Owen Sheers Skirrid Hill (Seren Books)
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Introducing Ten Extraordinary Writers Asking the Questions That Will Shape Our Future Owen Sheers Offers You a Guide to Contemporary British Writing
Introducing ten extraordinary writers asking the questions that will shape our future Owen Sheers offers you a guide to contemporary British writing Ideas for your next festival, reading programme, or inspiration for your students Contents Your guide to contemporary British 1nta writing... 3 Owen Sheers introduces his selection 4cts Raymond Antrobus 5 Laura Bates 6 Elizabeth-Jane Burnett 7 Garrett Carr 8 Alys Conran 9 Nikita Lalwani 10 Hannah Lavery 11 Martin MacInnes 12 Clare Pollard 13 Adam Weymouth 14 Chitra Ramaswamy on Owen Sheers’ 15 selection Reception 17 Elif Shafak’s selection of 10 exciting women 18 writers Val McDermid’s selection of 10 compelling 19 LGBTQI+ writers Jackie Kay’s selection of 10 compelling BAME 20 writers Coming soon 21 The International Literature Showcase is a partnership between the National Centre for Writing and the British Council, with support from Arts Council England and Creative Scotland. Your guide to contemporary British writing... Looking to book inspiring writers for your next festival? Want to introduce your students to exciting new writing from the UK? The International Literature Showcase is a partnership between the National Centre for Writing and the British Council. It aims to showcase amazing writers based in the UK to programmers, publishers and teachers of literature in English around the world. To do so, we have invited five leading writers to each curate a showcase of themed writing coming out of the UK today. Following the high-profile launches of Elif Shafak’s showcase of women writers at London Book Fair 2019, Val McDermid’s showcase of LGBTQI+ writers at the National Library of Scotland, and Jackie Kay’s showcase of BAME writers at Cheltenham Literature Festival 2019, we have now revealed Owen Sheers’ selection of writers asking questions that will shape our future. -
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C o Distribution Wales Distribution & representation v e r england, scotland, ireland, europe Welsh books Council i m Central books ltd, 99 Wallis road uned 16, stad Glanyrafon, llanbadarn, a g e : london, e9 5ln aberystwyth sY23 3aQ s t i l phone 0845 458 9911 Fax 0845 458 9912 phone 01970 624455 Fax 01970 625506 l f r [email protected] [email protected] o m sales and Marketing Manager: tom Ferris T h representation e [email protected] G inpress ltd o s p Churchill house, 12 Mosley street, e l o newcastle upon tyne, ne1 1De north aMeriCa Distribution & f U s www.inpressbooks.co.uk representation d i r . phone 0191 230 8104 independent publishers Group D a Managing Director: rachael ogden 814 north Franklin street v e [email protected] Chicago il60610 M c K sales and Marketing : James hogg phone (312) 337 0747 Fax (312) 337 5985 e a [email protected] [email protected] n seren, 57 nolton street, bridgend, CF31 3ae 01656 663018 [email protected] www.serenbooks.com Facebook: facebook.com/serenbooks twitter: @serenbooks publisher: Mick Felton sales and Marketing: simon hicks Marketing: Victoria humphreys Fiction editor: penny thomas poetry editor: amy Wack poetry Wales: robin Grossmann, rebecca parfitt Directors: Cary archard (Founder and patron), John barnie, Duncan Campbell, robert edge, richard houdmont (Chair), patrick McGuinness, linda osborn (secretary), sioned puw rowlands, Christopher Ward no. 2262728. Vat no. Gb484323148. seren is the imprint of poetry Wales press ltd, which works with the financial assistance of the Welsh books Council www.serenbooks.com Preface 3 2011 was an exciting year in which we celebrated our 30th birthday and threw a street Cynan Jones Bird, Blood, Snow 4 party outside the seren offices on the sunniest october saturday since records began. -
The Blown Definitions: Towards a Poetics of the Multi-Vocal Poetic
Kate Potts: 100 605046 PhD Thesis The Blown Definitions: Towards a Poetics of the Multi-Vocal Poetic Radio Play Kate Potts Royal Holloway, University of London Creative and Critical Writing (Poetry) PhD Thesis 1 Kate Potts: 100 605046 PhD Thesis Declaration of Authorship I Kate Potts hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: _____________________ 2 Kate Potts: 100 605046 PhD Thesis Abstract The introduction of radio broadcasting in the early twentieth century, at a time of rapid development in global communications and travel technologies, prompted a radical re- imagining of the poet – and poetry’s – role in this new public, communal space. This thesis seeks to explore and define, critically and creatively, the poetics of the multi-vocal poetic radio play, a sub-genre fundamentally shaped by this reconfiguration.1 The thesis examines the development, form, and functioning of the multi-vocal poetic radio play which, I argue, is a sub-genre distinct from both the prose radio play and single-voice works of radio poetry. This thesis proposes that the multi-vocal poetic radio play is a reworking of western oral poetry traditions – originating in the oral heroic epic as authoritative, mnemonic, pre- literate repository of collective cultural memory – in the context of the twentieth and twenty-first century’s increasingly globalised, pluralistic and documentary modes of representation. Through the -
