The Blinding of Isaac Woodard
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87 Hemingway, S. B. (Ed.), Henry IV, Part 1 (New Variorum Shake
87 Texts Hemingway, S. B. (ed.), Henry IV, Part 1 (New Variorum Shake speare, Philadelphia and London, 1936). Shaaber, Matthias A. (ed.), Henry IV, Part 2 (New Variorum Shakespeare, Philadelphia and London, 1940). Humphreys, A. R. (ed.), Henry IV, Part 1 (Arden Shakespeare, London, 1960). Humphreys, A. R. (ed.), Henry IV, Part 2 (Arden Shakespeare, London, 1966). Davison, P. H. (ed.), Henry IV, Part 1 (New Penguin Shakespeare, Harmondsworth, 1968). Davison, P. H. (ed.), Henry IV, Part 2 (New Penguin Shakespeare, Harmondsworth, 1977). Mack, Maynard (ed.), Henry IV, Part 1 (Signet Shakespeare, New York, 1965, 1987). Holland, Norman L. (ed.), Henry IV, Part 2 (Signet Shakespeare, New York, 1965). Bevington, David (ed.), Henry IV, Part 1 (Oxford Shakespeare, Oxford, 1987). Melchiori, Giorgio (ed.), Henry IV, Part 2 (Oxford Shakespeare, Oxford, 1989). The New Variorum Shakespeare editions are monumental works of scholarship for reference only. All the remaining editions cater for students' needs with critical introductions, notes, sources and so on. Long established with footnotes that are easily used, the Arden edition has always been very popular. The Signet and Penguin editions have made their mark and are quite economical. The recent Oxford editions have excellent illustrations and are strong on stage history. 88 Bibliographies, Guides and Surveys Bergeron, David M., and De Sousa, Geraldo U., Shakespeare: A Study and Research Guide (Lawrence, Kansas, 1987). Berry, Edward, 'Twentieth-century Shakespeare criticism: the his tories' in Stanley Wells (ed.), The Cambridge Companion to Shakespeare Studies (Cambridge, 1986). Burden, Dennis H., 'Shakespeare's History Plays: 1952-1983', Shakespeare Survey 38, 1985, pp. 1-18. -
ROMANTIC CRITICISM of SHAKESPEARIAN DRAMA By
ROMANTIC CRITICISM OF SHAKESPEARIAN DRAMA By JOHN g,RAWFORD Associate of Arts Texarkana College Texarkana, Texas 1956 Bachelor of Science in Education Ouachita Baptist University Arkadelphia, Arkansas 1959 Master of Science in Education Drake University Des Moines, Iowa 1962 Submitted to the faculty of .the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION May, 1968 OKLAHOMA STATE UNIVERSITY LIBRARY OCT 24 1968 ROMANTIC CRITICISM OF SHAKESPEARIAN DRAMA Thesis Approved: Thesis Adviser \ f ,A .. < \ Dean of the Graduate College ii ACKNOWLEDGMENTS I should like to· thank anumber·of people who helped me in many different ways during· the·preparation· of .this dissertation, notably Dr. David· S. Berkeley,·major adviser, who-lent words of encouragement, guidance, understanding, and patience; but also my committee members, Dr. Darrel Ray·, Pr~ Judson Milburn, and· .Dr~- Loyd Douglas; and. the Oklahoma State University library staff, especially Miss Helen Donart and Mrs • .:fosephine Monk. iii TABLE-OF CONTENTS Chap tel' Page. I. INTRODUCTION •••• 1 II. HAMLET .••• . ' . .. ... 29 III. ANTONY -~ CLEOPATRA • • • • . • • . • • • It • . • • . • .• • a1 ·IV. HENRYV· . ,. ". .• . 122 V. THE· MERCHANT ·QE. VENICE .- . "' . 153 VI. CONCLUSION • • ' . -. ,. 187 BIBLIOGRAPHY • • • • · • . .. 191 iv CHAPTER I INTRODUCTION Of all the so-called schools of Shakespearian criticism, the Romantic has been and continues to be one of the most influential. Per- haps this is true merely because of the impor~ance which the Romantic School places upon the genius of the subj~ct, for all schools of criti- cism recognize Shakespeare's ability at creating effective drama. A more accurate answer, however, probably lies in the fact that "romanti- cism" has a broad base and encompasses so very much. -
Sources of Lear
