Presented by ABOUT CENDANA ABOUT ART IN THE CITY Art In The City aims to raise greater awareness of the local arts and cultural Supported by the Malaysian scene, striving to further propagate the government, CENDANA is dedicated notion of towards a cultural and creative city. The campaign to developing and promoting features a myriad of activities for ’s cultural economy. Malaysians to enjoy, including public sculpture and installation works, a video CENDANA aspires to elevate competition, the Lucky Pao Market, Malaysian arts and culture and a public art forum, and workshops. showcase its diverse beauty on the Art In The City is a collaboration local, regional, and global stage. between CENDANA (Cultural Economy Development Agency) and Kuala Lumpur City Hall; and various strategic partners cendana.com.my including local artists, the Ministry of CENDANAMalaysia Tourism, Arts and Culture, as well as cendanamalaysia public and private stakeholders. #CENDANAMalaysia #ArtInTheCityKL

OTHER INXO International Forum 2019 RIUH November 19–20 October 2019 2–3 November 2019 EVENTS National Art Gallery Sentul Depot facebook.com/inxoartsandculture riuh.com.my

KUL Design Month KL Sketchnation ‘LOCUS’: Placemaker Week ASEAN 1–31 October 2019 Sketch Fest 2019 4–8 November 2019 Multiple locations 20–27 October 2019 Multiple locations facebook.com/kuldesignmonth Lot10, Bukit Bintang placemakerweek.com klsketchnation.com Art Expo Malaysia Urbanscapes Festival 11–13 October 2019 ACE Bootcamp Indie 16–24 November 2019 MATRADE Exhibition and Music Edition Multiple Locations Convention Centre (MECC) 29–30 October 2019 urbanscapes.com.my artexpomalaysia.com The Bee, Publika cendana.com.my Panggung Rakyat CENDANA iNYALA Exhibition 19 October 2019 1–30 November 2019 Jalan Raja REXKL For more information, cendana.com.my inyala.my visit cendana.com.my

This programme is made possible by

KEMENTERIAN KEMENTERIAN PELANCONGAN, WILAYAH SENI & BUDAYA MALAYSIA PERSEKUTUAN In the centre of Kuala Lumpur, The Currency there is a clock tower—keeping time. of Time

Before the clock tower, however, The landscape and architecture If art is self-expression, then there was the Old Market Square, of a city serve as relics of time, public art is a topographical which has played a graceful and without people populating punctuation that reflects the host to various communities. them, that’s all they’ll ever be. From the secret society days of With this year’s theme for Art In consciousness of our society immigrants-turned-head-honchos The City, I heART KL reintroduces —a part of the landscape that such as Kapitan Yap Ah Loy you to Kuala Lumpur through the is as alive as the people who (founder of the tin mining industry narratives of its plural histories move through it. Public art exists and the “influencer” of late that encourage us to rethink, 19th-century Kuala Lumpur), relook, and re-evaluate our city. for reasons beyond mere decor; to the bustling days of banks, they attempt to represent the merchants, and traders peddling aspirations of a nation. textiles and traditional medicines. The Old Market Square in 1967. Photo courtesy of David Ayres.

1937. In comes the clock tower. Designed by Arthur Therefore, this year’s map highlights the Oakley Coltman (UK) to commemorate the coronation role of art within the context of a growing of England’s King George VI, it is a symbol of modernity nation. Art flows along with the times. and the herald of progress within the commercial centre Where public art of 20th-century Malaysia of the city. Through the years, the clock tower stands aspired to visualise the budding nation, sentinel in silent observation; the square and the city what can contemporary public art say pivoting and expanding outwards from this centre. now about our present condition?

The Old Market Square and its time-keeping companion have remained faithful witnesses to Kuala Lumpur’s metamorphosis. Today, the square remains like a magnetic field—charged daily with the pulsing energy of the commuters passing through. This year’s Art In The City draws energy from the Old Market Square (now Medan Pasar) as the magnetic core to generate its theme, map, and programmes.

The Old Market Square (now Medan Pasar) in 2019. SU SU SU ED BM ED BM ED BM T IS T IS T IS C S C S C S E I E I E I L O L O L O

E N E N E N ART FILAMEN S A JOSHUA TEO S PAMELA TAN S Earlier this year, we sent out an open call for public art in IN THE the centre of Kuala Lumpur, to contribute new works that re-engage with the city. CITY

Submissions that were selected all embody a sense of urgency, an anxiety to educate and raise awareness of current social and environmental issues.

