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RAR Newsletter 130306.Indd
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 3/6/2013 Steve Earle & The Dukes (and Duchesses) “Invisible” The first single from their upcoming album The Low Highway Full cd on your desk now, in stores April 16 Added early: WFUV, KCSN, WBJB, WNKU, WKZE, KPIG, WFIV, KSUT, WUMB, WFIT, WUTC, KLCC, KFMG... Going for official adds on Monday Watch the powerful video for the track on our website now, premiered last week On tour in April and May - see the complete run of dates on page 3 FCC clean WAV of “Calico County” available The Whigs Beth Hart “Staying Alive” “Bang Bang Boom Boom” The second single from Enjoy The Company, going for adds now The title track first single from her new album, in stores 4/2 “Every time they step into the studio they emerge valiantly BDS and FMQB Most Added! First week: KPND, WNKU, KBAC, WJCU, with another gratifying, well-built rock record.” - Paste KSUT, WFIV, KSPN, KFMU, KNBA, KMTN, KTAO, WVMP... Early: WRLT New: WXRV, KRSH, WNKU, WBJB, WFIV, WJCU, KBAC, DMX, KROK Breakout performance at Kennedy Center Honors with Jeff Beck Early: KCLC On tour with Drive By Truckers: 3/6 Charlottesville VA, 3/7 New All announced tour dates have sold out: 4/30 Austin, 5/2 Dallas, Haven CT, 3/8 Providence RI, 3/9 Savannah GA, 3/10 Burlington VT, 3/12 NYC... 5/4&5 Nashville, 5/7 Atlanta, 5/9&11 Philly, 5/13&16&17 NYC Mike Doughty Ron Sexsmith “Sunshine” “Snake Road” The second single from The Flip Is Another Honey, going for adds now The first single from Forever Endeavour, in stores and going for adds now New: KBAC ON: KLRR, KMTN, KFMU, KSPN, WFIV, WTYD, KHUM New: KNBA, KXCI, Maine Public Radio ON: WFUV, WFPK, WNRN, “[Sunshine] is me rapping between choruses of a sample of [John Denver’s] KBAC, WFIV, WBJB, KUNC, KSUT, WCBE, KKCR, KDEC, WUKY.. -
Whyy Connections Festival Returns to the Delaware
PRESS CONTACTS: Esmé Artz WHYY [email protected] 215.351.1243 Emma Fried-Cassorla Delaware River Waterfront Corp. [email protected] 215.629.3218 Jim Sutcliffe Live Nation [email protected] 610-784-5420 WHYY CONNECTIONS FESTIVAL RETURNS TO THE DELAWARE RIVER WATERFRONT Featuring two FREE days of music, art, and kids’ activities! With performances by They Might Be Giants, Ben Kweller, Jesse Ruben and more PHILADELPHIA, August 8, 2013 – WHYY and the Delaware River Waterfront Corp (DRWC), in collaboration with Live Nation, are pleased to announce the headlining performers and program details for the 2013 WHYY Connections Festival. The family- friendly event is a FREE, two-day festival taking place Saturday, September 7 and Sunday, September 8 at the RiverStage at Great Plaza and the Marina on Penn’s Landing. Saturday begins with a celebration of the Delaware River’s ecology and natural history with kid-oriented outdoor activities, and ends with a free concert featuring They Might Be Giants, Ben Kweller, and Jesse Ruben. During the day, Coast Day celebrations feature free family activities along the river, organized by the Partnership for the Delaware River Estuary in conjunction with DRWC. Starting at 3PM, local bands Hezekiah Jones and the Khari Mateen, open the night’s free concert. Spend the evening under the stars listening to headliners They Might Be Giants, Ben Kweller, and Jesse Ruben play at one of the city’s most scenic venues. Sunday’s concert from 12PM to 5PM on September 7 will feature The Soul Survivors and The Sensational Soul Cruisers, as well as performances by doo wop groups, Temple University's Owlcappella, and much more. -
They Might Be Giants 2018 Live
2018 LIVE 1. THE COMMUNISTS HAVE THE MUSIC 2018 LIVE 2. YOUR RACIST FRIEND 3. ALL TIME WHAT 4. WHICH DESCRIBES HOW YOU’RE FEELING 5. SPY 6. APPLAUSE APPLAUSE APPLAUSE 7. I LIKE FUN 8. WHY DOES THE SUN SHINE? (THE SUN IS A MASS OF INCANDESCENT GAS) 9. A SELF CALLED NOWHERE 10. ISTANBUL (NOT CONSTANTINOPLE) 11. LET’S GET THIS OVER WITH 12. WHISTLING IN THE DARK 13. AUTHENTICITY TRIP 14. ANA NG 15. HEY, MR. DJ, I THOUGHT YOU SAID WE HAD A DEAL 16. HEARING AID 17. MRS. BLUEBEARD ℗ & © 2018 Idlewild Recordings PO Box 176, Palisades, NY 10964 Recorded live around the United States, Canada, the UK, and Europe on tour in 2018 This album could not have been made without the hard work of