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Coalescence and the Fiction of Iain Banks
Études écossaises 12 | 2009 La Science Coalescence and the fiction of Iain Banks David Leishman Electronic version URL: http://journals.openedition.org/etudesecossaises/208 DOI: 10.4000/etudesecossaises.208 ISSN: 1969-6337 Publisher UGA Éditions/Université Grenoble Alpes Printed version Date of publication: 30 April 2009 Number of pages: 215-230 ISBN: 978-2-84310-138-0 ISSN: 1240-1439 Electronic reference David Leishman, « Coalescence and the fiction of Iain Banks », Études écossaises [Online], 12 | 2009, Online since 30 April 2010, connection on 08 September 2020. URL : http://journals.openedition.org/ etudesecossaises/208 ; DOI : https://doi.org/10.4000/etudesecossaises.208 © Études écossaises David Leishman Université Stendhal – Grenoble 3 Coalescence and the fi ction of Iain Banks Iain Banks’s second novel, Walking on Glass, seems to be ideally suited for the 2007 SAES conference theme of “l’envers du décor” or “behind the scenes”, since it is preoccupied with the exploration of literature’s mechanisms and workings and with the frontiers of fi ctional worlds. All this is foregrounded in the novel’s incipit. The opening paragraphs are dominated by the colour white as if to reaffi rm the ultimate liminality of the text, the presence of the blank page that lies permanently beneath (p.11). Meanwhile, an incongruous character has opened up a service hatch in the (white) fl oor and is scrabbling about inside with a torch, the unfamiliar conduit leading to hidden levels and unimagined apparatus that defamiliarise the surface reality and challenge its seamlessness. The text precisely specifi es the time as being “3:33” and this trinity is pre- sented by the narrator as a “good omen”, portentous of “a day events would coalesce” (p.
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The Banksoniain #10 an Iain (M.) Banks Fanzine August 2006
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Foundation The International Review of Science Fiction 116 Foundation The International Review of Science Fiction In this issue: Robert Duggan, Paul Kincaid, Joe Norman and Andrew J. Wilson No:116 Winter 2012/2013 Foundation Vol:42 on Iain Banks Emily Alder on Eduardo Paolozzi and Maia Clery on David Bowie Jim Clarke, Leimar Garcia-Siino, Tony Keen and C.L. Wilson on conferences at Brunel University and the University of Liverpool In addition, there are reviews by: Grace Halden, Mark Hall, Dan Hartland, Paul Kincaid, Anna McFarlane, Chris Pak, Andy Sawyer, Maureen Speller and Tom Sykes Of books by: Algis Budrys, Luke Cuddy, Enrique Gaspar, Peter Higgins, Robert E. Howard, Edward M. Lerner, Bradford Lyau, Adam Roberts and Gary K. Wolfe Cover: Iain Banks Credit: The Getty Foundation Iain Banks 1954 - 2013 Foundation is published three times a year by the Science Fiction Foundation (Registered Charity no. 1041052). It is typeset and printed by The Lavenham Press Ltd., 47 Water Street, Lavenham, Suffolk, CO10 9RD. Foundation is a peer-reviewed journal. Subscription rates for 2014 Individuals (three numbers) United Kingdom £20.00 Europe (inc. Eire) £22.00 Rest of the world £25.00 / $42.00 (U.S.A.) Student discount £14.00 / $23.00 (U.S.A.) Institutions (three numbers) Anywhere £42.00 / $75.00 (U.S.A.) Airmail surcharge £7.00 / $12.00 (U.S.A.) Single issues of Foundation can also be bought for £7.00 / $15.00 (U.S.A.). All cheques should be made payable to The Science Fiction Foundation. All subscriptions are for one calendar year; please specify year of commencement.