I SAW a MAN Q&A with Owen Sheers
I SAW A MAN Q&A with Owen Sheers When we meet Michael in the first pages of the novel, there are many hints about his past and his future, but the novel keeps us in suspense about what exactly those events are. How much did you know about Michael and his life before you began the novel? This book had several beginnings. Four, to be exact, in that I wrote the first 10,000 words three times over, before finally starting again on what would become the finished novel. I mention this as these false starts meant that my knowledge of Michael and his life repeatedly shifted, deepened and shallowed over those different beginnings. What I can say is that I always knew what he had done and what he would do. I knew he’d been an immersion journalist in the US and I knew the broad brushstrokes of his emotional hinterland - his relationship with Caroline and his grief in the wake of her loss. I also knew how he’d react to what happens inside the Nelsons’ house. But none of that is the same as knowing him. In terms of the man himself, I had to come to know Michael in the writing. Which is how it should be, I hope. This seems to me to be the most natural, and perhaps the most true, way for a character to develop - under the shaping influence of event and interaction with the world and others rather than through extensive planning in the abstract. In the small details of their movements, the junctions of their thoughts. -
Welsh Horizons Across 50 Years Edited by John Osmond and Peter Finch Photography: John Briggs
25 25 Vision Welsh horizons across 50 years Edited by John Osmond and Peter Finch Photography: John Briggs 25 25 Vision Welsh horizons across 50 years Edited by John Osmond and Peter Finch Photography: John Briggs The Institute of Welsh Affairs exists to promote quality research and informed debate affecting the cultural, social, political and economic well being of Wales. The IWA is an independent organisation owing no allegiance to any political or economic interest group. Our only interest is in seeing Wales flourish as a country in which to work and live. We are funded by a range of organisations and individuals, including the Joseph Rowntree Charitable Trust, the Esmée Fairbairn Foundation, and the Waterloo Foundation. For more information about the Institute, its publications, and how to join, either as an individual or corporate supporter, contact: IWA - Institute of Welsh Affairs, 4 Cathedral Road, Cardiff CF11 9LJ T: 029 2066 0820 F: 029 2023 3741 E: [email protected] www.iwa.org.uk www.clickonwales.org Inspired by the bardd teulu (household poet) tradition of medieval and Renaissance Wales, the H’mm Foundation is seeking to bridge the gap between poets and people by bringing modern poetry more into the public domain and particularly to the workplace. The H’mm Foundation is named after H’m, a volume of poetry by R.S. Thomas, and because the musing sound ‘H’mm’ is an internationally familiar ‘expression’, crossing all linguistic frontiers. This literary venture has already secured the support of well-known poets and writers, including Gillian Clarke, National Poet for Wales, Jon Gower, Menna Elfyn, Nigel Jenkins, Peter Finch and Gwyneth Lewis. -
Britain's Pacific H-Bomb Tests
GRAPPLING WITH THE BOMB BRITAIN’S PACIFIC H-BOMB TESTS GRAPPLING WITH THE BOMB BRITAIN’S PACIFIC H-BOMB TESTS NIC MACLELLAN PACIFIC SERIES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Creator: Maclellan, Nic, author. Title: Grappling with the bomb : Britain’s Pacific H-bomb tests / Nicholas Maclellan. ISBN: 9781760461379 (paperback) 9781760461386 (ebook) Subjects: Operation Grapple, Kiribati, 1956-1958. Nuclear weapons--Great Britain--Testing. Hydrogen bomb--Great Britain--Testing. Nuclear weapons--Testing--Oceania. Hydrogen bomb--Testing--Oceania. Nuclear weapons testing victims--Oceania. Pacific Islanders--Health and hygiene--Oceania. Nuclear explosions--Environmental aspects--Oceania. Nuclear weapons--Testing--Environmental aspects--Oceania. Great Britain--Military policy. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover image: Adapted from photo of Grapple nuclear test. Source: Adi Sivo Ganilau. This edition © 2017 ANU Press Contents List of illustrations . vii Timeline and glossary . xi Maps . xxiii Introduction . 1 1 . The leader—Sir Winston Churchill . .19 2 . The survivors—Lemeyo Abon and Rinok Riklon . 39 3 . The fisherman—Matashichi Oishi . 55 4 . The Task Force Commander—Wilfred Oulton . 69 5 . The businessman—James Burns . 81 6 . The pacifist—Harold Steele . 91 Interlude—On radiation, safety and secrecy . 105 7 . The Chief Petty Officer—Ratu Inoke Bainimarama . -
A Major New Tour of the Two Worlds of Charlie F by Owen Sheers Starring Wounded, Injured and Sick Ex Service Personnel to Open on 13 March 2014