Scott Bozack (Tour Manager/Front of House Engineer), Jon Carter (Monitor Engineer), Jon Brunette (Guitar Tech), Saul Slezas (Lighting Director), Anna Bartenstein (Merchandise), and Jeff “Fresh” Peterson (Stage Manager) They Might Be Giants are John Linnell keyboards, accordion, contra-alto clarinet, vocals John Flansburgh guitars, vocals Danny Weinkauf bass Dan Miller guitar, keyboards Marty Beller drums Curt Ramm trumpet, trombone, euphonium Engineered and mixed by Scott Bozack A&R Marty Beller Mastered by Kevin Salem Design TS Rogers Cover photo Jon Brunette Interior photos Jon Uleis Management Jamie Lincoln Kitman and Pete Smolin The Hornblow Group USA, Inc. Booking Frank Riley and Dave Rowan High Road Touring Zac Peters DMF Music Publicity Felice Ecker and Sarah Avrin Girlie Action All songs copyright They Might Be Giants, TMBG Music (BMI) except “Istanbul (Not Constantinople)” Jimmy Kennedy and Nat Simon, Warner/Chappell (ASCAP) and “Why Does the Sun Shine (The Sun is a Mass of Incandescent Gas)” Hy Zaret and Lou Singer, Argosy Music Corp. -
Newsletter Number 79
The Palaeontology Newsletter Contents 79 Editorial 2 Association Business 3 News: awards and prizes 10 Association Meetings 16 From our correspondents Encore des Buffonades, mon cher … 20 PalaeoMath 101: Elliptic Fourier … 29 Future meetings of other bodies 44 Meeting Reports Silicofossil/Palynology joint meeting 50 Lyell Meeting 2011 53 55th PalAss Annual Meeting 2011 55 Obituary Arthur Cruickshank 64 Reporter: the Palaeontology of Pop 71 Sylvester-Bradley reports 75 Virtual Palaeontology 82 Book Reviews 88 Palaeontology vol 55 parts 1 & 2 101–102 Reminder: The deadline for copy for Issue no 80 is 11th June 2012. On the Web: <http://www.palass.org/> ISSN: 0954-9900 Newsletter 79 2 Editorial The publication of Newsletter 79 marks the end of the beginning of my new post as Newsletter editor. Many thanks to my predecessor Dr Richard Twitchett, who prepared a most useful guide to my editorial duties and tasks before moving to the even more demanding Council role of Secretary. Unlike the transition to editor in the world of journalism, I did not inherit an expenses account, tastefully furnished office and a PA, but I do now have the <[email protected]> account. That is how to contact me about Newsletter matters, send me articles, and let me, and Council, know what you want, and don’t want, from the Newsletter. The Newsletter has expanded greatly in the past decade and there is a great deal more copy and content, which you can check by investigating the Newsletter archive on the Association website. Such an expansion relies on a steady flow of copy from the membership and our regular columnists. -
Join Us Advance Digibook.Pdf
they might be giants are john linnell keyboards, vocals, bass clarinet can’t keep johnny down john flansburgh guitars, vocals, programming and have been joined by cloisonné marty beller drums danny weinkauf bass dan miller guitar never knew love stan harrison saxophones and horn arrangement on cloisonné old pine box produced by they might be giants & pat dillett mixed by pat dillett engineered by jon altschuler, greg thompson advance tracks mastered by ue nastasi at sterling sound, nyc from “join us” the new recorded at a secret location in manhattan, collyer brothers studio brooklyn, the album from governor’s bluff sullivan county management jamie lincoln kitman the hornblow group usa they might be giants booking frank riley high road touring, paul boswell free trade agency publicity felice ecker girlie action produced by they might be giants and pat dillett thanks to sarah avrin, anaheed alani, jennifer czin, nan lanigan, pete smolin, ben sandler, emma pancoast, michael buonanno, darren paltrowitz, josh flower, nicole mannino, jim horan, john virant, neil blanket, tricia arnold, sarah pearson, alix wenmouth, leslie gilotti, dave rowan and thanks to the support from these fine music folk:dennis galuska fender Idlewild Recording custom shop, jenny marsh gibson guitar corp., kevin packard ludwig drums, and PO Box 176 the great suzi matthews electro-harmonix Palisades, NY 10964 www.theymightbegiants.com all songs ©copyright 2011 they might be giants tmbg music bmi also available from they might be giants on idlewild: the else the spine -
Monster Snake!
