Boston Nightlife Guide œœ œVŽÌ>ˆÃ] œÌ ˆÛi ÕÈV] Ì I Iãì -«œÀÌà >Àà >˜` œÀi

Total Page:16

File Type:pdf, Size:1020Kb

Boston Nightlife Guide œœ œVŽÌ>ˆÃ] œÌ ˆÛi ÕÈV] Ì I Iãì -«œÀÌà >Àà >˜` œÀi Ü >Ì Ì ` U Ü iÀi Ì } U Ü >Ì Ì Ãii October 4–17, 2010 Boston Nightlife Guide VÌ>Ã] Ì Ûi ÕÃV] Ì i iÃÌ -«ÀÌà >Àà >` Ài PLUS: Rock of Ages >Ì Ì i > / i>ÌÀi i}> -i> `à "ÞÃÌiÀ iÃÌÛ> ÃÌ iÃÌÛ> «iÞ -µÕ>Ài Visit bostonguide.com now with enhanced, day-by-day events calendar! contents COVER STORY 9 The Nighttime is the Right Time Boston’s best bets for living it up after dark DEPARTMENTS I’M OLD FASHIONED: Retro-inspired cocktails like the 6 hubbub Harvey Wallbanger variation Rock of Ages at the Colonial (pictured) populate the menu at Theatre, Legal Sea Foods Back Bay Social Club. Oyster Festival and the Boston PHOTOBY DEREK KOUYOUMJIAN Book Festival 14 around the hub 14 CURRENT EVENTS 21 ON EXHIBIT 24 SHOPPING 30 CAMBRIDGE 37 MAPS 43 NEIGHBORHOODS 54 SIGHTSEEING 62 FREEDOM TRAIL 64 RESTAURANTS oyster perpetual 75 NIGHTLIFE gmt-master ii on the cover: The Gin Somethin—a refreshing blend of gin, St. Germain, grapefruit bitters, grapefruit juice, simple syrup and soda water with muddled lime and cucumbers—is one of the signature cocktails at new nightspot/eatery Back Bay Social Club (867 Boylston St., OFFICIAL ROLEX JEWELER 617-247-3200). ROLEX OYSTER PERPETUAL AND GMT-MASTER II ARE TRADEMARKS. Photo: Derek Kouyoumjian ___ BOSTONGUIDE.COM 3 The Official Guide to BOSTON www.bostonguide.com October 4–17, 2010 Volume 60 • Number 10 Tim Montgomery • PRESIDENT/PUBLISHER Josh B. Wardrop • EDITOR Scott Roberto • ART DIRECTOR John Herron Gendreau • ASSOCIATE ART DIRECTOR Della Huff, Derek Kouyoumjian • CONTRIBUTING PHOTOGRAPHERS Courtney Breen, Laurel Leake • EDITORIAL INTERNS Jacolyn Ann Firestone • VICE PRESIDENT, ADVERTISING Rita A. Fucillo • VICE PRESIDENT, PUBLISHING Joe Shannon • SENIOR ACCOUNT EXECUTIVE Paul Hurst • NATIONAL ADVERTISING SALES HURST & ASSOCIATES, INC. 800-397-8908 • [email protected] Tyler J. Montgomery • VICE PRESIDENT, OPERATIONS Melissa J. O’Reilly • BUSINESS MANAGER Mike Hipps • INFORMATION TECHNOLOGY MANAGER Jerome Rosenfeld • CHAIRMAN EMERITUS PANORAMA is published bi-weekly by New Venture Media Group LLC. Editorial and advertising offices at 332 Congress St., Boston, MA 02210. Telephone (617) 423-3400. Printed in the U.S.A. All rights reserved. No part of this publication may be reprinted or otherwise reproduced without written permission of the publisher. PANORAMA is a member of the Massachusetts Lodging Association, The Back Bay Association, The Greater Boston Chamber of Commerce, The Greater Boston Convention and Visitors Bureau, Cambridge Chamber of Commerce, the Greater Boston Concierge Association, the Harvard Square Business Association, the Newbury Street League, the South End Business Alliance, the North End Chamber of Commerce LUX BOND & GREEN and the Downtown Crossing Association. *%7%,29 7!4#(%3 ')&43 s 3).#% a magazine affiliate www.LBGreen.com 416 Boylston Street BOSTON 617.266.4747 46 LaSalle Road WEST HARTFORD, CT 860.521.3015 1.800.524.7336 ___ 4 PANORAMA HUBBUB WHAT BOSTON’S BUZZING ABOUT RIGHT NOW THEATER… READ ALL ABOUT IT TURNED UP TO 11 BOSTON BOOK FESTIVAL ROCK OF AGES Various locations around Copley Square The Colonial Theatre October 16 October 6–17 Bostonians read a lot of books (a.k.a., If you can remember a time when those hardbound, rectangular things with there was nothing more romantic than actual pages that you used to see all the a guy wearing enough hairspray to time before Kindle and the iPad were single-handedly destroy the ozone invented), and they always have—ever layer singing a guitar-drenched love since the days that scribes like Louisa song like “Every Rose Has Its Thorn,” May Alcott and Emily Dickinson were “Keep on Lovin’ You” or “Waiting for a representing the Bay State to the Girl Like You,” then get ready to fall in literary world. On October 16, join a love all over again at Rock of Ages, stellar collection of Pulitzer Prize winners, poets, Nobel laureates