Exhibition Hall Issue 8
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Catalogue XV 116 Rare Works of Speculative Fiction
Catalogue XV 116 Rare Works Of Speculative Fiction About Catalogue XV Welcome to our 15th catalogue. It seems to be turning into an annual thing, given it was a year since our last catalogue. Well, we have 116 works of speculative fiction. Some real rarities in here, and some books that we’ve had before. There’s no real theme, beyond speculative fiction, so expect a wide range from early taproot texts to modern science fiction. Enjoy. About Us We are sellers of rare books specialising in speculative fiction. Our company was established in 2010 and we are based in Yorkshire in the UK. We are members of ILAB, the A.B.A. and the P.B.F.A. To Order You can order via telephone at +44(0) 7557 652 609, online at www.hyraxia.com, email us or click the links. All orders are shipped for free worldwide. Tracking will be provided for the more expensive items. You can return the books within 30 days of receipt for whatever reason as long as they’re in the same condition as upon receipt. Payment is required in advance except where a previous relationship has been established. Colleagues – the usual arrangement applies. Please bear in mind that by the time you’ve read this some of the books may have sold. All images belong to Hyraxia Books. You can use them, just ask us and we’ll give you a hi-res copy. Please mention this catalogue when ordering. • Toft Cottage, 1 Beverley Road, Hutton Cranswick, UK • +44 (0) 7557 652 609 • • [email protected] • www.hyraxia.com • Aldiss, Brian - The Helliconia Trilogy [comprising] Spring, Summer and Winter [7966] London, Jonathan Cape, 1982-1985. -
Exhibition Hall
exhibition hall 15 the weird west exhibition hall - november 2010 chris garcia - editor, ariane wolfe - fashion editor james bacon - london bureau chief, ric flair - whooooooooooo! contact can be made at [email protected] Well, October was one of the stronger months for Steampunk in the public eye. No conventions in October, which is rare these days, but there was the Steampunk Fortnight on Tor.com. They had some seriously good stuff, including writing from Diana Vick, who also appears in these pages, and myself! There was a great piece from Nisi Shawl that mentioned the amazing panel that she, Liz Gorinsky, Michael Swanwick and Ann VanderMeer were on at World Fantasy last year. Jaymee Goh had a piece on Commodification and Post-Modernism that was well-written, though slightly troubling to me. Stephen Hunt’s Steampunk Timeline was good stuff, and the omnipresent GD Falksen (who has never written for us!) had a couple of good piece. Me? I wrote an article about how Tomorrowland was the signpost for the rise of Steampunk. You can read it at http://www.tor.com/blogs/2010/10/goodbye-tomorrow- hello-yesterday. The second piece is all about an amusement park called Gaslight in New Orleans. I’ll let you decide about that one - http://www.tor.com/blogs/2010/10/gaslight- amusement. The final one all about The Cleveland Steamers. This much attention is a good thing for Steampunk, especially from a site like Tor.com, a gateway for a lot of SF readers who aren’t necessarily a part of fandom. -
Download the Timeline and Follow Along
THE GREAT STEAMPUNK TIMELINE (to be printed A3 portrait size) LITERATURE FILM & TV GAMES PARALLEL TRACKS 1818 - Frankenstein: or The Modern Prometheus (Mary Shelley) 1864 - A Journey to the Centre of the Earth (Jules Verne) K N 1865 - From the Earth to the Moon (Jules Verne) U P 1869 - Twenty Thousand Leagues Under the Sea (Jules Verne) - O 1895 - The Time Machine (HG Wells) T O 1896 - The Island of Doctor Moreau (HG Wells) R P 1897 - Dracula (Bram Stoker) 1898 - The War of the Worlds (HG Wells) 1901 - The First Men in the Moon (HG Wells) 1954 - 20,000 Leagues Under the Sea (Disney) 1965 - The