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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
The Most Admired* What Do Clint Eastwood, Jimmy
The Most Admired* What do Clint Eastwood, Jimmy Carter, and Warren Buffett have in common? No, this isn’t a setup for a pop culture joke, but rather a partial list of the most admired Americans over age 75. Provided with the names of 23 major personalities in this age bracket and asked to select the two they most admire, Americans compile a list that is at once diverse and homogenous; topping the list are two actors, two former presidents, a man of the cloth, and a financial wizard turned philanthropist. All remarkably accomplished, but all male. Clint Eastwood ranks highest overall, with 23% rating him as their most admired public figure over age 75; among men that proportion rises to 30%, and he reaches 33% among Republicans despite his unusual 2012 GOP convention appearance, making him that group’s second highest choice. Morgan Freeman runs a close second with 21% overall, but he is the clear favorite among both African Americans (40%) and Millennials (33%). Jimmy Carter finishes third overall with 19%, but he tops Democrats’ list (33%). Similarly, George H.W. Bush is number one among Republicans (36%), and he finishes fourth overall with 17%. Rounding out the most admired list in double digits are Billy Graham (16%) and Warren Buffett (13%). Buffett’s popularity lands him in second place among college-educated adults and affluent Americans. Billy Graham is relatively well loved among those over age 50. The three most admired women cross the ideological spectrum—former First Lady Nancy Reagan (9%) on the right, Justice Ruth Bader Ginsburg (7%) on the left, and TV newswoman Barbara Walters (9%) in the middle. -
Making Musical Magic Live
Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Bachelor of Science in Computer Science and Engineering Massachusetts Institute of Technology, 2012 Master of Sciences in Media Arts and Sciences Massachusetts Institute of Technology, 2014 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology February 2020 © 2020 Massachusetts Institute of Technology. All Rights Reserved. Signature of Author: Benjamin Arthur Philips Bloomberg Program in Media Arts and Sciences 17 January 2020 Certified by: Tod Machover Muriel R. Cooper Professor of Music and Media Thesis Supervisor, Program in Media Arts and Sciences Accepted by: Tod Machover Muriel R. Cooper Professor of Music and Media Academic Head, Program in Media Arts and Sciences Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on January 17 2020, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology Abstract Fifty-two years ago, Sergeant Pepper’s Lonely Hearts Club Band redefined what it meant to make a record album. The Beatles revolution- ized the recording process using technology to achieve completely unprecedented sounds and arrangements. Until then, popular music recordings were simply faithful reproductions of a live performance. Over the past fifty years, recording and production techniques have advanced so far that another challenge has arisen: it is now very difficult for performing artists to give a live performance that has the same impact, complexity and nuance as a produced studio recording. -
April 2021 Will Wells, Timber Creek High School C/O 2007
Black Horse Pike Regional School District Spotlight on Alumni - April 2021 Will Wells, Timber Creek High School c/o 2007 “Will graduated in 2007. Since then he has worked as a professional musician, composer, film scoring composer, arranger, and music producer. Will was a guitarist, keyboardist, and backing vocalist for the group "Imagine Dragos" and went on their world tour with them in 2015-2016. Will also was the Electronic Music Producer for the Broadway smash hit, "Hamilton." Will has also worked with famous musicians Barbara Streisand, LMFAO, Anthony Ramos, Quincey Jones, Cynthia Erivo (Star of the movie "Harriet"), Pentatonix, and many, many more! For more information, check out his website at: willwellsmusic.com Each year Will returns to Timber Creek to speak with our musicians, has brought in guest performers and conducted a song writing workshop. ~John Perkis, TC Music Education teacher 1. AA: Upon graduation, what post-secondary path did you take and why? Will: Upon graduating from Timber Creek Regional High School in 2007, I decided to attend Berklee College of Music in Boston, Massachusetts. After completing their “5- Week Summer Program” in the Summer of 2005, I knew that there was something about this institution that uniquely suited my needs, my passion, and my dreams. I was always interested in traditional and contemporary music, as well as the ever-evolving technology that was used in its creation. Berklee truly felt like the only place where I could fully immerse myself in the study of music and music technology, while being surrounded by thousands of other scholars who were passionate about music or the music industry. -
Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................ -
