Local Kid Makes It Big in Australia Victory Gardens Circa 2009 That Nice

Total Page:16

File Type:pdf, Size:1020Kb

Local Kid Makes It Big in Australia Victory Gardens Circa 2009 That Nice Local kid makes it big in Australia see page 5 VOLUME XVIII, NO. 2 January 29, 2009 Here is the ; Supervisor’s church second term here is the heritage Peters chairs board upervisor Susan Pe- ters officially started Sher second term on the Sacramento County Board of Supervisors on Jan. 13 and subsequent- ly was elected by her col- leagues to be chair for the 2009 year. “Chairing the Board of Supervisors is both an honor and a responsibil- ity,” said Peters. “This year will be a challenge due to the current eco- nomic situation and the impact on the budget. The board will need to concentrate on protecting vital services demanded by our residents like pub- lic safety and I will work to ensure we remain fo- cused on that task.” Administering the oath of office to Peters was As- The mission-style Carmichael Presbyterian Church on Marconi Avenue is deemed the prettiest building in Carmichael. In the adobe sanctuary (right), a 700-strong congregation recently celebrated 85 years of worship. Turn to pages 10–11 to read how, since the community’s earliest days, church history has closely paralleled that of Carmichael itself. See Supervisor, page 11 Inset: Cups runneth over. Toasting 85 years, pastors Jack McNary and Keith De Vries share anniversary toasts with 45-year congregant Wayne Reimers and Sunday school teacher Lisa Torgerson. v INSIDE v Victory That nice Community gardens ‘new’ smell Calendar circa 2009 isn’t so nice pages 18–19 See page 6 See page 12 2 January 29, 2009 Arden-Carmichael News The Arden-Carmichaelnews E-mail stories & photos to: [email protected] Vol. XVIII • No. 2 www.valcomnews.com 2709 Riverside Blvd. Sacramento, Arden Carmichael News is published on the second and fourth CA 95818 Thursdays of the month and is delivered by mail and home delivery. Newspapers are also available in stands throughout the area. t: (916) 429-9901 f: (916) 429-9906 Publisher ...................................................................... George Macko General Manager ........................................................ Kathleen Egan Editor ........................................................................Colleen Truelsen Production Manager ......................................................John Ochoa Graphic Artist ................................................................. Ryan Vuong Sales Manager ................................................................Patty Colmer Advertising Executives ........................................................................ .........................Linda Pohl, Marc Harris Desiléts, Melissa Andrews Distribution/Subscriptions ...................................... George Macko $30 a year subscription We swear. Incoming Carmichael Chamber board members were sworn into service by County Supervisor Susan Peters. Picture shows: directors Fred Rivas (left), Gary Andersen, President Burnie Lenau, Supervi- sor Peters, directors Donna Deterding, Tami Beaulieu, Ross Davidson and Chris Schoonveld. Family pride. Pro- claimed a community role model on her 10th birthday, Jaidan Lujan (front center) and family display the accidental midwife’s commendations. Jaidan is flanked by brother Michael and mom Val- erie (with baby Kai’rin in pouch). Back row, dad Dan Sundukos and grandparents Victor and Annette Lujan. Burnie’s big night Chamber installs new board armichael Chamber of Commerce’s new The Mary Deterding School fourth-grad- President Burnie Lenau shared his recent er received commendations, accolades and Cinstallation banquet with a junior star TV coverage at the installation event. Here is whom local dignitaries proclaimed a heroine. a photo report on the star-studded evening At 9, Jaidan Lujan delivered her prema- for chamber and community at The Palace in ture baby brother in an emergency situation. Carmichael, see pages 8–9. Arden-Carmichael News January 29, 2009 3 On the Wild Side O, Possum. What sharp teeth you have! arci the marsupi- al was not yawn- Ming from boredom at the Effie Yeaw Nature Center. The nocturnal critter’s daytime nap was curtailed as volunteers cleaned her indoor habitat. Semi-tamed from early months as a pet, she was deemed un- able to survive in the wild. For the enlightenment of visitors, the Nature Center made Marci an “educational ambassador.” A jaw-breaking yawn pho- tographed by Susan Maxwell