Day of Caring CFB Shilo Participated in Brandon’S Day of Caring Event in the Downtown Area

Total Page:16

File Type:pdf, Size:1020Kb

Day of Caring CFB Shilo Participated in Brandon’S Day of Caring Event in the Downtown Area Pricing in effect MAY 26 - 30 1947 - 2017 StagShilo Shipping to WE WILL MATCH... ADVERTISED PRICES ON ELECTRONICS, CAMERAS, FREE CFB Shilo COMPUTERS & MAJOR APPLIANCES. DETAILS ARE 3635 Victoria Ave 204-727-4444 Your source for Army news in Manitoba AVAILABLE INSTORE OR ONLINE AT WWW.CANEX.CA Volume 56 Issue 10 Serving Shilo, Sprucewoods & Douglas since 1947 May 18, 2017 INSIDE This Issue Michelle Wright looks for- ward to Base visit. Page 2 Artist offers art classes at CANEX. Page 6 Day of Caring CFB Shilo participated in Brandon’s Day of Caring event in the downtown area. Along for the ride was the Ca- nadian Army’s mascot, Juno. The mascot was obliging on a number of occasions as indi- viduals working on Day of Caring asked for group photos or selfi es (above). A building be- ing renovated received a fresh coat of paint (left), while in a near- Lt Sao Miguel makes a by walk-in fridge Juno splash in pool. Page 12 helped with sorting of food, including a turkey. Photos by Sarah Francis 2 Shilo Stag May 18, 2017 Country artist here to celebrate Canadaʼs 150th Sarah Francis the Arms of Love. The next one would be a song called Shilo Stag Your Love. Gosh, what would be the next one?” She paused for a while over the phone, and refl ected on some of her fi rst hits, and then thought about her New music is on the way for Canadian country art- most recently released album, Strong. Part of which ist Michelle Wright as she prepares to perform at CFB was inspired by her travel to Afghanistan in 2006 to Shilo’s Canada D’eh. perform. Wright said the July 1 celebration is not her fi rst visit “It’s a song I wrote as a result from a business man- to this area. ager dyeing from ALS — a long struggle, and going “I’ve played every dump on every corner, and every to Afghanistan and Capt Nichola Goddard was killed stadium and every theatre. Brandon, Manitoba I had in combat when we were there performing,” she re- an experience there,” she recalled. “I’ll never forget called. playing the Brandon Inn. Probably about 1993 or [94] “We went to her ramp ceremony when they carried or something and it was a pretty rough spot. I toured her coffi n covered in the Canadian fl ag off to her fam- the clubs for about nine years before I got my record ily. Those kinds of things are very, very powerful. I deal. I’ve had the opportunity to travel the world in wrote a song called Strong, and that would be some- some of the most amazing circumstances since then.” thing that is very special to me.” She holds a great deal of respect for the Canadian Being in the business for so long, she said there have Armed Forces (CAF) and the job soldiers undertake. been a lot of changes. Wright takes any opportunity she can to work with Today, new musicians need to work hard and stick the military. with it. “I’ve been up to Alert. We did Christmas there a “There were times in the 90s when, as Canadians, couple of years ago,’ she told the Shilo Stag in a phone many of us were signed to record deals. That was a interview from Nashville. “It was just incredible. I result of many things. Country music was exploding, think we spent about 10 days up there.” there were 26 country labels in [Nashville]. Right now, She added, “I’m not from a military family, so you I think there might be three or four.” have no idea. I knew nothing about … and then you Wright said statistically Canadians were being em- go to Afghanistan. You experience that and experience braced nicely by the Nashville scene, but then the in- the time with the soldiers and you meet with the fami- dustry changed. lies afterwards and you realize it’s such a sacrifi ce. “I think you’ve just got to keep showing up and un- “Everyone involved is sacrifi cing for our country in derstand that there just isn’t the deals that there used ways that you just don’t really understand.” to be. And don’t take it personally I guess is what I’m According to Wright, her visits up north and over- trying to say.” seas have helped shine light on what families and sol- Music has been a family affair growing up for diers experience. Wright. Her mother and father were singers and per- “I have an idea, and I can only imagine what it must formers on a