4K Signal Management 4K Is Here!
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Jigsaw: Robust Live 4K Video Streaming
Jigsaw: Robust Live 4K Video Streaming Ghufran Baig1∗, Jian He1∗, Mubashir Adnan Qureshi1, Lili Qiu1, Guohai Chen2, Peng Chen2, Yinliang Hu2 1University of Texas at Austin, 2Huawei ABSTRACT KEYWORDS The popularity of 4K videos has grown significantly in the 4k Video; Live streaming; 60 GHz; Layered coding past few years. Yet coding and streaming live 4K videos incurs ACM Reference Format: prohibitive cost to the network and end system. Motivated Ghufran Baig1∗, Jian He1∗, Mubashir Adnan Qureshi1, Lili Qiu1, by this observation, we explore the feasibility of supporting Guohai Chen2, Peng Chen2, Yinliang Hu2 . 2019. Jigsaw: Robust Live live 4K video streaming over wireless networks using com- 4K Video Streaming. In The 25th Annual International Conference modity devices. Given the high data rate requirement of 4K on Mobile Computing and Networking (MobiCom ’19), October 21– videos, 60 GHz is appealing, but its large and unpredictable 25, 2019, Los Cabos, Mexico. ACM, New York, NY, USA, 16 pages. throughput fluctuation makes it hard to provide desirable https://doi.org/10.1145/3300061.3300127 user experience. In particular, to support live 4K video stream- ing, we should (i) adapt to highly variable and unpredictable 1 INTRODUCTION wireless throughput, (ii) support efficient 4K video coding on commodity devices. To this end, we propose a novel sys- Motivation: The popularity of 4K videos has grown rapidly, tem, Jigsaw. It consists of (i) easy-to-compute layered video thanks to a wide range of display options, more affordable coding to seamlessly adapt to unpredictable wireless link displays, and widely available 4K content. The first 4K TVs fluctuations, (ii) efficient GPU implementation of video cod- cost $20K in 2012, but now we can buy a good 4K TV under ing on commodity devices, and (iii) effectively leveraging $200. -
Paul Hightower Instrumentation Technology Systems Northridge, CA 91324 [email protected]
COMPRESSION, WHY, WHAT AND COMPROMISES Authors Hightower, Paul Publisher International Foundation for Telemetering Journal International Telemetering Conference Proceedings Rights Copyright © held by the author; distribution rights International Foundation for Telemetering Download date 06/10/2021 11:41:22 Link to Item http://hdl.handle.net/10150/631710 COMPRESSION, WHY, WHAT AND COMPROMISES Paul Hightower Instrumentation Technology Systems Northridge, CA 91324 [email protected] ABSTRACT Each 1080 video frame requires 6.2 MB of storage; archiving a one minute clip requires 22GB. Playing a 1080p/60 video requires sustained rates of 400 MB/S. These storage and transport parameters pose major technical and cost hurdles. Even the latest technologies would only support one channel of such video. Content creators needed a solution to these road blocks to enable them to deliver video to viewers and monetize efforts. Over the past 30 years a pyramid of techniques have been developed to provide ever increasing compression efficiency. These techniques make it possible to deliver movies on Blu-ray disks, over Wi-Fi and Ethernet. However, there are tradeoffs. Compression introduces latency, image errors and resolution loss. The exact effect may be different from image to image. BER may result the total loss of strings of frames. We will explore these effects and how they impact test quality and reduce the benefits that HD cameras/lenses bring telemetry. INTRODUCTION Over the past 15 years we have all become accustomed to having television, computers and other video streaming devices show us video in high definition. It has become so commonplace that our community nearly insists that it be brought to the telemetry and test community so that better imagery can be used to better observe and model systems behaviors. -
4K Resolution in a Compact and Flexible Package
4K LCOS PROJECTOR PROJECTORS.USA.CANON.COM Markets/Applications recommended for: • Simulation and Training • Museums and Galleries • Design and Engineering • Higher Education • Corporate • Houses of Worship • Medical Education and Training • Film and TV • Government • Rental and Staging 4K RESOLUTION IN A COMPACT AND FLEXIBLE PACKAGE The REALiS 4K501ST Pro AV LCOS Projector brings true-to-life 4K resolution to the top of KEY FEATURES Canon’s LCOS projector line. A high level of detail and clarity is achieved by combining Canon’s • 4K Resolution (4096 x 2400) LCOS Technology with AISYS-enhancement, as well as a Genuine Canon 4K Lens, all within a • 5000 Lumens* compact and lightweight design. All of this as well as two HDMI 2.0 inputs provide versatile • Throw Ratio 1.0 – 1.3:1 connectivity that make the 4K501ST ideal for a variety of applications that demand highly • LCOS Technology with detailed, realistic images and video, from simulation and training to museums and galleries. AISYS-enhancement • Genuine Canon 4K Lens NATIVE 4K RESOLUTION (4096 X 2400) MARGINAL FOCUS • Marginal Focus for Projecting Canon 4K (4096 x 2400) on Spherically Domed Surfaces Center area DCI (4096 x 2160) • Dual Image Processing Engines for QFHD (3840 x 2160) Uncompressed 4K 60p Playback • Advanced Professional Installation Corner area and Calibration Settings Full HD (1920 x 1080) • HDMI 2.0 x2, DVI-D x4 With Marginal Without • Crestron Room View, AMX Device Focus Marginal Focus Adjustment Discovery and PJLink • DICOM® Simulation Mode** At 4096 x 2400, Canon’s 4K resolution generates a The Marginal Focus feature helps to ensure that bigger, richer picture made up of more than 9.8 million images projected onto a spherically domed surface * When in Presentation Mode and lamp is set to pixels – higher than the Digital Cinema Initiative (DCI) are kept in focus right up to the very edges. -
