Senate Community Affairs Committee Inquiry Into Adequacy of Existing

Total Page:16

File Type:pdf, Size:1020Kb

Senate Community Affairs Committee Inquiry Into Adequacy of Existing Senate Community Affairs Committee Inquiry into Adequacy of existing residential care arrangements for young people with a severe physical, mental or intellectual disability in Australia My name is Mrs Mary Nolan AM and I consent to this submission being published a. the health and support pathways available to young people with complex needs; 1 | Page b. the appropriateness of the aged care system for care of young people with serious and/or permanent mental or physical disabilities; c. alternative systems of care available in federal, state and territory jurisdictions for young people with serious and/or permanent mental, physical or intellectual disabilities; d. the options, consequences and considerations of the de-institutionalisation of young people with serious and/or permanent mental, physical or intellectual disabilities; e. what Australian jurisdictions are currently doing for young people with serious and/or permanent mental, physical or intellectual disabilities, and what they intend to do differently in the future; f. the impact of the introduction of the National Disability Insurance Scheme on the ability of young people in aged care facilities to find more appropriate accommodation; 2 | Page Introduction to author, Mary Nolan AM I am Mary Nolan, wife of John and mother of Christopher Nolan a high achiever, Captain of his school in 1985, lawyer, and founder of Meredith Music Festival in 1991 www.mmf.com.au, still held on our family farm at Meredith. Chris who had a great capacity for people and friendship suffered a catastrophic multi organ collapse and acquired brain injury (ABI) while working in Hanoi in May 1996. Three weeks in Singapore ICU and then airlifted back to St Vincent’s Hospital, Melbourne. Critically ill medical roller coaster, Chris ‘woke up’ from six months coma in November 1996. Medically fragile, in an era before the paradigm shift from ABI as hopeless to understanding that the brain can make new connections and huge advances in neuro science, we knew Chris was hearing and understanding, communicating non verbally with facial expressions. He was refused admission to any rehabilitation facility, but was one of the first to be funded under the Vic ABI Slow to Recover Program for young people with very severe ABI. To our horror, his only option was an aged care facility. I am a founding member of: • Inability Possability Inc www.inabilitypossability.org.au (2001-2015) a volunteer organisation which works for YP with very severe ABI requiring very high levels of care and their families. • Victorian Young People in Nursing Homes (YPINH) Consortium (2001 – 2013) forerunner of the (YPINH) Alliance. I was on working group to organise a National Summit on YPINH in 2002 and a National Conference 2003 - the first time all relevant stakeholders, service providers, government departments, media, YPINH and Families and Friends etc had come together. • The What does Chris Want (WDCW) group of 16 friends and family (2004 – 2015). In 2004, with rumours of the Fitzroy NH closing, and despite work done on the wider level with YPINH Consortium, Chris still had nowhere to go. We asked friends to come together to define what does Chris want and how do we get it? That group has met regularly with Chris mostly monthly with sub groups as needed for almost 12 years. WDCW has been vital in working with Chris to decide what he does want and need, and in using means to achieve, including on media and political levels. Chris is regarded by many with very high and complex needs as a beacon of hope and has assisted others in many ways. In 2002 I received a high commendation in the Human Rights Awards for my ‘ground breaking and pioneering work in bringing the issue of YPINH to public attention’ 3 | Page On Australia Day 2011, I was made a member of the Order of Australia (AM) ‘For service to people with acquired brain injuries, particularly as an advocate for age appropriate accommodation’ Since 1999, o I have been on reference groups for the majority of groups connected with YPINH and know many and their families – with Victorian Department of Human Services, disability and aged care organisations, service providers etc. o Visited care/nursing home facilities in several states o Made submissions to both Federal and State government enquiries and appeared before Senate commissions, o Attended, given papers (including key note speaker) and took part in numerous state and national conferences, meetings, seminars, workshops. o Co-authored 2 books ‘still the doors are open - writings of life’ published by Inability Possability Inc 2004, and ‘Acquired Brain Injury (ABI). A socio-medical model for the care of young people