July 3, 2019 Manhattan, Kansas Messenger Editor: Sarah Duggan a Local Not-For-Profit Organization Enhancing Senior Lifestyles

Total Page:16

File Type:pdf, Size:1020Kb

July 3, 2019 Manhattan, Kansas Messenger Editor: Sarah Duggan a Local Not-For-Profit Organization Enhancing Senior Lifestyles July 3, 2019 Manhattan, Kansas Messenger Editor: Sarah Duggan A local not-for-profit organization enhancing senior lifestyles Submitted by Nathan Bolls I know a place we should neither disparage nor disrespect: the Flint Hills. This Tallgrass Prairie region by Becky Fitzgerald of red fish with a vegetable stretches far beyond the curve of Coco Bolos in Aggieville, known medley and scalloped potatoes Earth to where, in a manner befitting to many for Loud Food and Spicy for $15.99. Prefer a lighter option the Grand Canyon, one can gaze Music, will be true to its motto or smaller portion? Order off the across an expansiveness that subdues during an awareness and menu! all sound and motion; a place where fundraising event to support Daily drink specials are the subtle breeze-driven rustling of Meadowlark Memory Program. margarita carafes for $5 and a lance-shaped grass leaves cutting air Food and drink specials as well Rum Runner cocktail for $7. The is the music of choice. as live music are part of the plan evening’s spicy music will be I know a place that displays a rich during the inaugural Fiesta to provided by Los Yumas from 7 to verdancy, an extravagance of the Remember. Enjoy “tastes and 9 p.m. This local Latin jazz band natural and physical worlds—an tunes for a reason” between the appears as part of Coco Bolos’ entity sometimes called “The First hours of 11 a.m. and 9 p.m. on summer Landshark Music Series, Book of God.” As one who ponders the Thursday, July 25. All are so Landshark Island-Style Lager mysteries of evolutionary biology and welcome to attend, with a special is the day’s featured beer at $3 of evolutionary spirituality, I rejoice invitation extended to persons each. in the energy and exuberance who’d like to know more about In addition to Coco Bolos and occurring even beneath my feet. On a memory program opportunities. Flint Hills Beverage, which recent hike, with neither road nor Patterned after Pig Out for distributes Landshark, building in view, with dusk all around Parkinson’s and Meadowlark Memory Program and dark falling hard, my pulse was HOGTOBERFEST, which are held also has partnered with Central calm. annually at Cox Bros. BBQ, this National Bank. To spread the I know a place that is both ward of Fiesta is the first of its kind at word about the event and the the meteorological gods’ caprice and Coco Bolos, said Bud Cox, a bank’s involvement, Central beneficiary of their largesse, where partner of the barbecue National has purchased 75 20-oz. people live as do those who choose restaurant and Coco Bolos with insulated tumblers featuring the life astride a fault zone or in his brother, Bobby. As with these event and bank logos. Tumblers hurricane alley: we tally our chances, two fund-raisers, which benefit such as these keep beverages and we take them. Meadowlark Parkinson’s cold (or hot) for hours, will last After being out-of-state for 47 years, Program and the Good Samaritan years with easy care, and reduce my dear late wife, Imogene, and I Fund, respectively, Coco Bolos waste/impact on the relearned the truth in T.S. Eliot’s will donate 10% of the proceeds environment. Get your Fiesta famous words generated during the tumbler TODAY at Verna Belle’s “We will not cease from exploration. aforementioned 10-hour period. for a minimum donation of $10, And the end of all our exploring Daily specials include grilled or visit the program’s Will be to arrive where we started, street skewers – select chicken, information station at Coco Bolos And know the place for the first steak or shrimp – with sides of on July 25. time.” coconut rice and black beans for $13.99 and a “brain food” option See Fiesta, page 6 See Outdoor Encounters, page 8 Carpet Cleaning No registration is required, please come and go as needed. Housekeeping will be cleaning the stairs in the Assisted Living lobby Monday, July 8, starting at Research Project Presentation 3 p.m. Please use the elevator until the carpet is Tuesday, July 9, at 2 p.m. dry. Abby Molzer and Prof. Jeffrey Smith will be Choir Director needed presenting the preliminary results of their The Meadowlark Singers is currently looking for research on what makes living at Meadowlark a new Choir Director. This position is Hills so great. Their PowerPoint presentation, responsible for all duties associated with followed by a question and answer session will directing the Meadowlark Singers. If you or start at 2 p.m. Tuesday, July 