local level and both from small towns. be like.” Her mom’s town totalled 500 people and her father’s When not on the road touring, lately she’s been Michelle Wright will showcase her country music when village, a mere 50 people. writing and in the studio working on a new album. she visits CFB Shilo July 1 to help us celebrate Cana- “They both played in bands,” she recalled. “I saw This is something she said keeps her on her toes, and da’s birthday. Photo supplied my father dressed up in his rhinestone suit and guitar learning about her own style and skills. in hand off to some Moose Lodge, or the Kinsmen’s For Wright, creating music is a task best done with and Kinnettes or something like that, for some local no distractions, during a set time. nies. I was like, when did that start happening! I just ‘Trees in the weddings and dances … my mom did exactly the “I have to sit down and go, ‘Today I’m writing.’” think of the beginning of that verse to that. desert, castles to sand, when a penny costs a penny again. same thing. As for inspiration, it can come from just about any- Hand written letters, sent to a friend. Black and white, you “Music was a really big part of our lives. We had where. For instance, the now Nashville resident’s real- and I in the camera lens. If the world turned backward.’” a garage full of instruments and I use to go to band ization that she wouldn’t be getting her penny back at practice all the time.” a Tim Hortons when that small coin was discontinued Out of the songs she has recorded, there are a few personal favourites. Her top-fi ve would start with the She had her fi rst paid band at the age of 17 and went in Canada. on the road three years later. If the World tune Take it like a Man. “Another song I wrote recently is called, “I was in college, but I fi nished by fi rst year of col- Turned Backwards “That was my big break through single. My next ,” Wright explained, “because I went lege and went on the road and it took me down this to Tim Hortons and they didn’t give me back my pen- song I would say that’s been really impactful would be He Would be Sixteen. The next one would be Safe in journey,” she said. Pet of the Week Pet of the Week DAISYPet of the Week This is Daisy. She is aged six Pet of the Weekand loves to sit on the couch looking out the window. She is Veterinary services Pet of thethe middleWeek sister of our three focused on all aspects fur babies, and loves to beat up of your pets’ care on both of her siblings. Do youPet of the Week Pet of the haveWeek a photo of your pet — cat, dog, bird, snake, hamster — you’d like to share with our Stag CARING EXCLUSIVELY FOR PETS Petreaders? of If so, e-mail the it to us via WeekDr. Sandy Barclay, Owner and Director | Dr. Tracy Radcliffe, Certified Veterinary Acupuncturist [email protected] To arrange an appointment call 204-728-9140 or visit www.brandonanimalclinic.ca 2015-A Brandon Avenue, Brandon, MB R7B 4E5 Pet of the WeekPet of the WeekHours: Monday - Friday 8:00 a.m. - 5:30 p.m. | Saturday 9:00 am - Noon May 18, 2017 Shilo Stag 3 Look for the BeneFit signs on products being sold at CANEX. Photo by Jules Xavier Barbecues have arrived CANEX & DFIT Delissio ® BBQ Sauce ® Frozen Pizza Bull’s Eye Collaborating to provide healthier food • Assorted Varieties • Assorted Varieties • 539 gr - 860 gr • 425 ml environment for the CAF community • Reg. 9.99 2/ • Reg. 4.99 2/ Dr Michael Spivock and proteins for each of the 27 different Stag Special food categories. 10 6 Based on the nutrient content, food items either lose or gain points and the Heinz ® Mott’s ® In 2016, representatives from DFIT fi nal total numbers of points is what de- Health Promotion and CANEX began termines whether these foods meet the Picnic Pack Clamato working together to develop a program threshold for its category and are con- which identifi es and promotes health- • Ketchup, mustard, relish •Original, Extra Spicey, Pickled sidered to be a healthier choice. Bean ier food options — includes beverages Now the CAF community can simply •3 x 375 ml and snacks — customized to the nutri- seek out the BeneFit logo which will •8.19 • 1.89 L tional and lifestyle needs of the Cana- appear alongside food items in-store • Reg. 5.49 dian Armed Forces (CAF) community. and online at CANEX/CANEX.ca and 99 2/ Building on the successes of a similar know they are making the healthier program at Canadian Forces Leader- choice.