Skinner illustrates why opossum should never be raised as pets. As the Effie Yeaw Nature center’s resident marsupial took some air, the shutterbug got up-close and dental. “It’s rare to see a nocturnal animal in natural light,” said Skinner. “At night, with a flash, their eyes glaze and you lose soft fur textures. Raised from her morning nap, I hoped this one might display those sharp and numerous opossum teeth. She did, in a yawn bigger than her head!” As a baby, Marci was plucked from a swimming pool. With good intentions, the rescuer pampered her for five months. ners were ill-suited in the wild, Remember, it is illegal to boldness that compromises sur- Susan Maxwell Skinner is the author Little orphan omnivore grew but befitted an Effie Yeaw Na- keep wild animals as pets; it is vival. To learn more about Marci of “Carmichael – Americana on big -- with jaws like a paper ture Center ambassadorial post. also unwise to accustom wilder- and her species, attend the Effie the Move,” an award-winning book shredder – and the noble Sa- She now has an indoor habitat, ness creatures to depend on hu- Yeaw Nature Center’s free opos- that details the beauty and nature of maritan at last surrendered her equipped with exercise wheel man providers. Semi-tame opos- sum programs. Information at her home community. Information: illegal pet. Marci’s gentle man- and room-service meals. sum, raccoons or coyote develop 489-4983. www.susanmaxwellskinner.com 4 January 29, 2009 Arden-Carmichael News Arden-Carmichael News January 29, 2009 5 A return to roots for playwright-actor Sierra 2 hosts exclusive American presentation of exotic ‘LyreBird’ t’s a long way from Rio Americano High School I to Australia, but Ty- 10 QUESTIONS ler Coppin paved that trail BY COLLEEN TRUELSEN for himself – starting with his young interest in the Sac- ramento theater scene, to a 1976 scholarship to attend told him he wasn’t any good 3. It’s been more than 30 Australia’s prestigious Na- at it at times. He ended up years since you were on a tional Institute of Dramat- doing exactly what he intend- Sacramento stage. Whatev- ic Art. ed to do. er have you been doing with There he stayed, building a “LyreBird’s also expression- yourself? successful career in the coun- istic with a lot of my own em- Living and working in Aus- try’s entertainment industry. bellishments. So in one way tralia as an actor in movies, He’s done films, radio and it’s a stage biography about television, radio and theater. television. He’s a playwright, someone you probably haven’t I’ve written plays and co-writ- director, dialogue coach for heard of, but it’s also a com- ten movies; I was punched on films, and has performed ic stage-joke about over-act- stage by Rudolf Nureyev, driv- in countless plays and pro- ing, trying hard to get noticed en at high speeds through ductions at the Sydney Op- as an actor, putting on way too the Australian outback while era House, with major Aussie much greasepaint, and hanging strapped to the front of a car Courtesy photo theater companies, and inter- onto your dreams. in “The Road Warrior;” and Sacramento-born playwright-actor Tyler Coppin brings his passionate, exotic tribute to nationally. I once coached a barefoot- flamboyant actor Sir Robert Helpmann to the Sierra 2 Center’s 24th Street Theater beginning And now he’s back after 30 2. Tell us why you chose ed Australian teenager named Feb. 2, when his play ‘LyreBird’ begins a month-long, exclusive American run. years, bringing his self-writ- the title, “LyreBird.” It’s Heath Ledger an American ac- ten and solo-performed “Lyre- not a species we have here cent because he wanted to “go Bird,” to the 24th Street The- in Sacramento, you know. try his luck in Hollywood.” have put into the show. I as- when my brother Mitch, atre at the Sierra 2 Center Sir Robert Helpmann cre- And now I’m raising a son in sembled the cream of Auss- who lives in Loomis and is through February. It’s the sto- ated a famous ballet based on Melbourne with my wife, Jane ie theater artists for this show, the producer of our U.S. ry of flamboyant actor Sir Rob- the mating ritual of the Austra- – who helps me produce my and now I’m joined by some premiere in Sacramento, e- ert Helpmann (think evil child- lian lyrebird that he dedicated theater work. Sacramento ones for this sea- mailed some photographs of catcher in ‘68’s“Chitty Chitty it to his great friend Katharine son. the theater to me in Austra- Bang Bang.”) Coppin has per- Hepburn, who loved Austra- 4. You first performed lia. 24th