Wolves of Willoughby Chase (Joan Aiken) The Wild Wild West (CBS) 1969 - Captain Nemo and the Underwater City (MGM) 1971 - Warlord of the Air (Michael Moorcock) 1973 - A Transatlantic Tunnel, Hurrah! (Harry Harrison) K E N G 1975 - The Land That Time Forgot (Amicus Productions) U A 1976 - At the Earth's Core (Amicus Productions) P S S 1977 - The People That Time Forgot (Amicus Productions) A R 1978 - Warlords of Atlantis (EMI Films) B Y 1979 - Morlock Night (K. W. Jeter) L R 1982 - Burning Chrome, Omni (William Gibson) A E 1983 - The Anubis Gates (Tim Powers) 1983 - Warhammer Fantasy tabletop game > Bruce Bethke coins 'Cyberpunk' (Amazing) 1984 - Neuromancer (William Gibson) 1986 - Homunculus (James Blaylock) 1986 - Laputa Castle in the Sky (Studio Ghibli) 1987 - > K. W. Jeter coins term 'steampunk' in a letter to Locus magazine -
Cyberpunk Mark Bould
14 Cyberpunk Mark Bould Reflections on “Cyberpunk” The word “Cyberpunk” was coined by Bruce Bethke for the title of a story published in Amazing in 1983, but it came to prominence when Gardner Dozois appropriated it in his 1984 Washington Post article “SF in the Eighties” to describe fiction by William Gibson, Bruce Sterling, Lewis Shiner, Pat Cadigan, and Greg Bear. The self- identified core Cyberpunk group consisted of Gibson, Sterling, Shiner, John Shirley, and Rudy Rucker. They were also dubbed the Movement, the “mirrorshades group” and the “outlaw technologists”; their fiction was sometimes called radical hard SF. As “Cyberpunk” circulated more widely following the success of Gibson’s debut novel Neuromancer (1984), it accreted fresh meanings and applications. To paraphrase Gibson’s famous dictum about human relationships with technology, the street (and the culture industries) found its own uses for “Cyberpunk.” It became an ever-expand- ing term for any slightly edgy artistic or cultural practice concerned with computers and/or the relationships between technology and the body, a synonym for “computer hacker,” the name of a role-playing game and even the title of a Billy Idol album. Although usually considered to refer to a movement, subgenre or an idiom, “Cyber- punk” was also an undeniably commercial label, attracting a lot of attention from readers, writers, journalists, critics, and marketing people. It spawned numerous derivative terms, including “cowpunk,” which described a revitalized western fiction (and had already been applied to the music of the Meat Puppets, whose name Gibson borrowed to describe prostitutes with neural blocks); “elfpunk,” which described post- Tolkien fantasy with attitude; and “ciderpunk,” a variety of pub rock from England’s West Country. -
Technofantasies in a Neo-Victorian Retrofuture
University of Alberta The Steampunk Aesthetic: Technofantasies in a Neo-Victorian Retrofuture by Mike Dieter Perschon A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Comparative Literature © Mike Dieter Perschon Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Dedicated to Jenica, Gunnar, and Dacy Abstract Despite its growing popularity in books, film, games, fashion, and décor, a suitable definition for steampunk remains elusive. Debates in online forums seek to arrive at a cogent definition, ranging from narrowly restricting and exclusionary definitions, to uselessly inclusive indefinitions. The difficulty in defining steampunk stems from the evolution of the term as a literary sub-genre of science fiction (SF) to a sub-culture of Goth fashion, Do-It-Yourself (DIY) arts and crafts movements, and more recently, as ideological counter-culture. Accordingly, defining steampunk unilaterally is challenged by what aspect of steampunk culture is being defined. -
NOVA Express, Vol
