Forbidden Science Journals by Jacques Valle
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The Slingshot Kid
The Slingshot Kid US : 1927 : dir. Louis King : FBO Silent : 48 min prod: : scr: Oliver Drake : dir.ph.: William Nobles & Roy Eslick Buzz Barton ………….………….……………………………………………………………………… Frank Rice; Jeanne Morgan; Buck Connors; Jay Morley; Arnold Gray Ref: Pages Sources Stills Words Ω Copy on VHS Last Viewed 3311a 1½ 1 1 710 - - - - - No unseen Saddle-sores imminent? Barton with Jeanne Morgan and Frank Rice. Source: The Silents Majority website Speelfilm Encyclopedie review: King was a younger brother of Henry, and lived 1898-1962. He entered the film industry as an “Action-packed Western in which Buzz Barton actor in 1919 and made his directing debut this and friend Frank Rice have to flee from a gang year as co-director of "IS YOUR DAUGHTER of cattle rustlers and then land in a ghost town SAFE?". He made his solo directing debut with where they meet a man and his daughter driven the start of the Buzz Barton series: "THE BOY off their ranch. It comes to a showdown in the RIDER". He directed thirteen of the fourteen, town with the gang. Oliver Drake adapted the but would continue directing Westerns until story by John Twist and Jean Dupont. William his death, during which time, among others, Nobles and Roy Eslick did the camerawork. the TV series "Deputy" with Henry Fonda and Allen Case. **½ ” The Moving Picture Boy entry on Barton: in "THE BOY RIDER". From the 1931 serial “ "THE BOY RIDER", "THE BANTAM "THE LONE DEFENDER" onward, Buzz COWBOY", "THE FIGHTIN’ RED-HEAD", Barton rode, shot and fought steadily through "THE FRECKLED RASCAL" - Buzz Barton’s the Thirties, but no longer a prodigy, just a film titles tell it all. -
Story Puzzles Oil Probers
! NET PRESS RUN AVERAGE DAILY CIRCULATION THE WEATHER for the iiioiith of February, 1928 Forecaat by 0 . S. W edthor BaM aa, n p j i m r t New H dvea 5,108 V * ^ state Library Mentber of the Auiiit Uateao ol Fair ioni^t imd Tuesday. Circnlatlona VOL. XLIL, NO. 144. < itissifled Advertising on Page lU. MANCHESTER, CONN., MONDAY, MARCH 19, 1928. ^TWELVE PAGES) PRICE THREE CENTS OLD SWINDLE PRIDE OF YEAR Navy. Raises Sunken Submarine WORKED AGAIN -4> Pole Puts $3,000 in Bag and ‘MYSTERY BOND’ STORY ISFOUNDSLAIN Expected Them to Double— They Disappear Double- mm i A P ^ T M E N T Quick. ? r ' %C'‘' Danbury, Conn., March 19. PUZZLES OIL PROBERS — Constantin Brozyna, until ■<?> last week president of the Po One Bullet Goes Through lish American Citizens’ Club here, had ?3,000 worth of Witness In Chicago Says Wall, Shatters Mirror bonds of the Polish Republic Savants to Find Out in his possession, holding for the club. A group of gypsies Package Was Sent By Next Door and Arouses came to town last week and called on Brozyna, heard f/ ' What are Moonbeams Mistake to Washington, about the bonds, and told him Suspicion; Husband Held. if he would put the bonds into a bag and leave them until 111, When It Was Meant Monday morning they would Washington, March 19.— Moon-^we see exposed at the moon’s sur- beams—o m e sincea 1 n / > A the+Vwa daysH o v e ofe\9 Helen of 'r face?O *» • Xew York, March 19.— Mrs. -
Cinematic Childhood(S) and Imag(In)Ing the Boy Jesus: Adaptations of Luke 2:41-52 in Late Twentieth-Century Film
CINEMATIC CHILDHOOD(S) AND IMAG(IN)ING THE BOY JESUS: ADAPTATIONS OF LUKE 2:41-52 IN LATE TWENTIETH-CENTURY FILM by JAMES MAGEE Master of Arts, Vancouver School of Theology, 2011 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN BIBLICAL STUDIES in the FACULTY OF GRADUATE STUDIES TRINITY WESTERN UNIVERSITY May 2019 © James Magee, 2019 Cinematic Childhood(s) and Imag(in)ing the Boy Jesus: Adaptations of Luke 2:41-52 in Late Twentieth-Century Film Abstract Despite sustained academic examinations of Jesus in film over the past couple of decades, as well as biblical scholars’ multidisciplinary work in the areas of children’s and childhood studies, the cinematic boy Jesus has received little attention. This thesis begins to fill the lacuna of scholarly explorations into cinematic portrayals of Jesus as a child by analyzing two adaptations of Luke’s story of the twelve-year- old Jesus in late twentieth-century film. Using methods of historical and narrative criticism tailored to the study of film, I situate the made-for-television movies Jesus of Nazareth (1977) and Jesus (2000) within the trajectories of both Jesus films and depictions of juvenile masculinity in cinema, as well as within their respective social, cultural and historical contexts. I demonstrate how these movie sequences are negotiations by their filmmakers between theological and historical concerns that reflect contemporary ideas about children and particular idealizations about boyhood. ii For Michael iii Table of Contents Acknowledgements . v Abbreviations . vi Chapter 1 Searching for the Boy Jesus: A Neglected Area of Jesus-in-Film Scholarship .