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Love and Other Catastrophes Music Credits

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Love and Other Catastrophes Music Credits Original Music Oleh Witer Original Music mixed at Allan Eaton's - Robyn Grey Opening Title Music Composed and Conducted by Daryl McKenzie Additional Music The Bonners - Martin, Larry, Stefan, Anthony and David We would like to thank the following organisations for their support Music and Effects (Doron Kipen) "ANGEL" Performed by Albare Composed by Dadon and Norris Published by PolyGram Music Publishing Courtesy of Bare Productions/Festival Records "FEED THE RIVER" Performed by Tumbleweed Composed by Curley, Curley, Lewis, Hausmeister and O'Brien Published by PolyGram Music Publishing Courtesy of Polydor Records Australia Under licence from PolyGram Pty Limited "TV GENOCIDE" Performed by Tumbleweed Composed by Curley, Curley, Lewis, Hausmeister and O'Brien Published by PolyGram Music Publishing Courtesy of Polydor Records Australia Under licence from PolyGram Pty Limited "AIN'T NO USE" Performed by Bellydance Composed by Hughes, Ward, Janssen, Maclean, Page, Bell, Guiney and Silvera Published by PolyGram Music Publishing Courtesy of Bellydance/Roadshow "DEAR VALUED CUSTOMER" Performed by Snog Composed by Thrussell and Bourke Published by PolyGram Music Publishing Courtesy of The International Mind Control Corporation "BUBBLES (PIGS WILL FLY)" Performed by Bellydance Composed by Hughes Published by PolyGram Music Publishing Courtesy of Bellydance/Festival Records "RAINY DAZE" Performed by Jazzbrat Composed by Michiru and Brown Published by PolyGram Music Japan Inc Courtesy of Kitty Enterprises Inc "PUSHPIN" Performed by Godstar Composed by Dalton Published by Moo Chewns Courtesy of Half A Cow/Mercury Records Australia Under licence from PolyGram Pty Limited "CARNIVAL" Performed by The Cardigans Composed by Svensson, Sveningsson and Persson Published by Stockholm Songs Courtesy of Stockholm Records "RECOGNISE" Performed by Underground Lovers Composed by Bennie and Giarrusso Published by PolyGram Music Publishing Courtesy of Polydor Records Australia Under licence from PolyGram Pty Limited "THE PSEUDO BLUES" Performed by SPDFGH Composed by Bowers Published by Moo Chewns Courtesy of Half A Cow/Mercury Under licence from PolyGram Pty Limited "SHIVERS" Performed by Frances O'Connor Composed by Howard Published by Mushroom Music "SUNDAY MORNING" Performed by Velvet Underground Composed by Cale and Reed Published by John Cale Music Inc/Oakfield Avenue Music/ EMI Music Publishing Australia Courtesy of MGM Records Inc, USA "JUST A MAN" Performed by The Cruel Sea Composed by Perkins and Gormly Published byPolyGram Music Publishing Courtesy of Polydor Records Australia Under licence from PolyGram Pty Limited "EVERYTHING I DO" Performed by Swoop Composed by Beagley, Kaapferer and Woolf Published by ESP Phantom Records Courtesy of Orange Records "BABYLON MIXED BUSINESS" Performed by Bellydance Composed by Hughes and Janssen Published by PolyGram Music Publishing Courtesy of Bellydance/Festival Records "FAKE THAT EMOTION" Performed by Tex, Don and Charlie Composed by Perkins and Dorman Published by PolyGram Music Publishing/Control Courtesy of Polydor Records Australia Under licence from PolyGram Pty Limited "WHAT ARE YOU SO HAPPY ABOUT" Performed by Boxcar Composed by Smith, Mitchell and Lawler Published by PolyGram Music Publishing Courtesy of Volition Australia "I'M NOT AFRAID TO BE HEAVY" Performed by Dave Graney and The Coral Snakes Composed by Graney Published by PolyGram Music Publishing Courtesy of id/Mercury Under licence from PolyGram Pty Limited "STEAL MINE" Performed by SPDFGH Composed by Bowers Published by Moo Chewns Courtesy of Half A Cow/Mercury Under licence from PolyGram Pty Limited "CAN YOU FEEL IT BABY" Performed by Blue Mink Composed by Cook and Greenaway Published by Dick James Music Ltd Courtesy of Trojan Sounds Ltd. "EMPTY" Performed by Rebeccas Empire Composed by Barnard Published by Lost In Music Courtesy of Eternity Recordings Under licence from PolyGram Pty Limited "YOU'RE JUST TOO HIP, BABY" Performed by Dave Graney and The Coral Snakes Composed by Graney Published by Lost In Music Courtesy of id/PolyGram Under licence from PolyGram Pty Limited "LET'S DO IT" Performed by Simon Holmes and Morgana Ancone Composed by Cole Porter Published by Harms Inc Courtesy of Polydor Records Australia "GOOD AT LOVE" Performed by Died Pretty Composed by Myers and Peno Published by PolyGram Music Publishing Courtesy of Sony Music Productions Dolby (r) In selected theatres - logo Lyrics: The soundtrack mainly consisted of a good collection of pop songs, as emblematic of Australian music in the mid-1990s as might be assembled for a feature film, thanks to the access provided by the PolyGram/Polydor labels. A typical example was the Died Pretty song which ran over the end credits. At the time Died Pretty was reckoned to be a coming major force in the