with severe brain injury’ 2008 published by What does Chris Want (WDCW) group o Active through the media both politically, personaly and collectively with the various organisations/groups of which I am part. I offer this resume to give some idea of the breadth and depth of experience and knowledge from which this submission is written. My/our aim is to give voice to the voiceless – those with severe ABI who are unable to speak for themselves and in writing this submission. I walked out of my home at Meredith and work as a radiographer in May 1996 to go to Chris in Singapore and have not been home for more than 2-3 weeks at a time since. I tell Chris he owes me for being his personal assistant – he grins! A high achiever, Chris went from a career high in Hanoi, to a catastrophic illness and acquired brain injury and 6 months in a ‘coma’, to living in aged care nursing home (NH). He went on to be involved in several groups working to highlight the plight of YPINH with very severe ABI, including the COAG Young people in Residential Aged Care agreement in 2006. Then came the closure of the NH in 2005 and Chris had nowhere to go. In the interim a NH in Brunswick was secured with an Individual Support Package (ISP), and the commitment of 10 person place for people with very high and complex needs was given. A difficult decision was taken to refuse the place there and stay in NH with his ISP. (see reasons Page 7 ). Chris has a wide and diverse friendship network and is now very engaged in community. As a friend says, ‘Nolesy you’re better connected than any of us’ 4 | Page Chris’s and our journey pre and in RAC On 22 December 1996 at age 28, Chris moved to an aged care facility in North Fitzroy which had a strongly embedded philosophy and practice of partnership in care with ABI: STRP (Slow to Recover Program) funding and close to his diverse friendship network. It was shocking to have to place our son, so vulnerable and helpless, in a 4 bed room with 3 older men. With no one with experience, the Director of nursing and staff, allied health therapists and I set about trying to help Chris. Some of the roommates became quite close to Chris and we still reminisce about some of the characters and the kindness they showed him. A primary care team of interested nurses was set up to work with Chris. In 1996, that level of ABI was regarded as hopeless. With his friends, many of who are professional and objective, we knew Chris was hearing and understanding, as he was communicating a little with facial expressions but unable to speak, move or see. He was also becoming contracted, and had severe spasticity. We developed a socio- medical rehabilitative model/ approach which incorporates slow and gentle movement and procedural learning. This approach over the next nine years was adapted for eight other YP with very high and complex needs. Two came to that NH not eating, walking or talking and went out to other places doing all three. We can assume people know what we mean when we use the above underlined terminology, but after a senior very experienced rehab nurse told me at a Conference I had turned on a light for her with the following example I don’t presume. Since about the year 2000, advances in neuroscience and imaging techniques have moved from an understanding of the brain as incapable of recovery, to the current understanding that recognises its capacity to create new neural pathways, and achieve gains for the individual that was previously viewed as not possible. It is important to recognise that certain supports and strategies are essential to this happening. Like any of us, one must be well and comfortable: for example for a person with a severe ABI, the need to be positioned well in a customised chair and to be involved in what happens to them. Example: Think back to having your shower this morning – something you do almost automatically starting at same place and having same sequence to the process of washing – generally a pleasurable experience to start the day. 1. Now imagine being suddenly struck down with ABI, you can’t see, speak or move, and generally have pain and spasticity. Different carers shower you in different order and because of time constraints, often rushing everything through. So a shower can become a very confusing and frightening experience in which you play no part except as a passive ‘victim’. Fear often manifests in greatly increased spasticity and spasms making it harder for both carer and person. 5 | Page 2. In contrast, if carers are taught to start at the same place with slow and gentle movement, informing you as each step as it is about to happen, slowly interpreting your non verbal communication as they go, so that you can learn to participate and predict what is coming next – it’s not just a completely different experience, but your brain learns to allow your body e.g.
