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Austria Sarah.Weiss@Kug.Ac.At Sarahweissmusic@Gmail.Com EDUCATION BA, Eastman School of Music/Unive SARAH WEISS Roseggerkai 5/16 8010 Graz - Austria [email protected] [email protected] EDUCATION BA, Eastman School of Music/University of Rochester – with distinction (1984) MA, PhD, New York University – with distinction (1987, 1998) (Dean’s Award for Best Dissertation in the Humanities) ACADEMIC POSITIONS 2018-present Privatdozentin and Senior Research Scientist, Institut für Ethnomusikologie, KunstUniversitätGraz Stellvertreterin, Institut für Ethnomusikologie Stellvertreterin, Doktoratsschule für das Wissenschaftliche Doktoratsstudium 2014-2018 Associate Professor (Humanities and Anthropology) and Rector of Saga Residential College, Yale-NUS College, Singapore 2013-2014 Visiting Associate Professor in Humanities, Yale-NUS College, Singapore 2009-2014 Associate Professor, Department of Music, Yale University, Director, Gamelan Suprabanggo, Director of Graduate Studies (2011-2013) 2005-2009 Assistant Professor, Department of Music, Yale University; Director, Gamelan Suprabanggo http://www.yale.edu/seas/yalegamelan.htm 2004-2005 Visiting Professor, Department of Music, Harvard University 1999-2004 Assistant Professor, Department of Music, University of North Carolina - Chapel Hill; Director, Gamelan Nyai Saraswati http://www.ibiblio.org/gamelan/ 1997-1999 Full-time, tenured Lecturer in Ethnomusicology, Department of Music, University of Sydney 1994- 1996 Half-time Lecturer in Ethnomusicology, Department of Music, University of Sydney 1993 Visiting Lecturer, Department of Music, University of Sydney 1992-1998 Founding director and primary teacher of the Sydney University Department of Music, Central Javanese ensemble, Gamelan Kyai Kebo Giro Weiss February 2021 PUBLICATIONS – BOOKS AND MANUALS (under consideration) Bloomsbury Handbook of Ethnomusicology edited by Sarah Weiss and Sarah Morelli (60 articles and contributors, 300,000 words). (under contract) Is There Such a Thing as Singaporean Performance? edited by Sarah Weiss and Siavash Moazzami Vahid. Graz Studies in Ethnomusicology. Institute of Ethnomusicology, University of Music and Performing Arts, Graz, Austria. (financial support from Yale-NUS College and a subvention grant from Landes Steiermark.) 2019 Ritual Soundings: Women Performers and World Religions. University of Illinois Press. (Awarded a subvention grant from the Lloyd Hibberd Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.) 2007 Listening to an Earlier Java: Aesthetics, Gender and the Music of Wayang in Central Java. Koninklijk Instituut voor Taal-, Land-, en Volkenkunde monograph series, vol. 237. Leiden: KITLV Press (CD-ROM included). (Indonesian novelist Tinuk Yampolsky is currently translating this book into Indonesian.) 2006 Instructor’s Guide. For Soundscapes, 2nd edition, (Shelemay). WW Norton. PUBLICATIONS – PEER-REVIEWED ARTICLES (under contract) Sonic Gendering of Ritual Spaces. Religious Sounds: Beyond the Global North: Sense, Media, and Power edited by Carola E. Lorea and Rosalind I.J. Hackett (Amsterdam University Press, Global Asia Series) with Talieh Attarzadeh. (in press) On Comparative Aesthetics – A Discussion. Towards a Comparative Aesthetics of Music: Concepts, Criteria, Case Studies, edited by Gerd Grupe. Graz Studies in Ethnomusicology, vol. 27. Institute of Ethnomusicology, University of Music and Performing Arts, Graz, with Andy Hamilton. 2 Weiss February 2021 (in press) Rasa, Embodiment, and Aesthetics: A Case Study from Java. Towards a Comparative Aesthetics of Music: Concepts, Criteria, Case Studies, edited by Gerd Grupe. Graz Studies in Ethnomusicology, vol. 27. Institute of Ethnomusicology, University of Music and Performing Arts, Graz, 65-83. 2018 “Last time, in the Kampong, Chinese Wayang, Malay Bangsawan and Kroncong, all in one place:” Nostalgia, Memory, and History in Discourse on Singaporean Performance. Out of Bounds: Ethnography, History, Music, edited by Ingrid Monson, Carol J. Oja and Richard K. Wolf. Cambridge: Harvard University Press. 2017 Rangda and the Goddess Durga in Bali. Journal of Fieldwork in Religion 12/1: 50-77. https://journals.equinoxpub.com/index.php/FIR/article/view/3 3750 2016 Transcending Boundaries: Javanese Wayang Kulit Without the Shadows. Resounding Transcendence: Transition in Music, Ritual, and Religion, edited by Philip Bohlman and Jeffers Englhardt. Oxford University Press, 43-63. 2015 Écouter le monde mais n'entendre que soi: Hybridité et perceptions de l'authenticité dans les musiques du monde. Translated into French by Dario Rudy. Volume!: French Journal of Popular Music Studies 10/1. https://volume.revues.org/3835 (This is a differently peer-reviewed piece related to the 2014 Ethnomusicology article listed below.) 