Street Theater is formed this play since ’98 to lia. The Superb Lyrebird is an LyreBird in 1998. How has 5. The performances will warm, lush, beautiful, quite European and Australian au- extraordinary bird that im- the play evolved over time? be in the 24th Street The- traditional with a nice pro- diences, where it’s been called itates the sounds around it: What began as a 30-minute atre. Your thoughts on that scenium arch, and Curtis “An absolute theatrical treat,” people talking, the shutters of comic sketch performed for a venue? and “Exotic from beginning to cameras, even chainsaws. Take handful of friends has become I instantly knew it was the end.” a look at this (website). It’s a full-length solo show that has perfect house for the show See LyreBird, page 15 After seeing the publici- amazing: www.youtube.com/ (thankfully) given me the op- ty photos of Coppin made up watch?v=VjE0Kdfos4Y. portunity to travel the world as the controversial, fantas- Thematically, I felt Help- and entertain people.
Recommended publications
  • Annual Report 
    ANNUAL REPORT -- MTC HQ Sturt St Southbank VIC CONTENTS Southbank Theatre Southbank Blvd Southbank VIC mtc.com.au Venues Throughout , MTC performed its Melbourne season of plays at Southbank Theatre in The Sumner and The Lawler, and at the Fairfax Studio and Playhouse at Arts Centre Melbourne. INTRODUCTION MTC INITIATIVES AND ACTIVITIES The Year in Numbers .................................................... Commissions .............................................................. Chair’s Report ............................................................... First Stage .................................................................. Foundation Chair’s Report ........................................... Secondments ............................................................. Artistic Director & CEO’s Report ................................ MTC at MPavilion ........................................................ Executive Director & Co-CEO’s Report ........................ CAAP Directors Initiative ............................................ Longhouse: Melbourne............................................... Blackwrights Showcase .............................................. THE PLAYS The Lady in the Van ..................................................... AWARDS AND NOMINATIONS Arbus & West ............................................................... A View From the Bridge .............................................. Awards and Nominations ................................... Così ............................................................................
    [Show full text]
  • The Australian Theatre Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
    [Show full text]
  • BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE
    LYRIC THEATRE, QPAC BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE THE STORY THAT INSPIRED THE WORLD TO DANCE Global Creature PRESENTS Baz Luhrmann’ STRICTLY BALLROOM THE MUSICAL DIRECTED BY BAZ LUHRMANN BASED ON THE MUCH LOVED AUSTRALIAN FILM BRISBANE SEASON CONFIRMED AT THE QUEENSLAND PERFORMING ARTS CENTRE FROM SEPTEMBER 2015 Global Creatures confi rmed today that Baz Luhrmann’s much-loved hit show STRICTLY BALLROOM THE MUSICAL will open in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre (QPAC) in September 2015. STRICTLY BALLROOM THE MUSICAL had its Global Premiere on Saturday 12 April at the Sydney Lyric Theatre, The Star and is currently playing at Her Majesty’s Theatre, Melbourne. This new production is staged by the original creative team behind the classic 1992 fi lm, including director and co-writer Baz Luhrmann, set and costume designer Catherine Martin, choreographer John “Cha Cha” O’Connell and co-writer Craig Pearce. Playing the pivotal roles of ‘Scott Hastings’ and ‘Fran’ is Thomas Lacey and Phoebe Panaretos who lead an outstanding Australian cast of 43 including Bob Baines as Les Kendall, Drew Forsythe as Doug Hastings, Natalie Gamsu as Abuela, Robert Grubb as Barry Fife, Fernando Mira as Rico, Heather Mitchell as Shirley Hastings and Mark Owen-Taylor as JJ Silvers. STRICTLY BALLROOM THE MUSICAL features break-into-song numbers created from original classics from the fi lm, Love is in the Air, Perhaps Perhaps Perhaps, and Time After Time as well as some wonderful new songs by artists such as Eddie Perfect and Sia. STRICTLY BALLROOM THE MUSICAL is the inspiring story of a championship ballroom dancer who defi es all the rules to follow his heart.