and authors intimately the acclaimed, Tony-nominated familiar with The New York Times bestseller list for the second annual Boston Book Festival. Broadway musical smash that arrives at Boston’s Colonial Theatre this month. Set on the L.A. Bookworms can come see their favorite authors—including Dennis Lehane, Tom Perrotta, Sunset Strip in 1987, Rock stars “American Idol” finalist Constantine Maroulis as Drew, a bus- Tyler Florence, A.M. Homes, Bill Bryson, Marianne Leone and dozens more—and attend boy and aspiring rock musician who falls in love with Sherrie, an All-American girl from Kansas, events like panel discussions, readings, antique book appraisals and workshops at locations to a soundtrack of classic hair-metal and rock ballads by acts like Journey, Bon Jovi, Styx, REO including the Boston Public Library, Old South Church and Trinity Church. Fancy duds aren’t Speedwagon and others. For those of you who long for a time when Reagan was in office, needed to attend this party—just throw on your best reading glasses and head to Copley “grunge” was something you scraped off your shoe and rockers weren’t afraid to wear a little Square! Refer to listing, page 18. —Courtney Breen (or a lot) of eyeliner, Ages is sure to rock your world. Refer to listing, page 20.—Josh B. Wardrop A BIVALVE BONANZA LEGAL SEA FOODS OYSTER FESTIVAL Various Legal Sea Foods locations Through October 17 Of all the things we associate with the coming of fall—pump- kins, leaves changing colors, football—none warm the “cock- les” of a seafood lover’s heart quite like the arrival of peak sea- son for everybody’s favorite mol- lusk, the oyster. That’s why Boston’s first name in deep-sea delicacies—Legal Sea Foods—celebrates these brilliant bivalves with its annual Oyster Festival, running through October 17. Local Legals are aug- menting their already impressive menu with delicious dishes like oyster stew, oyster po’ boys and Oysters Legal (baked with spinach, cheese and bread crumbs), and select locations are October 6 - 17 • Boston’s Colonial Theatre hosting special oyster-themed events on October 9, like the Shellfish Soiree (Chestnut Hill lo- 800.982.2787 • BroadwayAcrossAmerica.com/Boston cation, 43 Boylston St.), which serves up three small plates paired with oyster-friendly wines for Box Office Sales: Colonial Theatre (Mon-Sat 10am-6pm) • Groups 15+: 866.633.0194 $30, and the Bivalve “Brew”haha (Copley Place location, 100 Huntington Ave.), where oyster fans can enjoy a four-course oyster and craft beer tasting followed by a tutorial in shucking 2XUEJCVG WJUX CXWJRUK]GF CIGQWV RQO\ #FFKWKRQCO HGGV PC\ CSSO\ these succulent treats. Refer to listing, page 72. —Josh B. Wardrop #OO VCOGV QCO QR G[EJCQIGV RU UGHXQFV 2UKEGV VJRZV FCWGV ___ VEJGFXOGV CQF CUWKVWV CUG VXDMGEW WR EJCQIG ___ 6 PANORAMA TOPPHOTOBY JOAN MARCUS BOSTONGUIDE.COM 7 The is the Right Time Boston’s best bets for living it up after dark by Josh B. Wardrop JOIN THE CLUB old-school exclusionary tactics, of course— Anyone addicted to the 1960s-set television that local nightlife/culinary impresarios drama “Mad Men” knows that America used The Lyons Group were shooting for with to be a place of three-martini lunches, rag- the brand-new Back Bay Social Club ing chauvinism, and, above all, lots and (867 Boylston St., 617-247-3200). The red lots of cigarette smoking. While most of us leather booths, dark have managed to make do just fine without mahogany bars and MULTI-TASKING: Kings in the these particular trappings of post-war pressed tin ceilings Back Bay (above) is not only a bowling alley and pool hall, but it American culture, one thing the America of create a feel of tradi- doubles as a nightclub, boasting 50 years ago had that we wouldn’t mind tional Americana, karaoke, live music and more. seeing more of these days is the nearly while the menu of cre- forgotten social club. These hotbeds of ative and delicious American cuisine camaraderie were popular spots for con- (served ‘til 1:30 a.m.) and updates of clas- versation and cocktails (if you fulfilled