Recommended publications
  • Music Festival | Australian Music Festivals 23/11/2016, 12:28 PM
    Music Festival | Australian Music Festivals 23/11/2016, 12:28 PM Home Coach Cash Coach Life Coach $ Search Categories Home Coach Cash Coach Life Coach Latest Articles Great road trips for everyone November 21, 2016 Catching up – without food or booze Getting your festival on November 14, 2016 ! by Nigel Bowen | " posted in: Cash Coach | # 0 Spring hacks for the garden November 7, 2016 Love the Australian music festival scene? So do we. However, when you start factoring in all the costs, the season can add up pretty quickly. Here are our tips for where you can save some cash, so you can spend more on having a good time. Decking out the man cave Tickets: Get in early November 2, 2016 Music festival tickets are, unsurprisingly, going to be the biggest outgoing when it comes to your big day (or days) out. Buying early can save you anywhere from $10 to $100 a ticket, so it’s worth keeping an eye out for early bird deals. Gardening on a budget Byron Bay’s Bluesfest, has already started selling tickets for 2017. “If you book a year in advance you can get them for as cheap as October 31, 2016 $350,” says Gold Coast resident and Bluesfest regular Adam Hearsey. “People will buy tickets in advance, regardless of the fact the line- up and headliners aren’t even announced. They trust the organisers will bring in big names.” Transport: Share the ride Subscribe to our Another big cost is transport, so carpooling with friends to split the overheads is an obvious cost-saving option.
    [Show full text]
  • Kingstonyourcity
    Official Journal of the City of Kingston • February / March 2015 KingstonYourCity see inside! OFFICIAL PROGRAM BRING WITH YOU TO THE EVENT! $2 Saturday 28 FEBRUARY 11am -10.30pm ENTRY $5 FAMILIES AND Sunday 1 March 11am - 6pm PETER SCULLIN RESERVE MORDIALLOC KINGSTON.VIC.GOV.AU/MORDIFEST 1300 653 356 Program is correct at time of printing. Go to kingston.vic.gov.au/onlineprogram PROGRAM for the latest updates. Saturday 28 FEBRUARY 2015 MAYOR'S MESSAGE Pier Stage Beach Stage JAM CAFE 11AM Dale Winters 11.30AM Harrison Storm 11.45AM Rebekah Strongman Kingston Council is proud to present its 12.15PM 12.30PM Andrew Redford premier event, the 2015 Mordialloc Food, 12 PM Benny Walker Band Black and Blue Wine & Music Festival . 1PM Cannonball 1PM Mr Blue 1.15PM Adam Paterson We are very excited to hold this umbrella 2PM Sal Kimber and the 1.45PM Swing Patrol 2PM Finnin event of the Melbourne Food and Wine dance lesson Rollin’ Wheel 2.45PM The Weeping Willows Festival on Saturday 28 February and 3PM Wilson and White 2.45PM The Dirty Boogie Band Sunday 1 March. 3.30PM Leea Nanos 4PM Hailey Crammer 3.45PM The Princetons As a vibrant retail precinct supporting a 4.15PM Benny Walker Band 5PM 4.45PM Gordi diverse range of businesses; Mordialloc Oozin Blues 5.15PM Dale Winters is the perfect place to hold this popular 6PM 5.45PM Buddha in a Greg Champion and the 6.15PM Fallon and Kodi festival that showcases the best local Cool Rockin Daddys Chocolate Box and regional producers, suppliers, chefs, 7.15PM Sons of May wineries and breweries alongside world class 6.50PM Official Welcome 6.45PM Sons of May The Mayor of Kingston musicians.
    [Show full text]
  • The Australian Songwriter
    The Australian Songwriter Issue 90, November 2012 First published 1979 The Magazine of The Australian Songwriters Association Inc. In this edition: Chairman’s Message Editor’s Message Top 25 Category Winners in the 2012 Australian Songwriting Contest 2012 Australian Songwriters Hall of Fame Inductee: Don Walker (Cold Chisel) ASA Member Profile: Alec Raymer ASA Member Profile: Kaitlyn Thomas Ten Keys To Unlock Creative Songwriting: Final Members News Sponsors Profiles ASA Member Profile: Kylie Stephens ASA Member Profile: Kathy Prosser New ASA Regional Co-Ordinator for Western Australia: Mike Cardy Festivals Roundup The Load Out Official Sponsors of the 2012 Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators Chairman’s Message All ASA Members, Here we go! November will be the most hectic month on the ASA Calendar as we build to our 2012 National Songwriting Awards Night. Pretty soon our Finals Judges will come up with the Top Ten place getters in every Category of the ASA 2012 Song Contest. They will of course be announced and feted on our special evening in December. It will be huge. Between now and then there is just enough time to check out the ASA November 2012 e-mag. Our Vice Chairman/Financial Officer/Editor Alan Gilmour has been slaving away as usual to bring you lots of interviews and stories about Members, along with helpful hints from some of Australia’s best Songwriters. The 2012 Song Contest Finalists are also listed.
