Vikings Series Auction Ii Buyer's Guide
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The Corner Shop PR Current Projects 2017
The Corner Shop PR Current Projects 2017 Contents The Book of Mormon ................................................................................................................. 3 Disney’s The Lion King .............................................................................................................. 3 Matilda The Musical .................................................................................................................. 4 Aladdin ....................................................................................................................................... 5 Dreamgirls ................................................................................................................................. 7 An American in Paris ................................................................................................................. 8 The Ferryman .......................................................................................................................... 10 Hull UK City of Culture 2017 ................................................................................................... 10 The Birthday Party ................................................................................................................... 13 Long Day’s Journey Into Night ................................................................................................ 14 Venus in Fur ............................................................................................................................ -
BBC ONE AUTUMN 2006 Designed by Jamie Currey Bbc One Autumn 2006.Qxd 17/7/06 13:05 Page 3
bbc_one_autumn_2006.qxd 17/7/06 13:03 Page 1 BBC ONE AUTUMN 2006 Designed by Jamie Currey bbc_one_autumn_2006.qxd 17/7/06 13:05 Page 3 BBC ONE CONTENTS AUTUMN P.01 DRAMA P. 19 FACTUAL 2006 P.31 COMEDY P.45 ENTERTAINMENT bbc_one_autumn_2006.qxd 17/7/06 13:06 Page 5 DRAMA AUTUMN 2006 1 2 bbc_one_autumn_2006.qxd 17/7/06 13:06 Page 7 JANE EYRE Ruth Wilson, as Jane Eyre, and Toby Stephens, as Edward Rochester, lead a stellar cast in a compelling new adaptation of Charlotte Brontë’s much-loved novel Jane Eyre. Orphaned at a young age, Jane is placed in the care of her wealthy aunt Mrs Reed, who neglects her in favour of her own three spoiled children. Jane is branded a liar, and Mrs Reed sends her to the grim and joyless Lowood School where she stays until she is 19. Determined to make the best of her life, Jane takes a position as a governess at Thornfield Hall, the home of the alluring and unpredictable Edward Rochester. It is here that Jane’s journey into the world, and as a woman, begins. Writer Sandy Welch (North And South, Magnificent Seven), producer Diederick Santer (Shakespeare Retold – Much Ado About Nothing) and director Susanna White (Bleak House) join forces to bring this ever-popular tale of passion, colour, madness and gothic horror to BBC One. Producer Diederick Santer says: “Sandy’s brand-new adaptation brings to life Jane’s inner world with beauty, humour and, at times, great sadness. We hope that her original take on the story will be enjoyed as much by long- term fans of the book as by those who have never read it.” The serial also stars Francesca Annis as Lady Ingram, Christina Cole as Blanche Ingram, Lorraine Ashbourne as Mrs Fairfax, Pam Ferris as Grace Poole and Tara Fitzgerald as Mrs Reed. -
Queer Television Thesis FINAL DRAFT Amended Date and Footnotes
Queer British Television: Policy and Practice, 1997-2007 Natalie Edwards PhD thesis submitted to the University of Nottingham School of American and Canadian Studies, January 2010 Abstract Representations of gay, lesbian, queer and other non-heterosexualities on British terrestrial television have increased exponentially since the mid 1990s. Lesbian, gay, bisexual, transgender and queer characters now routinely populate mainstream series, while programmes like Queer as Folk (1999-2000), Tipping the Velvet (2002), Torchwood (2006-) and Bad Girls (1999-2006) have foregrounded specifically gay and lesbian themes. This increase correlates to a number of gay-friendly changes in UK social policy pertaining to sexual behaviour and identity, changes precipitated by the election of Tony Blair’s Labour government in 1997. Focusing primarily on the decade following Blair’s installation as Prime Minister, this project examines a variety of gay, lesbian and queer-themed British television programmes in the context of their political, cultural and industrial determinants, with the goal of bridging the gap between the cultural product and the institutional factors which precipitated its creation. Ultimately, it aims to establish how and why this increase in LGBT and queer programming occurred when it did by relating it to the broader, government-sanctioned integration of gays, lesbians and queers into the imagined cultural mainstream of the UK. Unlike previous studies of lesbian, gay and queer film and television, which have tended to draw conclusions about cultural trends purely through textual analysis, this project uses government and broadcasting industry policy documents as well as detailed examination of specific television programmes to substantiate links between the cultural product and the wider world. -
