Satanism: Crime, Deviance and Disorders
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Handbook of Religious Beliefs and Practices
STATE OF WASHINGTON DEPARTMENT OF CORRECTIONS HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES 1987 FIRST REVISION 1995 SECOND REVISION 2004 THIRD REVISION 2011 FOURTH REVISION 2012 FIFTH REVISION 2013 HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES INTRODUCTION The Department of Corrections acknowledges the inherent and constitutionally protected rights of incarcerated offenders to believe, express and exercise the religion of their choice. It is our intention that religious programs will promote positive values and moral practices to foster healthy relationships, especially within the families of those under our jurisdiction and within the communities to which they are returning. As a Department, we commit to providing religious as well as cultural opportunities for offenders within available resources, while maintaining facility security, safety, health and orderly operations. The Department will not endorse any religious faith or cultural group, but we will ensure that religious programming is consistent with the provisions of federal and state statutes, and will work hard with the Religious, Cultural and Faith Communities to ensure that the needs of the incarcerated community are fairly met. This desk manual has been prepared for use by chaplains, administrators and other staff of the Washington State Department of Corrections. It is not meant to be an exhaustive study of all religions. It does provide a brief background of most religions having participants housed in Washington prisons. This manual is intended to provide general guidelines, and define practice and procedure for Washington State Department of Corrections institutions. It is intended to be used in conjunction with Department policy. While it does not confer theological expertise, it will, provide correctional workers with the information necessary to respond too many of the religious concerns commonly encountered. -
Satanism’S Prime Mover
©2007 Peter H. Gilmore ISBN 10: 0-9764035-7-9 (cloth) ISBN 13: 978-0-9764035-7-9 ISBN 10: 0-9764035-9-5 (paperback) ISBN 13: 978-0-9764035-9-3 All rights reserved 9 8 7 6 5 4 3 2 Goat of Mendes Painting by Peter Gilmore Interior Illustrations by Timothy Patrick Butler Author Portrait by Chistopher R. Mealie Typesetting and Design by Keven I. Slaughter Baltimore, MD ScapegoatPublishing.com Printed in Singapore FOR PEGGY -=my beloved=- To: Anton Szandor LaVey, Satanism’s Prime Mover. Blanche Barton, whose strength is legendary. Those who have been with me from the beginning: Ruth & Coop—stalwart co-conspirators, the founding members of the Order of Fenris—Magister Diabolus Rex, Magister Nemo, Magistra Isabel, and Reverend Manning. Charles Addams, who rendered our kin and Arthur Fellig, a romantic realist. Bela Lugosi, Boris Karloff, Vincent Price, and Christopher Lee, who gave eternal life to multifaceted monsters. Ayn Rand and Madalyn Murray O’Hair, women of monumental courage. Jim Knipfel and George Carlin, fellow misanthropes. Eiji Tsuburaya and Akira Ifukube, who gave form and voice to the classic Daikaiju. Joi Lansing and Mamie Van Doren, bountiful bombshells. Jackie Gleason, Oscar Levant, and Orson Welles, remarkable polymaths who unleashed their dark sides. John Kennedy Toole and Mel Brooks, who show us how deeply funny the human animal can be. Frank Herbert, who saw potential and Gene Roddenberry, who created an Is-To-Be. And To: The magnificent Magisters and Magistras, profound Priests and Priestesses, wondrous Witches and Warlocks, astounding Agents, and the ever-inspiring loyal cohort that makes up the Citizenry of our Infernal Empire— you are an aristocracy of achievers, many of whom are cherished friends, and cannot know how very much you each mean to me. -
Anton Lavey, the Satanic Bible and the Satanist "Tradition"1