the sic cocktails (like the Harvey Wallbanger proper qualifications to join, that is) and Variation and the Club High Ball) ensure offered a little respite away from the rest that “membership” in this Club clearly has of the world. That’s the vibe—minus those its privileges for fans of Boston nightlife. ___ BOSTONGUIDE.COM 9 ROYALE WITHOUT CHEESE ing in a flick at the local cinema doesn’t seem heart-stopping horror and snarky laughs There’s nothing worse than being stuck in a very exciting or memorable—after all, you of Wes Craven’s slasher smash Scream bad dance club—the rude ’tude from the can check out the latest Saw sequel any- (October 1 & 2) and, for true fans of the bouncers, the floors sticky with beer, the where, right? Absolutely—so skip the tradi- kind of legendarily bad films that midnight never-ending techno that seems to have been tional megaplex and take advantage of some screenings were made for, actor/director mathematically constructed to crush the very of the area’s very cool independent theaters Tommy Wiseau’s cult classic, The Room will from your soul. Luckily, when the venera- and the special screenings and repertory se- (October 16). Refer to listings, pages 14 & 16. ble Roxy club complex metamorphosed into ries they offer.The Museum of Fine Arts Royale earlier this year, the new owners demonstrates that it’s not just about paint- PIANO MEN kept the Tremont Street venue’s biggest as- ings and sculptures, but also celluloid mas- The nationwide success of Boston’s newest sets—a cool, old building with classy striking terpieces, screening classic works like Funny piano bar, Howl at the Moon (refer to list- their last night of free- LET THE GAMES BEGIN: Game On! at Fenway Park—a architectural features like a grand stair- Face starring Audrey Hepburn (October 5 & ing, page 78), seems to be based on a clear dom and even family re- favorite sports bar during the case—and subtracted the unimaginative 9) and Antonioni’s Blow-Up (October 12 & 15) mathematical principle: if x is good (in the unions (if this doesn’t baseball season—also attracts nightlife lovers 365 days a year.
Recommended publications
  • Download (2399Kb)
    A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth
    [Show full text]
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Protest Music As Adult Education and Learning for Social Change: a Theorisation of a Public Pedagogy of Protest Music
    Australian Journal of Adult Learning Volume 55, Number 3, November 2015 Protest music as adult education and learning for social change: a theorisation of a public pedagogy of protest music John Haycock Monash University Since the 1960’s, the transformative power of protest music has been shrouded in mythology. Sown by musical activists like Pete Seeger, who declared that protest music could “help to save the planet”, the seeds of this myth have since taken deep root in the popular imagination. While the mythology surrounding the relationship between protest music and social change has become pervasive and persistent, it has mostly evaded critical interrogation and significant theorisation. By both using the notion as a theoretical lens and adding to scholarship in the field, this article uncovers understandings of the public pedagogical dimensions of protest music, as it takes place as a radical practice and critical form of contemporary mass culture. In doing this, this article provides a theorisation of public pedagogy as it encapsulates protest music, and those who are conceptualised as the critical and radical public pedagogues who produce this mass cultural form. Keywords: public pedagogy; protest music; adult learning; education for social change 424 John Haycock Maybe it’s just the time of year Maybe it’s the time of man I don’t know who I am But life is for learning… Joni Mitchell, Woodstock, (1970), [side B, track 5]. Introduction The emergence of protest or a political popular music in the 1960s has been inextricably linked in the popular imaginary and public history with social change and youth revolt.