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THE UNIVERSITY OF HULL Bridging Fantasies: A Critical Study of the Novels of Iain Banks being a Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Hull by Martyn James Colebrook, BA, MA (February 2012) 2 Introduction Fear and Loathing in Midlothian 6 Chapter 1 “These Things of Darkness I Acknowledge Mine”: The Wasp Factory, Gender Performance and The Gothic 29 1.1 Gothic and Mental Disorder. 48 Chapter 2 The Player of Games? 66 2.1 Games and Fictionality. 67 2.2 The Player of Games and The Magus: A Comparative Study 81 2.3 Playing Games with Identity? 85 Chapter 3 Journeys into the Silent Land: The Bridge and Lanark: A Life in Four Books. 98 3.1 The Bridge and Lanark: Narrating Scotland as a Post-industrial Space. 102 3.2 The Bridge and the Contemporary Gothic. 123 Chapter 4 Moving out of the comfort ‘Zone’: Canal Dreams. 132 4.1 Not Playing by the Rules of the games: Canal Dreams and Genre. 136 4.2 “Maestro Please”: Memory and Performance. 146 4.3 Troubles with Banks: A political writer or a writer of political fiction? 158 Chapter 5 The Questions of Scotland: The Crow Road. 168 5.1 Landscape and Fiction. 170 5.2 The Crow Road and the Postmodern Gothic. 183 Chapter 6 ‘Mad Lad Lit’: Iain Banks’ Complicity. 192 6.1 Three Writers Who Go Down into the Darkness: The Games of Contemporary Scottish Crime Fiction. 195 3 6.2 Complicity and Terror. 222 6.3 Complicity, Sheepshagger and Violence.
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FREE THREE NOVELS OF IAIN BANKS: WHIT, THE CROW ROAD AND THE WASP FACTORY PDF A. MacGillivray | 80 pages | 10 Oct 2001 | Association for Scottish Literary Studies | 9780948877483 | English | Glasgow, United Kingdom ASLS: Iain Banks's The Wasp Factory, The Crow Road and Whit Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Iain Banks was one of Scotland's most inventive writers, producing an extraordinary range of work, from family sagas set in present-day Scotland to science fiction spanning vast gulfs of space and time. Suitable for senior school pupils and students at all levels. Get A Copy. PaperbackScotnotes Study Guide80 pages. More Details Original Title. Iain Banks. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. The Crow Road and The Wasp Factory filters. Sort order. Mar 06, Kathie rated it it was amazing. First reading of Oain Banks. Love the realism and humour even with the dark subject matter. Will be reading more. Mar 09, LMG rated it it was amazing. Quite possibly one Three Novels of Iain Banks: Whit the most bizarre books I have read, but loved every minute of it! Jun 16, Geoff added it. Weird, but interesting.
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The Banksoniain #21 an Iain (M.) Banks Fanzine February 2015
The Banksoniain #21 An Iain (M.) Banks Fanzine February 2015 Editorial Poems There is still much to report on in the worlds The announcement that fifty of Iain’s poems of Iain (M.) Banks. Even before his illness would be published came in a press release and death 2014 was shaping up to be an from his publishers on what would have been important Banksian year with his Guest of his sixtieth birthday, 16th February 2014. Iain Honour status at that year’s Worldcon, had mentioned his desire to have his poetry Loncon 3. That, of course, still went ahead published in interviews that he gave after his and Iain was honoured in memoriam, see diagnosis was made public. Stuart Kelly in pages #6 & #7, for reports on the activities the Guardian (15th June 2013) quoted Iain there. “I've got about 50 I'm proud of. I've been trying to convince Ken MacLeod that he 2014 would also have most likely seen the should come in with me on this as I've always publication of an M book. Indeed early in loved Ken's poetry.” He also described it as 2013 Hachette (which owns both Iain’s “a bit of a vanity project” and said “I'll self- publishers Little, Brown and Orbit) were publish if I have to”. Publication was initially listing a book called Untitled New Iain M. set for 5th February 2015, but was moved Banks 2, for publication in hardback back to what would have been Iain’s 61st November 2014 and paperback July 2015 birthday.
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