Mr. Gautam Rajadhyaksha's Careerscape and Contribution
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Bank of Maharashtra Celebrates Hindi Day
Marketing and Publicity Dept., Head Office, Lokmangal 1501, Shivaji Nagar, Pune 411 005 020- 25614385 [email protected]; [email protected]; Bank of Maharashtra celebrates Hindi Day The Hindi Day was celebrated with full enthusiasm on September 18, 2019 at Bank of Maharashtra, Head Office, Pune. The program was chaired by Shri. A. S. Rajeev, Managing Director and CEO of Bank of Maharashtra. Prominent film actress Ms. Sonali Kulkarni was present as the chief guest. Director on the Board of the bank Shri. M. K. Verma, Executive Director Shri. A. C. Rout, Executive Director Shri. Hemant Tamta, General Manager, HRM & Rajbhasha Dr. N. Muniraju were present in the event. Executives, officers and employees from pan India zones and branches were also present in large numbers at the event. Messages received from Hon’ble Home & Finance Minister, Govt. of India were read at the event. Annual analects of the bank's e-magazine were released at the hands of Shri. A S Rajeev, Ms. Sonali Kulkarni and other dignitaries present on the stage. ‘Bank has recently received Rajbhasha Kirti Puraskar at the hands of Shri Amit Shah, Home Minister, Govt. of India’ said Shri A S Rajeev, MD&CEO, Bank of Maharashtra. Shri Rajeev elaborated that Hindi and regional languages are playing an important role in providing quality customer services and it is the best option to reach out to the people and it is quite effective for wider publicity of Bank’s schemes and products. Hindi is a simple language and it is easily spoken and understood even in non-Hindi speaking states, said Shri M K Verma, Director, Bank of Maharashtra. -
Ajeeb Aadmi—An Introduction Ismat Chughtai, Sa'adat Hasan Manto
Ajeeb Aadmi—An Introduction I , Sa‘adat Hasan Manto, Krishan Chandar, Rajinder Singh Bedi, Kaifi Azmi, Jan Nisar Akhtar, Majrooh Sultanpuri, Ali Sardar Jafri, Majaz, Meeraji, and Khawaja Ahmed Abbas. These are some of the names that come to mind when we think of the Progressive Writers’ Movement and modern Urdu literature. But how many people know that every one of these writers was also involved with the Bombay film indus- try and was closely associated with film directors, actors, singers and pro- ducers? Ismat Chughtai’s husband Shahid Latif was a director and he and Ismat Chughtai worked together in his lifetime. After Shahid’s death Ismat Chughtai continued the work alone. In all, she wrote scripts for twelve films, the most notable among them ◊iddµ, Buzdil, Sån® kµ ≤µ∞y≥, and Garm Hav≥. She also acted in Shyam Benegal’s Jun∑n. Khawaja Ahmed Abbas made a name for himself as director and producer for his own films and also by writing scripts for some of Raj Kapoor’s best- known films. Manto, Krishan Chandar and Bedi also wrote scripts for the Bombay films, while all of the above-mentioned poets provided lyrics for some of the most alluring and enduring film songs ever to come out of India. In remembering Kaifi Azmi, Ranjit Hoskote says that the felicities of Urdu poetry and prose entered the consciousness of a vast, national audience through the medium of the popular Hindi cinema; for which masters of Urdu prose, such as Sadat [sic] Hasan Manto, wrote scripts, while many of the Progressives, Azmi included, provided lyrics. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Hindi Song Book
1 Hindi Text Listing 33 Movie/singer order NO. TITLE MOVIE/SINGER COMPOSED BY 206 EK LADKI KO DEKHA TO AISA LAGA 1942 A LOVE STORY KUMAR SANU 521 PYAR HUA CHUPKE SE 1942 A LOVE STORY KAVITA KRISHNAMURTHY 539 RIMJHIM RIMJHIM 1942 A LOVE STORY KUMAR SANU , KAVITA K. 544 ROOTH NA JANA 1942 A LOVE STORY KUMAR SANU 677 YE SAFAR BAHUT HAI KATHIN MAGAR 1942 A LOVE STORY SHIVAJI CHATOPADHYAYA 421 MERA DIL TERA DIWAANA AA AB LAUT CHALEN ALKA UDIT 6038 KILIYE KILIYE AA RATHRI S. JANAKI 399 MAI GAREEBON KA DIL HOON AABE HYAAT HEMANT KUMAR 9 AAJ MERE YAAR KI SHAADI HAI AADMI SADAK KA MOHD.RAFI 11 AAJ PURANI RAAHON SE AADMI MOHD. RAFI 452 NA AADMI KA KOI BHAROSA AADMI MO. RAFI 13 AAJA RE AAH LATA MANGESHKAR & MUKESH 284 JAANE NA NAZAR AAH LATA MANGESHKAR, MUKESH 533 RAJA KI AAYEGI BARAT AAH LATA MANGESHKAR 222 GORIYA RE GORIYA RE AAINA LATA, JOLLY MUKHARJEE 43 ACHHA TO HUM CHALTE HAI AAN MILO SAJANA LATA, KISHORE KUMAR 19 AAN MILO SAJNA AAN MILO SAJNA LATA MANGESHKAR, MOHD.RAFI 661 YAHAAN WAHAAN SAARE AAN MILO SAJNA KISHORE KUMAR 8 AAJ MERE MANN MEIN SAKHI AAN LATA MANGESHKAR 105 BUS MERI JAAN BUS AANCHAL LATA, KISHORE KUMAR 275 IS MOD SE JAATE HAI AANDHI LATA MANGESHKAR 215 GAYA BACHPAN AANKHON ANKHON MEIN LATA MANGESHKAR 434 MERI AANKHON MEIN TUM HO AANKHON MEIN TUM HO ALKA, UDIT NARAYAN 227 GUNI JANO BHAKT JANO AANSOON AUR MUSKAAN KISHORE KUMAR 22 AAP AAYE BAHAAR AAYI AAP AAYE BAHAAR AAYI MOHD. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM Open Feedback Dialog About : Wallpapers Newsletter Sign Up 8226 films, 13750 profiles, and counting FOLLOW US ON RECENT Sync Sound and Indian Cinema Tere Naal Love Ho Gaya The lead pair of the film, in their real life, went in the The recent success of the film Lagaan has brought the question of Sync Sound to the fore. Sync Sound or Synchronous opposite direction as Sound, as the name suggests, is a highly precise and skilled recording technique in which the artist's original dialogues compared to the pair of the are used and eliminates the tedious process of 'dubbing' over these dialogues at the Post-Production Stage. The very first film this f... Indian talkie Alam Ara (1931) saw the very first use of Sync Feature Jodi Breakers Sound film in India. Since then Indian films were regularly shot I'd be willing to bet Sajid Khan's modest personality and in Sync Sound till the 60's with the silent Mitchell Camera, until cinematic sense on the fact the arrival of the Arri 2C, a noisy but more practical camera that the makers of this 'new particularly for outdoor shoots. The 1960s were the age of age B... Colour, Kashmir, Bouffants, Shammi Kapoor and Sadhana Ekk Deewana Tha and most films were shot outdoors against the scenic beauty As I write this, I learn that there are TWO versions of this of Kashmir and other Hill Stations. It made sense to shoot with film releasing on Friday. -
Fanuc India Inaugurates Its New Technical Centre in Pune
| 10 | MARKET NEWS Carl Zeiss opens development unit CII skills training centre The 4.2-billion euro German Recently, Kamal Nath, ■ ■ manufacturing company Carl Hon’ble Minister of Urban Zeiss has established a research Development, Government and development unit and of India; S Ramadorai, Advisor two manufacturing facilities in to the Prime Minister on Skill Electronics City in Bangalore. Development; Adi Godrej, The company manufactures an President, CII and Chairman, array of products ranging from Michael Kaschke inaugurating the new factory Godrej Group; Pradeep prescription spectacle lenses Bhargava, Chairman CII (WR), to diagnostic and surgical infrastructure at our campus is inaugurated CII Skills Training Kamal Nath, Hon’ble Minister of Urban equipment that are used in the ` 30 crore.“ He added that the Centre at Chhindwara, Madhya Development, Government of India, fields of ophthalmology, neuro- company‘s total investment in Pradesh. Committed to its inaugurating CII Skills Training Centre, surgery and cancer treatment, India, which includes acquisition mission of ‘Making India the Chhindwara, Madhya Pradesh and in camera lenses. It also of assets, is 25 million euro over skills capital of the world’, manufactures precision the past 8 years. The R&D, which it started the skill initiative youths are expected to train measurement tools that are has the abbreviated name CARIn program in September 2008. annually in this initial phase. The used in the auto, aerospace, (Center for Applications and The CII Skills initiative in Centre now has a building of its and power sectors, besides Research in India), will focus on Chhindwara is ‘one-of-its kind’, own, CII having invested in a 10 manufacturing equipment the medical technology sector conceptualised and driven by acre land earlier. -
The Romance Between Bollywood and Digital Media a Study on the Implementation of Digital Promotional Activities in Bollywood