They are located at the River of Life The selection of works is a reminder —which was so named because of of how essential our rivers are to us and Technical illustration of Wayang Tube (work-in-progress) Technical illustration of Entwine (work-in-progress) 3D visual of Dome of Disappearance (work-in-progress) its semblance to arteries, carrying that, as Gerrard Albert put it, “We do not Wayang Tube The gramophone represents a ABOUT THE ARTIST Entwine Entwine is a sculpture of two ABOUT THE ARTIST Dome of Disappearance This installation, set against ABOUT THE ARTIST the lifeblood of the city—in order to own the river. The river owns us.” 2019 bygone era, as technology Filamen is a local art collective 2019 masses merging into one, Trained as an interior designer, 2019 Kuala Lumpur’s cityscape, Pamela Tan (b. 1991, Kuala moves forward and devices get specialising in audio-visual inspired by the confluence of Joshua Teo (b. 1995, Kuching, has a threefold purpose: as a Lumpur) is an architectural call our attention to one of the most PVC pipes integrated Modularised recycled Metal and cotton with LED tubes, smaller. But the gramophone technology. As advocates plastic panels, acrylic, the Klang and Gombak rivers ) also has experience thread columbarium, a quiet archive designer whose work pressing issues of our current times: All three Selected Submissions include also represented communality, of working collaboratively, at the heart of Kuala Lumpur. across other disciplines, such of the city’s memories and embodies an interdisciplinary projector, portable and metal the care for our rivers. site-specific activations and workshops as people would gather to Filamen aims to provide a It is made of recycled plastic as linguistics, architecture, sites that have been erased ethos. She is concerned with speakers, makeshift listen to the latest records, platform for fellow and tiles. This choice of material is music, and debating. He Location: over time; as a safe house, speculative ideas that seek in conjunction with their commission projection screen, enjoying the music together. emerging artists working with Location: meant to address the city’s completed his degree in Masjid Jamek for sharing and community- the subtle unseen and unveil While a city is defined by its people period, lasting till February 2020. The and metal digital media, thus making Masjid Jamek waste management problems, interior design with a minor Lookout Point building; and as a response, unknown delights, in all scales. Wayang Tube was inspired by it easier to navigate the Lookout Point as plastic waste is one of in linguistics from Taiwan’s disrupting common cultural She obtained her Masters in and the land they inhabit, our land wider Art In The City 2019 campaign the gramophone. It integrates confluence of art, design, and the main contributors to the Chung Yuan Christian aesthetics and perceptions Architecture from the would not have evolved nor been also features various programmes and Location: the old with the new through technology. They encourage flash floods that plague University in 2018. He has in hopes of fostering University of Greenwich in Sultan Abdul Samad PUBLIC PROGRAMMES of any interest to maritime trade activities such as the Lucky Pao Market visual arts and music, while enthusiasts to come together, Kuala Lumpur. received numerous awards for meaningful dialogues. 2015, and was the recipient Building Gardens still retaining the aspect of connect, and collaborate PUBLIC PROGRAMMES his work, including the Asia 19 October 2019: of the PAM-Tan Sri Ar Chan were it not for our rivers. The artists on Jalan Raja, curated tours, and a communality. It brings whenever the opportunity 19–20 October 2019: The River of Life project’s Young Designer Award in 2018 Realigning Self & City with The sculpture is created Sau Lai Award in 2016. Wen Yee — A session of Yoga of this year’s Selected Submissions public art forum and workshop. entertainment to an area often arises. By doing so, it is Seamonkey Workshop – long-term goals are to cleanse and 2017, the Future is Now with laser-cut metal for its overlooked by Kuala Lumpur’s their hope that new media The Precious Plastic Project and beautify the Klang River Award in 2017, and the Decor + Sketching structure, interweaved with PUBLIC PROGRAMMES have gravitated towards the citizens, the River of Life. The technologies will become 19–22 October 2019: and its surroundings; this House Design Award in 2016. November 2019: cotton threads. The entire Various on-site activations use of PVC pipes is based on more integrated and be Plastic Design Charrette installation hopes to contribute A Plant with a Weave form is meant to suggest River of Life, as if drawn by the Organised by CENDANA and Kuala throughout the commission the idea of the river’s flow — regarded more seriously + Post-Charrette Showcase to that. Through its public something skeletal, fragile, same primordial spirit that drew Lumpur City Hall, the Selected period, including: the pipes drawing attention within contemporary art. at the glass building programming, Entwine also and evanescent, similar to Art Performances the first settlers of Kuala Lumpur Submissions and public art map for to the adverse effects of the Wayang Tube was (till 27 October) educates the public on waste the ever-shifting, ever-fluid Wayang Pacak (Outdoor Cinema) city’s poor waste management conceptualised by founder and helps them realise the cityscape of Kuala Lumpur. to the confluence; the same spirit this year’s Art In The City were crafted AV Shows systems. Abdul Shakir, co-founder beauty of recycled materials that draws us all back to bodies with the research and curatorial input Dates for all public programmes are subject to change. Fariz Hanapiah, Firdaus Dates for all public programmes are subject to change. through an artistic approach. Dates for all public programmes are subject to change. For more information, including registration and timings, For more information, including registration and timings, For more information, including registration and timings, of water. of Snow Ng Advisory & Projects. visit cendana.com.my Rahman, and Farhan Fathee. visit cendana.com.my visit cendana.com.my Vision 2020 — Nine Challenges by Zakaria Awang Keris by Latiff Mohidin Torana Gate by Akshaya Jain & Associates TITIWANGSA “ROMBONGAN The Malayan Way of Life and the National Language by Ismail bin Mustam SAMBIL BELAJAR”

