Officer Election Ballot……………………8 Member News…………………………..…5 Candidate Biographies…………………….9 75Th Anniversary Commission…………

Total Page:16

File Type:pdf, Size:1020Kb

Officer Election Ballot……………………8 Member News…………………………..…5 Candidate Biographies…………………….9 75Th Anniversary Commission………… Newsletter BREVE NOTES Southeast Chapter Music LibraryAssociation No. 75 August 2005 BBQ, Blues, and Beale Street: SEMLA in Memphis Preview of the 2005 Conference Anna Neal, Music Librarian, University of Memphis BBQ, Blues, and Beale honored Wednesday and Saturday nights. The hotel offers What more need we say!? a fitness room, wireless internet Oh yes, some pretty neat (802.11b), valet laundry, iron professional stuff, too! and ironing boards in rooms, coffee service, hair dryers, and Our 2005 meeting, data ports. Valet parking is scheduled for October 27- available at $16 per day. Other 29, will focus primarily on parking options nearby will be Memphis’ rich musical listed on the conference Web heritage, including both site. A major renovation of both presentations and tours. public areas and guest rooms is just being completed. Also We’ll open with a reception renovated is the TGI Friday’s at the Radisson (soon to be adjacent to the main lobby. The Doubletree) Hotel, again restaurant provides room service, hosted by our long time as well. Check the hotel Web site supporter/sponsor/friend for more information, but be Dana Jaunzemis of Music aware that the site is not yet Library Service Company. updated for the renovations and Registration will take place for the switch to Doubletree. concurrent with the reception and again Friday Friday and Saturday morning morning. sessions will be held at The Center for Southern Folklore, The Radisson is in just a couple of blocks from our downtown Memphis, only a hotel. The Center is a non-profit few blocks from Beale Street organization that “showcases and in one direction and the celebrates the wonders, Mississippi River in the lifestyles, people, history, and other. Rooms are $89 + 15% cultures of the South.” (from the tax, single or double, and Center’s Fact Sheet) Judy reservations should be made Peiser, co-founder and Director, through the local phone will share with us the development of the Center’s number, 901-528-1800, by Beale Street. Photo courtesy of Memphis Tourism and Visitor’s Bureau. September 27, 2005. The collection as well as some conference rate will also be current projects.—continues p.3 Contents From the Chair………………………….….3 SEMLA Travel Grant……………………..7 Fund Raising Update..……………………. 4 Officer Election Ballot……………………8 Member News…………………………..…5 Candidate Biographies…………………….9 75th Anniversary Commission…………......5 Conference Registration Form…..……….10 Weeks Music Library at Miami……………6 Minutes, Interim Meeting, Feb. 2005…….11 No. 75 • August 2005 2 • Breve Notes SEMLA Southeast Chapter of the Music Library Association The Southeast Chapter of the Music Library Association, Inc. (SEMLA), is a Executive Board non-stock, non-profit organization dedicated to promoting the establishment, use, and growth of music libraries and collections of music materials in the DIANE STEINHAUS, Chair Southeast. It encourages communication and cooperation with libraries and University of North Carolina—Chapel Hill music collections not affiliated with the Music Library Association to determine how the Chapter may be of assistance to the individual library. SEMLA LYNNE C. JAFFE, Vice-Chair/Chair-Elect provides a forum for the exchange of ideas regarding all aspects of work with At-Your-Service: Library Contract music materials as well as initiating and encouraging activities to improve the Cataloging organization, administration, holdings, and public services of such libraries and collections. The region covered by the Chapter includes the states of Alabama, KIRSTIN DOUGAN, Secretary-Treasurer Arkansas, Florida, Georgia, Louisiana, Mississippi, North and South Carolina, Duke University Tennessee and Puerto Rico. LENNY BERTRAND, Member-at-Large, 2003-2005 Membership Information Tulane University Membership in SEMLA is available at three levels: Personal ($10.00 U.S.), Institutional ($15.00 U.S.), and Student ($5.00 U.S.). An application for ROBENA ENG CORNWELL, membership appears on the back page of this newsletter. Make checks payable Member-at-Large, 2004-2006 to SEMLA. Send membership applications, renewals, dues, and corrections and University of Florida updates to: Kirstin Dougan Box 90661 Archivist 113 Mary Duke Biddle Music Bldg. LEE RICHARDSON Duke University University of North Florida Durham, NC 27708 Web Site Editor LYNN JACOBSON SEMLA Web Site Jacksonville Public Library (FL) Lynn Jacobson, Web Editor http://jpl.coj.net/semla/index/html Newsletter Editor [email protected] JOHN LESLIE University of Mississippi Breve Notes (Newsletter) John Leslie, Editor Breve Notes is published electronically on the chapter website three times a