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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Chicago's Goodman Theatres the Transition from a Division of the Art Institute of Chicago to an Independent Regional Theatre
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in "sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
2017–2018 JJC Fine Arts Events Calendar
Fine2017–2018 Arts JJC Fine Arts Events Calendar JJC’s musicalMusic performances offer something for everyone. The JJC Chorale, made up of both students and community members, performed on April 30, 2017. Event Information September February 27 Noon Student Recital 13 Noon Student Recital All music events are held in the JJC Fine Arts Theatre on Main Campus October March unless otherwise noted. 25 Noon Student Recital 18 4 p.m. Metropolitan 29 4 p.m. Metropolitan Youth Youth Symphony Orchestra Concert admission: Symphony Orchestra (unless otherwise noted) (Admission $10) (Admission $10) 28 Noon Student Recital $5, general public $4, senior citizens, JJC faculty and staff November and non-JJC students 29 Noon Student Recital April $2, JJC students 25 Noon Student Recital 29 3 p.m. Choral Musica Viva, Student Recitals December Masterworks and Honors Recitals are free admission. 1 7:30 p.m. Jazz Band Concert Concert featuring MadriGala is $15. Call (815) 280-2200 to reserve your 3 3 p.m. Community the JJC Chamber ticket. Reservations required by Dec. 5, 2017. Band Concert Singers and 8 7:30 p.m. MadriGala JJC Chorale featuring the JJC Chamber Singers May 10 3 p.m. Carols and Chocolate Concert 4 7:30 p.m. Jazz Band featuring the Concert JJC Chorale 6 3 p.m. Community 12 7:30 p.m. Guitar and Band Concert Percussion 7 7:30 p.m. Honors Recital Ensembles 8 7:30 p.m. Guitar and Combined Percussion Concert Ensembles Combined The JJC Community Band performed on May 7, 2017. Concert The Musica Viva MusicaConcert Series features a diverse array of guest and faculty Viva artists and ensembles each season. -
Jacob's Pillow Announces Full Schedule of Virtual
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR MORE INFORMATION AND PHOTOS CONTACT: Nicole Tomasofsky, Interim Director of Marketing & Communications [email protected] JACOB’S PILLOW ANNOUNCES FULL SCHEDULE OF VIRTUAL FESTIVAL WITH A MODEL THAT SHARES DONATIONS FOR PERFORMANCES WITH ARTISTS July 1, 2020 (Becket, MA) —Jacob’s Pillow, home to the longest-running dance festival in the United States, launches a Virtual Festival with eight weeks of free programming, July 7-August 29. Weekly highlights feature streams of beloved Festival performances from the past ten years, a series of new PillowTalks with leaders in the dance field, an online version of the beloved intergenerational movement class Families Dance together, and a new Master Class Series from The School at Jacob’s Pillow. Attendees are encouraged to make a contribution in lieu of purchasing a ticket and fifty percent of donations for performances will be shared with the artists featured. Community Engagement events will share proceeds with local community organizations. “After we canceled our on-site Festival due to the global pandemic, we soon realized the need to fulfill our mission by engaging artists and audiences in a quintessential summer experience from Jacob’s Pillow virtually,” says Jacob’s Pillow Executive & Artistic Director Pamela Tatge. “The civic organizing and protests confronting racism and inequality in our country greatly impacts our organization’s decision-making. The model we envision is one that is free for all, made more accessible by being entirely online, pays artists and scholars for their time, and provides artists with additional support during a time when many have lost their income. -
David Mamet in Conversation
David Mamet in Conversation David Mamet in Conversation Leslie Kane, Editor Ann Arbor Copyright © by the University of Michigan 2001 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ∞ Printed on acid-free paper 2004 2003 2002 2001 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data David Mamet in conversation / Leslie Kane, editor. p. cm. — (Theater—theory/text/performance) Includes bibliographical references and index. ISBN 0-472-09764-4 (cloth : alk. paper) — ISBN 0-472-06764-8 (pbk. : alk. paper) 1. Mamet, David—Interviews. 2. Dramatists, American—20th century—Interviews. 3. Playwriting. I. Kane, Leslie, 1945– II. Series. PS3563.A4345 Z657 2001 812'.54—dc21 [B] 2001027531 Contents Chronology ix Introduction 1 David Mamet: Remember That Name 9 Ross Wetzsteon Solace of a Playwright’s Ideals 16 Mark Zweigler Buffalo on Broadway 22 Henry Hewes, David Mamet, John Simon, and Joe Beruh A Man of Few Words Moves On to Sentences 27 Ernest Leogrande I Just Kept Writing 31 Steven Dzielak The Postman’s Words 39 Dan Yakir Something Out of Nothing 46 Matthew C. Roudané A Matter of Perception 54 Hank Nuwer Celebrating the Capacity for Self-Knowledge 60 Henry I. Schvey Comics -