    [Show full text]
  • December 9, 2011 Vol. 115 No. 49
    VOL. 115 - NO. 49 BOSTON, MASSACHUSETTS, DECEMBER 9, 2011 $.30 A COPY Boston Common Tree Lighting Buon Natale NORTH END ATHLETIC ASSOCIATION presents the 41st Annual 2011 NORTH END CHRISTMAS PARADE SUNDAY, DECEMBER 11, 2011 - 1:00 P.M. Mayor Thomas M. Menino and Santa Claus lead the countdown to the 70th Merry Christmas annual lighting of the Christmas tree on Boston Common with the help of Channel SEE SANTA CLAUS ARRIVE AT NORTH END PARK 5’s JC Monahan and Nova Scotia’s Deputy BY HELICOPTER AT 1:00 P.M. In case of bad weather, Parade will be held the next Sunday, December 18th Premier Frank Corbett. The lighting IN ASSOCIATION WITH capped a night of entertainment including The Nazzaro Center • North End Against Drugs Joey McIntyre, American Idol’s Siobhan Mayor’s Offi ce of Arts, Tourism and Special Events Magnus, Rockapella, The Radio City Merry Christmas Rockettes, Boston Ballet, Grace Kelly (renowned saxaphoist), Boston Children’s Chorus, hosted by Mayor Menino, the Boston Parks and Recreation Department, title sponsor the Province of Nova Scotia, News Briefs supporting sponsors the Boston Pops, Distrigas/GDF SUEZ, and JetBlue, and by Sal Giarratani media sponsors WCVB-TV Channel 5, MAGIC 106.7 FM, the Boston Globe, and Next Year Could Be a Good One the Boston Herald. for Bay State GOP Just after listening to Joe Malone and the (Photos by Rosario Scabin, Boston Herald’s Holly Robichaud filling in for the Ross Photography) vacationing Jeff Katz on Talk 1200 Boston, I got to thinking about how good both Malone and Robichaud were on this radio show about next Annual Christmas Concert 2011 year’s congressional races here in Massachu- setts.
    [Show full text]
  • GLP Rep List 2011
    Gary Lewis Press GLP Professional Learning Tracks Custom Vocal Arrangements MIDI Sequencing Finale Transcription Repertoire List Revised 06/08/2011 Accentuate the Positive - arr. Adam Reimnitz Accentuate the Positive - arr. Clay Hine All I Do Is Dream Of You - arr. David Wallace America - arr. Jim Clancy (Neil Diamond tune w/Karaoke Track) And So it Goes - arr. Kirby Shaw sheet music available from any choral sheet music retailer. I use J.W. Pepper. Angels On Your Pillow - arr. Cary Burns Angels We Have Heard On High - from Yuletide Favorites Anytime - arr. Greg Volk (Excalibur/Wheelhouse) At Last - arr. Clay Hine Auld Lang Syne - arr. Steve Jamison (NOT the PLATINUM version) Autumn Leaves - arr. Adam Reimnitz B & O Line - arr. Bob Disney Baby, It’s You - arr. Adam Reimnitz The Band Played On (Yesteryear) Beautiful Dreamer - arr. David Wright (Nightlife) Bridge Over Troubled Water - arr. Greg Volk ed. Gary Lewis (Acoustix) California, Here I Come - arr. Dave Stevens/Dealer’s Choice Society Stock 202089 Children’s Medley (Jolly Old St. Nicholas/Up on the Housetop) - arr. BHS The Christmas Song - arr. Pete Rupay (Vocal Majority) A Christmas To Remember - arr. Jim Clancy Come Rain Or Come Shine - arr. Adam Reimnitz Cross That Mason Dixon Line - arr. David Wright Daydream Medley - arr. Joe Johnson Dear Old Donegal - arr. Steve Jamison Down In The Valley - arr. George Mead (TTBB w/piano accomp) Down Our Way - arr. Floyd Connett (Polecat) Dream a Little Dream of Me - arr. Clay Hine (OC Times) Easy Goin’ - arr. David Wallace Elmer Fudd Medley - arr. Scott Turnbull (The Ritz) The Dream Is Carried On - arr.