year: January, April, and August. Send submissions to: John Leslie J.D. Williams Library P.O. Box 1848 University, MS 38677-1848 Fax: (662) 915-6744 [email protected] SEMLA-L To subscribe, send a message to [email protected] and type only the following in the body of the message: SUBSCRIBE SEMLA-L Your first nameYourlast name (substitute name) You will receive a confirmation from the list. No. 75 • August 2005 Breve Notes • 3 a web-based questionnaire for libraries to fill out. This is a FROM THE CHAIR much needed revision to a very valuable resource. Make sure your library is included! Diane Steinhaus In this issue are ballots for electing a Member-at-Large and Secretary/Treasurer. Many thanks to Member-at-Large and Nominating Committee Chair Lenny Bertrand and his University of North Carolina—Chapel Hill committee (David Guion and Lois Kuyper-Rushing) for presenting us with yet another stellar slate. Please remember to vote (either electronically or paperly)!! “If you come to a fork in the road, take it.” – Yogi Berra And many thanks once again to John Leslie for this his third Hot and humid greetings to my fellow Southeasterners! Not a high-class edition of Breve Notes. You have no idea how good bad time to start thinking about spending a wonderful fall he is at herding cats! Our newsletter and website (thank you, weekend in Memphis, Oct. 27-29, for our annual SEMLA Lynn Jacobson!) are how the world and our parent meeting, huh? See Local Arrangements Chair Anna Neal’s organization know us best and I’m very proud of what they cover article in this issue on the plans in the works by her see! committee and the Program Committee, chaired by Robena Cornwell (with Leslie Kamtman and Anna) for our music- All the best, filled weekend. Bring your dancing shoes – it sounds like there’ll definitely be a whole lotta shakin’ going on! And Diane Steinhaus remember, if you know of a staff person or library school UNC Chapel Hill student who would like to join the fun, please encourage him/her to apply for the SEMLA Travel Grant, organized this year by Vice-Chair/Chair-Elect Lynne Jaffe. SEMLA in Memphis—continued from front page This marks my final column to you as chair of SEMLA. We will also be hearing from Nashid Madyun, We’ve accomplished a “whole lotta” this year as a chapter, Curator/Director of the Stax Museum of American Soul thanks to the many gluttons for punishment in our midst – We Music. Stax Records was home to Rufus and Carla Thomas, came upon Yogi Berra’s fork in the road… and we took it! All Otis Redding, Isaac Hayes, Booker T. and the MG’s, and of it! Under Laurel Whisler’s undaunted leadership SEMLA many more. The Museum is part of Soulsville USA on the site has – so far – raised close to $20,000 toward the 75th of the old Stax Records. Soulsville USA also includes Stax Anniversary commission and other local arrangement Academy, which offers educational opportunities for at-risk expenses for MLA 2006…. Give that woman some chocolate youth and is opening a college prep, music-enriched charter when you see her in Memphis! Y’all have been great sports as school for Fall 2005. this year’s board inflicted upon you ballots to amend the bylaws and constitution to raise chapter dues for the first time, Bill Ellis, most recently a music reviewer for The Commercial to allow for electronic voting, and to bring other aspects of our Appeal in Memphis and currently an ethnomusicology documents in line with current practice (ahem); Sarah Dorsey graduate student at the University of Memphis, will speak on and her many helping hands (is that the name of her new current Memphis musical trends. He’ll include a look at the band?) revised the Chapter Officers Handbook last Fall. Look local hip hop scene, which is receiving so much buzz from the there to find out everything you’ve ever wondered about being new made-in-Memphis movie Hustle and Flow. a chapter officer (do they really hold email discussions in Klingon?). And then let a board member know if you’re Covering a different era will be Louis Cantor, author of interested in running for an office or being on a committee in Wheelin’ on Beale: How WDIA-Memphis Became the the future. We’re always looking for new blood! Nation’s First All-Black Station and Created the Sound that Changed America. B. B. King and Rufus Thomas spent some This year we also held a special election mid-year to fill the of their early careers at WDIA, and the station was office of Vice-Chair/Chair-Elect, affording the long-awaited instrumental in introducing blues and other race music to a Lynne Jaffe possession of the yellow plastic hammer of white culture steeped in country music. despotism come the October meeting. I am thrilled that Lynne is finally getting the chance to wield that hammer. She will be The remainder of the morning will be devoted to our business a great chair and I look forward to serving with her as Past meeting. Chair for the next year.