9, in the KSU someone you know may be interested, please Classroom. All who are interested are welcome and encouraged to participate. contact Resident Services Leader, Monte Spiller, at (785) 323-3801. Coffee Corner Courtyard Celebration Tuesday, July 9, at 3 p.m. All Meadowlark residents are invited to a social A Courtyard Celebration will take place in mid- hour at 3 p.m. Tuesday, July 9, in the Community July. For the week of celebration residents, staff, Room. Verna Belle’s featured dessert will be Red and families can look forward to many outdoor Velvet Cupcakes. activities, including: Bocce Ball lessons, Special- Edition Coffee Corner with a grilled dessert, Building & Grounds Committee National Hot Dog Day, and an outdoor Friday Wednesday, July 10, at 9 a.m. Night Program featuring music. The Building and Grounds Committee will meet at Although the Courtyard seems inviting with 9 a.m. Wednesday, July 9, in the Flint Hills Room. the arrival of the furniture, please steer clear of If you have any questions about the committee or the space until the project is completed. We are would like to be included on the email list, please looking forward to hosting many fun day and call Erin Hildreth at (785) 323-3892 or email evening events in the weeks to come! [email protected]. Open Communion Service Alz. Assoc. Remote Learning Series Sunday, July 7, at 4 p.m. Wednesday, July 10, at 12:30 p.m. Meadowlark Hills Open Communion Service will Meadowlark Memory Program is partnering with be celebrated at 4 p.m. Sunday, July 7, in the the Topeka Alzheimer’s Association Chapter for a Flint Hills Room. All Christians are invited. The Remote Learning Series to bring education to the bread is gluten free. For more information, community and provide the opportunity to attend contact Ronald Williams at (785) 587-4122. close to home. These monthly programs for Vespers Service caregivers and professionals are available to learn about memory disorders and the challenges Sunday, July 7, at 7 p.m. associated with managing them. The Vespers service will be led by Rev. John The first session will be at 12:30 p.m. Kreidler from Peace Lutheran Church at 7 p.m. Wednesday, July 10, in the KSU Classroom. Join Sunday, July 7, in the Community Room. All are Meadowlark Memory Program to take part in “10 welcome. Warning Signs,” a program to help people ARTFul Making recognize common signs of the disease andx Monday, July 8, at 11 a.m. distinguish the difference between signs of Join Meadowlark Memory Program and Alzheimer’s and normal aging. No registration is Marianna Kistler Beach Museum of Art for required. For questions, contact Michelle Haub at ARTFul Making class from 11 a.m. to 12:30 p.m. (785) 323-3899. Monday, July 8, in the KSU Classroom. Together we will develop new skills and revisit old ones Assoc. Audiologist—Dr. Schotte while engaging in various art making activities. Wednesday, July 10, at 1 p.m. Sarah Schotte, Au.D., FAAA, audiologist with Page 2 Associated Audiologists can perform hearing Manhattan skyline. screenings, hearing aid cleaning and maintenance, The bus will depart from the Village Entrance at wax removal, state-of-the-art hearing aid 11 a.m. Lunch will be served at 11:30 a.m. The technology, and hearing assistive technology. Dr. lunch will include chicken cobb salad, hot rolls, Schotte will see patients in the West Conference and assorted cookies. Room from 1 to 5 p.m. Wednesday, July 10. To Please sign up in the Blue Book at the schedule an appointment with Dr. Schotte, please Hospitality Desk. Cost for the luncheon is $18 per call (785) 539-7361. person, which includes the meal and transportation. Artist Profile with the Beach Museum Wednesday, July 10, at 6:30 p.m. Trip to Hobby Lobby/Dollar Tree Join Kathrine Schlageck from the Marianna Kistler Saturday, July 13, at 10:30 a.m. Beach Museum of Art for an artist profile Transportation will be provided to Hobby Lobby presentation at 6:30 p.m. Wednesday, July 10, in and Dollar Tree Saturday, July 13. The bus will the KSU Classroom. The presentation will be depart from the Village Entrance at 10:30 a.m. and about Patrick Dougherty, a sculpture artist. return around 11:45 a.m. The cost for transportation is $3 per person. Please sign up in Apple Technology Help Lab Blue Book at the Hospitality Desk. Thursday, July 11, at 8 a.m. IT Assistant, Kevin will be available in the Kansas Performance by Nate & Doug Room (Pub) from 8 to 11 a.m. Thursday, July 11, Friday, July 12, at 7 p.m. to assist residents with any Apple product related Meadowlark is excited to have Nate Hernandez needs or questions about iPhones, iPads, or Mac and Doug Morgan perform Friday, July 12, at 7 computers. All are welcome to bring their devices p.m.