Conducted by Glen Cox This interview was originally published in NOVA Express, Vol. 2 No. 2, Fall 1988. [Blaylock and I sat in the lobby of the Austin Wyndham, taking a break from the antics of ArmadilloCon X, where I quickly plied him with some Bass Ale, his favorite brew. My intention: to make him feel at ease. I wasn't blind to the fact that he was wary of this interview, almost wary of people in general. This was the same man who inscribed my copy of Homunculus at ArmadilloCon last year with, "For Glen, who has just listened to my first-ever reading. I'm shaken by it, and can't think." This same timidity comes across in his writing, which makes it that much more honest. Rummaging in my backpack, I pull out back issues of Nova Express and hand them to him, then reach over to the middle of the table and turn the recorder on.] James P. Blaylock: Hmm. I'm sort of partial -- in magazines of this sort--I'm a little partial to non-fiction anyway. I don't know why this is. I really like SF Eye, for example, it's a very readable magazine. My least favorite was the fiction issue, just because their non-fiction has been so good and their interviews have been so good, that I wanted more and more and more of that. Glen Cox: Let's jump right into it. William Ashbless is not real? JB: No. GC: Totally made up? JB: Entirely and utterly made up. -
Locus Magazine
T A B L E o f C O N T E N T S April 2013 • Issue 627 • Vol. 70 • No. 4 CHARLES N. BROWN 46th Year of Publication • 30-Time Hugo Winner Founder Cover and Interview Designs by Francesca Myman (1968-2009) LIZA GROEN TROMBI Editor-in-Chief KIRSTEN GONG-WONG Managing Editor MARK R. KELLY Locus Online Editor-in-Chief CAROLYN F. CUSHMAN TIM PRATT Senior Editors FRANCESCA MYMAN Design Editor HEATHER SHAW Assistant Editor JONATHAN STRAHAN Reviews Editor TERRY BISSON GWENDA BOND GARDNER DOZOIS AMY GOLDSCHLAGER CECELIA HOLLAND RICH HORTON RUSSELL LETSON I N T E R V I E W S ADRIENNE MARTINI FAREN MILLER Terry Bisson: Personal Alternate History / 6 GARY K. WOLFE Libba Bray: Eco-Friendly Fembot Who Survives on the Tears of Teen Girls / 57 Contributing Editors KAREN BURNHAM P E O P L E & P U B L I S H I N G / 8 Roundtable Blog Editor Notes on milestones, awards, books sold, etc., with news this issue about Alex Bledsoe, Ginjer WILLIAM G. CONTENTO Buchanan and Carl Sagan, Cherie Priest, Elizabeth Bear, Terry Pratchett, and many others. Computer Projects Locus, The Magazine of the Science Fiction & Fantasy M A I N S T O R I E S / 5 & 10 Field (ISSN 0047-4959), is published monthly, at $7.50 per copy, by Locus Publications, 34 Ridgewood Lane, Oakland CA 94611. Please send all mail to: Kiernan and Salaam Win Tiptree Awards • 2012 Kitschies Winners • 2013 Philip K. Dick Award Locus Publications, PO Box 13305, Oakland CA Judges • SFWA vs. -
San José State University Department of English & Comparative Literature
San José State University Department of English & Comparative Literature English 22-3: Fantasy & Science Fiction – Spring 2013 Balance T. Chow Instructor: Faculty Offices 224 Office Location: (408) 924-4430 Telephone: [email protected] Email: M/W 10:30– 11:45 & By Appointment Office Hours: M/W 13:30--14:45 Class Days/Time: BBC 120 Classroom: None Prerequisites: GE Area C2 (Arts and Letters) GE/SJSU Studies Category: Course Description In this course, students will examine works of literary fantasy and science fiction to understand them as expressions of human intellect and imagination; to comprehend their historical and cultural contexts; and to recognize their diverse cultural traditions. Both contemporary and historical works will be studied, with an emphasis on critical appreciation. Assignments include extensive reading, oral and written responses, presentations, research papers, and exams. No credit in the English major. Course Goals GE Goals 1. To examine the interaction of analytical and creative processes in the production and perception of significant works of the human intellect and imagination [GE]; 2. To examine the significance