EN JALAN BUKIT NANAS LIM R JALAN 20 Public artworks are visible PA MELAYU JALAN SULTAN AZLAN SHAH N JALA JALAN time-keepers of our history and 2 JALAN PAHANG TEMERLOH changing landscape; they reflect JALAN RAJA 0 500M 1000M a society’s values and aspirations. JALAN GEREJA JALAN MELAKA Jom rediscover the city through TITIWANGSA 13 Dewan Bahasa dan Masjid Jamek SENTRAL LRT its public sculptural works, with Pustaka DATARAN LEBOH AMPANG Jalan Dewan Bahasa “Rombongan Sambil Belajar” MERDEKA JALAN RAJA CHULAN Tel: 603 2147 9000 JALAN TUN H S LEE

JALAN KINABALU JALAN KUCHING 4 JALAN TUN RAZAK (Study Excursion)! Selected as the winner in a JALAN BENTENG3 JALAN HANG LEKIU JALAN RAJA PUTRA WORLD design competition, Ismail BUKIT TUNKU JALAN TUN TAN SIEW SIN TRADE CENTRE The Kuala Lumpur Cenotaph by Stark & McNeill PERSIARAN MAYBANK bin Mustam’s mosaic mural, LEBOH PASAR BESAR 1 JALAN RAJA MUDA ABDUL AZIZ the Malayan Way of Life and the National Language (Cara LAMA Hidup di Malaya dan Bahasa 1 Laman @ Maybank Tower 11 Brickfields Junction 12 Taman Wawasan Kebangsaan) (1961) was LORONG PUDU DU (Menara Maybank) Fountain Public Bank @ Bangunan created in accordance with PU H CENTRAL LEBU 0 100M 200M 100 Jalan Tun Perak | Tel: +603 2070 8833 Jalan Rakyat, Brickfields Public Bank the institute’s founding goal

RIVER OF LIFE JALAN BENTENGMARKET Within the shady compound at the south of the The centrepiece of Brickfields 6 Jalan Sultan Sulaiman, — to establish Malay as the building, Latiff Mohidin’s 17-metre-tall Keris (1987) is the fountain, with its Kampung Attap national language after years THE hovers over a water feature that leads to the sculptures of elephants Tel: +603 2179 9999 of colonial English. Along with INTERMARK building’s Laman hawker centre. The work pays and peacocks, flanked by Dotting the park are sculptures other architectural elements, R Ampang Park homage to Hijjas Kasturi’s architectural vision the two Little India Dancers inspired by Tun Mahathir such as the use of patterns A LRT D for the Maybank Tower, the form resembling the (2010) by Sculptureatwork. Mohamad’s ‘nine challenges’ resembling traditional sarong N A JALAN AMPANG sheath of Hang Tuah’s keris. Nearby amidst trees Standing magnificently next that Malaysians need to motifs in the auditorium, the K JALAN BINJAI th S CHOW KIT I is the bank’s newest addition as part of its 50 to the fountain is the Torana overcome to achieve Wawasan building is a testament to a N 19 anniversary celebrations: Yusof Ghani’s Segerak 6 National Monument (Tugu Negara) A Gate (2015) by Akshaya Jain 2020. From an open call newly-independent Malaysia’s T KLCC LRT Jalan Parlimen | Tel: +603 2615 8188 L — One Movement, 1Malaysia (2010), incorporating JALAN AMPANG & Associates, a gift from the competition in 1993, the desire to visualise a unique U 18 S 17 characters for the numeral one in Jawi, Chinese, Consolidated within a complex where the national Government of India to selected sculptures were national identity.