Recommended publications
  • Jim Brickman Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 2-10-2001 Jim Brickman Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Jim Brickman" (2001, 2009). Center for Performing Arts Memorabilia. Book 44. http://opus.govst.edu/ cpa_memorabilia/44 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PEftfORMIHO HRT5 Governors State University Presents JIM BRICKMAN Saturday, February 10, 2001 8:00 PM Concert sponsored in part by: WnUM X Illinois 2000/2001 Season sponsored in part by a grant from the: g that led to local radio airplay. But he harbored no fantasies of follow- Tim Brickman ing in the footsteps of boyhood idols like Elton John, Fleetwood Mac or The Eagles. He was, after all, an instrumentalist. Audiences do, indeed, respond to the keyboard artistry of Jim Brickman. He is a staple of adult-contemporary, pop, country and So while he was a classical-piano student at the Cleveland smooth jazz radio playlists. During the past four years he has become Institute of Music and a business student at Case Western Reserve, a concert headliner. In 1997 his albums By Heart, Picture This and Brickman mailed piano tapes to jingle companies and ad agencies.
    [Show full text]
  • Packaged Wright
    PACKAGED WRIGHT Michelle Wright's image consultants helped her get Nashville's attention. Now if they could only find her a hit... By David Hayes, Saturday Night, June 1995 Gently downshifting her brand-new black Mercedes E420 sedan, Michelle Wright eases off I-65 South at the Franklin exit and drives past fast-food outlets and rolling fields while a country station plays on the radio. When you've made it in country music, you live in Franklin, a tidy suburb forty minutes from Nashville's Music Row where stars such as Dolly Parton and Wynonna Judd own mansions and estates. It's also where Wright, Canada's top female country singer, recently bought a five-bedroom home, although hers is one of many lookalikes in a newly built, middle-class subdivision. Still, both the car -- which recently replaced her clunky old Ford Escort -- and the house are material symbols of Wright's progress in the country-music major leagues, a far cry from the life of a struggling newcomer. At her house, Wright disappears into her bedroom while her longtime manager, Brian Ferriman, and her image consultant, Joan Lacey, make themselves comfortable in the bright, high-ceilinged living room. The plan is to model several possible outfits for the upcoming Juno Awards, where Wright is both a presenter and a nominee. Considering how often she has been away on tour since the fall, it's not surprising Wright's house feels barely lived in, as though the interior designer arranged the furniture and hung the prints yesterday. A homey touch is provided by Wright's four cats, who pad matter-of-factly across the white broadloom.
    [Show full text]
  • Past Performers by Year