Meddling with Masterpieces: the On-going Adaptation of King Lear by Lynne Bradley B.A., Queen’s University 1997 M.A., Queen’s University 1998 A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the Department of English © Lynne Bradley, 2008 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photo-copying or other means, without the permission of the author. ii Meddling with Masterpieces: the On-going Adaptation of King Lear by Lynne Bradley B.A., Queen’s University 1997 M.A., Queen’s University 1998 Supervisory Committee Dr. Sheila M. Rabillard, Supervisor (Department of English) Dr. Janelle Jenstad, Departmental Member (Department of English) Dr. Michael Best, Departmental Member (Department of English) Dr. Annalee Lepp, Outside Member (Department of Women’s Studies) iii Supervisory Committee Dr. Sheila M. Rabillard, Supervisor (Department of English) Dr. Janelle Jenstad, Departmental Member (Department of English) Dr. Michael Best, Departmental Member (Department of English) Dr. Annalee Lepp, Outside Member (Department of Women’s Studies) Abstract The temptation to meddle with Shakespeare has proven irresistible to playwrights since the Restoration and has inspired some of the most reviled and most respected works of theatre. Nahum Tate’s tragic-comic King Lear (1681) was described as an execrable piece of dementation, but played on London stages for one hundred and fifty years. David Garrick was equally tempted to adapt King Lear in the eighteenth century, as were the burlesque playwrights of the nineteenth. In the twentieth century, the meddling continued with works like King Lear’s Wife (1913) by Gordon Bottomley and Dead Letters (1910) by Maurice Baring. -
Shakespearean Character and Cultural Change in the Eighteenth Century Amanda Cockburn, Department of Engl
“Magical Glasses”: Shakespearean Character and Cultural Change in the Eighteenth Century Amanda Cockburn, Department of English, McGill University, Montreal October 2011 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy (Ph.D.) © Amanda Cockburn, 2011 Acknowledgements I would like to acknowledge the exceptional guidance provided by my two supervisors, Paul Yachnin and Fiona Ritchie. Paul Yachnin’s enthusiasm for this project always put wind in my sails. I invariably left our meetings with a clearer vision of my own argument, thanks to Paul’s ability to help me untangle or articulate an idea with which I’d been struggling. I also left our meetings and took from our email exchanges a renewed determination and energy with which to approach my research. I am especially grateful for such a kind and generous mentor during my intellectual growth at McGill. I am also grateful for Fiona’s expertise in shaping this dissertation. Her knowledge of the field struck me many times as dauntingly encyclopedic, and I am indebted to her learning and indispensible feedback. I thank her for consistently pointing me to articles and books that proved invaluable to the development of my argument. I also must thank both Paul and Fiona for their extraordinarily perceptive and meticulous editing. I likewise thank members of the Shakespeare and Performance Research Team at McGill University, especially Michael Bristol for our conversations about Shakespeare and moral philosophy, and Wes Folkerth, whose graduate class on Shakespearean Character helped form the initial idea for this project. I am also deeply indebted to SPRITE for sending me twice to the Folger Shakespeare Library, that wonderful treasure trove, where I whet my appetite for archival work and afternoon tea. -
Shakespearean Character and Cultural Change in the Eighteenth Century