    [Show full text]
  • Doctor of Philosophy
    A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences University of Western Sydney March 2007 ii CONTENTS LIST OF TABLES........................................................................................ VIII LIST OF FIGURES ...................................................................................... VIII LIST OF PHOTOGRAPHS ............................................................................ IX ACKNOWLEDGMENTS................................................................................. X STATEMENT OF AUTHORSHIP .................................................................. XI PRESENTATION OF RESEARCH............................................................... XII SUMMARY ..................................................................................................XIV CHAPTER 1 INTRODUCING MUSIC FESTIVALS AS POSTMODERN SITES OF CONSUMPTION.............................................................................1 1.1 The Aim of the Research ................................................................................................................. 6 1.2 Consumer Society............................................................................................................................. 8 1.3 Consuming ‘Youth’........................................................................................................................ 10 1.4 Defining Youth ..............................................................................................................................
    [Show full text]
  • Meredith and District News
    Woo Hoo… Meredith It’s spring! &district Newsletter September 2012 Our Community Newsletter since 1972 Distributed FREE to district residents Grants go to Work Meredith Jim Elvey Medals Golden Plains Shire’s highly regarded Community Grants Local athletes Program will continue to fund and stimulate small projects excelled at a throughout the Shire. At a ceremony held last month, variety of events $132,599 in grants were awarded to 42 recipients and will this past month. OMITTED FROM ONLINE contribute to a total of $335,190 worth of project work. Among them were VERSION Mayor, Cr Geraldine Frantz, in opening the ceremony, Amy Canavan, a said since the program began in 1996, over $2 million has member of the been allocated to more than $4.1 million worth of projects Victorian team for the Shire’s many communities. that won a silver medal in its age She added “Projects range from sporting equipment, group at the community events, upgrading basic facilities such as Australian Cross toilets and kitchens, improving storage and improvements Country to walking paths.” Championships in Kristie Walker, publicist with the Meredith Music Festival, gave South Australia, a lengthy and well received address on the history of the Festival and Stephanie from small beginnings to a large, often sold-out international Ferry, who won festival of renown. A key to the story was the adherence to three firsts at the foundation principles of honesty and transparency. Corio Districts Athletics And Meredith demonstrated how active it is as a community, Carnival. with five grants coming to the town for a variety of projects.
    [Show full text]
  • The Music Market in Australia and New Zealand
    THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALAND 1 THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALANDLAND ACKNOWLEDGEMENTS Funding for this study was provided by Ontario Media Development Corporation. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Ontario Media Development Corporation or the Government of Ontario. The Government of Ontario and its agencies are in no way bound by the recommendations contained in this document. Funding for this study was also provided in part by Foreign Affairs, Trade and Development Canada. Foreign Affairs, Trade and Affaires étrangères, Commerce Development Canada et Développement Canada 2 THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALAND 1. Executive Summary . 4 2. Introduction . .. 5 3. At a Glance . 5 Australia . 5 New Zealand . 7 4. Recorded Music Market . 8 Charts . .. 8 In Numbers . 11 Copyright Infringement and Piracy in Australia . 12 Streaming Services . .. 12 Record Stores . 13 Record Labels and Distributors . 13 General Trends . 16 Interview: Leigh Gruppetta, Cooking Vinyl Australia . .. 16 5. Live Performance Industry . 17 Festivals . 19 Interview: Chloe Goodyear . Woodford Folk Festival . 22 Touring Australia and New Zealand . 23 Venues . 24 Booking Agencies and Promoters . 30 Merch . 31 Illy’s Top Tips for Touring Australia . 31 6. Music Publishing . 34 In Numbers . 34 Synch . 35 Interview: Zoe Coverdale, Mushroom Music Publishing . 36 7. Promotion and Media . 37 Australia (Radio, Print, Television, Online) . 37 Interview: Nick Findlay, triple j . 38 New Zealand (Radio, Print, Online) . 43 Marketing and Advertising . 43 Interview: Pam Thornback, Inertia . 44 8. Business and Showcase Events .
