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The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
THE KEY VOL 123 NO 4 WINTER 2006.Pdf
VoLUM E 123, No. 4 W I NTER 200 6 The Key is the first college women's CONTENTS fraternity magazine, published continuously since 1882. EDITORIAL BOARD Editor Kristin Johnson Styers, Georgia Southern departments Associate Editor Lois Catherman Heenehan, Adelphi 3 Fraternity News Alumna News/Profiles Editor Welcome Kappa's newest colony; Province Ann Graham Schnaedter, Missouri Meeting information; Reconnect with Kappa . Contributing Editor Jannie Thomas Barron, Missouri 62 Accent on Alumnae A Kappa runs one of America's best small cities. Editonal Board Chairman Linda Finnegan Elkin, Washington State 70 Collegiate News Fraternity Vice President Kappa experiences help teachers in the Carol George Sanders, Cal. State, Northridge classroom; Scholastic Honors Report and more. Fraternity Executive Director 75 In Memoriam Lauren Sullivan Paitson, Penn State We honor those we have loved and lost. Director of Communication Services Joelle Debevoise Folian Contributing Editor Jenny Struthers Hoover, Bowling Green special section: Graphic Designer Victoria McDonald, O.V. Design Kappa Kappa Gamma Foundation Annual Report and Recognition of Donors Printed by The Watkins Printing Company, Meet the more than 7.000 individuals who gave Columbus, Ohio to the Kappa Kappa Gamma Foundation from July 1, 2005, to June 30, 2006. A heartfelt The Key (ISSN 1063-4665) is published quarterly by Kappa Kappa Gamma thank you is extended to this special group! Fraternity 530 E. Town St., Columbus, OH 43215. Printed in the United States of PAGES 21-61 America, copyright Kappa Kappa Gamma Fraternity 2006. Subscription price is $3. Preferred penodical postage paid at Columbus, Ohio POSTMASTER: Send address changes to: The Key Colkgc Fratermtl ·auonal Panhcll rnil P.O. -
Second Chances in the Wire: Perspectives from Psychology and the Judiciary
University of Chicago Legal Forum Volume 2018 Article 9 2019 Second Chances in The irW e: Perspectives from Psychology and the Judiciary Rebecca R. Pallmeyer Dan P. McAdams Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Recommended Citation Pallmeyer, Rebecca R. and McAdams, Dan P. (2019) "Second Chances in The irW e: Perspectives from Psychology and the Judiciary," University of Chicago Legal Forum: Vol. 2018 , Article 9. Available at: https://chicagounbound.uchicago.edu/uclf/vol2018/iss1/9 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. Second Chances in The Wire: Perspectives from Psychology and the Judiciary The Hon. Rebecca R. Pallmeyer† & Dan P. McAdams†† ABSTRACT Playing off a scene in The Wire wherein prison inmates discuss whether Ameri- can lives have “second acts,” this essay considers psychological and legal issues at play in people’s efforts to turn their lives around, from bad to good. In the first half of the essay, a professor of psychology discusses empirical research into re- demptive life stories in which people find positive meaning in suffering and/or transform their lives from failure to relative success. While examples of redemp- tive life stories may be found in The Wire, making good on second chances seems to be a relatively rare occurrence. In the second half, a federal judge considers the issue of second chances in the American legal system, focusing on the issue of sen- tencing. -
And All the Pieces Matter: Thoughts on the Wire and the Criminal Justice System
And All the Pieces Matter: Thoughts on The Wire and the Criminal Justice System Susan A. Bandes* "Whatever it was, they don't teach it in law school."' I. INTRODUCTION The standard police procedural, even including great dramas like NYPD Blue and Hill Street Blues, adheres to time-honored narrative conventions. It focuses on good, if sometimes imperfect, cops trying to find the real bad guys-the perpetrators-and bring them to justice. The episode begins when a crime ruptures the social fabric, and ends when guilt is determined and things are put to right. The standard procedural is concerned mainly with individual fault and individual heroism. It does not raise disquieting questions about the criminal justice system, the legal system, or the social and political arrangements that lead to a permanent underclass. There are eight million stories in the Naked City,2 and in the police procedural, every one of them stands on its own. This standard cop show narrative reflects and reaffirms a deeply ingrained, reassuring view of the world. The Wire is a different kind of television. It aims not to reassure but to unsettle, or as David Simon once put it, "to pick[] a fight."3 On its surface a police procedural, The Wire has been aptly described as a portrayal of "the social, political, and economic life of an American city with the scope, observational precision, and moral vision of great literature." Unlike the standard police procedural, which presents and resolves a discrete problem every week, The * Distinguished Research Professor, DePaul University College of Law. -