of the historical and cultural contexts in which such works are created and interpreted [GE]; 3. To prepare students to participate in social and cultural communities associated with artistic and literary endeavors to enrich their personal and professional lives. [GE]. Course Goals 1. To examine, in relevant historical, social, technological, and philosophical contexts, works of fantasy and science fiction literature; 2. To explore significant as well as recurrent themes in the works of literature studied; 3. To address, by way of works of fantasy and science fiction, topics related to important aspects of the world’s past, present, and future with regard to the well-being of the globe; 4. -
The Last Time the SCA Hosted a Hot Tub Party at VCON
WCSFAzine The Fannish E-zine of the West Coast Science Fiction Association Dedicated to Promoting VCON, Canada’s Oldest Continuing SF Convention. #20 Mar 2010 The Last Time the SCA Hosted a Hot Tub Party at VCON CONTENTS: 02………. Credits & Editorial. VCON 35 NEWS: 03………. Upcoming VCON 35 Gearing Up: Date, Artist GoH, Music GoH, theme. 05………. What is Steampunk? A brief explanatory essay. FANDOM NEWS & NOTES: 07………. Aurora Awards: List of nominees, how to vote. 10………. Canadian Unity Fan Fund: What it is, how to vote, nominees. 12………. FAAn Awards: All about & how to nominate. CONVENTION HISTORY: 14………. First Canadian Conventions by Province: List & Info. 15………. VCON 34, Part One: Hotel, Guests of Honour, Friday Program. SUPER SCIENCE STUFF: 18………. Ask Mr. Science! The truth about the speed of light & aluminum. 19………. Ask Mr. Guess-It-All! The truth about shrinking stars and Camel Spiders. IMPORTANT STUFF: 20………. Colophon: Who and what the West Coast Science Fiction Association is. 20………. Adverts: White Dwarf Books, Swiss Navy T-Shirts, &‘Strange Voyages’ CD. Note: All uncredited articles are by the Editor. ART CREDITS: Clip Art: Cover, 6 , 21 William Rotsler: 16 EDITORIAL To my astonishment I made the short list for the 2010 Aurora Awards, in that WCSFAzine is among the competitors for Fan Accomplishment (Fanzine). I feel slightly guilty as I published but three issues in 2009, namely #17 (January), #18 (February) & #19 (April). Then I gave up, burned out by the effort. However, the possibility of winning an Aurora has motivated me to begin publishing WCSFAzine again. This time though, in order to avoid burning out, I will publish on an irregular schedule and focus on promoting VCON rather than try to function as a West Coast SF newszine. -
Spring 2018 Graduate Student Workshop Schedule
Spring 2018 GUS 530 GRADUATE STUDENT WORKSHOPS Course Topic Instructor Date and Time Location Number GUS Writing the Plotted James P. Blaylock, Professor, Thursday, February 8, 2018 Roosevelt 530-01 Novel Department of English 4-6:50PM Hall 121 How to Solve Bruce McAllister, Writing Coach, GUS Monday, February 12, 2018 Roosevelt Absolutely Any Writer’s Writer, Consultant, Workshop 530-02 4-6:50PM Hall 203 Block Leader, and Agent Finder GUS Tuesday, February 20, 2018 Roosevelt Songwriting John Blaylock 530-03 7-9:50PM Hall 121 Dynamic public Wednesday, February 21, GUS Stephanie Weaver, Writer, Roosevelt speaking inspired by 2018 530-04 Speaker Coach, and Entrepreneur Hall 121 TED Talks 4-6:50PM Wednesday, February 28, GUS Conference Jennifer Keene, Professor, Chair, Roosevelt 2018 530-05 Presentations Department of History Hall 121 4-6:50PM Qualitative Data GUS Kerk Kee, Associate Professor Wednesday, March 14, 2018 Roosevelt Analysis – Introduction 530-06 School of Communication 7-9:50PM Hall 204 to NVivo GUS Digging Deep: The Craft Thursday, March 29, 2018 Roosevelt Samantha Dunn, Author 530-07 of Memoir 7-9:50PM Hall 121 GUS The windup, and the Tom Zoellner, Associate Tuesday, April 3, 2018 Roosevelt 530-08 pitch Professor, Department of English 4-6:50PM Hall 121 Reaching Your Readers: Bruce McAllister, Writing Coach, GUS Thursday, April 12, 2018 Roosevelt How to Promote Your Writer, Consultant, Workshop 530-09 4-6:50PM Hall 121 First Book Leader, and Agent Finder Dr. Joanna Levin, Associate Professor, Chair, Department of GUS Applying to Ph.D. Thursday, April 26, 2018 Roosevelt English 530-10 Programs 4-6:50PM Hall 121 Dr. -