PRESS RELEASE A MAJOR NEW TOUR OF THE TWO WORLDS OF CHARLIE F BY OWEN SHEERS STARRING WOUNDED, INJURED AND SICK EX SERVICE PERSONNEL TO OPEN ON 13 MARCH 2014 FOLLOWING A TWO-WEEK SEASON IN TORONTO I am so proud and overwhelmed. It is the most moving play I’ve seen for a long, long time. The public should get behind this and be part of something unforgettable. Ray Winstone In the centenary anniversary of the outbreak of World War 1, the play The Two Worlds of Charlie F, which was first performed in January 2012 at two charity fund-raising evenings at the Theatre Royal Haymarket, will start a new UK tour in 2014, preceded by a two-week run at the Princess of Wales Theatre in Toronto, Canada. The tour, which will be supported using public funding by the National Lottery through Arts Council England, will be supporting The Royal British Legion by raising funds at each performance. It will be performed by medically discharged military personnel, as well as professional actors. The Two Worlds of Charlie F was the idea of Alice Driver, the then Masterclass Creative Producer and now the Executive Producer of this new tour. Her initial idea was to provide a unique work placement for serving wounded, injured and sick (WIS) military personnel within a theatre company. This was the first time that the MOD had allowed a theatre company access to their wounded soldiers and led to workshops and interviews with the WIS service personnel from the war in Afghanistan, which, in turn, led to a play being created through the partnership of The Theatre Royal Haymarket Masterclass Trust, The Royal British Legion and Defence Recovery Capability, written by the award-winning poet and playwright Owen Sheers. -
After Writing Back: Owen Sheers, Welsh Writing in English and the Paradigm of Postcolonial Literature
After Writing Back: Owen Sheers, Welsh Writing in English and the Paradigm of Postcolonial Literature Hywel Dix University of Bournemouth Abstract :This paper will evaluate the work of contemporary Welsh writer Owen Sheers in the light of a number of arguments about Welsh culture, colonial history and postcolonial theory. It will argue that Sheers engages in the practice of ‘writing back’, a practice commonly associated with postcolonial literatures, but does something slightly different with it. His texts The Dust Diaries (2004), Resistance (2007), White Ravens (2009) and The Gospel of Us (2012) ‘write back’ not so much to the imperial powers, but to Wales’s own distant literary traditions in order to rediscover and re-affirm them. That is, Sheers takes the paradigm of writing back from his reading of the anti-colonial literatures of the 1960s and 1970s and uses it in a different context. This reveals that the resources provided by the ‘writing back’ model of postcolonial writing have been fruitful to Sheers as a Welsh writer in the years since Wales received a degree of devolved political autonomy from the United Kingdom as a whole, which has also been a period in which Welsh culture more generally has been attempting to articulate its own voice.To make such a claim is not necessarily to suggest that Welsh Writing in English is a postcolonial literature in any reductive or simplistic sense; but to suggest that some of the practices normally associated with decolonising cultures have provided fertile ideas to Welsh writers as they attempt to express that voice. -
The Two Worlds of Charlie F
For Immediate Release Contact: John Karastamatis, Sue Toth, Randy Alldread – Mirvish Productions 416-593-0351 B-Roll Link for Charlie F: https://www.hightail.com/download/elNKSXR6b0JsMHlybHNUQw Direct from London's West End The Canadian Premiere of THE TWO WORLDS OF CHARLIE F by Owen Sheers Starring Wounded, Injured and Sick Ex-Service Personnel Canadian CASSIDY LITTLE Plays the Title Character February 25 - March 9, 2014 The Princess of Wales Theatre In January 2012, something remarkable happened at the prestigious Theatre Royal Haymarket in London, UK. After lengthy workshops with over 30 medically discharged military personnel and a professional playwright and director, a new play entitled THE TWO WORLDS OF CHARLIE F was unveiled at two fund- raising evenings. The audience, which was comprised of many of the UK’s leading actors, theatre practitioners and seasoned theatergoers, was astonished to witness such a powerful and unforgettable examination of the cost of war. The response was so great that the show was taken to the 2012 Edinburgh Fringe Festival, where it too received standing ovations, five-star reviews, full houses and was awarded the festival’s coveted Amnesty International Award for Freedom of Expression. Now, to allow a larger audience to see this unique production and to mark the upcoming anniversary of the start of World War 1, the first modern global war, THE TWO WORLDS OF CHARLIE F is launching an extensive tour which kicks off with the play’s North American premiere in Toronto, February 25 - March 9, 2014 as part of the new Off-Mirvish Subscription series at the Princess of Wales Theatre. -