CORE Metadata, citation and similar papers at core.ac.uk Provided by Publikations- und Dokumentenserver der Universitätsbibliothek Marburg Marburg Journal of Religion: Volume 7, No. 1 (September 2002) Diabolical Authority: Anton LaVey, The Satanic Bible and the Satanist "Tradition"1 James R. Lewis University of Wisconsin, Stevens Point, USA Dept. of Philosophy and Religious Studies eMail: [email protected] We have a bible. We have a pro-human dogma. We have a church. We have a tradition. - From the Church of Satan's official website. The status of The Satanic Bible as an authoritative scripture-or, perhaps more accurately, as a kind of quasi-scripture-within the Satanic subculture was initially brought to my attention during my first face-to-face encounter with Satanists in the Spring of 2000. Via the internet, I had found a small Satanist group in Portage, Wisconsin, which was about an hour south of where I resided at the time. This group, the Temple of Lylyth, distinguishes itself from Anton LaVey's brand of Satanism chiefly by its emphasis on feminine nature of the Dark Power. I arranged to meet with them in Portage on a Friday evening in connection with a research project on which I was working at the time. Over the course of our conversation, the founder and then leader of the group mentioned that on Friday evenings he was usually downtown where a small group of fervent Christians regularly set up what might be called a "preaching station" to spread the Gospel. This young fellow (he was nineteen at the time) would confront them as a practicing Satanist. -
Caves of Wonder
CAVES OF WONDER: THE LEGITIMACY OF THE GROTTO AS A SUBTERRANEAN LANDSCAPE ELEMENT by VANESSA D. BERNSTEIN (Under the Direction of Marianne Cramer) ABSTRACT This thesis explores the relevance of the grotto as an architectural type through time and will propose design possibilities for continuing this tradition in the twenty first century. Specifically, it investigates grotto works from the classical period through the twentieth century. Emphasis will be placed on the form, meaning, and purpose of the grotto as an underground chamber or passage. This thesis also considers the grotto as a platform for theoretical speculation on the implications of designing below the earth’s surface. The final component of the thesis is a design application comprised of three stories with corresponding collages that portray the design process for grotto inspired structures. INDEX WORDS: grottoes, nymphaea, fountain design, artificial caves, subterranean architecture, garden structures, follies, symbolism in architecture, survival of antiquity, visionary art, landscape architecture, historic preservation, cultural history CAVES OF WONDER: THE LEGITIMACY OF THE GROTTO AS A SUBTERRANEAN LANDSCAPE ELEMENT By VANESSA D. BERNSTEIN BA, Black Hills State University, 1992 MA, State University of West Georgia, 1996 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF LANDSCAPE ARCHITECTURE ATHENS, GEORGIA 2005 © 2005 Vanessa D. Bernstein All Rights Reserved CAVES OF WONDER: THE LEGITIMACY OF THE GROTTO AS A SUBTERRANEAN LANDSCAPE ELEMENT by VANESSA D. BERNSTEIN Major Professor: Marianne Cramer Committee: Bonnie Cramond Ian Firth William Mann Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2005 iv ACKNOWLEDGEMENTS I would like to first thank my parents for always supporting my pursuits and believing in the life course I have chosen. -
Satanists and Scholars: a Historiographic Overview And
Satanists and Scholars: A Historiographic Overview and Critique of Scholarship on Religious Satanism Cimminnee Holt A Thesis in The Department Of Religion Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Religion) at Concordia University Montreal, Quebec, Canada August 2012 © Cimminnee Holt, 2012 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Cimminnee Holt Entitled: Satanists and Scholars: A Historiographic Overview and Critique of Scholarship on Religious Satanism and submitted in partial fulfillment of the requirements for the degree of Master of/Magisteriate in Arts (Religion) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Dr. Carly Daniel‐Hughes Chair Dr. Lorenzo DiTommaso Examiner Dr. Donald L. Boisvert Supervisor Approved by: _______________________________________________________________ Chair of Department or Graduate Program Director ________________________________________________________________ Dean of Faculty Date: ________________________________________________________________ ABSTRACT Satanists and Scholars: A Historiographic Overview and Critique of Scholarship on Religious Satanism Cimminnee Holt This thesis is a summary of scholarship on religious Satanism, a critique of claims, approaches, and methodologies within these studies, and a proposal for future considerations within the scholarship. It begins with the early academic mentions of the founding of the Church of Satan, as scholars approach it as evidence of the larger counterculture movement of American society in the 1960s. It is followed by a treatise on the schisms of the Church of Satan in the 1970s, and the scholarly studies surrounding questions of authority and legitimacy. It concludes with a summary and critique of contemporary research on the great variety of religious Satanic groups, and their internal dynamics and social tensions. -
