Juju

Continue 1. -JuJu2 - Deluge3 - House Of Jade4 - Mahjong5 - Yes or No6 - Twelve More Bars to Go Recorded August 3, 1964 at Rudy in Englewood Cliffs, New Jersey.Juju is the fith album by Wayne Shorter and his second on Blue Note. it shows the strong influence of , with whom Shorter studied as a student, and whose style is reflected here both in performance and composition: Shorter's timbre is quite astringent, and his phrases are long and unstable; neither quality is typical of his later works. Yes or no resembles harmoniously Coltrane Notice of The Moment from Blue Train; and Jade's House, as later Short Ballads (including Baby Eyes from ) is similar in melody and structure to Naim. The staff also reflects Coltrane's influence, consisting, in fact, of the version of the classical quartet of the latter, with McCoy Tyner on piano, Alvin Jones on drums and Reggie Walkerman on bass (which mixes very low on this album). The same rhythm section supported Coltrane on the 1961 album Africa/Brass, whose title track pre-empts the title track of the album. To Shorter's next album, Speak No Evil, recorded later in 1964, The leader's phrases became more concise, softer, and more rounded, influenced by and , his employer at the time, and Tyner was replaced by Shorter Davis bandmate, Herbie Hancock.The golden age of entries was from 1955 to 1965, the beginning of the LP and stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unprecedented warmth and fidelity. Like all musical issues releases, this audiophile vinyl reissue is a remastered from the original Van Gelder studio film studio analogue and is pressed on 180g of virgin vinyl on RTI. The highest quality gate cover features the original meeting photography on the inside. For other purposes, see Juju (disambiguation). 1965 studio album by Wayne ShorterJus album By Wayne ShorterleasedReJuly 1965Acles3 1964StudioVan Gelder Studio, Englewood Cliffs, New JerseyGenrePost-bop, Modal Jazz, Hard BopLength56:12LabelBlue NoteBLP 4182ProducerAlfred LionWayne Short Chronology (1964) JuJu (1965) Say No Evil (1966) Professional ratingsReve scoresSource-RankingAllmusic () - the fifth album by American jazz saxophonist Wayne Shorter. It was released in July 1965 by . A track that lists all the pieces written by Shorter. JuJu - 8:30 Flood - 6:49 Dom Jade - 6:49 Majong - 7:39 Yes or No - 6.34 Twelve More Bars Go - 5:26 Alternative Takes on Re-release JuJu - 7:48 House Jade - 6:37 Staff Wayne Shorter - Tenor Saxophone McCoy Tyner - Piano Reggie Workman - Bass Links - Proefrock, Stacia (2011). Juju - Wayne Shorter AllMusic. allmusic.com. received on August 2, 2011. Swenson, J., ed. (1985). USA: Random House / Rolling Stone. page 180. ISBN 0-394-72643-X. Wayne Shorter: JuJu. Satellite music. sputnikmusic.com. received on May 7, 2018. Tom Hull: Class List: Wayne Shorter. Tom Hull. Received on July 22, 2020. No. Schwann Monthly Guide to Stereo Recordings. Volume 19 No 10-12. page 277. External Links JuJu (RVG Edition) - Blue Note site derived from (album)68 bars Number of Choirs 7 Average Tempo 178.2 (MEDIUM UP) Event Density 4.29 Notes/s Metric Event Density 4.34 Notes/Bar Median Swing Ratio 1.61:1 Ratio more and shorter eighth beats with binary division. Metric centroid 1 Average concentration of events in the bar, rounded and normalized to 4/4. Synchronicity 31.8% Share of syncopated notes. Ambitus 44-79 (35) Min/max and MIDI resin range. The ratio of extremes is 47.8% Share of notes with a reversal of direction (i.e. minim and pitch contour maxim). Also known as fuzzy intervals or interval classification. See here to determine the classes metric circle of the map divides the duration of the bar into equal sized bunkers (48 in this case) and maps of the metric positions of the respective bunker. (Labels have normalized to 4/4 measure). The relative duration of classes is based on the duration of the rhythm. The absolute duration of classes is based at 120 bpm. See here to define the classes. Mid-level analysis is a quality system of annotation of game ideas, with nine different main categories as defined in our work Guide to help you play better jazz piano Ron Drotos Stories and review: Juju is the title track tenor saxophonist Wayne Shorter's 1965 album of the same name. Shorter was playing in the Miles Davis quintet at the time, and the albums he made as a leader in the 1960s served as an outlet for his many tracks, such as Juju. It's a funny tune to play, although I don't think I've ever played it with other musicians. There have been periods when I've played it a lot at home on a solo piano, since I like Wayne Shorter's compositions and the musical