Norbert Brainin, Primarius of the Amadeus Quartet
Click here for Full Issue of Fidelio Volume 14, Number 1-2, Spring-Summer 2005 Norbert Brainin: Founder and Primarius of the Amadeus Quartet he death of violinist Norbert exactly the kind of violin playing TBrainin on April 10, 2005, which you need in order to play came as a shock, and is still Beethoven’s music,” said Brainin. difficult to grasp. He died at the “It means, producing a certain age of 82 in London. With him the singing tone. It’s like the bel canto world loses one of those truly great technique in singing. And, like a artists and human beings, who, singer, you have to rehearse this because of their moral integrity every day. Every day.” Yet, aside and extraordinary charisma, are from all the talent and able to shape an entire epoch, since industriousness, as well as the they are able to successfully enthusiasm and joy in doing mediate in all cultures precisely creative work, the cultural and that which makes man unique: the personal background of the joy in creative work. Anyone who members of the Amadeus Quartet has seen firsthand only once, how was also a decisive reason for its intensively, precisely, and success, and for that the career of rigorously—but never ever Norbert Brainin is exemplary. pedantically, always inspiring, EIRNS loose, and with a lot of jokes— The Development of a Great Norbert Brainin was capable of Musician teaching especially young IN MEMORIAM Born in 1923 in Vienna, Brainin’s musicians, how great Classical enthusiasm and talent for playing works are to be performed, so that the violin became clear already at the listeners can be reached and 2004—an interview which now the age of 6, when he saw the 12-year- ennobled in the best Schillerian sense, unfortunately has become the very last old prodigy Yehudi Menuhin perform understands the deeper meaning of of his life. -
Preliminaries: Saturday, March 6, 2021 Finals
Preliminaries: Saturday, March 6, 2021 The Preliminaries will be held for competitors and judges only. Finals: Saturday, March 20, 2021 Live-Streamed Event - 1-5 p.m. The objective of the Denver Lyric Opera Guild is the encouragement and support of young singers and the continuing education of members in the appreciation and knowledge of opera. For more information on DLOG Membership and Member Events www.denverlyricoperaguild.org Denver Lyric Opera Guild Denver Lyric Opera Guild is a non-profit membership organization of over 180 members. DLOG was founded in 1965 to help support the Denver Lyric Opera Company. The opera company was forced to close in 1968, but the Guild pursued other programs in keeping with its purpose to encourage and support young singers and provide continuing education to the members in the appreciation and knowledge of opera. Competition for Colorado Singers In 1984, the Guild inaugurated its signature event, the Competition for Colorado Singers, to support singers ages 23-32 in pursuing their operatic careers. Since then, the Guild has awarded over $850,000 to Competition winners. Hundreds of young singers have successfully launched their operatic and musical careers since winning the Competition. Grants The Guild provides grants to Colorado’s colleges and universities for vocal scholarships, and to apprentice opera programs. Over the years, these grants have totaled over $812,000 from the earnings on our endowment. Grants are given to the voice performance programs at Colorado State University, Metro State University of Denver, University of Colorado, University of Denver, University of Northern Colorado, and young artist apprentice programs of Central City Opera, Opera Colorado, Opera Fort Collins, and Opera Theatre of the Rockies in Colorado Springs. -
NORDIC COOL 2013 Feb. 19–Mar. 17