Recommended publications
  • "May Day to Present Percy Sledge and Carla Thomas"
    tte Hilltop Bctos "Representing Georgia's Oldest Independent Institution of Higher Learning." Vol. XI, No. 10 THE HILLTOP NEWS. LAGRANGE COLLEGE. LAGRANGE GEORGIA April 30. 1969 "May Day to Present Percy Sledge and Carla Thomas" Honors Day and May Day at LaGrange College -previous- ly a combined one-day event ~ are scheduled this year on Fri- day and Saturday, May 2 and 3, respectively. Dr. Judson C. Ward Jr. of Atlanta, vice president and dean of faculties at Emory University, wi 11 speak at the student honors and recognition program on Fri- day at 10 a.m. in the college gymnasium. Parents and alumni have been invited to arrive for Satur- day's May Day activities by lunchtime, Thomas Baynard of St. Petersburg, Fla., president of the Student Government Asso- ciation, said. Following the 12:30 lunch in the dining hall, there will be a meeting of the LC Parents As- PERCY SLEDGE ... an unu- SLEDGE found himself on a spi- sociation in the same place. sual name and an unusual voice! ral ing road to the top. A highlight of the tradi- The Soul of Sledge has had ane- Carla Thomas' early in- recording contract. Her first re- Many observers felt PERCY tional May Day festivities will ver growing legion of fans troduction to showbusiness was SLEDGE would be around as long be the presentation of Queen lease, "Gee Whiz, Look At His throughout the world since he no accident. Her father is Rufus as the popularity of WHEN A Nancy Beth James of Auburn- Eyes" became a smash hit and- burst on the Pop - R &B scene Thomas, who for over 20 years launched Carla on an exciting MAN LOVES A WOMAN but he dale, Fla., and her court, and with the now classic WHEN A was one of the top Disc Jockeys corrected the image by building step-singing competition.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Mark Stansbury
    Finding Aid to The HistoryMakers ® Video Oral History with Mark Stansbury Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Stansbury, Mark L., Sr., 1942- Title: The HistoryMakers® Video Oral History Interview with Mark Stansbury, Dates: April 25, 2014 Bulk Dates: 2014 Physical 7 uncompressed MOV digital video files (3:04:38). Description: Abstract: Radio talk show host and academic administrator Mark Stansbury (1942 - ) was a host for over fifty years on WDIA Radio in Memphis, Tennessee, and served as the assistant to four University of Memphis presidents. Stansbury was interviewed by The HistoryMakers® on April 25, 2014, in Memphis, Tennessee. This collection is comprised of the original video footage of the interview. Identification: A2014_037 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Gospel radio show host and academic administrator Markhum “Mark” L. Stansbury, Sr. was born on April 5, 1942 in Memphis, Tennessee to Willie and Eliza Markham Stansbury. He graduated from Booker T. Washington High School, where he was editor of the yearbook. In 1960, at age eighteen, Stansbury was hired as a radio personality and gospel announcer at Memphis, Tennessee’s WDIA-AM, where he has worked for over fifty years. He went on to receive his B.A. degree in history from Lane College in Jackson, Tennessee in 1966. Upon graduation from Lane College, Stansbury was named the school’s public relations director. He then took a job with Holiday Inns, Inc. in 1969 as a community relations manager, where he worked until 1981.
    [Show full text]
  • A SIX -HOUR DOCUMENTARY- "WATTSTAX REVISITED" %S the WATTSTAX '72 CONCERT MADE MUSICAL HISTORY
    NOW AVAILABLE! A SIX -HOUR DOCUMENTARY- "WATTSTAX REVISITED" %s THE WATTSTAX '72 CONCERT MADE MUSICAL HISTORY LASTAUGUST IN THE LOS ANGELES MEMORIAL COLISEUM. OVER 100,000 PEOPLE TURNED OUT TO HEAR ONE OF THE MOST EXCITING LIVE CONCERTS EVER STAGED! Featuring THE BAR-KAYS EMOTIONS ISAAC HAYES DAVID PORTER ALBERT KING RANCE ALLEN GROUP SOUL CHILDREN STAPLE SINGERS TOMMY TATE JOHNNIE TAYLOR CARLA THOMAS RUFUS THOMAS EDDIE FLOYD BILLY ECKSTINE REV. JESSE JACKSON, JR. Special interviews and commentary with Stax artists including 30 full minutes with Black Moses himself. Now, a six -hour documentary, "Wattstax Revisited" is for radio ever produced. It's a powerful programming tool being made available to selected radio stations through- that will build audience and make you money at the same out the United States on an exclusive basis. It contains time. It will be available on a first come -first served basis all the excitement of the original concert mixed down into to only one station per market. a high quality recording plus interviews and commentary. If you are interested in acquiring the exclusive broad- This is the original Wattstax '72 concert in its entirety, and casting rights to "Wattstax Revisited" for your station, the total product in this documentary is not available any- contact us immediately and we will forward full informa- where else, in the film or on record. tion and a demonstration tape. "Wattstax Revisited" is one of the most exciting packages FOR ADDITIONAL INFORMATION Please contact: Produced by Ted Randal Enterprises Jim Dorse, Marketing Director Directed by Ted Randal & Tom Reed TED RANDAL ENTERPRISES Assistant Director Bill Graham 1606 N.