“Magical Glasses”: Shakespearean Character and Cultural Change in the Eighteenth Century Amanda Cockburn, Department of English, McGill University, Montreal October 2011 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy (Ph.D.) © Amanda Cockburn, 2011 Acknowledgements I would like to acknowledge the exceptional guidance provided by my two supervisors, Paul Yachnin and Fiona Ritchie. Paul Yachnin’s enthusiasm for this project always put wind in my sails. I invariably left our meetings with a clearer vision of my own argument, thanks to Paul’s ability to help me untangle or articulate an idea with which I’d been struggling. I also left our meetings and took from our email exchanges a renewed determination and energy with which to approach my research. I am especially grateful for such a kind and generous mentor during my intellectual growth at McGill. I am also grateful for Fiona’s expertise in shaping this dissertation. Her knowledge of the field struck me many times as dauntingly encyclopedic, and I am indebted to her learning and indispensible feedback. I thank her for consistently pointing me to articles and books that proved invaluable to the development of my argument. I also must thank both Paul and Fiona for their extraordinarily perceptive and meticulous editing. I likewise thank members of the Shakespeare and Performance Research Team at McGill University, especially Michael Bristol for our conversations about Shakespeare and moral philosophy, and Wes Folkerth, whose graduate class on Shakespearean Character helped form the initial idea for this project. I am also deeply indebted to SPRITE for sending me twice to the Folger Shakespeare Library, that wonderful treasure trove, where I whet my appetite for archival work and afternoon tea. -
Delius the Walk to the Paradise Garden from a Village Romeo and Juliet Readings from Shakespeare’S Henry IV, Parts 1 and 2 Greg Vinkler Elgar Falstaff, Op
Program One HunDReD TWenTy-FiRST SeaSOn Chicago Symphony orchestra riccardo muti Music Director Pierre Boulez Helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, January 12, 2012, at 8:00 Friday, January 13, 2012, at 1:30 Saturday, January 14, 2012, at 8:00 Sunday, January 15, 2012, at 3:00 Sir mark Elder Conductor Chicago Shakespeare Theater guest artists Barbara gaines artistic director greg Vinkler actor Delius The Walk to the Paradise Garden from A Village Romeo and Juliet Readings from Shakespeare’s Henry IV, Parts 1 and 2 GReG VinkleR Elgar Falstaff, Op. 68 InTErmISSIon rimsky-Korsakov Musical Pictures from The Legend of the Invisible City of Kitezh and the Maiden Fevroniya introduction: in Praise of the Wilderness— Fevroniya’s Wedding Procession— The Battle of kerzhenets— The Blessed Death of Fevroniya—The Road to the invisible City First Chicago Symphony Orchestra subscription performances of the last three Tchaikovsky Romeo and Juliet This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEnTS By PHilliP HuSCHeR Frederick Delius Born January 29, 1862, Bradford, England. Died June 10, 1934, Grez-sur-Loing, France. The Walk to the Paradise Garden elius is an odd figure in English benefit of Leipzig apparently was Dmusic. Born in England to his contact and eventual friendship German parents, he came into with Edward Grieg, whose letter to his own as a composer in the Delius’s father convinced him that United States (while working as an his son was destined for a career orange grower in Florida, where in music. -
Demo Version
DEMO VERSION This file was created with the DEMO VERSION of CAD-KAS PDFs 2 One. This is the reason why this file contains this page. The order the full version please visit our website under http://www.cadkas.com ACCOU NTANT Subject Caption Print No. Year Artist Foster, Mr. Harry Seymour An Undersheriff 1783 1891 SPY AMBASSADORS FROM ENGLAND 1459 Doyle, Mr. Percy William,C. B. Diplomacy 1873 Unsigned Durand, The Right Hon. Sir Henry Mortimer, Washington Post 1543 1904 SPY G.C.M.G., K.C.S.I., K.C.I.E. Elliot, The Right Hon. Sir Henry George, G.C.B. Ambassador To The 6-203 1877 SPY Porte Herbert, Sir Michael Henry, P.C., K.C.M.G. Washington 901 1903 SPY Hudson, Sir James, G.C.B. Ill-Used B-142 1874 APE Last~elles,Sir Frank Cavendish, P.C., G.C.B., G.C.M.G. Berlin B-285 1902 SPY Lyons, Lord Dip3macy 1739 1878 APE MacDonald, Sir Claude Maxwell, K.C.B. Tokio B-86 1901 SPY Malet, Sir Edward Baldwin, K.C.B. Justice! Justice! B-289 1884 SPY O’Conor, The Rt. Hon. Sir Nicholas. G.C.M.G. Diplomacy B-348 1907 SPY Russell, The Right Hon. Lord Odo William Odo 1410 1877 SPY Dwand. He,,~y Leopold, G.C.B. ‘~ Thornton, H.E. The Right Hon. Sir Edward, G.C.B. A Safe Ambassador 6-47 1886 APE Wellesley, Colonel the Hon. Frederick Arthur Promotion by Merit 1574 1878 APE Wyke, Sir Charles Lennox, K.C.B., G.C.M.G. -