    [Show full text]
  • Annual Report 2011 Annual Report 2011
    Annual Report 2011 Annual Report 2011 6 Mission Statement and Board of Management 7 Chairman’s report 10 Artistic Director’s report The Plays 12 Don Parties On by David Williamson MTC is a deparTMenT of 14 A Behanding in Spokane by Martin McDonagh The UniversiTy of MelboUrne 16 Apologia by Alexi Kaye Campbell 18 In the Next Room or the vibrator play by Sarah Ruhl 20 Next to Normal by Tom Kitt and Brian Yorkey 22 The Gift by Joanna Murray-Smith MTC Headquarters 24 The Joy of Text by Robert Reid 252 Sturt St 26 Hamlet by William Shakespeare Southbank VIC 3006 28 Rising Water by Tim Winton 03 8688 0900 30 Clybourne Park by Bruce Norris 32 Return to Earth by Lally Katz The MTC Theatre 34 The Importance of Being Earnest by Oscar Wilde 5 140 Southbank Blvd 36 Lawler Studio: The Dream Life of Butterflies by Raimondo Cortese Southbank VIC 3006 38 Lawler Studio: The Water Carriers by Ian Wilding Box Office 03 8688 0800 40 Lawler Studio: Circle Mirror Transformation by Annie Baker mtc.com.au 42 MTC presents: Not Quite Out of the Woods by Jonathan Biggins, Drew Forsythe and Phillip Scott Venues 44 MTC on Tour Throughout 2011 MTC performed its 45 Awards and nominations Melbourne season of plays at the MTC 46 Literary Manager’s report Theatre, Sumner and Lawler Studio, and 47 Play Readings the Fairfax Studio and Playhouse at Arts Centre Melbourne. MTC Education 48 Education Manager’s report 50 Workshops and participatory events 52 Random by debbie tucker green 54 Australia! The Show! by Aidan Fennessy, Jon Halpin, Jean-Marc Russ and Hayden Spencer
    [Show full text]
  • The Death & Life of Otto Bloom
    Written and Directed by Cris Jones An Optimism Film Production Produced by Melanie Coombs, Alicia Brown and Mish Armstrong Australian Distributor Bonsai Films: Jonathan Page Duration: 84 mins Shot on Arri Alexa, Super 8, digital and analogue video, stills Format - DCP Aspect ratio – 2.39:1 Contents: Synopses: page 3 Director Bio and Filmography page 4 Directors Statement page 5 Producers Bio and Statement page 6 Lead Cast Biographies page 7 Supporting Cast Bios page 8 ABOUT the production page 9 Technical details page 12 Full Credits page 13 CONTACTS: Producer MIFF Publicity Melanie Coombs Asha Holmes +61 (0)412 304 212 + 61 (0)403 274 299 [email protected] [email protected] Australian Distributor International Sales Jonathan Page Bonsai Films +61(0)404 004 994 [email protected] www.ottobloom.com https://www.facebook.com/thedeathandlifeofottobloom/ SYNOPSES TAG LINE Who is Otto Bloom? SHORT SYNOPSIS The chronicle of the life and great love of Otto Bloom, an extraordinary man who experiences time in reverse – passing backwards through the years while remembering the future. SYNOPSIS The Death & Life of Otto Bloom chronicles the life and great love of an extraordinary man who experiences time in reverse – wandering blindly into the past, while remembering the future. The film charts Bloom's rise from scientific oddity to international superstar as he searches for love and meaning in this strange, backwards world. Over the years, he has a string of romances while challenging our preconceived notions about life, death and the nature of time. When the world proves to be not yet ready for Bloom's radical ideas, his fall from grace is as swift as it is tragic.