    [Show full text]
  • Various Music from the Wattstax Festival & Film
    Various Music From The Wattstax Festival & Film mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: Music From The Wattstax Festival & Film Country: Europe Released: 2007 Style: Gospel, Rhythm & Blues, Soul, Funk MP3 version RAR size: 1998 mb FLAC version RAR size: 1723 mb WMA version RAR size: 1712 mb Rating: 4.3 Votes: 970 Other Formats: AC3 DXD VQF AU XM FLAC ADX Tracklist Hide Credits –Dale Warren & The Wattstax Salvation Symphony 1-1 7:56 '72 Orchestra Written-By – Dale O. Warren* 1-2 –Rev. Jesse Jackson Introduction 5:50 Lift Every Voice And Sing 1-3 –Kim Weston 3:39 Written-By – Johnson* Heavy Makes You Happy (Sha-Na-Boom-Boom) 1-4 –The Staple Singers 3:39 Written-By – Barry-Bloom* Are You Sure 1-5 –The Staple Singers 4:03 Written-By – Banks*, Jackson* I Like The Things About Me 1-6 –The Staple Singers 5:55 Written-By – Stubbs*, Staples* Respect Yourself 1-7 –The Staple Singers 4:37 Written-By – Ingram*, Rice* I'll Take You There 1-8 –The Staple Singers 5:16 Written-By – Alvertis* Precious Lord, Take My Hand 1-9 –Deborah Manning 4:25 Written-By – Thomas A. Dorsey Better Get A Move On 1-10 –Louise McCord 4:01 Written-By – Bettye Crutcher Them Hot Pants 1-11 –Lee Sain 4:11 Written-By – Leon Moore Wade In The Water 1-12 –Little Sonny 4:21 Written-By – Traditional I Forgot To Be Your Lover 1-13 –William Bell 2:35 Written-By – Jones*, Bell* Explain It To Her Mama 1-14 –The Temprees 2:50 Written-By – Fultz*, Moore* I've Been Lonely (For So Long) 1-15 –Frederick Knight 3:54 Written-By – Weaver*, Knight* Pin The
    [Show full text]
  • Wattstax: “Black Woodstock” and the Legendary Film It
    Angeles headed by Forest Hamilton, the son of jazz drum- mer Chico Hamilton. Stax West was conceived with a man- WATTSTAX: date that included the promotion and marketing of existing Stax products, the ferreting out of untapped regional talent, and the establishment of Stax within Hollywood’s motion “BLACK picture and television industries. According to John KaSandra, one of Stax’s West Coast– based artists, Wattstax began in March of 1972 WOODSTOCK” when “I came down [to the L.A. office] with an idea that we’d have a black Woodstock.” Seven years earlier, to the chanting of “burn, baby, burn,” a sizable section of the pre- dominantly black Watts neighborhood of Los Angeles had AND THE been destroyed by fire during the first of the 1960s race riots (referred to as “rebellions” within the community). The Watts Summer Festival had been established to commem- LEGENDARY orate the rebellions and raise money for the ailing commu- nity. It was Hamilton’s idea that Stax should be involved in the 1972 festival for promotional purposes, and he had not FILM IT forgotten KaSandra’s “black Woodstock” idea. On August 20, 1972, that notion blossomed into an epic one- day festival at the Los Angeles Coliseum. The day INSPIRED opened with Reverend Jesse Jackson leading the audience in a proclamation of the black litany, “I Am Somebody,” followed by Kim Weston singing the black national anthem, by Rob Bowman “Lift Every Voice and Sing.” It closed with Isaac Hayes as Black Moses embodying the strength, beauty, and spiritu- ality of contemporary black culture.