Durham Cathedral an Address
DURHAM CATHEDRAL AN ADDRESS DELIVERED SEPTEMBER 24, I879. BY W I L L I A M G R E E NWELL, M.A.. D.C.L.. F.R.S.. F.S.A. THIRD EDITION. WITH PLAN AND ILLUSTRATIONS. Durham : ANDREWS & CO.. 64. SADDLER STREET. 1889. D U R H A M : THOS. CALDCLEUGH, PRINTER. 70. SADDLER STREET. TO THE MEMORY OF William of Saint Carilef THIS ATTEMPT TO ILLUSTRATE THE NOBLE CHURCH WHICH HIS GENIUS AND PIETY HAVE BEQUEATHED TO US IS DEDICATED. 53494 PREFACE. THE following account of the Cathedral Church of Durham was addressed to the members of the Berwickshire Naturalists' Club and the Durham and Northumberland Archaeological and Architectural Society, at a joint meeting of the Societies, held in the Cathedral, on September 24, 1879. This will explain the form under which it appears, and, it is to be hoped, excuse the colloquial and somewhat desultory way in which the subject is treated. It was not the intention of the author of the address, when it was given, that it should appear in any other form than that of an abstract in the Transactions of the Societies to which it was delivered. Several of his friends, however, have thought that printed in externa it might be of service as a Guide Book to the Cathedral, and supply what has been too long wanting in illustration of the Church of Durham. To this wish he has assented, but with some reluctance, feeling how inadequate is such a treatment of a subject so important. Some additional matter has been supplied in the notes which will help to make it more useful than it was in its original form. -
University Microfilms Copyright 1982 by Greenwood, Kathy Lynn All
8207191 Greenwood, Kathy Lynn THE TRANSFORMING EYE: THE POETIC FICTIONS OF FALSTAFF AND CLEOPATRA The Ohio State University PH.D. 1981 University Microfilms International300 N. Zeeb Road, Ann Arbor, MI 48106 Copyright 1982 by Greenwood, Kathy Lynn All Rights Reserved PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a checkV mark. 1. Glossy photographs or pages______ 2. Colored illustrations, paper or print_____ 3. Photographs with dark background_____ 4. Illustrations are poor copy______ 5. Pages with black marks, not original copy_____ 6. Print shows through as there is text on both sides of page_____ 7. Indistinct, broken or small print on several pages______ 8. Print exceeds margin requirements_____ 9. Tightly bound copy with print lost in spine_____ 10. Computer printout pages with indistinct print______ 11. Page(s)___________lacking when material received, and not available from school or author. 12. Page(s)___________seem to be missing in numbering only as text follows. 13. Two pages numbered 320 Text follows. 14. Curling and wrinkled pages______ 15. Other____________________________________________________________________ University Microfilms International THE TRANSFORMING EYE: THE POETIC FICTIONS OF FALSTAFF AND CLEOPATRA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kathy L. Greenwood, B.A., M.A. The Ohio State University 1981 Reading Committee: Approved By Prof* Julian Markels Prof* Rolf Soellner Prof. Robert C. Jones Advise) Department cff English VITA Kathy L. Greenwood March 8, 1949. .... B o m - Marfa, Texas 1973 ........ -
The First Part of King Henry IV: Updated Edition Edited by Herbert Weil and Judith Weil Frontmatter More Information