The Black Image in the White Mind: Educational Consequences of Media Racism
THE BLACK IMAGE IN THE WHITE MIND: EDUCATIONAL CONSEQUENCES OF MEDIA RACISM Sheldon A. Lanier A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Education in the School of Education. Chapel Hill 2017 Approved by: Kathleen Brown Dana Thompson-Dorsey Misti Williams © 2017 Sheldon A. Lanier ALL RIGHTS RESERVED ii ABSTRACT Sheldon A. Lanier: The Black Image in the White Mind: Educational Consequences of Media Racism (Under the direction of Kathleen Brown) In the United States of America, Black male students often face a cultural disconnect when entering classrooms today. As a result, outcomes for these students, including academic ones, are both alarming and reprehensible. It is conceivable that a link exists between the exposure to negative racial portrayals of Black males in the media, teachers’ perceptions of their Black male students, and the negative treatments of Black males that result. These perceptions are important when examining how they can affect school policies and practices institutionally. Given the multitude of structures that help shape the negative outcomes of Black males in this country, mixed methods on both quantitative and qualitative inquiry were used to explore and examine the following questions: 1) How are Black males portrayed in the HBO original series, The Wire? 2) Do these portrayals reify (or, not) stereotypes of Black males in the United States? 3) How might these portrayals cultivate White female teachers’ perceptions and subsequent treatment of Black male students? The Wire was used as the media content sample due to the vast amount of Black male actors in lead or prominent recurring roles. -
The Wire Et Le Mélodrame Américain De Noirs Et Blancs (Extrait)*
128 Linda Williams (traduction de l’américain par Sylvain Portmann, approuvée par l’auteure) The Wire et le mélodrame américain de Noirs et Blancs * * Ce passage est extrait du chapitre 6 (extrait) « Feeling Race. The Wire and the Amer- ican Melodrama of Black and White » tiré de l’ouvrage On The Wire de Linda Williams (Durham et Londres, Duke Uni- versity, 2014), pp. 187-209. […] Le mélodrame racial dans The Wire Nous avons vu que The Wire est assurément un mélodrame, et un mélo- drame au sein duquel la race joue un rôle. Ce n’est pourtant pas un mélo- drame de Noirs et Blancs comme décrit précédemment : les méchants Blancs racistes ne sont pas opposés aux bons Blancs progressistes, à la 1 Personnage-type attribué aux Noirs manière des variantes du Magical Negro 1, et ce n’est assurément pas une qui possède des pouvoirs surnaturels, lui série qui représente les Noirs comme un ensemble de malfaiteurs, mal- permettant ainsi d’aider un personnage gré leur nombre certes important. De façon plus stimulante, le monde blanc [ndtr]. n’apparaît pas comme insensible à la Couleur. Et l’imaginaire spatial noir n’y est pas présenté comme minoritaire non plus. Comme nous l’avons évoqué, Baltimore est majoritairement peuplé de Noirs, qui ne vivent pas tous dans un ghetto. Ainsi l’affirmation de Lipsitz qui clame que « quelle que soit la mesure ou la noblesse du combat de ses habitants contre les conditions du ghetto, le ghetto demeure l’habitat visiblement naturel des Noirs dans The Wire » ne fait aucun sens – pas davantage que The Wire soit la « création calculée et auto-intéressée de la suprématie 2 George Lipsitz, How Racism Takes blanche » 2. -
And All the Pieces Matter: Thoughts on the Wire and the Criminal Justice System
DePaul University Via Sapientiae College of Law Faculty College of Law 2011 And All the Pieces Matter: Thoughts on the Wire and the Criminal Justice System Susan Bandes DePaul College of Law Follow this and additional works at: https://via.library.depaul.edu/lawfacpubs Part of the Law Commons Recommended Citation Susan A. Bandes, And All the Pieces Matter: Thoughts on the Wire and the Criminal Justice System, 8 Ohio St. J. Crim. L. 435 (2011). This Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in College of Law Faculty by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. Content downloaded/printed from HeinOnline Wed Sep 18 10:31:41 2019 Citations: Bluebook 20th ed. Susan A. Bandes, And All the Pieces Matter: Thoughts on the Wire and the Criminal Justice System, 8 Ohio St. J. Crim. L. 435 (2011). APA 6th ed. Bandes, S. A. (2011). And all the pieces matter: Thoughts on the wire and the criminal justice system. Ohio State Journal of Criminal Law, 8(2), 435-446. ALWD Bandes, S. A. (2011). And all the pieces matter: Thoughts on the wire and the criminal justice system. Ohio St. J. Crim. L., 8(2), 435-446. Chicago 7th ed. Susan A. Bandes, "And All the Pieces Matter: Thoughts on the Wire and the Criminal Justice System," Ohio State Journal of Criminal Law 8, no. 2 (Spring 2011): 435-446 McGill Guide 9th ed. Susan A Bandes, "And All the Pieces Matter: Thoughts on the Wire and the Criminal Justice System" (2011) 8:2 Ohio State J of Crim L 435. -
Are Jews an Ethnic Minority?