pop game, though in the end they never quite made it. The group has a detailed wiki here, and inter alia, it notes about the February 1996 album Solo, “Its singles ‘Cuttin’ Up Her Legs’ (September 1995) and ‘Good at Love’ (November) failed to chart and Died Pretty were dropped by Sony in April 1996.” Still at least they had a song with a good hook at the end of a relatively successful feature film. Lyrics for Good at Love, as heard in the film (note the singer tends to swallow his words, so these are on a ‘best guess’ basis and might be worthy of a ‘misheard lyrics’ prize): Pulls down inside as she comes to her senses Calls other names as she jumps to defences Swears on my words as she clears for the rundown Calls out my name as she laughs out loud I never was that good at love I never was that good at love Who’s for the ride as she crawls over fences It’s on a rise as she’s tangled, tenses (?, line not clear, singer swallows words) Makes up her mind as she stalls for the right time Howls out her name as she leaves me behind Because I never was that good at love I never was that good at love I never was that good at love I never was that good at love I never was that good at love Because I never was that good at love I never was that good at love I never was that good at love I want to tell you again I never was that good at love I want to say it again I never was that good at love ... (fade out) CD: A CD of the film’s soundtrack was released, with at least two different kinds of slick: CD (ST) Polydor. 5357282. 1996. Contains dialogue from the film. Blue Mink courtesy of Action Replay Records. Died Pretty courtesy of Sony Music. Belly Dance courtesy of Roadshow Music. 1. Manhattan Walk Daryl McKenzie (Control) 2. Sunday Morning (John Cale/Lou Reed) Vocals: Velvet Underground (Polygram Music/EMI Music Publ.). 3. Just A Man (Tex Perkins/Ken Gormly)Vocals: The Cruel Sea.(Polygram Music) 4. You’re Just Too Hip Baby (Dave Graney)Vocals: Dave Graney & The Coral Snakes, (Polygram Music) 5. Dreaming With Woody (Dialogue) 6. Recognise (G. Bennie/V. Giarrusso)Vocals: Underground Lovers (Polygram Music) 7. Pushpin (Nic Dalton) Vocals: Godstar (Moo Chewns/Polygram Music) 8. Empty (Rebecca Barnard)Vocals: Rebecca’s Empire (Polygram Music) 9. TV Genocide (J. Curley/L. Curley/R. Lewis/P. Hausmeister/S. O’Brien) Vocals: Tumbleweed (Tarijuana/Polygram Music) 10. It’s A Conspiracy (Dialogue) 11. Steal Mine (Tania Bowers) Vocals: Spdfgh (Moo Chewns/Polygram Music) 12. Fake That Emotion (Tex Perkins/Glen Dormand)Vocals: Tex, Don & Charlie, (Polygram Music/Control) 13. Rainy Daze (M. Michiru/J. Brown) Vocals: Monday Michiru (Polygram Music) 14. Lightness & Weight (Dialogue) 15. Perils Of Mia The Boners (Control) 16. Carnival (P. Svensson/M. Sveningsson/N. Persson) Vocals: The Cardigans (Polygram Music) 17. Bubbles (Pigs Will Fly) (Anthony Hughes).Vocals: Bellydance (Polygram Music) 18. Can You Feel It Baby? (Roger Cook/Roger Greenaway) Vocals: Blue Mink (Polygram Music) 19. Relationships (Dialogue) 20. Let’s Do It (Let’s Fall In Love) (Cole Porter) Vocals: Simon Holmes & Morgana Ancone (Warner Chappell) 21. Good At Love (Brett Myers/Ron Peno) Vocals: Died Pretty (Polygram Music) Composer: While most of the soundtrack consists of imported pop music, there is some underscore, and composer Oleh Witer maintained the pop connection as the founder of a band popular in the late 1980s, Big Pig, on which he did vocals and percussion. Witer also turned up on the soundtrack for Young Einstein. Big Pig has a wiki listing here. On the basis that there can’t be too many arts-orientated Melbourne-based people going by the name Oleh Witer, it seems that Witer might have later reinvented himself as an artist. An Oleh Witer is listed at the Jackman Gallery here, with examples of work, including details such as these: Oleh Witer is a still life painter who draws his subject matter both from nature and from man made objects. He uses various process devices and pictorial elements to create evocative oil paintings which explore the divide between narrative and descriptive, representational and abstract. His work displays great attention to detail, both in the rendering of the subject and to the way the subject is lit. Oleh won the painting category at the 2007 Churchie Emerging Art Prize and the Peoples Choice Award at The 2007 Williamstown Contemporary Art Prize. He was a finalist in the 2007 and 2009 Sulman Prize. SOLO EXHIBITIONS 2010 Jackman Gallery, Melbourne 2008 Recent work, Space 39 Gallery, Melbourne 2006 Trophy, 4 Cats, Gallery Melbourne 2005 Masque, 4 Cats Gallery, Melbourne 2003 Cochsencansia tu, Metropolis Gallery, Melbourne 2003 Cochsencansia, Gasworks Theatre, Melbourne 2002 Larger than Life, Patrizia Autore Gallery, Melbourne 1997 You Need Hands, George Gallery, Melbourne 1996 Still Life, George Gallery, Melbourne In his days in Big Pig, Witer was featured along with the group in Spin Magazine, July 1988.
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