Image Resolution
Image resolution When printing photographs and similar types of image, the size of the file will determine how large the picture can be printed whilst maintaining acceptable quality. This document provides a guide which should help you to judge whether a particular image will reproduce well at the size you want. What is resolution? A digital photograph is made up of a number of discrete picture elements, known as “pixels”. We can see these elements if we magnify an image on the screen (see right). Because the number of pixels in the image is fixed, the bigger we print the image, then the bigger the pixels will be. If we print the image too big, then the pixels will be visible to the naked eye and the image will appear to be poor quality. Let’s take as an example an image from a “5 megapixel” digital camera. Typically this camera at its maximum quality setting will produce images which are 2592 x 1944 pixels. (If we multiply these two figures, we get 5,038,848 pixels, which approximately equates to 5 million pixels/5 megapixels.) Printing this image at various sizes, we can calculate the number of pixels per inch, more commonly referred to as dots per inch (dpi). Just note that this measure is dependent on the image being printed, it is unrelated to the resolution of the printer, which is also expressed in dpi. Original image size 2592 x 1944 pixels Small format (up to A3) When printing images onto A4 or A3 pages, aim for 300dpi if at all Print size (inches) 8 x 6 16 x 12 24 x 16 32 x 24 possible. -
The Strategic Impact of 4K on the Entertainment Value Chain
The Strategic Impact of 4K on the Entertainment Value Chain December 2012 © 2012 Futuresource Consulting Ltd, all rights reserved Reproduction, transfer, distribution or storage of part or all of the contents in this document in any form without the prior written permission of Futuresource Consulting is prohibited. Company Registration No: 2293034 For legal limitations, please refer to the rear cover of this report 2 © 2012 Futuresource Consulting Ltd Contents Section Page 1. Introduction: Defining 4K 4 2. Executive Summary 6 3. 4K in Digital Cinema 9 4. 4K in Broadcast 12 5. 4K Standards and Delivery to the Consumer 20 a) Pay TV 24 b) Blu-ray 25 c) OTT 26 6. Consumer Electronics: 4K Issues and Forecasts 27 a) USA 31 b) Western Europe 33 c) UK, Germany, France, Italy and Spain 35 7. 4K in Professional Displays Markets 37 8. Appendix – Company Overview 48 3 © 2012 Futuresource Consulting Ltd Introduction: Defining 4K 4K is the latest resolution to be hailed as the next standard for the video and displays industries. There are a variety of resolutions that are claimed to be 4K, but in general 4K offers four times the resolution of standard 1080p HD video. A number of names or acronyms for 4K are being used across the industry including Quad Full HD (QFHD), Ultra HD or UHD and 4K2K. For the purposes of this report, the term 4K will be used. ● These terms all refer to the same resolution: 3,840 by 2,160. ● The EBU has defined 3,840 by 2,160 as UHD-1. -
Latest Camerahobby Newsletter
THE CAMERAHOBBY NEWSLETTER #5 08/01/2015 Introduction With apologies to all, this newsletter is a lot later than I had planned due in no small part to my own laziness, but also because of a mid-spring time rumor that Canon was planning to roll out a firmware update that would address some of my misgivings about the 7D Mk II I purchased last year. I thought I would have some opportunities to test out the new firmware, but summer doesn’t always present much opportunity for action/sports photography, i.e., none! In the meantime, as I was prepping the articles in this issue, I read with interest, Oleg’s dive into large format photography. Goodness, first 35mm then medium format for many years and now large format. The way Oleg is trending, in about 10 years’ time, he’ll be discussing his foray into using glass plates and will need a pack mule to haul his gear, just like Ansel Adams did nearly 100 years ago. For his back’s sake, I hope he won’t feel the need to try out the 20x24 inch Polaroid large format monsters, which Ansel Adams used to take the official portrait of US President Jimmy Carter, back in the late 1970s. Coincidentally, a couple of early summer posts on the Luminous Landscape website also had Michael Reichmann dabble with film using a new Rollei twin-lens 6x6 medium format camera. Reichmann also profiled his friend Nick Devlin getting serious with 8x10 large format photography <https://luminous-landscape.com/rediscovering-8x10/> (I provide the full URL as the link is lost when I “save as” from Word to PDF). -