    [Show full text]
  • Food Codes in Australian Drama
    A Consuming Interest: Food Codes In Australian Drama by Gaye Poole A thesis submitted in fulfilment of the requirements for the Degree of Master of Arts (Honours) School of Theatre and Film Studies University of New South Wales. August 1993 TABLE OF CONTENTS Abstract Acknowledgements i i List of illustrations iii Introduction 1-22 Chapter One: Background: food in drama. 23-43 Chapter Two: Australian plays based on a meal 44-77 Chapter Three: Food as currency for power and site of family politics in Australian drama. 7 8-1 04 Chapter Four: Food rituals in Australian drama: nostalgia, 'social' rituals and death 105-144 Chapter Five: Women and food: eating/not eating and women eaten. 145-194 Chapter Six: Conclusion 195-202 Appendix A: Sweets and Drinks on stage 203-224 Appendix B: Practicalities of food on stage 225-230 Bibliography 231-250 i ABSTRACT In the context of current critical attention to food in related disciplines, this thesis sets out to explore food codes in Australian drama. Chapter One gives a brief background to contemporary Australian food uses in drama and in so doing identifies some of the continuities, discontinuities and sh"ifts in the ways in which food has been incorporated into drama. Chapter Two focuses on plays whose entire proceedings or key scene take the form of a meal. It is observed that food on stage as a gathering and shaping element takes one of several forms: a communal event; the turning point of the play, or the interrupted meal. Chapter Three argues that food bestows power on its controllers.
    [Show full text]
  • By Garson Kanin Welcome MELBOURNE THEATRE COMPANY PRESENTS
    by Garson Kanin Welcome MELBOURNE THEATRE COMPANY PRESENTS Welcome to Melbourne Theatre Company’s first production for 2017, Born Yesterday. With any revival of a classic, even a 20th century classic, we need to be mindful of the times in which we are presenting it. And a more timely revival of Garson Kanin’s 1946 masterpiece would be hard to imagine. This glamorous, funny but also darkly probing work explores the corruptions and machinations which can ferment when power is put in the wrong hands. In this case it’s the hands of a bullying businessman who winds up in by Garson Kanin Washington DC with the aim of manipulating politics for his own gain. To re-ignite this marvellous play, which had one of the longest runs in Broadway history, MTC Associate Director Dean Bryant has assembled a dream creative team. Dale Ferguson’s 14 JANUARY – 25 FEBRUARY lavish set and costume designs, lit with finesse by Matt Scott, coupled with Mathew Frank’s electric composition and a sensational cast, make this production a thrilling night at the Southbank Theatre theatre, and an interesting coda to America’s brutal presidential election last year. The Sumner And to continue into 2017 we have an outstanding program of theatre lined up. In our Southbank Theatre and Arts Centre Melbourne venues there’s John from Pulitzer-Prize Cast Production winner Annie Baker; Shakespeare’s ultimate tragedy Macbeth, directed by MTC veteran Mrs Hedges / Helen / Manicurist Heidi Arena Director Dean Bryant Simon Phillips; a comedy which many consider to be the funniest play ever written, Noises Ed Devery Tyler Coppin Set & Costume Designer Dale Ferguson Off; and a range of premieres from some of Australia’s most exciting playwrights including Harry Brock Russell Dykstra Lighting Designer Matt Scott Lally Katz, Joanna Murray-Smith and Eddie Perfect.