    [Show full text]
  • MINDSET of a SUCCESSFUL QUARTETTER Barbershop Parts Study - Playlist Observations
    MINDSET OF A SUCCESSFUL QUARTETTER Barbershop Parts Study - Playlist Observations Click here: "Parts Study" Spotify Playlist Quartet Information & Listen Fors 1) “After Today” - Remake of the Acoustix version (BHS champs early 90’s.) • Attention to coming in and out of unison, solos and vocal gymnastics in all parts. • Smoothness with which parts hand off the melody to one another, beginning with a very melodic bass. • Color of the releases in all singers, along with a very consistent lift that does not sound contrived at all. • Vocal flexibility - These are all gals in their mid to late 50’s…all parts. While you can hear the maturity (and the benefit of having that experience), you can also hear a vibrance that comes only with vocal freedom. 2) “If I Were a Bell” • Flexibility and lightness (an ease with the vocal approach.) • Strong sprinkle of personality and FUN in it. • Notice the smoothness of the tenor and how she “tucks into” the chords and how she takes on the solo part more like a lead rather than an ensemble (as they all do in this quartet), which are very tightly voiced (notes close together to each other) • The chromatics around 1:40 are accurate and balanced well through all voice parts. The Buzz The • Again, the handoff of parts in shared melody is seamless. They ring, they buzz, hence their name. Listen for SAI Queens the chords to sound rich and full. Conventions in barbershop like bell chords, lead-ins, echoes, etc. are handled with aplomb and consistency. 3) “Back in Business” • This quartet is well-versed in all aspects of our craft.
    [Show full text]
  • The Clash and Mass Media Messages from the Only Band That Matters
    THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.
    [Show full text]
  • Adding Links to a Web Page
    INTERNET BASICS & BEYOND MRS. WILSON Adding Links To A Web Page Adding Links To A Web Page Introduction What are hyperlinks? A hyperlink is a word, phrase or graphic that when clicked on it sends the reader to a different web page or a section of a web page. It can also send the reader to an e-mail address window. Why are hyperlinks important? Hyperlinks are important because they make web pages unique. They allow readers to navigate web pages in a non-linear fashion. When reading print based material readers can only move through the document in one direction. What are the different kinds of hyperlinks? 1. Relative & Absolute links • Absolute pathnames – Refers to the full URL designation for a file. – <a href=“http://yahoo.com“> • Relative pathnames – Refers to file name construction based on the relationship of the file being linked from to the file being linked to. – <a href="page1.html“> 2. E-mail links E-mail links are different to other types of hyperlink in that they do not lead to a web page. When users click on an e-mail link on a web page, a new window opens up on the screen. This window is an e-mail new message box which allows the reader to send an e-mail directly to the e-mail address that appeared in the e-mail link on the web page and now appears in the ‘To’ field in the new e-mail message box. How do I create hyperlinks? 1. Creating links to other web pages The HTML tags that are used for linking web pages and non-web pages (e.g.