Recommended publications
  • I'll Hang Around As Long As You Will Let Me : Hard Country Music, the White Working Class, and the Experience of Loss in the American Neoliberal Context
    Smith ScholarWorks Theses, Dissertations, and Projects 2018 I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context Nicholas Johnston Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Politics and Social Change Commons, Psychology Commons, and the Sociology of Culture Commons Recommended Citation Johnston, Nicholas, "I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context" (2018). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/2096 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. I’LL HANG AROUND AS LONG AS YOU WILL LET ME: HARD COUNTRY MUSIC, THE WHITE WORKING-CLASS, AND THE EXPERIENCE OF LOSS IN THE AMERICAN NEOLIBERAL CONTEXT A project based upon an independent investigation, submitted in partial fulfilment of the requirements for the degree of Master of Social Work. Nicholas S. Johnston Smith College School for Social Work Northampton, Massachusetts 01063 2017 Nicholas S. Johnston I’ll Hang Around as Long as You Will Let Me: Hard Country Music, the White Working-Class, and the Experience of Loss in the American Neoliberal Context ABSTRACT This paper utilises the object relations theories of Ronald Fairbairn to conceptualise the narratives of Hard Country music, and understand how they relate to the shifting experiences of the male, white working-class in America in the latter half of the twentieth century.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • A Narrative Approach to the Philosophical Interpretation Of
    A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: Curriculum and Instruction A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Co-Chairs of Committee, Stephen Carpenter Patrick Slattery Committee Members, Valerie Hill-Jackson Toby Egan Head of Department, Dennie Smith May 2011 Major Subject: Curriculum and Instruction iii ABSTRACT A Narrative Approach to the Philosophical Interpretation of Dreams, Memories, and Reflections of the Unconscious Through the Use of Autoethnography/Biography. (May 2011) Antonio Rivera Rosado, B.A., Interamerican University of Puerto Rico; M.Ed., The University of Texas at El Paso Co-Chairs of Advisory Committee, Dr. Stephen Carpenter Dr. Patrick Slattery The purpose of the present study aimed to develop a comprehensive model that measures the autoethnographic/biographic relevance of dreams, memories, and reflections as they relate to understanding the self and others. A dream, memory, and reflection (DMR) ten item questionnaire was constructed using aspects of Freudian, Jungian, and Lacanian Theory of Dream Interpretation. Fifteen dreams, five memories, and five reflections were collected from the participant at the waking episode or during a moment of deep thought.