    [Show full text]
  • BABY DRIVER Written by Edgar Wright 1St Draft Revisions
    BABY DRIVER Written by Edgar Wright 1st Draft Revisions - August 15th 2014 ii. "You are the music while the music lasts." T. S. Eliot "I was born one dark gray morn, with music coming in my ears..." Paul Simon Every scene in this film is driven by music. 1 EXT. PARKING LOT - EARLY MORNING 1 A strip mall in the San Fernando Valley. A front wheel of a car pulls slowly into view. A curb reads ‘Short Stay. 5 Mins Only.’ 2 INT. CAR - CONTINUOUS 2 Play is pressed on an iPod Classic. A rock track starts up. It’s very loud. It’s awesome. ‘Bellbottoms’ by the Jon Spencer Blues Explosion. On high strings and a guitar stab we see the driver. Young, baby faced. Short cropped hair. He wears mostly black. Sports cheap gas station shades. This is BABY. We can’t see his eyes, but his blank expression seems pretty stoic. He listens to the track, stares out the windshield. On a 2nd guitar stab we see a beefy (30s) tough guy in shotgun. This is GRIFF. He too wears shades, black business clothes. On a 3rd stab we see another black clad gentleman. (40s) He’s handsome, but looks like he parties too hard. This is BUDDY. On a final stab we see the last shades wearing black clad passenger, a younger lady (20s) with her hair up. This is DARLING. There’s a hint of trash beneath her business clothes. The high strings crescendo. Griff flings his door wide open. 3 INT./EXT. CAR/PARKING LOT - CONTINUOUS 3 The track kicks in.
    [Show full text]
  • Transforming Southern Soul: an Examination of Stax Fax and Stax
    Transforming Southern Soul: An Examination of Stax Fax and Stax Records During the Late 1960s Chandler Vaught Rhodes Institute for Regional Studies 2017 Vaught 2 Special Thanks to Al Bell Deanie Parker Jeff Kollath Jennifer Campbell And Dr. Charles Hughes Vaught 3 In the early 1960s Deanie Parker moved from Ironton, Ohio to Memphis, Tennessee in order to finish high school and be with her mother, who was living in the city at the time. She attended Hamilton High School, where future star Carla Thomas would also graduate from, and became the lead female vocalist for a student band.1 Encouraged by the school’s glee club instructor, the group took part in a Beale Street music competition for which the first place prize was an opportunity to audition for Stax Records. “And we won that prize,” Parker recalls, “So that was how I managed to get into Stax Records and to learn what it was they did in that old Capitol Theater that had been converted into a recording company. Which was behind Satellite Record Shop on McLemore at College.”2 Though Deanie would not go on to become a hit musician, she would become an integral part of Stax Records. In 1965 Jim Stewart, the president of Stax, hired Deanie as the company’s first publicist. The ultimate goal of her job was to package and advertise the product (the songs and artists of Stax) to both the DJs who played their music and the general public as a whole.3 In the fall of 1968 a new marketing tool was developed that would aid her in this endeavor, Stax’s very own magazine called Stax Fax.
    [Show full text]
  • The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr.
    [Show full text]
  • Wattstax Film Study Guide Director: Mel Stuart 1973 | Documentary | 103 Minutes | USA | English | Unrated
    Wattstax Film Study Guide Director: Mel Stuart 1973 | Documentary | 103 Minutes | USA | English | Unrated http://archive.pov.org/wattstax/film-description/ Synopsis: Experience the history and the soul of the African-American community in Watts, Los Angeles, ​ 1972. Wattstax documents the gathering of over 100,000 at the Los Angeles Coliseum, hosted by a very young Jesse Jackson, for the 7th anniversary of the Watts riots. The music of The Stylistics, The Staples Singers, Rufus and Carla Thomas, Bar-Kays, and the legendary Isaac Hayes held the forefront of the spirit so vigorously displayed here. Interviews with the residents of Watts combined with astounding, sublime monologues by comedian Richard Pryor create an invocation-we are delivered from place and time to become in tune with this politically loaded era and the flame of the soul performing and reflecting it. Post-Screening Discussion Questions 1. What do you know about the Watts riots of 1965? 2. What do you know about the “Black Pride” movement of the 60’s and 70’s? 3. Did the movement improve the quality of life for African Americans? If so, what go better? If not, why not? 4. How big a role does music play in your life? Do you feel that current recording artists speak to your generation? Which ones and why? 5. Judging by the reflections of the Watts residents interviewed in the film, what did the Watts riots accomplish? Was there a lasting impact? 6. In your opinion, how much has the attitude of the police toward African Americans changed in the past 30 years since the film was made? 7.