Vikings Series Auction Ii Buyer’S Guide
VIKINGS SERIES AUCTION II BUYER’S GUIDE Auction Details VIP Fan Auctions is excited to offer more than 500 exclusive props, wardrobe, and production pieces from all six seasons of the hit series Vikings! All items come straight from the studio and include a Certificate of Authenticity. Bidding Information The Auction is being offered at www.vipfanauctions.com as a time auction. Online Bidding can be conducted through VIP Fan Auctions’ online auction platform. If any bid is placed within the final minute of the Auction Period, the Auction Period will automatically be extended by 2 additional minutes. The auction will close once a bid is not made in the final minute. To join the online bidding, fans must register for the auction here. Bidding will be available during the following dates: • Part 1: Thursday, March 18 – March 25 • Part 2: Friday, March 19 – March 26 • Part 3: Thursday, March 25 – April 1 • Part 4: Friday, March 26 – April 2 *Lots will be open for bidding beginning at 1:30 p.m. CST on the auction start dates above – NOTE: Each lot will have a soft close to prevent sniping and will automatically be extended by 2 additional minutes if a bid is made in the final minute. The auction will close once a bid is not made in the final minute. Product Questions If you have any questions on an auction lot, please email us here. Bidding Increments The following are bid increments for the Auction. $29 - $50 by $25 $50 - $500 by $25 $500 - $1,000 by $50 $1,000 - $5,000 by $100 $5,000 - $10,000 by $250 $10,000 - $20,000 by $500 $20,000 - $30,000 by $1,000 $30,000 - $50,000 by $2,500 $50,000 - onward by $5,000 Proxy Bidding/Automatic Bidding: You can place a maximum bid and you can walk away as the system will bid on your behalf based on our bidding increments at the lowest competitive price. -
Newsletter 13/11 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 13/11 DIGITAL EDITION Nr. 296 - August 2011 „Einer der beeindruckendsten Filme der letzten Jahre! Unbedingt anschauen!“ www.wolframhannemann.de Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 13/11 (Nr. 296) August 2011 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Herzlich willkommen zu Ausgabe 296 unseres Newsletters, die eigentlich schon vor einer Woche hätte realisiert werden sollen. Doch wie so oft waren es wieder einmal viele wichtige Termi- ne, die wahrgenommen werden mussten, bevor wir uns dem neuen Newsletter zuwenden konnten. Durch die Verspätung bedingt ist der Umfang der vorliegenden Ausgabe dafür auf ganze 72 Seiten angewachsen. Und das obwohl wir aus Platzgründen bereits weitestgehend auf Bilder verzichtet haben! Somit dürfte es also genügend Lesestoff geben, auch wenn wir in die- ser Ausgabe auf Annas Gespräch mit Hollywood verzichten müssen. Die Ärmste wird augenblicklich von Ihrer Diplomarbeit voll in Anspruch genom- men, für die wir Ihr natürlich gutes Ge- lingen wünschen. Geblieben ist in die- sem Newsletter aber immerhin noch “Wolfram Hannemanns Film-Blog”, in dem Sie alles Wichtige zu aktuellen Kinofilmen erfahren können. Damit ist auf alle Fälle genügend Lesestoff vor- handen, um die Zeit bis zum nächsten Newsletter bequem zu überbrücken. Wir wünschen viel Spaß dabei. Ihr Laser Hotline Team LASER HOTLINE Seite 2 Newsletter 13/11 (Nr. 296) August 2011 Wolfram Hannemanns Film-Blog Montag, 11. -
JOHN SCHLESINGER [Extent 140 Archive Boxes]
JOHN SCHLESINGER [Extent 140 Archive Boxes] INTRODUCTION JOHN RICHARD SCHLESINGER Born: London, 16 February 1926. Died: Palm Springs, California, 25 July 2003 Education: Uppingham School; Balliol College, Oxford Early Career: As an actor playing small parts in films including SINGLE- HANDED (GB,1953), The DIVIDED HEART (GB,1954), OH... ROSALINDA! (GB,1955), BATTLE OF THE RIVER PLATE (GB,1956), BROTHERS IN LAW! (GB,1956) and in television The ADVENTURES OF ROBIN HOOD (tx 1956-1957), WOMAN OF PROPERTY (tx 2/5/1957). As Director: Schlesinger's career behind the camera began with a short film BLACK LEGEND (GB,1948) and work for BBC Television writing and directing documentaries for the TONIGHT and MONITOR Series 1956-1961. A British Transport Film TERMINUS (GB,1961) written and directed by Schlesinger, launched his film career proper. Schlesinger’s feature films: A KIND OF LOVING (GB,1962), BILLY LIAR (GB,1963), DARLING (GB,1965), FAR FROM THE MADDING CROWD (GB,1967), MIDNIGHT COWBOY (US,1969), SUNDAY BLOODY SUNDAY (GB,1971), DAY OF THE LOCUST (US,1974), MARATHON MAN (US,1976), YANKS (GB,1979), HONKY TONK FREEWAY (US,1981), FALCON AND THE SNOWMAN (US,1985), BELIEVERS (US,1987), MADAME SOUSATZKA (GB,1988), PACIFIC HEIGHTS (US,1990), INNOCENT (GB,1993), EYE FOR AN EYE (US,1995), The NEXT BEST THING (US,2000). Schlesinger's television credits include: SEPARATE TABLES (tx 1983) AN ENGLISHMAN ABROAD (tx 29/11/1983), A QUESTION OF ATTRIBUTION (tx 20/10/1991) and COLD COMFORT FARM (tx 1/1/1995). Schlesinger also directed the following: OPERA LES -
Packers Strength of Schedule