    [Show full text]
  • Hâfez and Betinis: a Conductor’S Approach to Ancient Persian Poetry As Voiced by a Twenty-First Century, Western Composer
    HÂFEZ AND BETINIS: A CONDUCTOR’S APPROACH TO ANCIENT PERSIAN POETRY AS VOICED BY A TWENTY-FIRST CENTURY, WESTERN COMPOSER Peter C. Steenblik, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2015 APPROVED: Dr. Jerry McCoy, Major Professor and Director of Choral Studies Dr. Stephen Austin, Committee Member and Director of Vocal Studies Dr. Richard Sparks, Committee Member and Chair of the Division of Conducting and Ensembles Dr. Benjamin Brand, Director of Graduate Studies, College of Music Dr. John C. Scott, Dean of the College of Music Dr. Costas Tsatsoulis, Dean of the Toulouse Graduate School Steenblik, Peter C. Hâfez and Betinis: A Conductor’s Approach to Ancient Persian Poetry as Voiced by a Twenty-First Century, Western Composer. Doctor of Musical Arts (Performance), December 2015, 91 pp., 1 table, 20 illustrations, bibliography, 67 titles. The choral music of Abbie Betinis is being widely performed and commissioned by prominent high school, university, and civic choruses. This study examines From Behind the Caravan: Songs of Hâfez, a five-movement work by Betinis for women’s chorus, vielle, oud, and Persian percussion. Four ghazals by Hâfez of Shiraz, a fourteenth century Sufi poet, are used as the text for Betinis’s Caravan. When considering a performance of this work, a conductor must understand proper treatment of the text, available translation options, Hâfez’s vast world of imagery, vocal demands inherent to the work, alternate instrumentations available and the benefits of each, how to approach improvisatory passages, how to engage heterophonic elements, and how to prepare a Western choir and audience with very little to no understanding of the philosophies of Sufism that heavily influence the work.
    [Show full text]
  • 662 D3L8FLO1 1 UNITED STATES DISTRICT COURT 1 SOUTHERN DISTRICT of NEW YORK 2 ---X 2 3 DA
    662 D3L8FLO1 1 UNITED STATES DISTRICT COURT 1 SOUTHERN DISTRICT OF NEW YORK 2 ------------------------------x 2 3 DAVID FLOYD, et al., 3 4 Plaintiffs, 4 5 v. 08 CV 1034(SAS) 5 6 CITY OF NEW YORK, et al., 6 7 Defendants. 7 8 ------------------------------x 8 New York, N.Y. 9 March 21, 2013 9 10:05 a.m. 10 10 Before: 11 11 HON. SHIRA A. SCHEINDLIN, 12 12 District Judge 13 13 APPEARANCES 14 14 BELDOCK LEVINE & HOFFMAN, LLP 15 Attorneys for Plaintiffs 15 BY: JENN ROLNICK BORCHETTA 16 JONATHAN MOORE 17 COVINGTON & BURLING, LLP 17 Attorneys for Plaintiffs 18 BY: KASEY MARTINI 18 GRETCHEN HOFF VARNER 19 ERIC HELLERMAN 19 BRUCE COREY 20 20 CENTER FOR CONSTITUTIONAL RIGHTS 21 Attorneys for Plaintiffs 21 BY: DARIUS CHARNEY 22 SUNITA PATEL 22 BAHER AZMY 23 24 25 SOUTHERN DISTRICT REPORTERS, P.C. (212) 805-0300 663 D3L8FLO1 1 APPEARANCES (Cont'd) 2 2 MICHAEL A. CARDOZO 3 Corporation Counsel for the City of New York 3 Attorney for Defendants 4 BY: HEIDI GROSSMAN 4 BRENDA E. COOKE 5 JOSEPH MARUTOLLO 5 MORGAN D. KUNZ 6 SUZANNA PUBLICKER 6 LINDA DONAHUE 7 LISA M. RICHARDSON 7 JUDSON VICKERS 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 SOUTHERN DISTRICT REPORTERS, P.C. (212) 805-0300 664 D3L8FLO1 1 (Trial resumed) 2 PEDRO SERRANO, resumed. 3 MR. MOORE: Good morning, Judge. 4 DIRECT EXAMINATION (Cont'd) 5 BY MR. MOORE: 6 Q. Officer Serrano, I remind you you are still under oath.