In Resistance, Novel (Sheers, 2007) and Film (Gupta, 2011)
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 21 | 2020 Modernism and the Obscene ‘The resonance of the music’ in Resistance, Novel (Sheers, 2007) and Film (Gupta, 2011) Annelie Fitzgerald Electronic version URL: http://journals.openedition.org/miranda/28131 DOI: 10.4000/miranda.28131 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Annelie Fitzgerald, “‘The resonance of the music’ in Resistance, Novel (Sheers, 2007) and Film (Gupta, 2011)”, Miranda [Online], 21 | 2020, Online since 13 October 2020, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/28131 ; DOI: https://doi.org/10.4000/miranda.28131 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. ‘The resonance of the music’ in Resistance, Novel (Sheers, 2007) and Film (Gu... 1 ‘The resonance of the music’ in Resistance, Novel (Sheers, 2007) and Film (Gupta, 2011) Annelie Fitzgerald Introduction 1 Resistance, Owen Sheers’s acclaimed novel, was published in 2007 and released as a film in November 2011. Amit Gupta, the film’s director, and Sheers co-wrote the screenplay, and Resistance was subsequently nominated for three BAFTAs. There is a pleasing symmetry in the fact that Sheers’s first novel became Gupta’s first feature film.1 2 In her Theory of Adaptation, Linda Hutcheon reminds us that adaptations say things differently, but that they also say slightly different things (3). My objective in this analysis is to make a modest contribution to adaptation studies by examining the ‘transcoding’ of this novel into a film, along with some of the shifts in emphasis, the ‘slightly different things’, that the adaptation occasioned. -
Owen Sheers Exclusive Interview Editor’S Comment
i.e. inside english Owen Sheers Exclusive Interview editor’s comment Welcome to the fourth edition of WJEC’s i.e. magazine, which sees our first anniversary in putting together this publication for teachers of English delivering WJEC qualifications. i.e. was a successor to English in Wales, a 24-page newsletter, edited and produced at WJEC, distributed bi-annually to all primary and secondary schools in Wales. It provided - through contributions from the classroom - an established network for teachers of English. It was this aim of connecting teachers of English, wherever they were, that prompted us to produce i.e. and to use it as a forum to share good practice, practical ideas, information and support for all of WJEC English qualifications. This birthday edition is a great example of that: we have some examples of active approaches to Literature from Lyndsey Poortman, Head of English at Uffculme School, Devon, that will engage your students; there are some top tips for teachers delivering English qualifications to Entry Level learners; the usual round up of key dates and what’s on; and our birthday treat – an interview with poet, novelist, playwright, Owen Sheers. Owen is a featured writer on both the GCSE and A-Level English Literature text lists – and another great reason why we’re proud to be Welsh! The 40-minute interview is available for you to view if the article whets your appetite. There are also some useful tips for aspiring writers and some suggestions for how you could use the interview with your students. As we want to ensure that the contents of i.e. -
BBC Wales Management Review 2016/17 Management Review 2016/17 – Wales
BBC Wales Management Review 2016/17 Management Review 2016/17 – Wales “ With the EU Referendum, the National Assembly elections and Wales’ unprecedented success at the Euro 2016 Championship, news and sport dominated BBC Wales programming this year.” If you wish to find out more about the BBC’s year – including full financial statements and performance against other public commitments – then please visit www.bbc.co.uk/annualreport Contents 01 Director’s introduction 02 Two minute summary 03 Service performance 14 Facts and figures 15 The management team 16 Contacts Front cover Euro 2016 Management Review 2016/17 – Wales Management Review 2016/17 – Wales Director’s introduction – Rhodri Talfan Davies ‘‘ This was a year of historic milestones and decisions – and BBC Wales was there every step of the way.’’ With the EU Referendum, the National Assembly Elections and Wales’ unprecedented success at the Euro 2016 Championship, news and sport dominated BBC Wales programming this year. Coverage of the National Assembly elections included comprehensive overnight results programmes on BBC One Wales and S4C, and a special Ask The Leader audience programme stripped across a single week on BBC One Wales in the run-up to the election. The excitement of Euro 2016 was reflected across both BBC Wales and network services, with five Wales matches broadcast live on both the BBC and S4C. The quarter-final victory over Belgium produced the largest television audience ever recorded for a Welsh sporting fixture, with a peak audience of 1.27m in Wales. It was also the third- highest TV audience in Wales this century, only exceeded by the 2012 Olympics opening and closing ceremonies.