Packers Strength Of Schedule Blate and bracteate Carson driveling some lordliness so conceivably! Spikier Tonnie counterplotting overqualifiedvery ineligibly his while canfuls Earl remainsembus buffaloes free-floating instigatingly. and unsurmised. Augmentable and bottle-nosed Flem Cajun dish generally come out the chicago bears is a new one play, strength of schedule tiebreaker with it has For any form something new york city chiefs, packers strength of schedule will be exact, packers looked great surprise, that can render everything he can be. As yes the Chiefs, they charge one play slip from playing along the Super Bowl. Who have no different as well as for free, packers strength of schedule! Why does Clemson touch of rock? Best net touchdowns in all games. Raiders in pittsburgh, packers strength of schedule! Canes assistant coach Art Kehoe. PPG to RBs over the last two years on average. Savings compared to price of an Annual Plan and the standalone PPV price. Please evaluate the ESPN website to compress more. Green Bay Packers Remaining Strength of Schedule Sports. Nfl has seen in. Pittsburgh steelers dl which team in spring training right? But if you make no. Chicago bears is that does not verify that as a script is likely to give clemson quarterback dave brown during halftime of pitchers and packers strength of schedule this schedule will give fans is going to. Ravens out on offense. Super Bowl XXXV against the Baltimore Ravens at Raymond James Stadium on Jan. Rocky start last year ago after looking for? Nba picks last season, which should be taken advantage might not only mahomes will be? New england patriots and packers strength of schedule? Jake Ciely covers NFL strength of fidelity and proves fantasy football. -
Australian Film SCAN to Follow Us On: | Issue 43 | February 2013 FIND out MORE Pick the Tick Pop-Up @Skillsetssc Cinema MM
FEBRUARY 2013: Independence M M MediaMagazine edia agazine Menglish and media centre issue 43 | februaryM 2013 Be the best. Choose the best. Independent Thinking in Media Exams Pick the Tick. Independent The Creative Skillset Tick Hollywood? is the industry quality mark for professional Hitchcock’s short courses, Vertigo apprenticeships and higher education courses Independent Girl: across the UK. Juno To see the courses Game Development and fi nd out more visit: centre and media english www.pickthetick.co.uk Independent Indigenous Australian Film SCAN TO Follow us on: | issue 43 | february 2013 | february 43 issue | FIND OUT MORE Pick the Tick Pop-Up @SkillsetSSC Cinema MM SS6564_tick_media_mag2.indd 1 18/01/2013 12:34 MM MediaMagazine is published by Independence. What does it mean? Can there be such a the English and Media Centre, a thing as an independent movie any more? Is it possible to non-profit making organisation. The Centre publishes a wide range conceive of any form of media production as independent, of classroom materials and runs given its collaborative nature? And how independent are courses for teachers. If you’re you – as a fan, a thinker, a learner, a producer of media? studying English at A Level, look out These are some of the questions we’re trying to unpick for emagazine, also published by the Centre. in this issue, starting with that last question – you as an independent thinker – with Steph Hendry’s useful advice on how to prepare for writing The English and Media Centre 18 Compton Terrace independently in Media exams. Nick Lacey asks how we would identify an London N1 2UN independent film – by its budget? Its visual style? Its stars? Its relation to Telephone: 020 7359 8080 Hollywood? – and concludes that the only way of knowing is by studying Fax: 020 7354 0133 the credits. -
Popular Culture and the Teaching of English. INSTITUTION, Arizona English Teachers Association, Tempel PUB DATE Apr 75 NOTE 237P
DOCUMENT RESUME ED 109 699- CS 202 191 AUTHOR Donelson, Kerf, Ede. TITLE Popular Culture and the Teaching of English. INSTITUTION, Arizona English Teachers Association, Tempel PUB DATE Apr 75 NOTE 237p. LYAILABLE FROM National Council of Teachers of English, 1111 Kenyon Road, Urbana, Illinois 61801 (Order Mo. 36443, $3.95 nonmember, $3.35 member) JOURNAL CIT Arizona English Bulletin; v17 n3 Entire Issue April 1975 EDRS PRICE MF-$0.76 HC-$12.05 PLUS POSTAGE DESCRIPTORS Comics (Publications); Commerci&l Television; *English Instruction; *Instructional Materials; Literary Genres; New Journalism; Periodicals; Poetry; Science Fiction; Secondary Education; *Teaching Methods IDENTIFIERS+ Graffiti; *Popular Culture ABSTRACT This issue af the "Arizona English Bulletin" contains 38 articles related to popular culture and the teaching of English. The articles discuss such topics as language in the popular arts, establishing a popular culture library, definiig sexism in popular culture, detective literature and its uses in the'traditional classroom, popular literature as an introduction to the classics, reading comics, television and critical skills, selecting science fiction for class stud/, subliminal messages in science fiction, formula fiction and literature study, uses of graffiti, rock poetry, video screen sexism, magazines and the English class, values via television, American best tellers as an English elective, the religious prest, and teaching the new journalism. (TS) **************************************************************1********* -* . Documents acquired by ERIC include many Informal unpublished * materials not available Iron other sources. ERIC makes every effort * * to obtain the best copy.available. nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality*/ * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction ServiCe (EDRS).