Exhibition Hall 3
‘Stormchaser’ - Copyright P.KNIVES exhibition hall 3 exhibition hall issue 3- november 2009 chris garcia- editor, james bacon- london bureau chief, ariane wolfe- fashion editor, lord james blears- in-theme wrestler Editorial There’s a Steampunk Hamlet coming out in May. I’ll let that sink in a moment. You see, the Butterfield 8 Theatre Company in the beautiful city of Concord, California, will be doing a version of the Bard’s third greatest play (after King Lear and MacBeth) that takes place in a steampunk-ish Victorian England. This won’t be the first version of Hamlet I’ve seen that takes Victoriana as its visual basis, but the Steampunk twist will be interesting. You know your aesthetic movement has officially come around when they’re doin’ Shakespeare around it! And there’s something to be said about the theatre world grabbing onto a Steampunk lever as a setting. Aside from the visual interest, there’s an inherent grottiness to the entire Steam-thing that can certainly assist in the development of tone. There’s always the worry that the setting will over-power the piece, but Butterfield 8 is a great bunch of theatricists, so I would expect that to not be a problem. Check out http://www.b8company.com/ for more info on their entire up-coming schedule. It’s interesting to note that Hamlet isn’t the best Shakespeare play for Steampunking. The Tempest, Othello, Trolius & Cresida, those would all work better in a Steamy setting, but Hamlet’ll do pretty well. I’ll certainly be there as the Butterfield 8 Theatre Company does really good stuff. -
Bcsfazine #347
BCSFAzine #347 Price: $3.00 The monthly newsletter of the British Columbia Science Fiction Association Something to interest everyone! Vol. 30 No. 4 April 2001 IN THIS ISSUE: AURORA AWARD NOMINATION BALLOTS! COUNTRIES THAT ALMOST EXIST! AURORA AWARD ELIGIBLES! HOW TO INVENT LANGUAGES IN 20 SIMPLE STEPS! WHERE ARE THE FRIENDS OF THE MERRIL COLLECTION? BCSFAzine is also available by e-mail as an Adobe BCSFAzine Acrobat .PDF file. (Please e-mail [email protected] if Something to offend interest everyone! you wish to receive the magazine by e-mail.) BCSFAzine © April 2001 Volume #30, #4, Issue #347 BCSFA’s Web page may be viewed at http:// is the club newsletter published by the B.C. Science www3.telus.net/dh2/bcsfa/. Fiction Association, a social organization. Singe copies $3.00 each. For comments, subscriptions sugges- The V-Con Society’s Web page may be viewed at tions, and/or submissions, write to: BCSFAzine c/o http://www3.telus.net/dh2/vconsociety/. Box 15335, VMPO, Vancouver, B.C. CANADA V6B 5B1, or e-mail [email protected]. Webmaster ....David Hale ([email protected] / [email protected]) BCSFA Executive VCon 27’s Web page may be viewed at http://www.v- President ............................. R. Graeme Cameron con.ca. Webmistress: Lorna Appleby Vice President ....................................... ? ([email protected]) Treasurer ..................................... Doug Finnerty Secretary ............................................ Alyx Shaw BCSFA has an e-mail discussion list at Yahoo!Groups. Archivist .............................. R. Graeme Cameron To Subscribe: email BCSFA- Editor ........................................... Garth Spencer [email protected] Members at Large: ..................... Randy Barnhart To Post a message: [email protected] .................................................. Alan Ferguson To contact the List owner: Keeper of FRED, [email protected] V-Con Ambassador for Life .....