2014 Listening to the World But Hearing Ourselves: Hybridity and Perceptions of Authenticity in World Music. Ethnomusicology 58/3: 506-25. 2013 Perspectives on Balinese Authenticities: Sanggar Çudamani’s Odalan Bali. Performing Arts in Postmodern Bali – Changing Interpretations, Founding Traditions, edited by Kendra Stepputat. Graz Studies in Ethnomusicology. Institute of Ethnomusicology, University of Music and Performing Arts, Graz, Austria, 279-308. 2013 Performance in Southeast Asian History. Routledge Handbook of Southeast Asian History. London: Routledge, 300-309, with Tony Day. 3 Weiss February 2021 2011 Analyzing Javanese Grimingan: Seeking Form, Finding Process. Analytical Approaches to World Music 1/1 <aawmjournal.com>. Online peer-reviewed journal first published 01 January 2011. 2008 Gender and Gender Redux: Rethinking Binaries and the Aesthetics of Old-Style Javanese Wayang. Woman & Music: A Journal of Gender and Culture 12: 22-39. 2008 Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo. Ethnomusicology 52/2: 203- 238. 2007 Review Essay–Getting Beyond Java: New Studies in Indonesian Music. Ethnomusicology 51/1: 131-42. 2003 Kothong Nanging Kebak Empty Yet Full: Some Thoughts on Embodiment and Aesthetics in Central Javanese Performance. Asian Music 34: 21-49. 2002 Gender(ed) Aesthetics: Domains of Knowledge and “Inherent” Dichotomies in Central Javanese Wayang Accompaniment. Puppet Theatre in Contemporary Indonesia: New Approaches to Javanese Wayang, edited by Jan Mrazak. Ann Arbor: University of Michigan Press, 286-304. 1996 Rules or Rasa: Aesthetics and Gender in the Performance of Central Javanese Wayang. About Performance: Performances East/West. Centre for Performance Studies, University of Sydney Working Papers, 2: 91-100. 1995 Musical Revelations from Indonesia. Review essay on the first 6 CD's in the Smithsonian/Folkways Music in Indonesia Series (1991-94) in RIMA 29: 147-54. 1995 Translation with commentary of Tayuban by Nugroho Notosusanto (1959) in RIMA 29: 119-24. 1993 Gender and Gender: Gender Ideology and the Female Gender Players in Central Java. Rediscovering the Muses. Women's Musical Traditions, edited by Kimberly Marshall. Northeastern University Press, 21-48. PUBLICATIONS - ENCYCLOPEDIA ENTRIES, CONFERENCE PROCEEDINGS (under review) Quantitative Approaches to the Analysis of Central Javanese Pathet: First Steps. Proceedings from the Inaugural Meeting of 4 Weiss February 2021 the ICTM SoMoS Study Group September 2020, online (Graz, Austria and Stockholm, Sweden). 2016 Race, Place, and Music: Problematizing Narratives of Nostalgia in Singapore. Presentation published in the Proceedings from ICTM Study Group on Performing Arts of Southeast Asia June 2014, Denpasar, Bali. 2007 Literature and Art: World Music (Overview). Encyclopedia of Women and Islamic Cultures, vol. 5, 188-95. 1997 “Gamelan in Australia” in The Oxford Companion to Australian Music, edited by Warren Bebbington. Melbourne: Oxford University Press, 232-33. PUBLICATIONS – FESTSCHRIFTS AND MISCELLANEOUS 2020 Negotiating Singaporean Identities: Observations from Study at an Academy of Indian Music and Dance Performance. Understanding Musics: Festschrift on the Occasion of Gerd Grupe’s 65th Birthday, edited by Malik Sharif and Kendra Stepputat. Düren: Shaker Verlag, 293-312. PUBLICATIONS – REVIEWS (in press) Review of Hearing Southeast Asia: Sounds of Hierarchy and Power in Context edited by Nathan Porath. Copenhagen: Nordic Institute of Asian Studies – NIAS, University of Copenhagen, NIAS Press, 2019. SOJOURN. 2009 Review of Gamelan of Central Java II: Ceremonial Music Felmay FY8042. Recorded and produced by John Noise Manis, Yantra Productions, 1996 and 2001. Notes by John Noise Manis; and Gamelan of Central Java IV: Spiritual Music Felmay FY8074. Recorded and produced by John Noise Manis, Yantra Productions, 2003. Notes by John Noise Manis with essay by Daniel Wolf. Asian Music 40/1: 157-61. 2007 Review of Phenomenology of a Puppet Theatre: Contemplations on the Art of Javanese Wayang Kulit, by Jan Mrázek. (Leiden: KITLV Press, 2005) in Bijdragen tot de Taal-, Land-, en Volkenkunde 163/1: 211-13. 2005 Review of Performing Ethnomusicology: Teaching and Representation in World Music Ensembles, edited by Ted Solís 5 Weiss February 2021 (Berkeley and Los Angeles: University of California Press) Ethnomusicology 49/3: 483-7. 2002 Review of Music and Gender, edited by Pirkko Moisala and Beverley Diamond (Urbana and Chicago: University of Illinois Press, 2000) in Notes 58/3: 569-72. 1999 Review of Indonesian Music and Dance. Traditional Music and Its Interaction with the West. Essays by Jaap Kunst, edited by Ernst Heins, et al. (Royal Tropical Institute/Tropen Museum and University of Amsterdam,
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