Free Autotune for Audacity Download How to Manually Autotune with Audacity for Free
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Robotic Voice Effects
Robotic voice effects From Wikipedia, the free encyclopedia Source : http://en.wikipedia.org/wiki/Robotic_voice_effects "Robot voices" became a recurring element in popular music starting in the late twentieth century, and several methods of producing variations on this effect have arisen. Though the vocoder is by far the best-known, the following other pieces of music technology are often confused with it: Sonovox This was an early version of the talk box used to create the voice of the piano in the Sparky's Magic Piano series from 1947. It was used as the voice of many musical instruments in Rusty in Orchestraville. It was used as the voice of Casey the Train in Dumbo and The Reluctant Dragon[citation needed]. Radio jingle companies PAMS and JAM Creative Productions also used the sonovox in many stations ID's they produced. Talk box The talk box guitar effect was invented by Doug Forbes and popularized by Peter Frampton. In the talk box effect, amplified sound is actually fed via a tube into the performer's mouth and is then shaped by the performer's lip, tongue, and mouth movements before being picked up by a microphone. In contrast, the vocoder effect is produced entirely electronically. The background riff from "Livin' on a Prayer" by Bon Jovi is a well-known example. "California Love" by 2Pac and Roger Troutman is a more recent recording featuring a talk box fed with a synthesizer instead of guitar. Steven Drozd of the The Flaming Lips used the talk box on parts of the groups eleventh album, At War with the Mystics, to imitate some of Wayne Coyne's repeated lyrics in the "Yeah Yeah Yeah Song". -
Electronic Music
ELECTRONIC MUSIC Definitions Electronic music refers to music that emphasizes the use of electronic musical instruments or electronic music technology as a central aspect of the sound of the music. Basics Electronic music refers to music that emphasizes the use of electronic musical instruments or electronic music technology as a central aspect of the sound of the music. Historically electronic music was considered to be any music created with the use of electronic musical instruments or electronic processing, but in modern times, that distinction has been lost because almost all recorded music today, and the majority of live music performances, depends on extensive use of electronics. Today, the term electronic music serves to differentiate music that uses electronics as its focal point or inspiration, from music that uses electronics mainly in service of creating an intended production that may have some electronic elements in the sound but does not focus upon them. Contemporary electronic music expresses both art music forms including electronic art music, experimental music, musique concrète, and others; and popular music forms including multiple styles of dance music such as techno, house, trance, electro, breakbeat, drum and bass, industrial music, synth pop, etc. A distinction can be made between instruments that produce sound through electromechanical means as opposed to instruments that produce sound using electronic components. Examples of electromechanical instruments are the teleharmonium, Hammond B3, and the electric guitar, whereas examples of electronic instruments are a Theremin, synthesizer, and a computer. History Late 19th century to early 20th century Before electronic music, there was a growing desire for composers to use emerging technologies for musical purposes. -
Auto-Tune in Africa: a Study of the Factors Leading to the Phenomenon Andrew Stanley
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2012 Auto-Tune in Africa: A Study of the Factors Leading to the Phenomenon Andrew Stanley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] Abstract: Auto-Tune is a fascinating phenomenon in the modern music industry. It has gained a large amount of popularity over the past ten years, and it is constantly heard in popular music hits and on the radio. However, in most discussions involving music, Auto-Tune is often regarded as a novelty, or as something that serious musicians do not bother using. This stigma has followed it into scholarship, where there has been little to no study of its impact. Auto-Tuneʼs use is not only limited to the United States. It is particularly popular throughout the African continent, which is the region I chose to focus on in this thesis. This thesis seeks to answer why Auto-Tune has become so popular in modern African popular music, and to provide evidence of said popularity. I believe that this question can be answered by looking at three facets of modern society. First, Auto-Tune appears to have become a globalized commodity that links and unifies different regions and the mindsets that utilize it. Additionally, the music industry has been working towards a goal of near total control over music production since its creation, and the influence from the large record companies around the world has grown over the last ten years, leading to a dispersal of this mindset, in form of a musical “standard” of production. -
Final Review Slides
FINAL REVIEW 1 Structure 12/4 at 11am (last class period) 3 Sections, all multiple choice Designed to take about 35 minutes Questions draw primarily on lecture content, although the readings are fair game. If you’ve been attending the lectures you are in good shape. Part I - Listening (not cumulative) // Part II - Multiple choice (concepts & people, cumulative) 2 Alternate Testing Site For students who have provisions for extra time or a distraction free environment same time — 11am Old Cabell Hall, Room B011 — also known as the VCCM please email me by Friday night if you plan on taking the test in the B011 3 TERMS & PEOPLE 4 PSYCHOACOUSTICS ACOUSTICS LOUDNESS AMPLITUDE Decibels (Db) PITCH FREQUENCY Hertz (Hz) QUALITY TIMBRE Spectra + Envelope 5 Amplitude the intensity or perceived loudness of a sound commonly measured in decibels (dB) - logarithmic unit 6 Amplitude - inverse square law sound intensity is inversely proportional to the square of the distance from the source 7 Periodic vs Aperiodic 8 Frequency rate at which the air pressure fuctuates is the frequency of the sound wave Cycles per second, Hertz (Hz) 9 Frequency & Pitch We experience pitch logarithmically as well Octave - 2:1 frequency ratio Octaves 1, 2, 3 440 Hz 440 880Hz 880 1760Hz 10 ADSR Envelope 11 Spectral Analysis 12 Additive Synthesis 13 harmonic / overtone series the fundamental is the lowest partial - perceived pitch A harmonic partial conforms to the overtone series which are whole number multiples of the fundamental frequency(f) (f)1, (f)2, (f)3, (f)4, etc. if f=110 110, 220, 330, 440 doubling = 1 octave An inharmonic partial is outside of the overtone series, it does not have a whole number multiple relationship with the fundamental.