© 2014 Universal Uclick Discovering a Lost World from The Mini Page © 2014 Universal Uclick Monster Snake! Ten years ago, scientists uncovered At the top of the food chain the remains of giants in a land that Boa constrictors such as Titanoboa had been buried for nearly 65 million have no venom glands. They are years. The biggest giant of them all not poisonous. They kill their prey was the most enormous snake to ever by twisting around its body and live on Earth. Scientists named it squeezing. Each time the prey Titanoboa (tie-TAN-uh-BOE-uh). breathes out, the boa constricts, Its name comes from “titanic,” which or tightens. The squeezing stops the means “gigantic,” and from “boa,” prey’s blood from flowing, and its heart which is the snake’s family. stops. At first, paleontologists* (pay-lee- Snakes can spread their jaws so far uhn-TAHL-uh-jists) believed the giant apart that they can swallow things bones found at the South American much, much bigger than their heads. mine belonged to ancient crocodiles. The Titanoboa could open its jaw about They were astonished to learn that the 6 feet wide, as big as a standing man. bones belonged to a huge snake. Almost all constrictors swallow their To learn more about this amazing prey whole. They basically walk their reptile, The Mini Page talked with one art ©2012 SNI/SI Network, LLC. All rights reserved mouths over the prey, surge forward of the paleontologists working to solve Titanoboa coils around a giant crocodile, and swallow. the mysteries of Titanoboa. -
TMBG Fans Write the Darnedest Things
Contents A Time Traveler Explains TMBG to Someone From 1972, by Shawn Patrick Cooke John Flansburgh is a Raccoon, by Apollo Ham-bones and the Inevitable Turn to Navel-Gazing, by bec_87rb The Agreement, by tardis60 Review of The Spine, by Bibliophilia John Flansburgh Declared Dead by Idiot, by unknown member of Sol-D BONUS: The Spine comic, by Seymour “hi-fivesoup” Back cover: excerpt from "Your Band Sucks": They Might Be Giants, by Dr. David Thorpe. Links for those interested in text adventure games (they’re fantastically written, and very different from each other): The Statue Got Me High (Ryan Veeder) Dinner Bell (Jenni Polodona) 1 A time-traveler attempts to explain They Might Be Giants to someone from 1972. Shawn Patrick Cooke (4/24/19) Why forty-seven years? I mean, fifty is a nice round number, or forty, or even forty-five, but who kidnaps a guy just to bring them back in time by forty-seven years? Fine, I’ll get the obvious stuff out of the way first. Everybody has a computer in their pocket which they use to share photographs of themselves and their pets. Sometimes their meals. We all think everyone else’s pictures are happy and life affirming and perfect and evidence that our own lives suck. Suck. It means “to be shitty”. Never mind, give it a year or two. Like, I have the entirety of human knowledge at my fingertips and you know what I do with it? I shitpost. Shitpost. Okay, imagine you saw a picture of a celebrity in a magazine. -
2014 Winter/Spring Season JUN 2014