Who Serves Satan? a Demographic and Ideological Profile
Marburg Journal of Religion: Volume 6, No. 2 (June 2001) Who Serves Satan? A Demographic and Ideological Profile James R. Lewis Dept. of Philosophy and Religious Studies University of Wisconsin, Stevens Point, USA Email: [email protected] Abstract: In order to test conventional wisdom about modern Satanists, an online questionnaire was used to gather data from 140 respondents. Based on this data, a demographic and ideological profile was constructed which indicated that the statistically-average Satanist is an unmarried, white male in his mid-twenties with a few years of college. He became involved in Satanism through something he read in high school, and has been a self-identified Satanist for more than seven years. Raised Christian, he explored one non-Satanist religious group beyond the one in which he was raised before settling into Satanism. His view of Satan is some variety of non-theistic humanism and he practices magic. The length of average involvement and the often reflective responses to open- ended questions indicates that, far from being confined to adolescent rebels, many Satanists are reflective individuals who--despite the fact that youthful rebellion was usually a factor in the beginning--have come to appropriate Satanism as a mature religious option. Introduction In Mephistopheles, the final volume in his magisterial study of the history of the Devil, Jeffrey Burton Russell contemptuously dismisses modern, religious Satanism as represented by Anton Szandor LaVey, the Church of Satan, and the Temple of Set. Obviously irritated by what he characterizes as "Satan chic," Russell asserts that "Satan is by definition evil." Hence contemporary Satanism's effort to recover the positive Satan of the Romantic poets is "inherently meaningless" because it "contradicts itself." The problem with this kind of analysis is that Western society is long past the stage in its cultural history where Satan and Satanism can unambiguously be equated with evil. -
Grotto Master's Handbook You Have Taken a New Step in Your Journey Along the Left-Hand Path
Church of Satan Grotto Master's Handbook You have taken a new step in your journey along the Left-hand Path. This step provides an opportunity for added respect and satisfaction, but also for added risk. Choose well, act resolutely and keep close counsel with Satan. This book is intended for your eyes alone. You won't find "TOP SECRET" stamped on it - only this reminder of Anton LaVey's teachings regarding the power of keeping a secret. This book and this position have come to you now because of the level you've achieved in your quest. Don't cheapen your achievement or compromise your power by disclosing the knowledge contained here to others who haven't advanced themselves to this point through the same first-hand horrors, determination and inspiration you've experienced. 2 Table of Contents Introduction 1) General Administration 2) Public Relations and Media Procedures 3) Direction and Destiny 4) Devils Together 5) Leadership-Strength and Strategy 6) Satanic Spirituality 7) Suggested Grotto Activities 8) Diabolical Theatre 9) Security Appendices: A) Sycophants, Unite! B) Initiation Ritual C) Essential Satanism D) Further Reading E) Necessary forms to be photocopied 3 Introduction Since 1966, when Anton Szandor LaVey founded the first aboveground organization dedicated to honoring Satan and his principles, the Church of Satan has woven its influence into the fabric of society, through overt and covert means. Grotto participation isn't required for active members, but many Satanists find it invigorating and inspiring to be in contact with others. We use the word "grotto" as a general term for an associated subgroup of the Church of Satan, consisting of members of the Church of Satan and adhering to our philosophy. -