    [Show full text]
  • Submission to the Coroner on Behalf of the Tam Family
    In the matter of the Coroner’s Inquest into the death of Joshua Tam at the Lost Paradise Festival on 29 December 2018 Submission to the Coroner on behalf of the Tam family Type status. 11 September 2019 Contents Table of contents Submission to the Coroner on behalf of the Tam family 2 1 Introduction 2 2 Summary of key issues 2 2.1 Key issues for festivals ..............................................................................................2 2.2 Education and Pill testing...........................................................................................3 3 Infrastructure – Reception and Internet Access Solutions 4 3.1 Temporary mobile coverage enhancements .............................................................4 3.2 Cel-Fi Smart Repeaters (CSRs) ................................................................................4 3.3 Conclusion on mobile phone connectivity..................................................................4 4 Other Forms of Communication and Location Services 4 4.1 Search Party App.......................................................................................................5 4.2 Fire Chat App.............................................................................................................5 4.3 Wearable technology .................................................................................................5 4.4 Conclusion on Apps connecting friends.....................................................................5 4.5 Buddy System............................................................................................................6
    [Show full text]
  • Edmund Rice Day-A Great Success!
    Front Cover 1. Charlie King throws himself into battle for the Ba llarat Red Devils against Werribee (Courtesy The Courier) the SHAMROCK 2. 2010 UK and Ireland Trip - Bunratty Mansion 3. Gordon Hutcheon with Bruce Clifton as part of the College's ANZAC Day commemorations (Courtesy The Courier) 4. Our winning ist IV Crew - Head of the Lake 2010 FROM THE Welcome to the first edition ofThe Shamrock for 2010. This edition is mailed to every old HEADMASTER boy for whom we have an address. Editions 2 and 3 will only be mailed to financial OCA A place of saints and scholars, sponsmen members and current families. OCA membership is just $10 per annum or $160 for a life and comm uni Ly servants. time of Shamrocks, so please get on board and take out a membership ifyou have not Recent events have brought to mind the fundamental reasons for the success o[St already done so. The reverse ofthe mailer has all the details. Pauick's College for so many boys who became men within their Lime at the College, echoing the injunctive of Edmund It has once again been a busy Semester punctuated by a range oftraditional College Rice to raise these boys to the status of men. activities such as St Patrick's Day Mass, the Academic Assembly which recognises the With an unprecedented demand for places at the College, one is called to reflect performances of our high achievers from the Class of 2009 and the annual music camp on our core business - educating Ballarat boys in a Catholic school in the Edmund and recital.
    [Show full text]
  • Prospective Caterers Fact Sheet
    Meredith Music Festival and Golden Plains Prospective Caterers Fact Sheet Background The Meredith Music Festival (MMF) started in 1991 as a party for about 200 people. MMF takes place annually in December. Golden Plains Festival (GP) started in 2007, as a slightly smaller, more relaxed accompaniment to its older sibling. GP takes place on the labour day long weekend annually in March. Both have one stage, BYO, a natural amphitheatre, minimal hassles, and glorious liberty to luxuriate in. Fun. Freedom. A haven. Our primary task is to ensure that essence is protected and indeed enhanced every year. With that in mind we’re looking for the right kind of caterers who can be part of it. Both festivals are held at the Meredith Supernatural Amphitheatre (the Sup) which is situated on the edge of a farm, 90 kms due West of Melbourne, halfway between Geelong and Ballarat, near the town of Meredith in the Shire of Golden Plains, Victoria, Australia. The venue is a spectacular, permanent site, purpose-built and continually refined using 20 plus years of collective know-how to provide a premium experience for performer and patron alike. Catering Areas Catering sites are spread across the International and Southbank Food Courts. The International Food Court operates 24 hours a day, serving all kinds of inexpensive healthy and essential party food. Southbank Food Court is another cluster of foodstuff issuers positioned to the South of the stage. More exotic tastes are catered for down there. The Community Tucker Tent, permanently located in the International Food Court, specialises in a good old sausage sizzle and has been an institution at the festival since the mid 90s.