    [Show full text]
  • Year Play Author Director Cast Venue Dates Aust Premiere 1960 the Man Dinelli, Mel Hayes Gordon Lorraine Bayly, Kevin Dalton, Jo
    Year Play Author Director Cast Venue Dates Aust Premiere 1960 The Man Dinelli, Mel Hayes Gordon Lorraine Bayly, Kevin Dalton, Jon Ewing, ENS 7/1/60-19/3/60 AP Guinea Gordon, Clarissa Kaye, Don Newland, Don Reid, Kylie Stewart, Anthony Wickert 1960 Orpheus Williams, Hayes Gordon David Crocker, Kevin Dalton, Gary ENS 31/3/60-2/7/60 AP Descending Tennesee Deacon, Jon Ewing, Lisle Harsant, Patricia Johnson, Patricia Jones, Clarissa Kaye, Sophie Krantz, Robin Lawlor, Reg Livermore, Marie Lorraine, Jerry Luke, Beverley McLeod, Frank Nolan, Jack Quinlan, Don Reid, Gary Shearston, Breck Stewart, Kylie Stewart, Sandra Stewart 1960 The Drunkard Smith, W H Hayes Gordon Victoria Anoux, Lorraine Bayly, Anna 23/7/60-4/2/61 AP Berner, J. Brown, L. Celi, Roie Cook, Kevin Dalton, Gary Deacon, John Denison, Jon Ewing, Joanna Franklin, Patricia Johnson, Patricia Jones, J.J., Judy King, Robin Lawlor, Reg Livermore, Jerry Luke, Ron Owen, William Pringle, James Scullin, Gary Shearston, Breck Stewart, Kylie Stewart, Sandra Stewart, Brian Young 1961 The Double Congreve, William Jon Ewing & Reg Victoria Anoux, Kevin Dalton, Jon Ewing, ENS 7/2/61-4/3/61 AP Dealer Livermore Mr. Henning, Patricia Johnson, Patricia Jones, Jan Kehoe, Reg Livermore, William Pringle, Les Shaw, Breck Stewart, Bryan Syron, Tony Wickert, Brian Young 1961 Miss Lonely Teichman, Howard Hayes Gordon Jan Avery, Henry Banister, Lorraine ENS 15/3/61-17/6/61 AP Hearts Bayly, Julie Collins, Roie Cook, John Dennis, Bettye Eister, Joan Franklin, Jone Hull, J.J., Patricia Jones, Reg Livermore, Anne
    [Show full text]
  • P R O D U C T I O N N O T E S
    P R O D U C T I O N N O T E S RELEASE DATE RELEASE DATE: FEBRUARY 2, 2018 RUNNING TIME: 99 MINUTES www.WinchesterMovie.com TABLE OF CONTENTS ABOUT THE FILM 5 ABOUT THE CAST 25 ABOUT THE FILMMAKERS 33 END TITLES 42 3 Inspired by true events. On an isolated stretch of land 50 miles outside of San Francisco sits the most haunted house in the world. Built by Sarah Winchester (Academy Award®-winner Helen Mirren), heiress to the Winchester fortune, it is a house that knows no end. Constructed in an incessant twenty-four hour a day, seven day a week mania for decades, it stands seven stories tall and contains hundreds of rooms. To the outsider it looks like a monstrous monument to a disturbed woman’s madness. But Sarah is not building for herself, for her niece (Sarah Snook) or for the troubled Doctor Eric Price (Jason Clarke) whom she has summoned to the house. She is building a prison, an asylum for hundreds of vengeful ghosts, and the most terrifying among them have a score to settle with the Winchesters... CBS Films presents WINCHESTER in association with Eclipse Pictures, a Screen Australia presentation in association with Screen Queensland and Film Victoria of a production by Blacklab Entertainment and Imagination Design Works, of a film directed by The Spierig Brothers (Jigsaw, Predestination) starring Academy Award®-winner Helen Mirren (Eye In The Sky, The Queen), Jason Clarke (Mudbound, Dawn of the Planet of the Apes) and Sarah Snook (Steve Jobs, Predestination). The film was written by Tom Vaughan and The Spierig Brothers.
