2011-2012 ANNUAL REPORT Guernica This Generous Loan from Mrs

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2011-2012 ANNUAL REPORT Guernica This Generous Loan from Mrs 2011-2012 ANNUAL REPORT Guernica This generous loan from Mrs. Nelson A. Rockefeller brought Picasso’s iconic masterpiece to Texas for the first time. After 1937 painting by Pablo Picasso, Spanish (1881-1973) Woven in 1955 by René and Jacqueline de la Baume Dürrach It was on view in the Contemporary Latin American Gallery from May–December 2012. Wool tapestry Loaned by Mrs. Nelson A. Rockefeller L.2011.18 © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York 3 TABLE OF CONTENTS Letter from the Director 5 The Year in Numbers 6 Board of Trustees, Staff and Volunteers 9 Exhibitions 13 Acquisitions 18 Loans to and from the Collection 24 Education 25 Members and Donors 26 The Business of SAMA 29 Financial Statements 30 That ceiling sure is fancy. —Visitor Tweet @SAMAart Dale Chihuly, American (born 1941) Persian Ceiling, 2005, glass and steel Purchased with funds provided by Robert and Betty Kelso 2003.34 THE SAN ANTONIO MUSEUM OF ART IS… THE ONLY ENCYCLOPEDIC MUSEUM IN SOUTH TEXAS. OUR CITY’S CLASSROOM. A PLACE OF WONDER AND DELIGHT. CHANGING THE WORLD ONE MUSEUM VISITOR AT A TIME. 5 Dear SAMA Friends, Last year we worked to achieve our goal to be the city’s premier cultural institution. This ambition begins with our strengths. We have an outstanding collection that spans the globe and five millennia—the only museum of its kind in the region. We have an incomparable campus on the San Antonio River. And we anchor a downtown neighborhood that is transforming itself into a dynamic place for living, working and playing. When I look back at the principal exhibitions of last year, they reflect, in many ways, our vision for the Museum: Picasso’s Guernica tapestry (historic, important, singular); Adad Hannah (innovative, outspoken, provocative); SAMA Collects Contemporary (locally and nationally significant); Aphrodite (beautiful, timeless, in the company of our peers MFA Boston and the Getty). Life is better in a city with great museums, and we strive to build a great art museum in every way. Last year we expanded our collections, membership, funding, key staff and educational outreach, and we deepened our presence in the community, region and country. We want everyone to know us, not just as a repository of great art, but as a delightful place to visit. During our free hours on Tuesday evenings, when upwards of 500 people stream through our doors (thanks to support from H-E-B), SAMA reaches the broadest cross-section of our community—something we are strongly committed to doing. In 2011, a generous grant from the Mays Family Foundation allowed us to increase our free hours to include Sunday mornings. We also changed our admission policy on other days so that children 12 and under are always free. As part of our mission, we expanded our education department and increased Photo by Iris Dimmick the resources devoted to K-12 students and teachers. We initiated ground- breaking partnerships with several under-served schools across the city. In the process, we have broken the mold and created original programming that engages students and their families, with the goal of creating lifelong learners and museum-goers. Not only is SAMA essential to our city and its people, we also aspire to be a must-visit site—right up there with the Alamo—for the many tourists who visit San Antonio every year. We have much more to accomplish, but our vision is strong, and we are excited about the future. Katherine C. Luber, Ph.D. The Kelso Director 6 HIGHLIGHTS: THE YEAR IN NUMBERS The San Antonio Museum of Art… Presented 17 special exhibitions Took more than 700 photographs of the collections for publications that include 2 new Arte Kids children’s books, 1 major exhibition Welcomed 86,394 visitors catalogue and a new 220-page Guide to the Collection 19,716 attended Free Tuesdays (23% of total attendance) 1,637 enjoyed the new Mays Family Foundation Free Sundays Delivered and received art to and from 9 states and 6 countries Increased the Annual Fund by 60% Received 7 works loaned by the National Archaeological Museum of Naples, Italy, to Aphrodite and the Gods of Love Increased membership by 22% Redesigned the Museum website, producing a 44% rise in unique visitors Attracted 423 members and guests at inaugural Destination Paris event Attracted 11,313 Facebook followers, a 28% increase over the previous year Presented 317 programs and events, a 50% increase Merited 2 mentions in The New York Times Attracted 1,623 visitors to concerts and musical performances Doubled SAMA Shop locations by introducing an exhibition shop for Educated 8,268 students on school tours Aphrodite and the Gods of Love Attracted 4,593 parents and kids to First Sundays for Families Increased SAMA Shop revenue