June 2019

Nehemiah Kish to retire from

Principal dancer Nehemiah Kish has announced his decision to retire from The Royal Ballet at the end of the 2018/19 season after nine years with the Company. He will give his last performance on the stage on Friday 14 June in The Firebird. He will also perform on The Royal Ballet’s tour to Japan in Yokohama in Kenneth MacMillan’s Winter Dreams on 30 June and give his final performance with the Company in Kenneth MacMillan’s Mayerling at the Music Center in Los Angeles on 6 July. He will be embarking on a course of postgraduate study in the arts and cultural policy in the autumn at Goldsmiths, University of .

Born in Michigan, Kish trained at Canada’s National Ballet School and joined the National Ballet of Canada in 2001, where he was promoted to principal in 2005. In 2008, he became a principal of the Royal Danish Ballet, before joining The Royal Ballet as Principal in 2010.

Director of The Royal Ballet Kevin O’ Hare said, “Nehemiah has been a wonderful member of the Company and Principal dancer for the past nine years. His elegant presence has been shown to great effect in the danseur noble roles such as and The Sleeping Beauty. He has brought a keen intelligence to bear on many ballets, notably in the MacMillan repertory including Prince of the Pagodas, Manon and Romeo and Juliet. More recently he has memorably taken on many different characters, including an outstandingly poignant account of the Creature in Frankenstein, the husband in The Concert, Kulygin in Winter Dreams and Tybalt in Romeo and Juliet. He has been a gracious and thoughtful partner and a great role model. I know that he’ll be much missed by the Company and I’d like to take this opportunity to wish him all the best for his exciting next steps. I am delighted that he will be staying in the arts world.”

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Kish commented, “It has been a privilege to perform with the inspiring artists of The Royal Ballet. I am grateful to have been blessed with a fulfilling career on stage, the last years of which in Covent Garden have been a treasured experience. I would like to thank my Directors, Dame Monica Mason and Kevin O’Hare, for their artistic leadership and support. My sincere thanks also go to the audiences and all the wonderful, dedicated and talented artists and staff at the Royal Opera House.”

Kish’s many roles with The Royal Ballet include Albrecht, Romeo, Vershinin (Winter Dreams), Prince (, Swan Lake, The Nutcracker, The Sleeping Beauty and The Prince of the Pagodas), Des Grieux (Manon), Richard P. Arnold (Enigma Variations), Jack/Knave (Alice’s Adventures in Wonderland), Onegin, Solor (La Bayadère), Espada (Don Quixote), Creature (Frankenstein) and roles in II, Still Life at the Penguin Café, Theme and Variations, Voluntaries, , DGV: Danse à grande vitesse, Gloria and Song of the Earth. His role creations include in ‘Trespass’ (Metamorphosis: Titian 2012) and Aeternum.

Details of additional promotions, leavers and joiners will be announced at the end of the season.

Images are available to download here.

ENDS

NOTES TO EDITORS

About The Royal Ballet Under the directorship of Kevin O’Hare, The Royal Ballet unites tradition and innovation with exceptional standards of artistry, creativity and stagecraft to produce supreme theatre for diverse audiences worldwide. It is a driving force in the development of ballet as an artform and brings together today’s most dynamic and versatile dancers with a world-class orchestra and leading choreographers, composers, conductors, designers and creative teams.

Press Office Contacts

Ashley Woodfield, Head of Ballet Press [email protected]

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