    [Show full text]
  • Issue of the Harmonizer
    From Director Tom: Men and Friends of the BCC, Thank you for your nice work on our performance at Lockwood. Thanks to 36+ of you for taking the time to come and sing. It does my heart good. I thought we sang well for a very appreciative audience. It was good to have several quartets. Can we have even more than five quartets and maybe some new faces? Thank you also for the nice time at our favorite watering hole. It was nice to be able to eat with you and not have to worry about teaching the next a.m. Let's keep up the good work! From Prez Jack: Our August 21 performance at Bowers’ School Farm was a result of the “Bob Wallace Four” serenading two ladies during the ride in the parking bus from Log Cabin Days. It amazes me how and where the invitations come to sing at the various events that we do. The power of music is amazing. I continue to be impressed by the relaxed manner that the Big Chief Chorus presents itself. You are quite a likeable bunch. Remember that you are a disciplined chorus with all eyes on the director, but being humble enough to mingle with your audience following the performance. Vol. 11, No. 4 (#124) August 1, 2011 AROUND THE PATCH The Big Chief Chorus forewent its practice on Tuesday night, July 12, for an enjoyable performance for forty residents and staff at Lockwood of Summertime is for loafing, right? Well, not for the Big Chief Chorus! We Waterford .
    [Show full text]
  • Theatre Publicity in New York
    THEATRE PUBLICITY IN NEW YORK By Reva Cooper Updated September 2011 for members of A.R.T./New York Index P.1-2 INTRODUCTION P.2-3 THE NEW WORLD OF PRESS P.3 THE SCENE: COMPETITION P.4 WHO IS THE PRESS? P.4-5 SCHEDULING SHOWS FOR THE PRESS P.5-6 FIND YOUR SELLING POINTS P.6-15 BASIC PRESS TOOLS P.6-10 Press Releases P.10-11 Photos P.11-12 Pitch Letters P.12 Critics Invitations P.12-15 Media Alerts P.15 PRESS LISTS P.15 PRESS KITS P.16 TWITTER, FACEBOOK, OTHER SITES P.16-17 DEALING WITH THE PRESS P.17-19 CRITICS – PROCEDURES P.19 THE PRESS CAMPAIGN P.20 FINAL REMARKS P.20-24 RESOURCES TO USE 1 INTRODUCTION As a new theatre company in New York, it is important to get publicity, and to know how to get it. Positive publicity can mean increased visibility and ticket sales, and influences the growth of your company in many ways. Most theatre companies, especially in their early stages, cannot afford to hire a professional publicist, but it is not always necessary to do so. It is possible to do a good basic job on your own, since you may, in any case, be able to get just as much press as a professional would. This text is written to guide you in doing just that. This is written specifically as a guide for Off and Off Off Broadway theatres, although the same principles apply to theatres of any tier. If you are a larger-budget organization, you will probably have a separate, trained Public Relations staff, or hire an outside contractor.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • Vocal Technique
    WELCOME Chad Bennett #BarbershopLiveAtHome #BarbershopLiveAtHome Post your barbershop gear! #BarbershopLiveAtHome ● Warm Ups ● Keep the Whole World Singing ● Vocal Health Agenda ● Catching up with Tony DeRosa ● Zoom Rehearsal Tips ● Tag Creation ● Archive Video ● Guided Listening ● Barbershop Trivia #BarbershopLiveAtHome Support great programming like Barbershop Live @ Home! bit.ly/givebhs Average donation is $10! Warm Ups KIM NEWCOMB #BarbershopLiveAtHome Forefront Jim Henry #BarbershopLiveAtHome Keep The Whole World Singing #BarbershopLiveAtHome Vocal Health STEVE SCOTT #BarbershopLiveAtHome Sing Healthy, Sing Well, Sing Long ● What Is Vocal Health? ● Who Is At Risk? ● Vocal Function ● Twin Pillars of Vocal Health ● Final Thoughts #BarbershopLiveAtHome ● Ability to have your voice perform What is in expected capacities ● Ability to quickly recover from vocal overuse health? #BarbershopLiveAtHome - Singers - Professional voice users Who is at - Workers in loud environments risk? - Children - Retirees #BarbershopLiveAtHome Humans are instruments Vocal ● Power source: expired air ● Vibratory source: vocal folds ● Resonating source: vocal tract Function ● Articulators: tongue, lips, palates, etc. #BarbershopLiveAtHome - Vocal Technique - Vocal Hygiene Twin pillars of vocal health #BarbershopLiveAtHome Vocal Technique Dos Don’ts ● Speak and sing with good closure ● Abuse: yelling, etc. ● De-gunk before singing ● Excessive throat clearing or coughing ● Sing every day, but rest when needed ● Singing whilst sick ● Avoid singing in loud environments
    [Show full text]