    [Show full text]
  • English Songs
    English Songs 18000 04 55-Vũ Luân-Thoại My 18001 1 2 3-Gloria Estefan 18002 1 Sweet Day-Mariah Carey Boyz Ii M 18003 10,000 Promises-Backstreet Boys 18004 1999-Prince 18005 1everytime I Close My Eyes-Backstr 18006 2 Become 1-Spice Girls 18007 2 Become 1-Unknown 18008 2 Unlimited-No Limit 18009 25 Minutes-Michael Learns To Rock 18010 25 Minutes-Unknown 18011 4 gio 55-Wynners 18012 4 Seasons Of Lonelyness-Boyz Ii Me 18013 50 Ways To Leave Your Lover-Paul S 18014 500 Miles Away From Home-Peter Pau 18015 500 Miles-Man 18016 500 Miles-Peter Paul-Mary 18017 500 Miles-Unknown 18018 59th Street Bridge Song-Classic 18019 6 8 12-Brian McKnight 18020 7 Seconds-Unknown 18021 7-Prince 18022 9999999 Tears-Unknown 18023 A Better Love Next Time-Cruise-Pa 18024 A Certain Smile-Unknown 18025 A Christmas Carol-Jose Mari Chan 18026 A Christmas Greeting-Jeremiah 18027 A Day In The Life-Beatles-The 18028 A dear John Letter Lounge-Cardwell 18029 A dear John Letter-Jean Sheard Fer 18030 A dear John Letter-Skeeter Davis 18031 A dear Johns Letter-Foxtrot 18032 A Different Beat-Boyzone 18033 A Different Beat-Unknown 18034 A Different Corner-Barbra Streisan 18035 A Different Corner-George Michael 18036 A Foggy Day-Unknown 18037 A Girll Like You-Unknown 18038 A Groovy Kind Of Love-Phil Collins 18039 A Guy Is A Guy-Unknown 18040 A Hard Day S Night-The Beatle 18041 A Hard Days Night-The Beatles 18042 A Horse With No Name-America 18043 À La Même Heure Dans deux Ans-Fema 18044 A Lesson Of Love-Unknown 18045 A Little Bit Of Love Goes A Long W- 18046 A Little Bit-Jessica
    [Show full text]
  • Austin's Progressive Country Music Scene and the Negotiation
    Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.
    [Show full text]
  • Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.
    [Show full text]
  • Furuness Final Pages.Indd
    DO NOT GO ON Bryan Furuness For Ana From the written statement of D.W. Boxelder: Advance Letter Sometimes people ask me if I’m jaded, or if I’ve stopped caring about our witnesses, and I can honestly say no. Apathy is not an issue. After thir- teen years with WITSEC, I actively hate the witnesses. They’re hustlers and leeches, always looking for an angle on me and the Program and the American taxpayer. If you had this job, Madame Inspector, you’d hate these bastards, too. Then along comes a case like the one in question, and everything feels different. Not only because this case would make or break my career, but because of the family involved. Because of Ana. You already know the skeletal facts of the case, Madame. Which key players ended up dead or gone. How, as the Director-designate of WITSEC, I was responsible for the witness. And how, even though that witness flaked out of the Program, scuttling the case before it could come to trial, I was still confirmed as the permanent Director. I can’t blame you for ordering an investigation; I know how curious these facts must look out of context. But don’t confuse facts with truth. Facts, alone, are lies of omission. I’m not going to dispute your facts. I will put them in context to reveal the truth of the case. I will not, however, grant your request for an interview. Before you take a notion that I’m not cooperating fully with your inves- tigation, take a closer look at Department Administrative Order (DAO) 207- 10, section 6, and Department Organization Order (DOO) 10-10, section 4, which you so thoroughly referenced in your summons.
    [Show full text]
  • STEVE YOUNG LL July 2021
    STEVE YOUNG - LYRICS Steven Timothy Young, 12th July 1942 - 17th March 2016 Compiled by Robin Dunn assisted by Chrissie van Varik. Please note that this list should be regarded as a ‘work in progress’. We don’t claim definitive knowledge about Steve Young’s recorded and composing output and welcome corrections and/or new information. Many folks will have greater knowledge than we about the details on many of these tracks - musicians, dates of recordings, background etc. As anyone with any experience of these things knows, something new and unexpected is always turning up! If anyone epitomises the title of our website it has to be Steve Young. He covered the full gamut of folk, country, blues, and rock ‘n’ roll. Not so well known with the general music-buying public he was nevertheless a huge influence on contemporary and upcoming folk and country musicians many of whom went on to become famous in their own right. Perceived as somewhat of an independent country and folk outsider he was a pioneer of the country rock, Americana, and Alt. Country sounds and often seen as the original so called ‘outlaw’ a label later adopted and inculcated by Waylon Jennings, Johnny Cash and Willie Nelson among others. However, Steve Young’s repertoire was much wider and varied. Steve Young was born on 12th July 1942 in Newnan, Georgia. He grew up in Gadsden, Alabama, and in Texas, as the family regularly moved around in search of work. By the time he completed high school he was playing and writing songs that incorporated influences of folk, blues, country and gospel that he absorbed whilst travelling throughout the South.