The romance between Bollywood and Digital Media A study on the implementation of digital promotional activities in Bollywood Student Name: Dinesh Koendjbiharie Student Number: 357429 Supervisor: Payal Arora PhD MA Media Studies – Media and Business Erasmus School of History, Culture and Communication Erasmus University Rotterdam MA Thesis July 2015 0 Version 2.0. - July 2015 The romance between Bollywood and Digital Media A study on the implementation of digital promotional activities in Bollywood ABSTRACT The Indian cinema, often referred to as Bollywood, is when it comes to production scale the largest movie industry in the world. The media and creative industries have been facing a new challenge in the past decade such as, but not limited to, the implementation of new digital media technologies in their digital promotional strategies. This research looks into the promotional activities in contemporary Bollywood that are visible to the consumer. The research question: “How does Bollywood use social media for promotional activities to reach the domestic and global market and possibly strengthen their current promotional strategies?” will be answered through two in-depth case studies on Bollywood blockbuster movie ‘Happy New Year’ and a movie that did exceptionally well ‘Queen’. This research firstly touches upon the changes and the development the industry went through, followed by creating an understanding of the industry’s contemporary position. The first step of the analysis is based on creating an in-depth understanding of the cases and the corresponding data from among others Facebook and Twitter. The following step of the analysis is solely focussed on the adjoining film music industry, in which the attention is paid to the promotion of the film music and also the promotion through the official social media channels of the cases. -
Kishore Booklet Copy
08. Tum Aa Gaye Ho Noor Aa Gaya with Lata Mangeshkar Film: Aandhi 01. The Evergreen Kishore Kumar 09. Asha Bhosle reminisces 02. Yeh Sham Mastani Kishore Kumar Film: Kati Patang 10. Piya Piya Piya Mora Jiya 03. Roop Tera Mastana with Asha Bhosle Film: Aradhana Film: Baap Re Baap 04. Yeh Jo Mohabbat Hai 11. Main Hoon Jhoom Jhoom Film: Kati Patang Film: Jhumroo 05. Aanewala Pal Janewala Hai 12. Dekha Ek Khwab Film: Golmaal with Lata Mangeshkar Film: Silsila 06. Oh Hansini Film: Zehreela Insaan 13. Meri Bheegi Bheegi Si Film: Anamika 07. Hamen Tumse Pyar Kitna Film: Kudrat 14. Kehna Hai Kehna Hai Film: Padosan 2 3 15. Raat Kali Ek Khwab Mein 23. Mere Sapnon Ki Rani Film: Buddha Mil Gaya Film: Aradhana 16. Aate Jate Khoobsurat Awara 24. Dil Hai Mera Dil Film: Anurodh Film: Paraya Dhan 17. Khwab Ho Tum Ya Koi 25. Mere Dil Mein Aaj Kya Hai Film: Teen Devian Film: Daag 18. Aasman Ke Neeche 26. Ghum Hai Kisi Ke Pyar Mein with Lata Mangeshkar with Lata Mangeshkar Film: Jewel Thief Film: Raampur Ka Lakshman 19. Mere Mehboob Qayamat Hogi 27. Aap Ki Ankhon Mein Kuch Film: Mr. X In Bombay with Lata Mangeshkar Film: Ghar 20. Teri Duniya Se Hoke Film: Pavitra Papi 28. Sama Hai Suhana Suhana Film: Ghar Ghar Ki Kahani 21. Kuchh To Log Kahenge Film: Amar Prem 29. O Mere Dil Ke Chain Film: Mere Jeevan Saathi 22. Rajesh Khanna talks about Kishore Kumar 4 5 30. Musafir Hoon Yaron 38. Gaata Rahe Mera Dil Film: Parichay with Lata Mangeshkar Film: Guide 31. -
The Gateway DISTRICT 3141 BULLETIN of the ROTARY CLUB of BOMBAY | for PRIVATE CIRCULATION ONLY | VOLUME NO
Rotary Club of Bombay The Gateway DISTRICT 3141 BULLETIN OF THE ROTARY CLUB OF BOMBAY | FOR PRIVATE CIRCULATION ONLY | WWW.ROTARYCLUBOFBOMBAY.ORG VOLUME NO. 62 ISSUE NO. 12 SEPTEMBER 22, 2020 PRESIDENT’S MESSAGE TEA TREATS OR SOMETHING’S BREWING Guess what? Tea remains the Darjeeling Tea Mix tea bags, mint and sugar in hot water, and let steep second most widely consumed Darjeeling tea is exquisite and delicately flavoured, and for 15 minutes. Strain out the tea bags and mint leaves. beverage after water. And enjoys the distinction of being one of the finest teas in Chill and add lime juice before serving (serves 4). in case you feel guilty for the world. Experts like to call it