Preparing Images for Powerpoint, the Web, and Publication a University of Michigan Library Instructional Technology Workshop
Preparing Images for PowerPoint, the Web, and Publication A University of Michigan Library Instructional Technology Workshop What is Resolution? ....................................................................................................... 2 How Resolution Affects File Memory Size ................................................................... 2 Physical Size vs. Memory Size ...................................................................................... 3 Thinking Digitally ........................................................................................................... 4 What Resolution is Best For Printing? ............................................................................ 5 Professional Publications ............................................................................................................................. 5 Non-Professional Printing ........................................................................................................................... 5 Determining the Resolution of a Photo ........................................................................ 5 What Resolution is Best For The Screen? ..................................................................... 6 For PowerPoint ............................................................................................................................................. 6 For Web Graphics ........................................................................................................................................ -
Piranha4 Camera User’S Manual Monochrome 2K and 4K
Piranha4 Camera User’s Manual Monochrome 2K and 4K sensors | cameras | frame grabbers | processors | software | vision solutions 03-032-20176-06 www.teledynedalsa.com 2 Piranha4 2K and 4K Dual Line Monochrome CMOS Camera N oti ce © 2018 Tel ed y ne DA L SA All information provided in this manual is believed to be accurate and reliable. No responsibility is assumed by Tel ed yne DA L SA f or i ts use. Tel ed yne DA L SA r eser v es the r i ght t o m ake changes t o thi s information without notice. Reproduction of this manual in whole or in part, by any means, is prohibited without prior permission having been obtai ned f r om Tel ed yne DA L SA . M icrosoft and Windows are registered trademarks of M icrosoft Corporation in the United States and other countries. Window s, Windows 7, Windows 8 are trademarks of M icrosoft Corporation. All other trademarks or intellectual pr oper ty ment i oned her ei n bel ong t o thei r r especti v e ow ner s. Docu ment Date: 15 August 2018 Docu ment N umber : 03-032-20176-06 About Teledyne DALSA Teledyne DALSA is an international high performance semiconductor and Electronics Company that d esi gns, d ev el ops, manuf actur es, and mar k ets d i gi t al i magi ng pr od uct s and sol uti ons, i n ad d i ti on to providing wafer foundry services. Teledyne DALSA Digital Imaging offers the widest range of machine vision components in the world. -
Technologies Journal of Research Into New Media
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com/ HD Aesthetics Terry Flaxton Convergence 2011 17: 113 DOI: 10.1177/1354856510394884 The online version of this article can be found at: http://con.sagepub.com/content/17/2/113 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://con.sagepub.com/content/17/2/113.refs.html >> Version of Record - May 19, 2011 What is This? Downloaded from con.sagepub.com by Tony Costa on October 24, 2013 Debate Convergence: The International Journal of Research into HD Aesthetics New Media Technologies 17(2) 113–123 ª The Author(s) 2011 Reprints and permission: sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1354856510394884 Terry Flaxton con.sagepub.com Bristol University, UK Abstract Professional expertise derived from developing and handling higher resolution technologies now challenges academic convention by seeking to reinscribe digital image making as a material process. In this article and an accompanying online resource, I propose to examine the technology behind High Definition (HD), identifying key areas of understanding to enable an enquiry into those aesthetics that might derive from the technical imperatives within the medium. (This article is accompanied by a series of online interviews entitled A Verbatim History of the Aesthetics, Technology and Techniques of Digital Cinematography. -
Extending 8K Over a Single, Cost-Effective Wire at the Speed of Light with TICO Lightweight Compression