Editorials ..................................... 4A Op-Ed .......................................... 5A Calendar ...................................... 6A Scene Around ............................. 9A Synagogue Directory ................ 11A News Briefs ............................... 13A WWW.HERITAGEFL.COM YEAR 45, NO. 28 MARCH 12, 2021 28 ADAR, 5781 ORLANDO, FLORIDA SINGLE COPY 75¢ Are Jews an ethnic minority? Alan Ginsburg is captured in a still-frame of the KCOA streamed event. KCOA holds largest fundraiser in its history The Kinneret Council on Aging held its climate in our country with Covid, the residents and their joy derives from their annual “8 Over 80” #SaluteOurSeniors economy and more,” said Carol Feuer- ability to help us at KCOA improve the event online this past week and raised man, president KCOA. “These new dollars lives for all our seniors.” more money and had a larger turnout raised will have a direct impact on both The event raised over $87,000.00 which than any previous fundraiser in the the quality and frequency of programs represents an increase of 25 percent over Jeff Overs/BBC News & Current Affairs via Getty Images organization’s five-decade history. that we can offer our over 300 resident last year’s Eight over Eighty event. BBC journalist Jo Coburn, seen standing outside Parlia- With Alan Ginsburg as the ever-festive, seniors as well as continuing to provide “We don’t know what the future holds ment in London, suggested during the debate that Jews have always funny emcee for the evening, meals to limited income Jewish seniors in terms of what this program will look succeeded in reaching high political office and therefore several hundred community members in our community.” like next year,” commented Rhonda “don’t need to be seen as a group needing recognition in the joined Zoom and/or the YouTube link for In addition to professionally produced Pearlman, President Kinneret Apart- same way as others.” an exciting, entertaining and fun event videos on each honoree, there was a car ments. -
The Wire and Its Characters
_______________________________________________________ The Wire and its characters An examination of David Simon’s The Wire in relation to character engagement, and what significance its characters serve for the success of the serial _______________________________________________________ Emma Krogh Knudsen Study number: 20153963 10th semester, English Aalborg University Supervisor: Mikkel Jensen Examiner: Steen Ledet Christiansen Pages: 65,6 2 Emma Krogh Knudsen Master Thesis Abstract The following paper will examine David Simon’s HBO hit show The Wire in relation to its characters and what importance they serve for the interest in the series. Based on several stances by Simon, it is clear that he considers the city of Baltimore to play the most pivotal role in the The Wire, and that is what spectators should be focusing on. Elements like characters and narrative are simply a part of the entity. Likewise, it seems as if Simon disapproves of how spectators watches the show, as they mainly focus on the character, rather than city. The thesis of this paper disagrees to Simon’s notion, and instead has the ambition to prove how the characters play the pivotal role in The Wire, and how they also are the ones, who create and maintain spectators’ interest in the show. This will simultaneously provide an answer to why spectators focus so intensely on the character of The Wire. In order to support the thesis, there has been used the theory of mainly Murray Smith, Jason Mittell and Margrethe Bruun Vaage, who all specialise in character engagement on different levels. The approach by Murray Smith is called ‘the structure of sympathy’ and has first of all been used to illustrate the process of spectators’ engagement with characters. -
Women of the Wire