    Fort Loramie, Ohio www.countryconcert.com 1981 LOUISE MANDRELL R.C. BANNON JOHNNY RUSSELL THE BLUE RIDGE & MARK FOUR JIM PRENGER HOME BREW COUNTRY GRASS RUSSEL BRAMLAGE as ELVIS 1982 T.G. SHEPPARD (REPLACED RONNIE MILSAP DUE TO ILLNESS) SONNY JAMES SYLVIA KENNY PRICE JIM PRENGER KEVIN MABRY & LIBERTY STREET HOME BREW DIXIE RIDERS 1983 BOXCAR WILLIE MOE BANDY DAVID FRIZZELL TOM T. HALL MCGUFFY LANE REBA MCENTIRE JIMMY C. NEWMAN SHELLY WEST JIM & CONNIE PRENGER KUHN SISTERS JOE STAMPLEY BRANDED 1984 TAMMY WYNETTE LEE GREENWOOD MOE BANDY EARL THOMAS CONLEY LITTLE JIMMY DICKENS MCGUFFY LANE RONNIE MCDOWELL SANDI POWELL JIM & CONNIE PRENGER JOHN ARNOLD BAND THE HARVEST TRIO 1985 JERRY REED CHARLEY PRIDE ATLANTA MOE BANDY HELEN CORNELIUS BILLY CRASH CRADDOCK TOM T. HALL GRANDPA JONES SANDI POWELL JIM & CONNIE PRENGER THE HARVEST TRIO THE WHITES 1986 CONWAY TWITTY MEL TILLIS LOUISE MANDRELL EXILE MEL MCDANIEL BELLAMY BROTHERS DAN SEALS FORESTER SISTERS KENDALLS LEON EVERETTE SANDI POWELL THE HARVEST TRIO JIM & CONNIE PRENGER 1987 LORETTA LYNN JOHN SCHNEIDER GEORGE JONES TANYA TUCKER NITTY GRITTY DIRT BAND ATLANTA BOBBY BARE LEON EVERETTE GIRLS NEXT DOOR PORTER WAGONER STEVE WARINER 1988 THE JUDDS EDDIE RABBITT TAMMY WYNETTE RICKY SKAGGS JOHN ANDERSON BELLAMY BROTHERS T. GRAHAM BROWN JOHN CONLEE HIGHWAY 101 KATHY MATTEA BILLY JOE ROYAL RICKY VAN SHELTON FARON YOUNG 1989 RANDY TRAVIS CHARLIE DANIELS BAND JANIE FRICKIE MICKEY GILLEY PATTY LOVELESS SAWYER BROWN BAILLIE & THE BOYS BILLY CRASH CRADDOCK JETT WILLIAMS & DRIFTING COWBOYS DESERT ROSE BAND HOLLY DUNN (Replaced Keith Whitly) JESS KING’S GOSPEL EDDIE RAVEN SHENANDOAH JOE STAMPLEY GENE WATSON TOM WOPAT 1990 WILLIE NELSON & FAMILY EDDIE RABBIT LEE GREENWOOD GARTH BROOKS EARL THOMAS CONLEY CHUBBY CHECKER VERN GOSDIN JESS KINGS GOSPEL DOUG KERSHAW LORRIE MORGAN NITTY GRITTY DIRT BAND BILLY JOE ROYAL RESTLESS HEART SAWYER BROWN TANYA TUCKER WILD ROSE JASON D.
    [Show full text]
  • 1144 05/16 Issue One Thousand One Hundred Forty-Four Thursday, May Sixteen, Mmxix
    #1144 05/16 issue one thousand one hundred forty-four thursday, may sixteen, mmxix “9-1-1: LONE STAR” Series / FOX TWENTIETH CENTURY FOX TELEVISION 10201 W. Pico Blvd, Bldg. 1, Los Angeles, CA 90064 [email protected] PHONE: 310-969-5511 FAX: 310-969-4886 STATUS: Summer 2019 PRODUCER: Ryan Murphy - Brad Falchuk - Tim Minear CAST: Rob Lowe RYAN MURPHY PRODUCTIONS 10201 W. Pico Blvd., Bldg. 12, The Loft, Los Angeles, CA 90035 310-369-3970 Follows a sophisticated New York cop (Lowe) who, along with his son, re-locates to Austin, and must try to balance saving those who are at their most vulnerable with solving the problems in his own life. “355” Feature Film 05-09-19 ê GENRE FILMS 10201 West Pico Boulevard Building 49, Los Angeles, CA 90035 PHONE: 310-369-2842 STATUS: July 8 LOCATION: Paris - London - Morocco PRODUCER: Kelly Carmichael WRITER: Theresa Rebeck DIRECTOR: Simon Kinberg LP: Richard Hewitt PM: Jennifer Wynne DP: Roger Deakins CAST: Jessica Chastain - Penelope Cruz - Lupita Nyong’o - Fan Bingbing - Sebastian Stan - Edgar Ramirez FRECKLE FILMS 205 West 57th St., New York, NY 10019 646-830-3365 [email protected] FILMNATION ENTERTAINMENT 150 W. 22nd Street, Suite 1025, New York, NY 10011 917-484-8900 [email protected] GOLDEN TITLE 29 Austin Road, 11/F, Tsim Sha Tsui, Kowloon, Hong Kong, China UNIVERSAL PICTURES 100 Universal City Plaza Universal City, CA 91608 818-777-1000 A large-scale espionage film about international agents in a grounded, edgy action thriller. The film involves these top agents from organizations around the world uniting to stop a global organization from acquiring a weapon that could plunge an already unstable world into total chaos.