    [Show full text]
  • Endings, Fragments of These Conversations Key Artistic Support and Management to Cultural Engagement
    Artistic Notes Insite Arts Arts House Presented by Arts House, Tamara Saulwick and Insite Arts When my son was three years old he came process with enormous generosity, trust and Insite Arts is an Australian independent Arts House presents contemporary arts across a fly on the floor. A dead fly lying on its grace. I thank each and every one of them. producer working with artists to initiate in programs encompassing performance, back. I picked it up by its little wing, opened It was a genuine privilege to hear their stories. ideas, develop and create art, and take art to festivals, live art, residencies and other the back door and threw it out into the winter audiences. As a producer, Insite Arts provides activities that nurture, support and stimulate night. My son, concerned about the welfare of In Endings, fragments of these conversations key artistic support and management to cultural engagement. We value work in the fly asked, ‘Mum, why did you throw the fly emerge from the old analogue technologies of artists’ projects and practices, collaborating which artists at different stages of their out the back?’. tape and vinyl. In working with these vintage with them from concept through to realisation. careers, as well as our diverse audiences and players, we hope to embrace the qualities communities, are actively involved in creating I said, ‘Because it was dead.’ Tamara Saulwick of unpredictability, fragility and decay that an imaginative, just and environmentally they bring to the piece and so resonate with Thank You ‘Won’t it be cold?’ he asked.
    [Show full text]
  • Live Performance Industry in Australia 2014 Ticket Attendance and Revenue Survey Live Performance Australia
    Live Performance Industry in Australia 2014 Ticket Attendance and Revenue Survey Live Performance Australia 12 August 2015 Ernst & Young Tel: +61 3 9288 8000 8 Exhibition Street Fax: +61 3 8650 7777 Melbourne VIC 3000 Australia ey.com/au GPO Box 67 Melbourne VIC 3001 Mrs Evelyn Richardson 12 August 2015 Chief Executive Live Performance Australia Level 1, 15-17 Queen Street Melbourne, Victoria 3000 Private and confidential Dear Evelyn Live Performance Industry in Australia: Ticket attendance and revenue survey Further to the agreement between Ernst & Young (EY) and Live Performance Australia, we are pleased to present you with the final report for the 2014 Ticket Attendance and Revenue Survey Report (the “report”). We understand that the information contained within the report is to be used by Live Performance Australia as part of its own annual publication. Restrictions on the report use The report may be relied upon by Live Performance Australia for the purpose of publishing the Ticket Attendance and Revenue Survey Report only. It should not be relied upon for any other purpose. EY disclaims all liability to any party for all costs, loss, damage and liability that the third party may suffer or incur arising from or relating to or in any way connected with the provision of the deliverables to the third party without our prior written consent. Any commercial decisions taken by Live Performance Australia are not within the scope of our duty of care and in making such decisions you should take into account the limitations of the scope of our work and other factors, commercial and otherwise, of which you should be aware of from the sources other than our work.
    [Show full text]
  • Benjamin Skepper
    BENJAMIN SKEPPER “Embodying classical aesthetic, music and culture, Benjamin Skepper is a musician with an extraordinary sense of the contemporary” (M. Pugliese, Director Museo 900 for Rolling Stone Italy) Benjamin Skepper creates artworks that are new and experimental, challenging our perception and collapsing the borders that divide us. He is particularly focused on applying new technologies and scientific innovations in an artistic context, exploring the human body as a musical instrument, identity, medicine and human healing. A Melbourne born classical musician, he operates at the confluence of art, medical science, technology, fashion, modern classical and the avant-garde. He is a composer, a performer, an art director, published scientific researcher, and cultural advocate, with particular interests in Russia and Japan. His talent and curiosity have taken him across musical boundaries and artistic borders for which he has garnered international acclaim. A child prodigy, who commenced classical music education at two years of age, Benjamin began touring by seven, as a solo pianist, boy soprano, ballet dancer and the youngest self-taught harpsichordist in Australia. He embarked on his first international solo piano tour at 10 years old, performing Mozart concerto with full orchestra in New Zealand, as a Suzuki Music Young Ambassador. His passion continued with studies in the violoncello, touring and performing with symphonic orchestras and chamber ensembles nationwide. Alongside his two decade long professional classical career, Benjamin also completed an Arts/Law degree with Honours at the University of Melbourne, majoring in Public and International Law, specialising in Children’s Rights. A Qualified solicitor, he remains actively involved in human rights and children’s policy, working and travelling extensively in Asia and Europe, volunteering with NGOs and donating time to charities and organistaions including Médecins Sans Frontières and Red Cross Japan.
    [Show full text]