challenges they pose. In a sense, Shorter's plays are similar to those of , in that each of them has a unique melodic, harmonic or rhythmic concept. It's as if Shorter, like Monk, creates a mini-musical universe in each part. You can't just open a real book on a short or monk melody and start playing as much as you can with a Charlie Parker tune or an older jazz standard. The unique means of expressing each part forces us to take a step back momentarily, take a deep breath and try to understand what is going on with the work. Recommended videos/recordings: (for international international who may not have access to these YouTube links, I have pointed out the original album titles where possible so you can listen to them on music streaming services, etc.) Wayne Shorter: Juju Dave Douglas and Joe Lovano Sound Print: Live at New Morning (video) Musical ideas and jazz piano practice tips: Wayne Shorter is my favorite saxophonist and I spent a lot of time thinking about why this is so. What is it about his game that resonates with me? What I do know is that I feel something special with the first note he plays on any melody. That's true on the record as well when I saw him play at a concert. (It was also true when I had the opportunity to spend a few minutes with him backstage. Gradually I realized that my love for the shorter game has less to do with the actual notes that he plays, and more with his sound. Whether he's playing right in front of a bebop, or jazz fusion, or a long note on Joni Mitchell's album, he puts everything he's got in music. Each note matters in a way that it is not with most players. For some reason, Shorter developed the ability to delve into the music he plays, reaching down to the very depths of his being and allowing him to be expressed through his horns. That's what resonates with me. Listen to Juju and Wayne's other work from this point of view. And then sit down at the piano and try it for yourself. Playing the melody to your favorite tune. How do you play? What sound do you make? Is it just a nice piano sound, or does it come from the depths of you? Keith Jarrett does it too, as do the Duke of Ellington and Thelonious Monk in front of him. Bud Powell was doing it more and more as he got older. What's your sound? (We'd love to hear it.) Enjoy the journey and let the music flow! Further Links and Resources: Juju (album): Wikipedia Introduction to Wayne Short's 10 Records Good review of some of Shorter's important recordings How to learn the Jazz Piano podcast to help you learn jazz piano more effectively by the Jazz Video Course This extensive, well-sequenced video course will help you play jazz standards with a sense of flow and fluency. Jazz piano lessons via Skype Personal guide from an expert, caring teacher. Starting with Advanced. Take a free Jazz Piano Lesson Previous Song Table Content Next Song Learn 5 Basic Left Hand Techniques with my free e-book: Left Hand Techniques for Jazz Piano You'll also get my weekly jazz newsletter with practice tips and inspiration AllMusic User Rating Ratings (0) Your Rating Review. Dreamer, Wayne Shorter's JuJu was the first great showcase for his performance and compositional gifts. Early in his career as leader, Shorter was criticized as a mere acolyt by John Coltrane, and his use of Coltrane's rhythm section on his first two Blue Note albums only reinforced that criticism. It is true, however, that Alvin Jones, Reggie Workman, and McCoy Tyner were the perfect musicians to support Shorter. Jones's game at the time was almost otherworldly. He seemed to channel the music through it when improvising and radiate the perfect structure to keep it together. The worker, too, seemed to almost instinctively understand how to decorate Shorter's compositions. The role of McCoy Tyner as one of the greatest jazz pianists of all time played here, and his light touch and beautiful, joyful improvisations will make him much better than for Shorter than Herbie Hancock will later be. What really shines on JuJu is songwriting. From the African-influenced title track (with its short, hypnotic, repetitive phrases) to the mesmerizing interactions between Tyner and Shorter at Mahjong, the album (which is all originals) blossoms with ideas, pulling in a world of influences and releasing them again as a series of stunning, full visions. Blue highlight denotes track pick juju wayne shorter review. juju wayne shorter lead sheet. juju wayne shorter analysis. juju wayne shorter youtube. juju wayne shorter pdf. juju wayne shorter vinyl. juju wayne shorter sheet music. juju wayne shorter lyrics

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