An Exploration of the Relationship Between Mathematics and Music
An Exploration of the Relationship between Mathematics and Music Shah, Saloni 2010 MIMS EPrint: 2010.103 Manchester Institute for Mathematical Sciences School of Mathematics The University of Manchester Reports available from: http://eprints.maths.manchester.ac.uk/ And by contacting: The MIMS Secretary School of Mathematics The University of Manchester Manchester, M13 9PL, UK ISSN 1749-9097 An Exploration of ! Relation"ip Between Ma#ematics and Music MATH30000, 3rd Year Project Saloni Shah, ID 7177223 University of Manchester May 2010 Project Supervisor: Professor Roger Plymen ! 1 TABLE OF CONTENTS Preface! 3 1.0 Music and Mathematics: An Introduction to their Relationship! 6 2.0 Historical Connections Between Mathematics and Music! 9 2.1 Music Theorists and Mathematicians: Are they one in the same?! 9 2.2 Why are mathematicians so fascinated by music theory?! 15 3.0 The Mathematics of Music! 19 3.1 Pythagoras and the Theory of Music Intervals! 19 3.2 The Move Away From Pythagorean Scales! 29 3.3 Rameau Adds to the Discovery of Pythagoras! 32 3.4 Music and Fibonacci! 36 3.5 Circle of Fifths! 42 4.0 Messiaen: The Mathematics of his Musical Language! 45 4.1 Modes of Limited Transposition! 51 4.2 Non-retrogradable Rhythms! 58 5.0 Religious Symbolism and Mathematics in Music! 64 5.1 Numbers are God"s Tools! 65 5.2 Religious Symbolism and Numbers in Bach"s Music! 67 5.3 Messiaen"s Use of Mathematical Ideas to Convey Religious Ones! 73 6.0 Musical Mathematics: The Artistic Aspect of Mathematics! 76 6.1 Mathematics as Art! 78 6.2 Mathematical Periods! 81 6.3 Mathematics Periods vs. -
Pressemappe Engl
PRESS RELEASE Bremen, 13 March 2018/cp “Music Festival Goes Overseas” — The Long Night of Jazz Exclusive cast: Metropole Orkest, Jacob Collier and Bokanté They are back: the Metropole Orkest and its leader Jules Buckley! The orchestra based in Hilversum is unique in the European music world as it is the only big band with a full string section, and its broad and diverse repertoire has made it the epitome of musical creativity and overflowing enthusiasm in its playing. Now, for the fourth time, the band will be guiding “Music Festival Goes Overseas,” the long night of jazz in the Überseestadt. A Germany-wide exclusive event will find them in the BLG-Forum at 7 p.m. on Saturday, 8 September, when they will meet up with two artists who are equally diversified and happy to experiment: Jacob Collier and Bokanté. Whether Al Jarreau, Ella Fitzgerald, Elvis Costello, Shirley Bassey, Pat Metheny, Tori Amos, Brian Ferry, Caro Emerald or Gregory Porter, performances with great artists are everyday occurrences for members of the Metropole Orkest. In 2016, they met the young, highly tal- ented multi-vocalist and multi-instrumentalist Jacob Collier during the BBC Proms. Since his 2013 video (that he produced and directed himself) of a cover version of Stevie Wonder’s “Don’t you worry ‘bout a thing” collected millions of YouTube clicks, great names such as Quincy Jones, Jamie Cullum or Herbie Hancock have waxed enthusiastic about the creativity of the 23-year-old from London. His collaboration with the Metropole Orkest continued during the North Sea Jazz Festival in 2017 and will this year go into the third round. -
Debut Album to Be Released on July 1St! New Single and Video “Hell of a Girl” Available Now! Click Here to Watch “Hell of a Girl”
Debut Album to be Released on July 1st! New Single and Video “Hell of A Girl” Available Now! Click here to Watch “Hell of A Girl” Debut Single “You Don’t Own Me feat. G-Eazy” #1 at Shazam in 15 Markets and Top 10 in over 90 Markets, And Top 25 at Pop Radio On Over 120 Stations “Grace is 18 years old, but she's in possession of the voice and swagger of someone much older and more veteran than she” –THE FADER (New York -- May 13, 2016) Australian vocal powerhouse GRACE is set to release her debut album via Regime Music Societe/ RCA Records on July 1st. Grace released the video for her new single today “Hell Of A Girl ” available everywhere. Click here to watch it now. “Hell of A Girl” follows the release of her chart-topping debut hit single, “You Don’t Own Me” Ft. G- Eazy,” currently #1 at Shazam in 15 markets, Top 10 in over 90 markets and Top 25 at Pop radio on over 120 stations in the U.S. “You Don’t Own Me” is a throwback cover of Lesley Gore’s 1963 anthem. Produced by the godfather Quincy Jones, who also produced the original, and Parker (Nicki Minaj, Rihanna, Jessie J, Ariana Grande), the track has not only has become a hit in the US, but also reaching the #1 spot on the official UK Radio chart, as well as topping all major U.K sales charts across the board. The single also hit #1 and is certified double-platinum in Grace’s native country of Australia. -
The Leadership Skills of a Music Producer
