was supported by the Seed Program for Korean Studies under the auspices of the Republic of Korea Ministry of Education and the Korean Studies Promotion Service of the Academy of Korean Studies (AKS-2015-INC-2230001) University of Latvia Introduction to Korean Spirituality. Edited by Seo Jinseok and Kaspars Kļaviņš. Riga: University of Latvia Press, 2019, 168 pages. This work was supported by the Seed Program for Korean Studies under the auspices of the Republic of Korea Ministry of Education and the Korean Studies Promotion Service of the Academy of Korean Studies (AKS-2015-INC-2230001) Editors: Seo Jinseok, Kaspars Kļaviņš Authors: Jeong Duk Yi, Seo Jinseok, Kaspars Kļaviņš, Frank Kraushaar, Li Sanggum English language editor: Andra Damberga Layout: Andra Liepiņa Cover design: Andra Liepiņa © Jeong Duk Yi, Seo Jinseok, Kaspars Kļaviņš, Frank Kraushaar, Li Sanggum, 2019 © University of Latvia, 2019 https://doi.org/10.22364/inkos-2019 ISBN 978-9934-18-456-7 Contents Introduction by Kaspars Kļaviņš Comparative Review of Korean Religions ..................... 5 Seo Jinseok Outlines of Korean Shamanism . 24 Frank Kraushaar Poetry in Hanmun ( hansi), Religous Motives 漢詩 and Cultural Universalism in Pre-modern Korea ................ 104 Jeong Duk Yi Supernatural Wars in a Korean Rural Village: The Hegemonic Fights