A PETRONAS and Tamil. flag is raised and lowered daily by a soldier, both Malaysia to celebrate their Lee Kian Seng’s Vision 2020, Y

TWIN TOWERS Pavilion Crystal Fountain . Photo courtesy of Ling Tang.

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GOMBAKGOMBAKGOMBAK RIVERRIVERRIVER GOMBAK RIVER the National Monument (Tugu Negara) (1966) lasting friendship. In Hindu Raja Shahriman’s Vision 2020 R JALAN H DATO ONN 2 Sepak Takraw and Pohon and its predecessor, the Kuala Lumpur Cenotaph and Buddhist architecture, — Growth Equity, and Zakaria U B Beringin, 2013; (1924), stand silently majestic — adorned with the torana is a sacred gateway Awang’s Vision 2020 — Nine E KLANG RIVER 16 KLCC PARK L 5 Lat Cartoon Series, 2016 fountains, a pavilion, a war memorial, and into palaces, shrines, and cities; Challenges. Bandaraya JALAN SULTANJALAN ISMAIL 15 JALAN LRT P RAMLEE PINANG Sculptureatwork surrounding gardens. thus, the gifting of the torana Masjid Jamek LRT (Jalan Melaka Exit) gate to Brickfields symbolically

PERSIARAN SULTAN A monument complex originally conceptualised recognises Brickfields as SALAHUDDIN 3 Lion, 1995 by Tunku Abdul Rahman, Felix De Weldon’s (US) a sacred, palatial space. JALAN KIA PENG J Mohamed Shahbudin Abdul Salam 15.54-meter-tall bronze statuary commemorates

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L HSBC Bank, Leboh Ampang the fallen heroes of World War II and the 12–year

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N communist insurgency known as the Malayan 14 Pavilion Crystal Fountain

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U 4 Bull and Bear, 1997 Emergency. AJA CHULAN 2007, Pavilion KL and

R N

6 AN Mohamed Shahbudin Abdul Salam

AL Liuligongfang (TW)

R R R

J R Kuala Lumpur Stock Exchange, DID YOU KNOW?

A A A A 168 Bukit Bintang

7 JALAN PARLIMEN PAVILION The cenotaph (relocated to its current site in 1966)

Z Z Z

KUALA LUMPUR Z Bukit Kewangan The seven inanimate bronze soldiers suffered

A A A

Bukit Bintang A was originally erected near the Kuala Lumpur

K K K Masjid Jamek MRT/Monorail 14 K Railway Station by the British administration in a second death (only this time, a monumental LRT 15 Sculptures and 5 Tunku Abdul Rahman, 1994 memory of the fallen soldiers of the First World one) due to an explosion set off by a communist installations by Ariffin in 1975… PERDANA BUKIT JALAN BUKIT Mohamed Shahbudin Abdul Salam War (1914–1918); later edited to also include the Hamid, Faesal Samat, PERSIARAN JALAN RAJA BINTANG Tunku Abdul Rahman Putra Memorial, fallen from the Second World War (1939–1945) BOTANICAL MAYBANK BINTANG and Pidotski Jalan Dato Onn and the Emergency (1948–1960). KL Citywalk, Jalan P Ramlee GARDENS CK LO RIVER OF LIFE G EN J H JALAN PUDU A C L JALAN IMBI A N Breast Stupa Topiary by Pinaree Sanpitak N A The Merdeka Sun Clock by Stanley Edward Jewkes T PETA LING Foreground: Harmony and Unity by Chin Wan Kee outside the National Museum. Photo courtesy of Dave Sumpner. Episodes of Malayan History by Cheong Laitong, L N STREET MARKET E U

M JALAN KINABALU ROYAL T IMBI 16 Jubilation II, 2009 B N BERJAYA A Eng Tay A GOLF CLUB H TIMES SQUARE Progress L Marc Residence, A