NORDIC COOL 2013 DENMARK FINLAND Feb. 19–MAR. 17 ICELAND NorwAY SWEDEN THE KENNEDY CENTER GREENLAND THE FAroE ISLANDS WASHINGTON, D.C. THE ÅLAND ISLANDS Nordic Cool 2013 is presented in cooperation with the Nordic Council of Ministers and Denmark, Finland, Iceland, Norway, and Sweden. Presenting Underwriter HRH Foundation Festival Co-Chairs The Honorable Bonnie McElveen-Hunter, Marilyn Carlson Nelson, and Barbro Osher Major support is provided by the Honorable Bonnie McElveen-Hunter, Mrs. Marilyn Carlson Nelson and Dr. Glen Nelson, the Barbro Osher Pro Suecia Foundation, David M. Rubenstein, and the State Plaza Hotel. International Programming at the Kennedy Center is made possible through the generosity of the Kennedy Center International Committee on the Arts. NORDIC COOL 2013 Perhaps more so than any other international the Faroe Islands… whether attending a performance festival we’ve created, Nordic Cool 2013 manifests at Sweden’s Royal Dramatic Theatre (where Ingmar the intersection of life and nature, art and culture. Bergman once presided), marveling at the exhibitions in Appreciation of and respect for the natural environment the Nobel Prize Museum, or touring the National Design are reflected throughout the Nordic countries—and Museum in Helsinki (and being excited and surprised at they’re deeply rooted in the arts there, too. seeing objects from my personal collection on exhibit there)… I began to form ideas and a picture of the The impact of the region’s long, dark, and cold winters remarkable cultural wealth these countries all possess. (sometimes brightened by the amazing light of the , photo by Sören Vilks Sören , photo by aurora borealis). -
D.C. CHIEF FINANCIAL OFFICER Jeffrey Dewitt Attachment A
Attachment A D.C. CHIEF FINANCIAL OFFICER Jeffrey DeWitt Executive Assistant Acting Executive Director CIO Michelle Johnson Ridgely Bennett Alok Chadda TE: 4 Director of Information Technology Special Assistant Chief Operating Officer Gordon Wong Jennifer Thomas Tracey Cohen FTE: 14 Director, Sports Wagering Oversight & Chief of Compliance & Director of Resource Agency Fiscal Officer Enforcement Management Regulation Craig Lindsey Derrica Wilson Gwen Washington Peter Alvarado FTE: 11 FTE: 11 FTE: 10 FTE: 13.5 Director of Sales Arthur Page FTE: 10 Director of Communications and Marketing FY 2021 Approved Nicole Jordan Budgeted Positions FTE: 15 Total FTEs: 88.5 1 Attachment A Office of Executive Direction FTE: 4 Acting Executive Director Executive Assistant Ridgely Bennett Michelle Johnson 1015 1015 Special Assistant Chief Operating Officer Jennifer Thomas Tracey Cohen 1015 1015 2 Attachment A Security and Licensing FTE: 10 Department Chief Compliance & Enforcement Staff Assistant Derrica Wilson Shameka Bryant 1075 1075 Program Specialist Investigator Russell Bruce Scott Miller 6500 1075 Program Specialist Sarita Curtis Investigator 6500 Edwardo Jackson 1075 Program Specialist Keisha Staples 6500 Systems and Compliance Program Specialist Investigator Niki Mathis Ethan Murphy 6500 1075 Program Specialist Matthew Pinder 6500 3 Attachment A Office of Resources Management FTE: 13.5 Resource Management Director of Resource Management Coordinator Gwen Washington 1010 Dionne Bryant 1010 Chief of Customer Service Chief of Support Services Michael Morton Jonah Ray 1010 Senior Lottery Draw 1030 Specialist Customer Service Anthony Edwards Specialist 6400 Support Services Specialist Grant Jackson Wayne Carrington 1010 1030 Customer Service Lottery Draw Specialist Specialist Juanita Burns (PT) 6400 Support Services Cheryl Malone Specialist 1010 Charles Butler, Jr. -
Love Letters at the Wallis Directed by Gregory Mosher 16 Performances Only! Oct 13 to 25, 2015
NEWS RELEASE Legendary Hollywood Stars ALI MACGRAW & RYAN O’NEAL Star in A.R. Gurney’s Love Letters At The Wallis Directed by Gregory Mosher 16 performances only! Oct 13 to 25, 2015 Beverly Hills, CA – (Sep 11, 2015) – They made history 45 years ago when they starred in Love Story, the most talked about film of its day--Ali MacGraw and Ryan O’Neal now reunite for Love Letters, a special theatrical tour that will make its official tour launch at the Wallis Annenberg Center for the Performing Arts. Love Letters by celebrated American playwright A.R. Gurney is an enduring romance about first loves and second chances. It will perform Tuesay, Oct 13 through Sunday, Oct 25, (press opening Oct. 