    [Show full text]
  • 16Th Annual Asham Stomperfest
    SEPTEMBER LONG Featuring WEEKEND 2019 THE ASHAM STOMPERS 16thIN REEDY CREEK/KINOSOTA,Annual MB 800-267-5730 | stomperfest.ca Dance Look the part in Asham’s line of dancing apparel www.ashamdance.com 16 Years Stomping 8 Look the part in Asham’s line of dancing apparel CONTENTS 4 Another Stomper Year 6 Message from the Chair 7 Souvenir Booth 13 8 Michelle Wright 10 Schedule of Events 13 The Goods 15 Message from the Reeve 16 JJ Lavallee 16 18 Half Breed 21 Tracy Bone 22 The Biivvers 23 The Métis Sash 25 World Jigging Championships 21 www. stomperfest.ca 2019 Asham Stomperfest | 3 Another Stomper Year 2019/2020 OUR MISSION: Is to help recapture and preserve the history of the Métis People through the dancing of the Red River Jig OUR PURPOSE: Is to bring hope to the children in our Aboriginal communities by taking something right out of the community THE FIDDLE and THE JIG and taking it to the world stage and helping everyone realize that it can be done. t’s been said that “The pace of the pack is equal to the pace of the leader.” Well, Ialthough it has been a really great year again, it definitely has been slower. I will be 70 on my next birthday and I may be guilty of slowing down a little. I go to Mexico for a couple of months now and my family is becoming increasingly more important, especially with the new addition. As you may recall, Kate missed Stomperfest to have a 10-pound baby, Alex – and what a doll he is.
    [Show full text]
  • Leonard T. Rambeau International
    AWARDS OF ACHIEVEMENT OVERVIEW AS OF JANUARY 2020 The Canadian Country Music Association® (CCMA®) Board of Directors has established a recognition program (Awards of Achievement) for the purpose of recognizing individuals and events whose contributions to the Canadian country music industry have been deemed as outstanding and/or extraordinary. The four current Awards of Achievement are: SLAIGHT MUSIC HUMANITARIAN AWARD: This award recognizes an individual(s) and/or event(s) that have made an outstanding contribution of time and energy in the support of humanitarian causes through country music. This award is currently named the Slaight Music Humanitarian Award in recognition of a generous donation by the Slaight Music Foundation. LEONARD T. RAMBEAU INTERNATIONAL AWARD: This award recognizes an individual who has demonstrated extraordinary effort in assisting the aims and initiatives of the Canadian country music industry internationally. Named in honour of Leonard T. Rambeau in 1995, Mr. Rambeau was one of the most important behind-the-scene figures in the development of the Canadian music industry internationally and was certainly one of the most professional artist managers in the history of Canadian music. HANK SMITH AWARD OF EXCELLENCE: This award recognizes an individual who has gone above and beyond their current job in contributing his or her time and talents for the advancement of Canadian country music nationally. Named in honour of Hank Smith in 2003, Mr. Smith had the foresight to energize, promote and support the first organization to work for country music in Canada. As the founding president of the Academy of Country Music Entertainment (the organization which preceded the CCMA), Smith planted the seeds of the organization with the goal of fostering Canadian country music.