    [Show full text]
  • A RESOLUTION to Recognize the Visitors to the Stax Museum Opening Events As Honorary Tennesseans
    Filed for intro on 04/22/2003 SENATE JOINT RESOLUTION 305 By Cohen A RESOLUTION to recognize the visitors to the Stax Museum Opening Events as Honorary Tennesseans. WHEREAS, from the mountains in the East, to the honky-tonks of Nashville, to the streets of Memphis, the sounds of music emanate from every corner of this great State; and WHEREAS, from Hank Williams to Elvis Presley, the Carter Family to the Staple Singers, and Otis Redding to Isaac Hayes, Tennessee has borne and nourished the music that revolutionized American culture; and WHEREAS, Tennessee is recognized throughout the world as the home to country music, the blues, and sweet soul music; and WHEREAS, visitors to this great State share with its citizens a common love and respect for the sounds, cultures, and sites of Tennessee; and WHEREAS, citizens and visitors alike will gather in Memphis from April 27 through May 1, 2003, to celebrate the Grand Opening of the Stax Museum; and SJR0305 00624183 -1- WHEREAS, the developers of the Stax Museum recognize the utmost importance of the music that was created within the walls of the Stax Records recording studios; the Museum is devoted to the documentation and preservation of the Stax legacy; and WHEREAS, in 1959, former country fiddler Jim Stewart, and his sister, Estelle Axton, founded what would, in 1961, become Stax Records; the label's first hit was "Cause I Love You," by Rufus and Carla Thomas; and WHEREAS, second only to Motown in popular soul music sales and influence, Stax Records was nevertheless first in gritty, raw, stripped-down soul; featuring artists like Otis Redding, Rufus & Carla Thomas, Sam & Dave, and Isaac Hayes, and with house band Booker T.
    [Show full text]
  • An Educator's Guide to Visiting the Stax Museum of American Soul Music
    A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www. facinghistory.org. Copyright © 2014 by Facing History and Ourselves National Foundation, Inc., and the Stax Museum of American Soul Music. All rights reserved. Facing History and Ourselves® is a trademark registered in the US Patent & Trademark Office. Text credits: Song lyrics for “Soul Man,” “Respect,” “Respect Yourself,” and “If You’re Ready (Come with Me)” are used with permission from Universal Music Publishing Group. Cover art credit: API Photography, Memphis, TN. For additional resources, visit Facing History’s The Sounds of Change website. Facing History and Ourselves Headquarters 16 Hurd Road Brookline, MA 02445-6919 2 Facing History and Ourselves Facing History and Ourselves is a global nonprofit organization founded in 1976 by educators who wanted to develop a more effective and rewarding way to engage students. We’re guided by the belief that the lifeblood of democracy is the ability of every rising generation to be active, responsible decision makers who’ve learned to value compassion as much as reason.
    [Show full text]
  • I've Been Loving You Too Long (To Stop Now)
    “I’ve Been Loving You Too Long (To Stop Now)”— Otis Redding (1965) Added to the National Registry: 2003 Essay by Cary O’Dell Otis Redding Original label Like a surprising number of America’s most revered and best-known rock ‘n’ roll classics, Otis Redding’s remarkable “I’ve Been Loving You Too Long (To Stop Now)” originally wasn’t much of a hit. Alarmingly, it didn’t make it above #21 on the pop charts when it was first released in 1965. But, since then, the burning power of Redding’s heartfelt soul has made this record a true standard. As Dave Marsh in his book “The Heart of Rock & Soul” puts it, “[it’s] the ultimate slow dance, a nonpareil seduction song,...a song that will be covered as long as men and women want an excuse to clutch each other tight in public.” It took about two weeks for Redding and co-writer Jerry Butler to take the song from a fragment that Butler first played for Redding in a Buffalo motel room to the final version. It was recorded on April 19, 1965 and put out on the Volt label (a subsidiary of Stax). While the song did have some success on the pop chart, it was far more popular in the R&B rankings; it made it all the way to number two. Otis Redding was born in 1941 in Dawson, Georgia. The son of a gospel-singer preacher and his housekeeper wife, Redding showed an early inclination towards music. Quitting school in his sophomore year, Redding eventually went to work as a member of Little Richard’s house band.
    [Show full text]