14), onstage at the Bram Goldsmith Theater at The Wallis. Love Letters is directed by two time Tony-winning director Gregory Mosher. Critical praise for Love Letters began in July during the U.S. tour’s preview Florida engagement. “The forever-linked co-stars of the 1970 movie Love Story are delivering something more than Gurney’s 1988 play: long-ago cinematic love and loss, nostalgia, the easy warmth of long-time friends,” said the Miami Herald. “In between, O’Neal and MacGraw bring Gurney’s rich characters to life in heartbreak and tears (and with lots of audible gasps from the audience). Certain truths about the heart don’t change. And neither do the chemistry and charisma of the Love Story/Love Letters stars.” About Love Letters Love Letters is the story of Andrew Makepeace Ladd III (O’Neal) and Melissa Gardner (MacGraw), two young people from similar backgrounds who take very different paths in life. -
Devil in the Flesh Getting Married Is to Report the Cousins to the Immigration Bureau
When Catherine falls in love with one the theatre of the two illegal immigrants that they put up—cousins from the Old Coun- try—Eddie’s only way to keep her from devil in the flesh getting married is to report the cousins to the Immigration Bureau. By drop- Arthur Miller and Noël Coward on acting out. ping the dime, Eddie betrays his wife, his niece, his relatives, himself, and, by BY John LAHR extension, his entire tribe. The story’s symmetry is elemental and terrifying; it hurtles to its conclusion, propelled by Schreiber’s uncanny, incandescent performance. Saturnine and strapping, Eddie en- ters in a cloth cap and an overcoat as rumpled as the world he inhabits. He is driven by feelings that he can neither fathom nor control, and which he hides beneath a show of paternal concern. “Listen, you been givin’ me the willies the way you walk down the street, I mean it,” he tells his curvaceous niece, taking in her hourglass figure from the comfort of his easy chair. “Catherine, I don’t want to be a pest, but I’m tellin’ you you’re walkin’ wavy.” Of the many gifts that Schreiber brings to the role— a swift mind, a pitch-perfect ear for the sludge of the demotic, a reservoir of re- strained aggression, an ability to lis- ten—the most important, it seems to me, is a sense of his own unresolved na- ture, an inchoate longing that makes him a perfect emotional fit for Eddie. There’s a loneliness and an agitation in Schreiber that are at odds with his tech- nical command; this combination of fragility and force makes him seem both mysterious and dangerous, and there- fore compelling to watch. -
Appleton, WI Using Wicked As a Platform, the Fox Cities Performing Arts Center in Appl
Fox Cities Performing Arts Center, Inc. - Appleton, WI Using Wicked as a platform, the Fox Cities Performing Arts Center in Appleton, Wisconsin, in partnership with Bergstrom-Mahler Museum, will work with 30 at-risk high school students during a new four-month project entitled "Changed for Good." Using the medium of glass, students will explore life lessons found in Wicked. Lessons on inner worth, self-evaluation and respect towards others will be taught through the students' attendance at a performance of Wicked, classroom workshops, and the creation of their own glass artwork for public display. Hippodrome Foundation, Inc. - Baltimore, MD Starting this November, HFI will implement a literacy and arts program - "Bringing Tales to Life" - introducing arts to low-income 6th grade students to open young minds to experiences, knowledge and dreams they may not otherwise have a chance to develop. This program ties into core curriculum providing 40 students tools to study, write, illustrate and explore the concept of adventure talks in connection with Peter and the Starcatcher. This five-part program teaches students the key elements of an adventure tale. Students use the elements to write and illustrate their own hardbound story book. Shea's Performing Arts Center - Buffalo, NY Starting this September, Shea's Performing Arts Center will work with 7th grade students at Buffalo's International Preparatory School #198 to create an all-encompassing program centered around the Touring Broadway production of War Horse that will focus on history, puppetry, writing and performance. Students will learn about World War I and the crucial role that horses played in the war.