    [Show full text]
  • ACLA 2018 Print Guide 13768
    Annual Meeting of the American Comparative Literature Association ACLA 2018 | TABLE OF CONTENTS Welcome and Acknowledgments .............................................................................................................4 Welcome from UCLA ...............................................................................................................................6 General Information ..................................................................................................................................7 Conference Schedule ................................................................................................................................15 Pre-Conference Workshops ....................................................................................................................18 Seminars in Detail (Stream A, B, C, and Split Stream)........................................................................26 Index ........................................................................................................................................................169 CFP ACLA 2019 Announcement .........................................................................................................182 ADVERTISEMENTS Duke University Press ........................................................................................................................ 24-25 Edinburgh University Press ....................................................................................................................69
    [Show full text]
  • WEEKLY $3.00 $2.80 Plus .20 GST Volume 58 No
    WEEKLY $3.00 $2.80 plus .20 GST Volume 58 No. 12 Week Ending October 2, 1993 2 - RPM - October 2, 1993 Five Guys Named Mo takescue Louis Jordan Jordan's star began to lose its glitter in W bands in high school and in college where he the '50s. The competition was very keen. It's a pretty fair bet that most of the audience Tragically, it was a white band, Bill Haley & DI who will take in Five Guys Named Moe at majored in music. I The Comets, who, it was reported, "had dipped Toronto's Royal Alexandra Theatre, beginning He moved to Philadelphia in 1932 where freely into Jordan's own bag of tricks," to Sept. 29, won't have a clue where the musical' s he met up with and recorded with Fats Waller, produce some of rock 'n' roll's first hits. 1.I) inspiration came from. Louis Armstrong and Clarence Williams. Jordan suffered a heart attack while During a stint with the Chick Webb Band, he 141A The inspiration did in fact come from an performing in October 1974. He died on Feb. early '30s right through to the '50s blues 4, 1975 at his home in Los Angeles. great, Louis Jordan. Jordan's star brightened posthumously Thanks to Randy Sharrard, marketing when Cameron Mackintosh mounted the manager for the Atlantic and Rhino labels, musical Five Guys Named Moe, which who sent over a copy of Just Say Moe!, sub- celebrates his songs. The show opened in titled Mo' of the best of Louis Jordan.
    [Show full text]
  • Working Title Films and Transatlantic British Cinema Nathaniel
    Working Title Films and Transatlantic British Cinema Nathaniel Townsend PhD University of York Theatre, Film and Television September 2014 2 Abstract This thesis presents a business history of the London-based film production company, Working Title Films. The focus is on the creative and business structures and processes through which Working Title has operated and, in turn, the individual and collective agency of the key players responsible for developing and maintaining these institutional determinants. The same set of research questions are applied to the principal filmmaking institutions with which Working Title has collaborated, and, more particularly, examines how Working Title has negotiated creative and business relationships with various larger film businesses. By taking a chronological approach to Working Title’s evolution, a detailed account of the company’s years as an independent production company (1984-1990), a subsidiary of PolyGram Filmed Entertainment (1990-1998) and a subsidiary of Universal Pictures (1998-present) is provided. The thesis also offers a historical and conceptual framework through which the business history of Working Title is analysed. In the first instance, this involves a reconsideration of the relationship between the film industries and cultures of Britain and Hollywood which combines the discourses of national cinema with more recent scholarship about transnational cinema. This conceptual reinterpretation is subsequently applied to three indicative business histories from the 1930s and 1940s: London Films, MGM-British and the Rank Organisation — and then to Working Title itself. The central concept of the thesis — ‘Transatlantic British Cinema’ — describes a type of cultural production that challenges orthodox accounts of British cinema as national cinema and indicates the ways in which representations of Britain and ‘Britishness’ function within transnational film culture.