the champagne of teas! Assam Tea consuming all those endless First flush teas are light and aromatic, while the second Another classic Indian tea that enjoys prominence cuppas at work – don’t worry. flush produces tea with a bit more bite. The third or across the world. The flavour is very strong and it is Common facts on tea indicate autumn flush gives a tea that is lesser in quality. In primarily a black tea. This rich, full-bodied tea actually it is rich in antioxidants, summer, try simple iced tea, with a twang of lime and has a malty flavour and is best enjoyed as a breakfast can help shield our immune hint of mint. It’s both sweet and tart at the same time. tea. Assam tea revolutionized tea drinking habits in the systems, is capable of stopping The lime juice will be much better flavoured if freshly 19th century since the tea, produced from a different infections, and can even help us shed some pounds! squeezed. -
THE MAHARAJA SAYAJIRAO UNIVERSITY of BARODA List of Gold Medalists for 68 - Annual Convocation
THE MAHARAJA SAYAJIRAO UNIVERSITY OF BARODA List of Gold Medalists For 68 - Annual Convocation SrNo. Faculty Name of the Gold Medal Student Name 1 Faculty of Law The Chancellor'S Gold Medal Shri Chirayubhai Piyushkumar Patel 2 Faculty of Family & Community Sciences The C. Gopalan-Srikantia Gold Medal Kum. Sanchi Arora 3 Faculty of Fine Arts Shrimati Hansa Mehta Gold Medal Kum. Stuti Vipul Bhavsar 4 Faculty of Science Prof P. K. Bhattacharya Gold Medal Lecture Series Shri Dr. Amitava Das 5 Faculty of Arts Dr. D. K. Shukla Memorial Gold Medal Kum. Bhoomika Ashokbhai Doshi 6 Faculty of Arts Rao Bahadur Govindbhai Hathibhai Desai Memorial Gold Medal Kum. Bhoomika Ashokbhai Doshi 7 Faculty of Arts Mukunda Gold Medal Kum. Bhumi Arunbhai Prajapati 8 Faculty of Arts Padmashri Dr. Gunvant Shah Gold Medal Kum. Bhumi Arunbhai Prajapati 9 Faculty of Arts Shri Mohanlal Hargovindas Kantawala Gold Medal Kum. Bhumi Arunbhai Prajapati 10 Faculty of Arts Lodge Tyrrell Leith No. 43 Gold Medal Kum. Deepmala 11 Faculty of Arts Smt. Sushila Rani Sharma Gold Medal Kum. Fernandes Seraphin Nicholas 12 Faculty of Arts Dr. U. P. Shah Gold Medal Kum. Gunjan Chaplot 13 Faculty of Arts Dr. U. P. Shah Gold Medal Shri Gopesh Jha 14 Faculty of Arts The Late Professor Bendapudi Subbarao Memorial Gold Medal Shri Gopesh Jha 15 Faculty of Arts The Late Professor Bendapudi Subbarao Memorial Gold Medal Kum. Gunjan Chaplot 16 Faculty of Arts Profssor Bhogilal J. Sandesara Gold Medal Kum. Maysura Sabbirbhai Surti 17 Faculty of Arts Smt. Mangalagaury Shankarlal Choksi Gold Medal Kum. Maysura Sabbirbhai Surti 18 Faculty of Arts Shri Janardan C. -
Shah Rukh Khan
8/8/2016 sharukh kahan Google Search sharukh kahan All Images News Videos Maps More Search tools About 1,280,000 results (0.80 seconds) Showing results for shahrukh khan Search instead for sharukh kahan In the news Shah Rukh Khan hated Kajol when they first met, asked Aamir Khan not to work with her The Indian Express 9 hours ago Shah Rukh Khan and Kajol may be one of Bollywood's most loved pairs but SRK just hated ... Shah Rukh Khan Salman Khan's best friends are ex Katrina Kaif, Shah Rukh Khan, Sanjay Dutt Film actor The Indian Express 8 hours ago Here's When Shah Rukh Khan's Raees Trailer Will Release! Shah Rukh Khan, also known as SRK, is an Indian film actor, producer koimoi 34 mins ago and television personality. Referred to in the media as the "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has ... More news for shahrukh khan Born: November 2, 1965 (age 50), New Delhi, India Spouse: Gauri Khan (m. 1991) Shah Rukh Khan Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Shah_Rukh_Khan Upcoming movies: Raees, Koochie Koochie Hota Hai Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an Indian film actor, producer and television personality. Referred to in the ... Songs Shah Rukh Khan filmography · Gauri Khan · List of awards · Film portal Gerua Dilwale Apun Bola Josh Shah Rukh Khan (@iamsrk) | Twitter Humko Humise Chura Lo Mohabbatein https://twitter.com/iamsrk 1 day ago View on Twitter 2 days ago View on Twitter Profiles Just Any Given Sunday.