Cambridge University Press 978-0-521-68743-0 - The First Part of King Henry IV: Updated edition Edited by Herbert Weil and Judith Weil Frontmatter More information THE NEW CAMBRIDGE SHAKESPEARE general editor Brian Gibbons associate general editor A. R. Braunmuller, University of California, Los Angeles From the publication of the first volumes in 1984 the General Editor of the New Cambridge Shakespeare was Philip Brockbank and the Associate General Editors were Brian Gibbons and Robin Hood. From 1990 to 1994 the General Editor was Brian Gibbons and the Associate General Editors were A. R. Braunmuller and Robin Hood. THE FIRST PART OF KING HENRY IV This updated edition offers a strongly theatrical perspective on the origins of Shakespeare’s The First Part of King Henry IV and the history of its interpretation. The introduction clarifies the play’s surprising, de-centred dramatic structure, questioning the dominant assumption that the drama focuses on the education of Prince Hal. It calls attention to the effects of civil war upon a broad range of relationships. Falstaff’s unpredictable vitality is explored, together with important contemporary values of honour, friendship, festivity and reformation. Extensive lexical glosses of obscure, ambiguous or archaic meanings make the rich word- play accessible. The notes also provide a thorough commentary on Shakespeare’s transfor- mation of his sources (particularly Holinshed’s Chronicles) and suggest alternative stagings. This updated edition contains a new introductory section by Katharine A. -
Falstaff Author(S): Edward Elgar Source: the Musical Times, Vol
Falstaff Author(s): Edward Elgar Source: The Musical Times, Vol. 54, No. 847 (Sep. 1, 1913), pp. 575-579 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/908045 Accessed: 27-11-2015 09:47 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 193.61.135.112 on Fri, 27 Nov 2015 09:47:46 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES.-SEPTEMBER I, 1913- 575 worksof Cesar Franck,Vincent d'Indy, Chabrier,Debussy, would be unendurable.'* 'He had been FlorentSchmitt, Deodat de Severac,Erik Satie, Ravel ; by to the Duke of a fact which Miss whose well-controlled page Norfolk, MarjorieThompson, full, mezzo, to his of and and excellentFrench pronunciation won golden opinions, her certifies respectability position share in the programmeconsisting of troubadoursongs, airs inferentiallyto his possessing the instincts of by Lulli, Rameau, Rousseau,Gretry ; modernsongs by Lalo, a gentleman; had associated with John of and Franck, Delibes, Faure, Debussy; by Mr. -
The History of Parliament Trust REVIEW of ACTIVITIES in the YEAR 2014-15
The History of Parliament Trust REVIEW OF ACTIVITIES IN THE YEAR 2014-15 - 1 - Objectives and Activities of the History of Parliament Trust The History of Parliament is a major academic project to create a scholarly reference work describing the members, constituencies and activities of the Parliament of England and the United Kingdom. The volumes either published or in preparation cover the House of Commons from 1386 to 1868 and the House of Lords from 1603 to 1832. They are widely regarded as an unparalleled source for British political, social and local history. The volumes consist of detailed studies of elections and electoral politics in each constituency, and of closely researched accounts of the lives of everyone who was elected to Parliament in the period, together with surveys drawing out the themes and discoveries of the research and adding information on the operation of Parliament as an institution. The History has published 21,420 biographies and 2,831 constituency surveys in ten sets of volumes (41 volumes in all). They deal with 1386-1421, 1509-1558, 1558-1603, 1604- 29, 1660-1690, 1690-1715, 1715-1754, 1754-1790, 1790-1820 and 1820-32. All of these articles are now available on www.historyofparliamentonline.org . The History’s staff of professional historians is currently researching the House of Commons in the periods 1422-1504, 1640-1660, and 1832-1868, and the House of Lords in the periods 1603-60 and 1660-1832. The three Commons projects currently in progress will contain a further 7,251 biographies of members of the House of Commons and 861 constituency surveys.