    [Show full text]
  • SUNRIDERS Titelfolge Stand 7/2019
    SUNRIDERS Titelfolge Stand 7/2019 Titel Interpret Komp./Texter Ain t living long like this Emmylou Harris Rodney Crowell Little more comfortable Michelle Wright Chapin Hartford Bad case of loving you Robert Palmer J. Martin Baton Rouge Guy Clark Guy Clark Blue Hotel Chris Isaak Chris Isaak Burn that bridge Brooks & Dunn Ronnie Dunn / Don Cook Burning love Elvis Presley Dennis Linde Call me the breeze J. J. Cale J. J. Cale Can't wait until tonight Max Mutzke Stefan Raab Chattahoochee Alan Jackson Alan Jackson / Martina McBride Cotton Fields CCR H. Ledbetter Country roads John Denver B. Danoff / T. Nivert, J. Denver Dead flowers Rolling Stones Jagger/Richards Don't try to take me for a fool Sunriders Jochen Schmidt Down To Your Last One More Billy Dean Burr / Gary Scott Every little thing Carlene Carter Carlene Carter Folsom prison blues Johnny Cash J. Cash Full time love J. M. Montgomery C. Chamberlain Get back to the country Marty Stuart Neil Young Girls just wanna have fun Cyndi Lauper Priese Prince Lamont Board Good old boy Steve Earle Steve Earle / Richard Bennett Gotta get drunk Willie Nelson Willie Nelson Guitar Talk Michelle Wright Colin Linden, Steve Bogart Hard workin' man Brooks & Dunn Ronnie Dunn I don't even know her name Alan Jackson A. Loftin / R. Jackson / A.E. Jackson I'll think of a reason later Lee Ann Womack Tony Martin, Tim Nichols I feel lucky Mary Chapin Carpenter Mary Chapin Carpenter / Don Schlitz It´s all over now, baby blue Them Bob Dylan Jambalaya Hank Williams Hank Williams Jesus and Mama Confederate Railroad Danny Mayo / James D.
    [Show full text]
  • Environmental Scan – Pipeline Industry
    Environmental Scan – Pipeline Industry Prepared for Portage College April 2014 In the following report, Hanover Research provides Portage College with an environmental scan of the oil and gas pipeline industry in Alberta. This report examines student application, enrolment, and completion data, analyzes labour market projections, reviews recent job openings, and presents the results of interviews with industry experts. Hanover Research | April 2014 TABLE OF CONTENTS Executive Summary and Key Findings ................................................................................ 3 Introduction ........................................................................................................................... 3 Key Findings ........................................................................................................................... 3 Section I: Student Demand ................................................................................................ 5 Methodology ......................................................................................................................... 5 Limitations ......................................................................................................................... 7 Applications, Enrolments, and Completions ......................................................................... 7 Environmental Sciences ..................................................................................................... 7 Engineering & Engineering Technology ............................................................................
    [Show full text]
  • • ., WEEKLY $2.80 Plus .20 GST Volume 53 No
    $3.00 • ., WEEKLY $2.80 plus .20 GST Volume 53 No. 26 June 1,1991 ~j 2 - RPM - June 1, 1991 and other KEY Radio executives. Country 59 sponsors Big Country dinner Klees was also pleased with the support For the fIrst time in the history of the Big Rothschild and Program Director Bill Ander­ received from John Thompson of Hostess/Frito Country A wards, the awards dinner will be son were enthusiastic about the sponsorship Lay for both the Variety Salute to Big Country sponsored. Toronto's newest AM country radio when fIrst approached and promptly laid plans and the Sunday awards show. station, Country 59, is sponsoring the awards to involve other stations in the KEY Radio dinner. The gala, industry affair is being held in chain. Capek· TMP/MCA Music the Harbour Ballroom of Toro'nto's Harbour On-air personalities from several of sign publishing agreement Castle Westin. Country 59's sister stations will be in Toronto Frank Davies, President of TMP - The Music Stan Klees, co-founder of the Big Country for the Variety Club Salute To Big Country Publisher, has announced the signing of John Awards, pointed out that "keeping the ticket luncheon (May 24) and for the Big Country Capek to an "exclusive" North American' prices down to last year's $100.00 was very Awards presentations. These include Alan publishing deal with the TMP/MCA Music diffIcult. The only added cost this year was the Brown from CHF X Halifax, and Dorothy joint venture company. Capek is a well known 7 pecent GST, which brought the ticket price up (afternoons) from CKBY-FM Ottawa composer, songwriter, keyboardist and to $107.00." CKGL Kitchener's Randy Owens, producer, who recently made news as the co­ Klees went on to praise the generosity of Steve Glenn from CKTY Sarnia, CHYR Leam­ writer, with Marc Jordan, of Rod Stewart's Big Country's fIrst sponsor, and to further point ington's Chuck Reynolds, and from Country international hit Rhythm Of My Heart.
    [Show full text]