The Leadership Skills of a Music Producer OVERVIEW ESSENTIAL QUESTION How do successful music producers practice positive leadership skills? OVERVIEW Have you ever wondered what goes into creating a successful album? Or, how an artist writes a song on acoustic guitar that somehow becomes a fully orchestrated pop hit? Almost always, a successful recording is the result of a team Photo: Apple Music effort. There are dozens of ways a songwriter can funnel a song from her brain to the airwaves. She might work with other composers, lyricists, and arrangers to craft and finely tune the song. Then, when recording, she may employ any number of extra musicians to add instruments or vocals. Engineers are required to record all those instruments, and later to “mix” them into a final product. Artists, photographers and designers must create a “look” for the recording package that complements the artist and music. And, perhaps most importantly, someone will need to manage the entire process, guiding all team members toward a unified aesthetic and timely completion. That someone, most often, is the “producer.” A successful music producer will see the potential of the artists with whom they work, have a vision for how to best reach the public with the artists’ music, and, more importantly, a plan regarding the steps required to do it. The producer may take on many roles, such as choosing a recording studio, gathering ideas, helping to compose and arrange the music, selecting musicians to play on a track, coaching the artist, and leading the recording session. The producer can function as a boss, a coach, a teacher, a colleague, or any combination of the above. -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Skyline Orchestras
PRESENTS… SKYLINE Thank you for joining us at our showcase this evening. Tonight, you’ll be viewing the band Skyline, led by Ross Kash. Skyline has been performing successfully in the wedding industry for over 10 years. Their experience and professionalism will ensure a great party and a memorable occasion for you and your guests. In addition to the music you’ll be hearing tonight, we’ve supplied a song playlist for your convenience. The list is just a part of what the band has done at prior affairs. If you don’t see your favorite songs listed, please ask. Every concern and detail for your musical tastes will be held in the highest regard. Please inquire regarding the many options available. Skyline Members: • VOCALS AND MASTER OF CEREMONIES…………………………..…….…ROSS KASH • VOCALS……..……………………….……………………………….….BRIDGET SCHLEIER • VOCALS AND KEYBOARDS..………….…………………….……VINCENT FONTANETTA • GUITAR………………………………….………………………………..…….JOHN HERRITT • SAXOPHONE AND FLUTE……………………..…………..………………DAN GIACOMINI • DRUMS, PERCUSSION AND VOCALS……………………………….…JOEY ANDERSON • BASS GUITAR, VOCALS AND UKULELE………………….……….………TOM MCGUIRE • TRUMPET…….………………………………………………………LEE SCHAARSCHMIDT • TROMBONE……………………………………………………………………..TIM CASSERA • ALTO SAX AND CLARINET………………………………………..ANTHONY POMPPNION www.skylineorchestras.com (631) 277 – 7777 DANCE: 24K — BRUNO MARS A LITTLE PARTY NEVER KILLED NOBODY — FERGIE A SKY FULL OF STARS — COLD PLAY LONELY BOY — BLACK KEYS AIN’T IT FUN — PARAMORE LOVE AND MEMORIES — O.A.R. ALL ABOUT THAT BASS — MEGHAN TRAINOR LOVE ON TOP — BEYONCE BAD ROMANCE — LADY GAGA MANGO TREE — ZAC BROWN BAND BANG BANG — JESSIE J, ARIANA GRANDE & NIKKI MARRY YOU — BRUNO MARS MINAJ MOVES LIKE JAGGER — MAROON 5 BE MY FOREVER — CHRISTINA PERRI FT. ED SHEERAN MR. SAXOBEAT — ALEXANDRA STAN BEST DAY OF MY LIFE — AMERICAN AUTHORS NO EXCUSES — MEGHAN TRAINOR BETTER PLACE — RACHEL PLATTEN NOTHING HOLDING ME BACK — SHAWN MENDES BLOW — KE$HA ON THE FLOOR — J. -
When Quincy Jones
BY CHRIS HEATH PHOTOGRAPHS BY ROBERT MAXWELL 4 days ago Frank Sinatra. Michael Jackson. Ray Charles. Malcolm X. Elon Musk. Truman Capote. Buzz Aldrin. Prince. Tupac. Even Leni Riefenstahl. Quincy Jones has run with them all. Chris Heath stays up late with the 84-year-old music legend who has a tale to go with every famous name. ......................................... "I feel like I'm just starting," Quincy Jones explains as he slowly takes a seat in the grand living room of his hilltop Bel-Air mansion, a wide arc of nighttime Los Angeles visible through the windows in front of him. "It seems like at 84 all the things you used to wonder about come clear to you." TRENDING THIS VERY SECOND entertainment Quincy Jones Has a Story About That So he begins. He begins talking about his life. It's a life punctuated by so many disparate encounters and achievements and circumstances that it is hard to believe they are the experiences of a single man. There is a lot of talking to do. 1. The Oscar was awarded in 1994 for his humanitarian work. He won the Emmy for the soundtrack to Roots and the Tony for the revival of the musical The Color Purple. He has won 28 Grammy Awards. There is the career, of course: the jazz musician, the arranger, the record executive, the soundtrack composer, the solo artist, the producer of the biggest pop album in history, the entrepreneur, the media magnate, the film and TV producer, the philanthropist…and on and on. Jones is one of just a handful of people who have accomplished the EGOT—winner of at least one Emmy, Grammy, Oscar, and Tony.