ISSN 2340-5236 Anàlisi 56, 2017 1-14 Women of The Wire Bruce A. Williams Andrea L. Press University of Virginia [email protected] [email protected] Submission date: April 2017 Accepted date: April 2017 Published in: June 2017 Recommended citation: WILLIAMS, Bruce A. and PRESS, Andrea L. (2017). “Women of The Wire”. Anàlisi. Quaderns de Comunicació i Cultura, 56, 1-14. DOI: <http://dx.doi.org/ 10.5565/rev/analisi.3093> Abstract In this paper we analyze the representation of women on the popular television show The Wire. We discuss how, while writers attempt to portray race, crime, and inner-city life with sociological accuracy, characterizations of women, and of violence against women, are not especially complex or realistic. In particular, the crime of rape is underrepresent- ed. While the show does feature certain competent, successful professional women, over- all the portrayal of underclass women differs significantly from that of underclass men, featuring far fewer sympathetic female characters and demonizing several. In these ways the show succumbs to the sexist, patriarchal norms that characterize much of the repre- sentation of women in popular entertainment products. Some posit that this asymmetry of gender representation results from the male-oriented street experience of the show’s male writers. Keywords: The Wire; Women; Rape; African-American; Mother; Television Resum. Dones a The Wire En aquest treball s’analitza la representació de la dona en el popular programa de televisió The Wire (El cable). Discutim com, mentre que els escriptors intenten retratar la raça, el crim i la vida a les ciutats amb precisió sociològica, les caracteritzacions de la dona i de la violència contra la dona no són especialment complexes o realistes. -
Student Matinee Series Steel Magnolias
Student Matinee Series Steel Magnolias By Robert Harling Study Guide Created by Creekside High School Literature Class of Carmen Kinnebrew As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Program Under the guidance of Teaching Artist Ebony Tucker Steel Magnolias opened originally off-Broadway at the WPA Theatre in New York City on March 28, 1987. The production transferred to the Lucille Lortel Theatre on June 19, 1987. The play closed on February 25, 1990 after 1,126 performances. The Broadway debut opened at the Lyceum Theatre officially on April 4, 2005. Steel Magnolias can be seen on the Alliance Theatre stage October 22, 2014 to November 9, 2014 Awards The original Steel Magnolias movie won the People's Choice Award for Favorite Dramatic Movie in 1990. Reviews “Robert Harling’s “Steel Magnolias” offers audiences a nice mix of sweetness, sass, tears and laughter…” -Jay Handleman Herald-Tribune “Steel Magnolias is so immersed by the conviction of its story that in a way it becomes an extension of our own human experience.” -David Keyes, Cinemaphile.org Steel Magnolias at the Alliance Theatre Page 1 of 20 Steel Magnolias About the Playwright Robert Harling Robert Harling was born in Louisiana in 1951. He graduated from Northwestern State University and received a law degree from Tulane University Law School in New Orleans, Louisiana. He has a passion for music, as he was also in a band while in law school. Shortly after graduating from law school, he decided that acting was the better profession. As a young man Robert was very ambitious. -
Crime and Justice in the City As Seen Through the Wire
collins-brody 00 fmt cx2 5/15/13 11:55 AM Page iii Crime and Justice in the City as Seen through The Wire Edited by Peter A. Collins Seattle University David C. Brody Washington State University Carolina Academic Press Durham, North Carolina collins-brody 00 fmt cx2 5/15/13 11:55 AM Page iv Copyright © 2013 Carolina Academic Press All Rights Reserved Library of Congress Cataloging-in-Publication Data Collins, Peter A. (Peter Alan) Crime and justice in the city as seen through The Wire / Peter A. Collins and David C. Brody. pages cm Includes bibliographical references and index. ISBN 978-1-61163-033-6 (alk. paper) 1. Wire (Television program) 2. Social problems on television. I. Brody, David C. II. Title. [DNLM: 1. Social Problems--Baltimore--Autobiography.] PN1992.77.W53C65 2013 794.45'72--dc23 2012050911 Carolina Academic Press 700 Kent Street Durham, North Carolina 27701 Telephone (919) 489-7486 Fax (919) 493-5668 www.cap-press.com Printed in the United States of America This book has not been endorsed or authorized by HBO or the creators of The Wire. collins-brody 00 fmt cx2 5/15/13 11:55 AM Page v Contents Foreword xiii Peter Moskos Acknowledgments xviii Chapter 1 • Introduction: Using The Wire to Contemplate Urban Crime and Criminal Justice 3 David C. Brody and Peter A. Collins Institutional Obstinacy 4 Organization of the Book 8 References 10 Resources 10 Section 1 Criminal Justice and Urban Institutions Chapter 2 • And All the Pieces Matter: Thoughts on The Wire and the Criminal Justice System 15 Susan A.