    [Show full text]
  • Avant-Garde Theatre in Australia, 1965-1985 Adrian John Guthrie University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1996 When the way out was in: avant-garde theatre in Australia, 1965-1985 Adrian John Guthrie University of Wollongong Recommended Citation Guthrie, Adrian John, When the way out was in: avant-garde theatre in Australia, 1965-1985, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1996. http://ro.uow.edu.au/theses/1762 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] WHEN THE WAY OUT WAS IN: AVANT-GARDE THEATRE IN AUSTRALIA 1965 -1985 A thesis submitted in fulfilment of the requirements of the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ADRIAN JOHN GUTHRIE, MCA (Wollongong) FACULTY OF CREATIVE ARTS 1996 ACKNOWLEDGEMENTS I am indebted to many people who have assisted me, especially my supervisors Professor Ron Pretty who has been a patience guide throughout, and Professor Susan Rowley who was a provocative sounding-board at an earlier stage. Errol Bray and Howard Stanley conducted interviews on my behalf and helped to place at the centre of this study a set of authentic voices from the theatre of this period. Jan Wawrzyhczak kindly allowed me to use the transcripts of interviews he had made with former members of the APG. All those interviewed gave their valuable time, and trusted me with their recollections. I thank you all. Geoffrey Milne also kindly sent me some notes on La Mama. For help in directing me towards original documentation my thanks go to Paul Bentley and the staff at the Dennis Wolanski Library and to Frank Van Straten and Sally Fisher at the Victorian Performing Arts Museum, to Tony Marshall at the LaTrobe Library and to Francis Love at the Australia Council Library.
    [Show full text]
  • The 25Th Annual Putnam County Spelling Bee SCHOOLSDAY PERFORMANCE
    The 25th Annual Putnam County Spelling Bee SCHOOLSDAY PERFORMANCE IMPORTANT INFORMATION Date: Wednesday 20 June 2007 Venue: SYDNEY THEATRE Pre-performance forum 10.30 am Lunch Break 11.15 am Performance commences: 12.15 pm Performance concludes: 2.15pm Post performance Q+A concludes 2.40pm We respectfully ask that you discuss theatre etiquette with your students prior to coming to the performance. Running Late? Please contact Sydney Theatre Company’s main switch on 9250 1700 and a message will be passed to Front of House. Booking Queries Please contact Barbara Vickery on 02 9250 1778 or [email protected] General Education Queries Please contact Helen Hristofski, Education Manager, on 02 9250 1726 or [email protected] Sydney Theatre Company’s The 25th Annual Putnam County Spelling Bee Teacher’s Notes © 2007 1 Sydney Theatre Company and DP World Australia present a Melbourne Theatre Company production by William Finn (Music and Lyrics) and Rachael Sheinkin (Book) Directed by Simon Phillips Teacher's Resource Kit Written and compiled by Elizabeth Surbey Acknowledgements Sydney Theatre Company would like to thank the following for their invaluable material for these Teachers' Notes: Laura Scrivano, Helen Hristofski and Barbara Vickery of the STC. Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Sydney Theatre Company’s
    [Show full text]
  • A Place for Theatre: Performing at Belvoir Street
    Backstage Space: The Place of the Performer A Place for Theatre 6 A Place for Theatre: Performing at Belvoir Street Not that I’m trying to make any grand claims, but there is in our space at Belvoir St something that allows a wonderful complication of empathy … Neil Armfield1 The built environment has great inertia and since it becomes the framework to social action, we relegate it to the taken for granted. Because it is unquestioned it may have more influence than at first appears. Kim Dovey2 In the previous chapter I examined performers’ experiences in the wings, observing the dangers and tensions that performers encounter in such marginal zones, as well as the various compensatory tactics they employ in response. Taken together, in the 1 Neil Armfield, "Message from Neil," in Company B Belvoir St Theatre 2003, Subscription Booklet (Sydney: Company B Ltd., 2002), 8. 2 Dovey, Framing Places: Mediating Power in Built Form, 105. 197 Backstage Space: The Place of the Performer A Place for Theatre previous two chapters I have identified and described the backstage activities and experiences of theatrical performers – their preparations, monitoring, and social negotiations – as well as the anxieties they face when making the transition from offstage to on. Having drawn on a range of performers’ experiences, the nature of this description has been necessarily general. Furthermore, my description has involved strongly categorising performers’ activities as an aid to understanding them. This contrasts with performers’ lived experiences, in which their social encounters, pre- performance preparations, games, and transitions all converge and interpenetrate, to the extent that performers experience them as a continuum, albeit differentiated, of backstage activity.
    [Show full text]