Extending 8K over a single, cost-effective wire at the speed of light with TICO lightweight compression Jean-Baptiste Lorent, Director of Marketing & Sales at intoPIX Introduction With HD omnipresent and 4K seemingly still in its early stages, an even higher resolution, namely 8K (or UHDTV2) is arising. Display and projection manufacturers are already presenting their first 8K-capable products and the 2018 Winter Olympics were partly filmed in this currently largest video resolution format. Taking a peek into the future, Japan’s national TV “NHK” has even announced to broadcast the full Olympic games on home turf in 2020 in glorious 8K. Together with other rapid improvements in video quality such as HDR and higher frame rates, data amounts are skyrocketing. Increasing your resolution from HD (1920x1080) to 4K (3840x2160) already quadruples the total pixel count to 8,294,400 pixels. Doubling the height and width of 4K again, total pixels reach a whooping 33.2 million pixel per image. At 60 frames per second that leads to 120 billion pixel to be transported, managed and stored every minute. That’s 8K. Currently the industry is struggling to upgrade their infrastructures to handle 4K video, which at 60fps, 4:2:2,10bit requires nearly 12Gbps. With 8K on the verge, a future-proof solution has to be found. What challenge derives from that? Uncompressed storage and transmission becomes unaffordable and unmanageable within systems and infrastructures. Moving to UHDTV2 requires an expensive hardware upgrade, a heavy renewal of infrastructure and will increase the power consumption notably. The table below shows the required bandwidth arriving with a transition to 8K and higher quality video. -
PT-RQ22K / PT-RZ21K Series
PT-RQ22K/PT-RZ21K Series 3-Chip DLP™ Projectors PT-RQ22K PT-RZ21K/RS20K * * PT-RQ22K only Resolution 5120 x 3200 Pixels (QUAD PIXEL DRIVE: ON) MAKE YOUR AUDIENCE GO WILD. Lenses sold separately. For more information about Panasonic projectors, please visit: Introducing the PT-RQ22K/PT-RZ21K Series. Projector Global Website – panasonic.net/cns/projector Facebook – www.facebook.com/panasonicprojector Panasonic’s dynamic new showstopping laser projector for large venues. YouTube – www.youtube.com/user/PanasonicProjector Weights and dimensions shown are approximate. Specifications and appearance are subject to change without notice. Product availability differs depending on region and country. This product may be subject to export control regulations. DLP, DLP logo and DLP Medallion logo are trademarks or registered trademarks of Texas Instruments. The terms HDMI and HDMI High-Definition Multimedia Interface, and the HDMI Logo are trademarks or registered trademarks of HDMI Licensing Administrator, Inc. in the United States and other countries. PJLink™ is a registered trademark or pending All information included here is valid as of May 2019. trademark in Japan, the United States, and other countries and regions. All other trademarks are the property of their Graphic is simulated. respective trademark owners. © 2019 Panasonic Corporation. All rights reserved. PT-RQ22K/PT-RZ21Kseries_G2 Printed in Japan. 3-Chip DLP™ Projector Explore New Possibilities with the World’s Smallest and World's PT-RZ21K Series 1 PT-RQ22K *1 Lightest 20,000-lm-class Laser Phosphor Projectors* PT-RZ21K PT-RS20K smallest and lightest Inside the 4K+ Image The PT-RQ22K/PT-RZ21K Series gives staging innovators an edge where the limits of projection are routinely tested. -
HD Camcorder
PUB. DIE-0508-000 HD Camcorder Instruction Manual COPYRIGHT WARNING: Unauthorized recording of copyrighted materials may infringe on the rights of copyright owners and be contrary to copyright laws. 2 Trademark Acknowledgements • SD, SDHC and SDXC Logos are trademarks of SD-3C, LLC. • Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. • macOS is a trademark of Apple Inc., registered in the U.S. and other countries. • HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC in the United States and other countries. • “AVCHD”, “AVCHD Progressive” and the “AVCHD Progressive” logo are trademarks of Panasonic Corporation and Sony Corporation. • Manufactured under license from Dolby Laboratories. “Dolby” and the double-D symbol are trademarks of Dolby Laboratories. • Other names and products not mentioned above may be trademarks or registered trademarks of their respective companies. • This device incorporates exFAT technology licensed from Microsoft. • “Full HD 1080” refers to Canon camcorders compliant with high-definition video composed of 1,080 vertical pixels (scanning lines). • This product is licensed under AT&T patents for the MPEG-4 standard and may be used for encoding MPEG-4 compliant video and/or decoding MPEG-4 compliant video that was encoded only (1) for a personal and non- commercial purpose or (2) by a video provider licensed under the AT&T patents to provide MPEG-4 compliant video. No license is granted or implied for any other use for MPEG-4 standard. Highlights of the Camcorder The Canon XA15 / XA11 HD Camcorder is a high-performance camcorder whose compact size makes it ideal in a variety of situations.