N Pasar Seni N J

I RDA A LRT/MRT Jalan Pinang D T E N A by Itthi Khongkhakul L STADIUM JAL P D THE EXCHANGE A N Whale and Dolphin by John Underwood U U MERDEKA 106 J S A M Lunar Peaks (Puncak Purnama) L JALAN MAHARAJALELA A N A (1986) was created at a time when N 8 A H 21 DA L S MAN JA I sculpture and installation were SARA Muzium Negara H MRT 12 burgeoning within Malaysian art. People began to consider art within 7 ASEAN Sculpture Garden 8 National Planetarium, 9 National Museum of 18 20 National Art Gallery Maharajalela PUDU 9 Monorail the modern, public landscape—the Persiaran Sultan Kuala Lumpur Malaysia (Muzium Negara) (Menara Ilham) (Balai Seni Negara) year after Lunar Peaks appeared, Salahuddin (Planetarium Negara) Jalan Damansara 8 Jalan Binjai 2 Jalan Temerloh 10 KAMPUNG the ASEAN Sculpture Garden was Tel: +603 2615 8188 53 Jalan Perdana, Tel: +603 2267 1111 Tel: +603 2181 8626 Tel: +60 3-4026 7000 JALAN SYED PUTRA Tasik Perdana Divina Proportione (2006) by Standing in the front yard ATTAP 13 opened. Like the times that created Situated within the Tugu Negara Spanning the museum facade KL Sentral it, Lunar Peaks was also inspired plaza, adjacent to the National Tel: +603 2273 4303 is a pair of mosaic murals of Ai Wei Wei (CN) and Breast of our National Art Gallery in JALAN ISTANA by firsts: specifically, man’s first Monument, is a compact In the vicinity of the National Venetian glass (35-metres 17 PETRONAS Twin Towers Stupa Topiary (2013) by Pinaree all its historical glory is the step on the moon in 1969. It was landscaped garden erected Planetarium is The Merdeka long each) by Cheong Laitong (Menara Berkembar Sanpitak (TH) strike a sharp Chow Kit Heritage House crafted with pyroceram glass, as in fulfilment of one of the Sun Clock built in 1957 to (CN). They depict Malaysia’s PETRONAS) metallic contrast to the lush (Rumah Pusaka Chow Kit, developed by NASA — specially objectives of the Fifth commemorate Malaysia’s traditional crafts and a Suria KLCC, Kuala Lumpur green grass at Ilham Tower. a.k.a. ‘Rumah Degil’). It was Lunar Peaks when it was first revealed to the public at a small island procured and shipped to Malaysia ASEAN Square Sculpture independence. Stanley Edward chronology of significant City Centre Home to Ilham Gallery, the the last standing Malay house bordered by Jalan Syed Putra and an unnamed road down from JALAN TRAVERS Tel: +603 2331 8080 Jalan Tun H S Lee. Photo courtesy of National Art Gallery. by the US Embassy and Wisma Symposium held in 1987. Jewkes (US) is the designer of events in Malaysian history. tower is a treasure trove of in Chow Kit, and apparently Putra. However, time eventually won Thus, a collection of 6 sculptural this painfully meticulous and Within its grounds is a bronze Two kinetic sculptures, Kinetik I art, with sculptures by Juhari had links to Sultan Puasa (whom 11 out. The United Malayan Banking installations of wood, marble, mathematically accurate sundial statue (among four early public and Kinetik II (1998), by Latiff Said and Nizam Abdullah in some believe to be the original JALAN TUN SAMBANTHAN 21 In memory of Lunar Peaks Corporation (UMBC), which originally iron, and bamboo stand in that once decked the grounds sculptures scattered around Mohidin spin luxuriously on their the lobby, and Yunizar on the founder of Kuala Lumpur). (Puncak Purnama) commissioned it, merged under ASEAN solidarity amongst their between Merdeka Stadium and Malaya) of British colonial mechanical axes in the lobbies gallery’s third floor. In front of Across the lawn is Wong Pey The late Datuk Syed Ahmad Jamal RHB Bank in 1999. Lunar Peaks was fellow members. Crafted by the National Stadium before it officer, Sir Frank Athelstane of the Petronas Twin Towers, the panoramic windows on the Yu’s infamous red standing egg BRICKFIELDS (1929–2011) decommissioned in 2016. a select list of regional artistic was moved in 1997. Yet another Swettenham. Funded by his their perpetual movement 40th Floor of Element Hotel is (still held in perfect balance!), powerhouses such as Han Sai companion using the symbolism friends in commemoration of reflecting the tirelessness of Life: Resilient (2017) by Claudio one among five winners of a KLANG RIVER Por (SG), Dolorosa Sinaga (IDN), of time is Ariffin Mohd Ismail’s his contributions to Malaya, PETRONAS’ creativity and Bueno (VE), which shifts in sculpture competition in 2000. Jerusalino V. Araos (PH), Itthi winning sculpture, Time & Space the statue was made in London growth. In contrast, the Whale colour according to the time Also noteworthy are the klirieng Khongkhakul (TH), Abu Bakar from the Planetarium’s Sculpture by Charles Leonard Hartwell, and Dolphin (1997) sculptures of day and levels of sunlight poles by master craftsmen Bin Abdul Rahman (BRU), and Design Competition in 1993. Look before its unveiling in front of by John Underwood (AUS) in shining through. from Sarawak’s Orang Ulu ART IN THE CITY 2019 18—27 Malaysia’s own Syed Ahmad out for replicas of Stonehenge and Kuala Lumpur’s Government the pool of KLCC park have community. Before the British PROGRAMMES OCTOBER 2019 Jamal, in hopes to influence the Guo Shou Jing and Jai Singh Building in 1921. their movements immobilised, 19 Wild Chili Couple, 2010 occupation, klirieng were used social change through their works Observatories in a small shaded suspended right before their by Kumari Nahappan (SG) as gravemarkers for royalty All programmes have free entry unless and raise public awareness of the area next to the guardhouse big splash. GTower, Jalan Tun Razak and noblemen. otherwise stated. ASEAN union. entrance of the Planetarium. Selected Submissions Lucky Pao Market Sketchwalk by KL Sketchnation Curated Tours by The Art Seni DID YOU KNOW? October 2019–February 2020 19 October 2019, 5–11pm 20 October 2019, 3–6pm 19–20 October 2019 | 25–27 October 2019 The National Museum is built on the site of the former Selangor Masjid Jamek Lookout Point; Jalan Raja Meet at: Masjid Jamek Lookout Point Registration and payment required Museum after its right wing was ‘accidentally’ bombed in 1945 at the Sultan Abdul Samad Building Gardens A curated marketplace featuring works by Register with Hakym at +6012 205 1990. • Art In The City Walking Tour: end of World War II; no thanks to the US B-29 bomber! local creatives and artists, along with Please bring your own sketchbook and pens/pencils. 10–11am; 5–6pm; 6–7pm (19 October only) BONUS CHALLENGE! Art In The City Video Competition entertainments involving live music, • Art In The City & Gallery Tour: If you think the stroll around THE NAKED TRUTH! Screening of Winning Short Videos at performances, and community activations. Methods, Strategies, and Roles: the Lucky Pao Market A Two-Day Public Art Workshop 10am–1pm the garden is for lightweights, When Laitong was asked to throw some clothes on the half-naked head up the hill and challenge figures depicted in his mural, he asserted they remain “unclothed” to 19 October 2019 Time. Place and Challenges: 21–22 October 2019, 10am–6pm • Art In The City & Additional Sculptures Tour: yourself to a trek through the avoid essentialism. He was critically sensitive in his attempt to capture Jalan Raja A Public Art Forum RUANG by Think City 10am–1pm lush greenery of the Taman a true and non-stereotypical Malaysian identity. These figures remain The winning short videos are awarded 20 October 2019, 10am–5pm Facilitated by Lim Soo Ngee (SG) and Aisyah Baharuddin. To register, contact Aza at +6017 330 0012. Tugu Project! half-naked today! based on evaluation by a Selection Panel RUANG by Think City Further Art In The City Tours will be available for and a public vote on CENDANA’s Facebook Moderator: Pang Khee Teik Space is limited; register with Emily at booking until January 2020. For more information, page from 14 September–4 October. Panellists: Nani Kahar, Dr Rosli Zakaria, [email protected] or +6018 239 3506. visit instagram.com/theartseni. 10 Horse, 2010 Tetawowe Atelier, Aisyah Baharuddin, Fernando Botero (CO) Snow Ng, Lim Soo Ngee (SG), and St Regis, Jalan Stesen For more information, visit cendana.com.my Ahmad Khairudin (IDN) The information on this map is correct at the time of printing. Sentral 2 Kinetik II by Latiff Mohidin L–R: To Be or Not to Be — Standing Egg by Wong Pey Yu; Chow Kit Heritage House