    [Show full text]
  • THE ROSE of PERSIA;
    THE ROSE of PERSIA; or, the Story-Teller and the Slave New Comic Opera BY BASIL HOOD AND ARTHUR SULLIVAN 2 Dramatis Personæ THE SULTAN MAHMOUD OF PERSIA HASSAN (a philanthropist) YUSSUF (a professional story-teller) ABDALLAH (a priest) THE GRAND VIZIER THE PHYSICIAN-IN-CHIEF THE ROYAL EXECUTIONER SOLDIER OF THE GUARD THE SULTANA ZUBEYDEH (named "Rose-in-Bloom") “SCENT-OF-LILIES” “HEART’S DESIRE” (her favourite slaves) “HONEY-OF-LIFE”} “DANCING SUNBEAM” (Hassan’s first wife) “BLUSH-OF-MORNING” (his twenty-fifth wife) “OASIS-IN-THE-DESERT” “MOON-UPON-THE-WATERS” (Wives of Hassan) “SONG-OF-NIGHTINGALES” “WHISPER-OF-THE-WEST-WIND}” Chorus (Act I). – Hassan’s Wives, Mendicants, and Sultan’s Guards. (Act II.) – Royal Slave Girls, Palace Officials, and Guards. ACT I. – COURT OF HASSAN’S HOUSE. ACT II. – AUDIENCE HALL OF THE SULTAN’S PALACE. ACT I. SCENE. – Court of HASSAN’s house. Entrance to house on left. At back and on right view of streets. HASSAN is seated contemplating the view over the city. He is surrounded by his wives, who are lying on divans. It is a beautiful moonlit night. CHORUS of WIVES. As we lie in languor lazy, Lounging on a low divan, Flood of interesting chatter Flows behind each dainty fan: “Is our husband going crazy? Neighbours call him Mad Hassan!” Not an unimportant matter For the wives of any man! (addressing HASSAN.) Hassan! Hassan! Hassan! Inform us if you can! Irresponsible and hazy, Unconventional and mazy Seem your actions – are you crazy? Are you crazy, O Hassan? HASSAN turns round on his seat, and faces the audience.
    [Show full text]
  • Produced by David Widger the GREAT CONSPIRACY Its Origin
    Produced by David Widger THE GREAT CONSPIRACY Its Origin and History Part 6 BY JOHN LOGAN CHAPTER XXII. FREEDOM'S SUN STILL RISING. After President Lincoln had issued his Proclamation of Emancipation, the friends of Freedom clearly perceived--and none of them more clearly than himself that until the incorporation of that great Act into the Constitution of the United States itself, there could be no real assurance of safety to the liberties of the emancipated; that unless page 1 / 114 this were done there would be left, even after the suppression of the Rebellion, a living spark of dissension which might at any time again be fanned into the flames of Civil War. Hence, at all proper times, Mr. Lincoln favored and even urged Congressional action upon the subject. It was not, however, until the following year that definite action may be said to have commenced in Congress toward that end; and, as Congress was slow, he found it necessary to say in his third Annual Message: "while I remain in my present position I shall not attempt to retract or modify the Emancipation Proclamation; nor shall I return to Slavery any person who is Free by the terms of that Proclamation, or by any of the Acts of Congress," Meantime, however, occurred the series of glorious Union victories in the West, ending with the surrender to Grant's triumphant Forces on the 4th of July, 1863, of Vicksburg--"the Gibraltar of the West"--with its Garrison, Army, and enormous quantities of arms and munitions of war; thus closing a brilliant and successful Campaign with a blow
    [Show full text]