2014 Winter/Spring Season JUN 2014 Bill Beckley, I’m Prancin, 2013, Cibachrome photograph, 72”x48” Published by: BAM 2014 Winter/Spring Sponsor: BAM 2014 Winter/Spring Season #RadioLoveFest Brooklyn Academy of Music New York Public Radio Alan H. Fishman, Chairman of the Board Cynthia King Vance, Chair, Board of Trustees William I. Campbell, Vice Chairman of the Board John S. Rose, Vice Chair, Board of Trustees Adam E. Max, Vice Chairman of the Board Susan Rebell Solomon, Vice Chair, Board of Trustees Karen Brooks Hopkins, President Mayo Stuntz, Vice Chair, Board of Trustees Joseph V. Melillo, Executive Producer Laura R. Walker, President & CEO BAM and WNYC present RadioLoveFest Produced by BAM and WNYC Jun 4—8 LIVE PERFORMANCES VENUE KEY Radiolab® Trusts No One, Jun 4, 7:30pm, OH BC=BAMcafé Wait Wait... Don’t Tell Me!®, Jun 5, 7:30pm, OH BRC=BAM Rose Cinemas Voices Carry: Stories of Inside Frequencies FB=Fisher Building HT=BAM Harvey Theater The Moth, Jun 5, 8pm, BC OH=BAM Howard Gilman Ask Me Another®, Jun 6, 7:30pm, OH Opera House Studio 360® with Kurt Andersen, Jun 6, 7:30pm, HT This American Life: One Night Only at BAM, Jun 7, 7:30pm & 10pm, OH Soundcheck®, Jun 7, 7:30pm, HT Sunday in New York with Jonathan Schwartz, Jun 8, 3pm, HT SCREENINGS Stop Making Sense, curated by Brian Lehrer With guest Jonathan Demme | Jun 4, 7:30pm, BRC The Princess Bride, curated by Brooke Gladstone Intro by Brooke Gladstone | Jun 8, 7:30pm, BRC BAMCAFÉ LIVE Curated by Terrance McKnight Villalobos Brothers, hosted by Helga Davis Jun 6, 9pm—free, BC BROWN RICE FAMILY, hosted by Terrance McKnight Lead support for RadioLoveFest provided by Jun 7, 9pm—free, BC American Express Delta Air Lines StoryCorps listening station | Jun 5—8, FB DeWitt Stern Major support for RadioLoveFest provided by Talk: Dave Isay with guest Scott Simon Charles & Valerie Diker and Jun 8, 1pm | FB Santander RadioLoveFest Jun 4 RADIOLAB® TRUSTS NO ONE Jun 4, 7:30pm, BAM Howard Gilman Opera House RADIOLAB® is WNYC’s Peabody Award-winning cult sensation about wonder, discovery, and big ideas. -
Film Review: Sinister 2,Film Review: Best of Enemies,RIIFF Notes
Film Review: Goodnight Mommy Lukas and Elias are twins whose mother has just returned from reconstructive plastic surgery following some sort of unexplained accident. The boys become convinced that who or what is in their home is most certainly not their mother. After a series of tests, confrontations and continued abnormal behavior from their mother, the boys decide to figure out the truth once and for all. Goodnight Mommy is a captivating and beautiful film that manages to evoke an atmosphere of dread and palpable sadness, shot in a fairly minimalist Kubrickian style. Cinematographer Martin Gschlacht did a wonderful job; every scene, no matter how mundane the setting, looks amazing. The directorial team of Severin Fiala and Veronika Franz, who also wrote the screenplay together, crafted a tense and genuinely creepy film with strong characters and scenes that will stick in your memory well after the movie ends. While the acting is impressive from all three of the leads, in a film with some scenes that could veer into the ridiculous, the characters always maintain some semblance of reality. Now for all the praise I am heaping on Goodnight Mommy I can’t let it go scot-free without mentioning that it is very similar to one of my favorite films of the early 2000s, but I am in no way accusing the filmmakers of outright copying as Goodnight Mommy is definitely its own film. And while I won’t name names, to not potentially mar anyone’s viewing enjoyment, I felt that it was indeed similar enough that it should be called out for liberal borrowing.