The Church of Satan Informational Pack
The Church of Satan Informational Pack (2.0) Untitled Document Table of Contents Introduction Satanism: The Feared Religion The Nine Satanic Statements Pentagonal Revisionism: A Five-Point Program The Eleven Satanic Rules of the Earth Satanic Bunco Sheet The Nine Satanic Sins Guidelines for Online Grotto Activity Church of Satan Chat Room Policies Church of Satan Youth Communiqué Affiliation with the Church of Satan Application for Registered Membership Application for Active Membership Satanic Books and Magazines Websites of Satanic Interest Satanism FAQ Credits file:///Macintosh%20HD/Documents/purgingtalon.com/!!CoSpdf/!!html/ToC.htm [8/17/2004 2:49:58 AM] Untitled Document Introduction by Magister Matt G. Paradise Welcome to the Church of Satan Informational Pack (2.0) in Acrobat format. Contained herein are various documents officially released by the Church of Satan, which are also available at churchofsatan.com, as well as additional information on the subject of Satanism. Some of the text and graphics links in this document point to their respective websites, and I highly suggest that you try out such functionality while online so you can experience this document's full interactivity. I have made every attempt to provide readers with all of the basic documents from the Church of Satan for those curious about Satanism and for those who might be interested in joining our organization. We begin with the essay, "Satanism: The Feared Religion" from our current High Priest, Peter H. Gilmore. I believe this to be the definitive introductory essay that encapsulates much of who and what we are, and the perfect segue into the remainder of this document's material. -
Satan Rehabilitated? a Study Into Satanism in the Nineteenth Century Van Luijk, R.B
Tilburg University Satan rehabilitated? A study into satanism in the nineteenth century van Luijk, R.B. Publication date: 2013 Document Version Publisher's PDF, also known as Version of record Link to publication in Tilburg University Research Portal Citation for published version (APA): van Luijk, R. B. (2013). Satan rehabilitated? A study into satanism in the nineteenth century. [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. sep. 2021 SATAN REHABILITATED? A Study into Satanism during the Nineteenth Century Proefschrift ter verkrijging van de graad van doctor aan Tilburg University, op gezag van de rector magnificus, prof. dr. Ph. Eijlander, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de aula van de Universiteit op vrijdag 19 april 2013 om 14.15 uur door Ruben Benjamin van Luijk geboren op 9 juli 1976 te Rotterdam 2 Promotores: Prof. -
The Church of Satan / Anton Lavey
Church of Satan/ Anton LaVey By Michael Veronie Founder: Anton Szandor LaVey (1930 – 1997), a.k.a. The Black Pope. Founding Date: 1966 Official Publications: There are two major works written by LaVey that are meant to be instructive for the practice of Satanism: The Satanic Bible (1969) and The Satanic Rituals (1972). Additional books include The Devil’s Notebook, The Satanic Witch, and Satan Speaks! Organization Structure: The First Church of Satan was originally founded and headquartered in the home of Anton LaVey, a three-story Victorian house painted black in San Francisco. Members of the Church of Satan conduct ceremonies in various “grottos.” Unique Terms: Black Mass (mocks the Catholic Mass), Grotto (refers to the individual churches or “covens”), Nema Natas (“Satan Amen” backward), All Hallow’s Eve (Halloween).1 Other Names: The First Church of Satan (not to be confused with a rival group that bears the same name). HISTORY The Church of Satan was the first organized satanic church in modern times, although satanic worship and rituals go back at least to the enlightenment. Anton Szandor LaVey was born in Chicago but grew up in California. As a child, LaVey learned about various superstitions from his grandmother, which led him to become interested in dark tales and to read horror books such as Dracula and Frankenstein. He was an avid reader and maintained unusual interests such as developing melodic lines and chord progressions on the keyboard which he would later use to sway the emotions of his audience as he played in bars, carnivals, and spook shows.2 LaVey was considered an outcast by his fellow classmates and eventually dropped out of high school.