by 14% Enriched 248 educators through teacher workshops Dispatched 1,572 rental bikes from our B Station Partnered with Good Samaritan Community Services Center to pro- duce a student-executed 70-foot mural Brought SAMA on the Go! workshops to 1,521 kindergarten through sixth grade students Launched “San Antonio is Your Classroom” pilot program with P16Plus, introducing more than 50 elementary school students and their fami- lies to Ancient Egyptian culture Benefited from the dedication of 150 volunteers and trained 19 new docents Celebrated 5 employees with 20+ years of service Added 195 works of art and accepted gifts of art from 14 donors GREAT VARIETY FOR YOUR ITINERARY We walked to SAMA from our hotel on the River Walk, which made for a very enjoyable stroll (although you could take a River taxi right to the entrance if you are on the River Walk). Admission was free since it was a Sunday morning, and we jumped into a docent-led tour that was just starting when we arrived. The museum has a surprisingly large and interesting array of classical ancient art and ancient Chinese art, but the modern Hispanic art alone would have been worth the trip. —TripAdvisor 9 VOTING TRUSTEES LIFE TRUSTEES Martha S. Avant Lenora Brown Janet L. Brown Walter F. Brown, Sr. 2011-2012 OFFICERS Stephanie Cavender Betty Kelso Karen Hixon, Chairman John Eadie Patsy Steves BOARD OF Claudia Huntington, Vice-Chairman Thomas Edson John Eadie, Treasurer Anthony Edwards ADVISORY TRUSTEES TRUSTEES W. Richey Wyatt, Secretary Claire Golden Jorge Del Alamo Marie Halff Margery Block Emory Hamilton Dale F. Dorn Rose Marie Hendry Chave Gonzaba Karen Herrmann Friedrich Hanau-Schaumburg Christopher C. Hill Edward A. Hart Karen Hixon Peter M. Holt Candace Humphreys James Letchworth Claudia Huntington Katherine Moore McAllen Carol L. Karotkin Henry R. Muñoz, III Harriet Kelley Carol S. Olson Carol Lee Klose Epitacio Resendez V Rosario Laird Patrick B. Tobin Kim Lewis Janey B. Marmion NATIONAL TRUSTEES Bruce Mitchell Lila Cockrell Gilbert Lang Mathews Eva Garza Lagüera Peggy Mays Ann R. Roberts Andrew Novak John J. Roberts Thomas I. O’Connor Nelson A. Rockefeller, Jr. Raul Ramos, M.D. Marie Schwartz William Rasco Elizabeth McAllen Roberts HONORARY TRUSTEES William Scanlan, Jr. H. Rugeley Ferguson Banks M. Smith Edith McAllister Beth Smith Ricardo Romo, Ph.D. Nancy Steves Ruth Eilene Sullivan EX-OFFICIO TRUSTEES Rich Walsh Katherine C. Luber, Ph.D. Sonya Medina Williams Kenneth L. Wilson W. Richey Wyatt Karen Lee Zachry 10 STAFF CURATORS John Johnston, Coates-Cowden-Brown Curator of Asian Art As of September 30, 2012 Marion Oettinger, Ph.D., Curator Latin American Art Jessica Powers, Ph.D., Gilbert M. Denman, Jr., Curator Art of the OFFICE OF THE DIRECTOR Ancient Mediterranean World Katherine C. Luber, Ph.D., The Kelso Director David Rubin, Brown Foundation Curator of Contemporary Art Emily M. Jones, Director of Special Projects Nancy H. Fullerton, Assistant Curator Latin American Art Diane Flack, Executive Assistant to the Director Erin Keelin, Asian Art Curatorial Assistant Kacy Kaiser, Administrative Assistant Allyson Walsh*, Curatorial Assistant MEMBERSHIP AND DEVELOPMENT Kimberly Britton, Director of Development Lana Shafer Meador, Membership Manager Ana Marinez, Development Associate Alana Coates, Development Administrative Assistant MARKETING AND PUBLIC RELATIONS Cary Marriott, Director of Marketing Tatiana Herrera-Schneider, Communications Manager EDUCATION Katie Erickson, AT&T Director of Education Nicole McLeod, Assistant Director of Education/Family & Community Programs Alex Zuzula, Public Programs & Volunteer Manager Jessica Nelson*, Tour Scheduler COLLECTIONS Karen Z. Baker, Registrar Leona Scull-Hons*, Assistant Registrar Kia Dorman, Associate Registrar Lori Gonzalez* John Hall EXHIBITS Tim Foerster, Director of Exhibits Haley Adam, Project Coordinator Tyler Lewis, Head Preparator Gabriel Ewald* Mario Perez Juan Sandoval* FINANCE & ADMINISTRATION Polly Vidaurri, Director of Finance & Administration Elda Martinez, Human Resources Manager Sonia Hernandez, Accountant Joan Barr, Accounts Payable *indicates part-time staff 11 SAMA Hundreds of generous individuals give their time, expertise and enthusiasm to make our guests’ VOLUNTEERS visits memorable, providing innumerable services that welcome, educate, and delight. DOCENTS Docent Officers: Jim Letchworth (President), David Middleton (Vice President), Peggy Love (Secretary), Jesus Garcia (Treasurer) Docent Trainers: Nanette Allen, Molly Nunnelly, Milinda Schwab Richard Banasau, Kenneth Bashore, Sheila Beshur, Sandy Blake, Rose Bustamante, Elizabeth Card, Catherine Carr, Antonietta Chiw, Joanna Coffey, Merrilee Colunga, Bonnie Combs, Aida Cragnolino, Ellie De Guzman, Joe Dondero, Edith Donehew, Maxine Dulany, Judie Ely, Anna Falkenberg, Bill Feldman,
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