LEONID and FRIENDS Technical Rider (V2 Categorization Optimized)

Total Page:16

File Type:pdf, Size:1020Kb

LEONID and FRIENDS Technical Rider (V2 Categorization Optimized) LEONID AND FRIENDS pg. 1 of 2 Technical Rider (v2 categorization optimized) VENUE CONCERT HALL NAME NOTES NAME / VALUE City The date of the concert Concert Venue or Hall Capacity Additional info Additional info STAGE FEATURES Width value Depth Height Vertical clearence Additional info Additional info SOUNDCHECK We'll need 5 hours for the full soundcheck, assuming that everything is prepared to the moment of our arrival, (i.e. stage risers are placed according the stage plan, all the requested instruments are on their place, DI-boxes and mics are on their positions on the stage and all the cables is ready to be immediately patched into our I/O device according to the Input List), every piece of the gear is working as expexted and soundcheck is not iterrupted by any curcumstances. We need stage technichian to be near our monitor engineer and sound engineer to be around our FOH engineer at least first 1.5 hours during the soundcheck and during the whole show. FOH and MONITORS PA SYSTEM Please describe the models and number of the speakers and amplifiers in every position. DESCRIPTION NOTES YOUR OFFER OUR ANSWER Main L-R Subs Should be fed from separate bus on the FOH mixer. Center Fills If any Frontfills If any Outfills If any Delays If any Additional info Additional info MIXING CONSOLE We are using our own A&H CDM32 as input device and Dante transmitter. This MixRack is working as our monitor mixer as well and Dante is crutial to our show. The console should be placed on the same level with the most of the viewers. The most desirable distance from the scene is from 1x to 1.5x of the distance between the main speaker stacks. In the middle of the audience (from left to right), but slightly off center). The location must provide a good overview of the scene and must be in the line of sight of the main PA system (i.e not under a balcony, stair, etc.). DESCRIPTION QTY. NOTES YOUR OFFER OUR ANSWER Dante compatible digital mixer capable of processing at least 48 input channels, 8 aux Yamaha CL5 is the most preferable 1 buses, 8 dca groups with no less than 32 console. customizable faders. MONITORS As mentioned above, our own A&H CDM32 is our monitor mixer. We are also using our own set of Sennheiser 300-series IEM systems and ME-1 mixers to provide proper monitoring for our musicians. We'll use two wedges for the fail-safety. The IEM system is completely on us, but it would be very kind of you if you provide us spare Sennheiser ew 300 G3 IEM bodypack reciever. NAME QTY. NOTES YOUR OFFER OUR ANSWER Preferred: L-acoustics HIQ 115, D&B M4, Meyer Sound MJF 212, Monitor Wedge Speaker 2 Adamson m215, Martin Audio LE2100, RCF TT Sennheiser ew 300 G3 IEM bodypack reciever 1 In case of emergency AA batteries 24 Power outlet 1 BACKLINE Please refer to attached Stage Plan to determine where each item must be placed on the stage. All the connection types, DIs, microphones and necessary microphone stands listed in Microphone/Input List. DRUMS Preferred drum kits: Yamaha Stage Custom or DW Collector Maple, Tama Star Classic Maple, Pearl Master Custom. (However, kits like Mapex and Sonor in good working condition will suit our drummer needs.) Preferred drumheads: EVANS (G2, EC2S, ONYX, Hydraulic…) NAME QTY. NOTES YOUR OFFER OUR ANSWER Please specify the model of the drum kit Drum Riser 8'x8' (approx. 2.5m x 2.5m) 1 Kick Drum 20"-22" 1 The most preferable is 5"- 6 1/2" Snare Drums 14" 1 deep Rack Tom 1 10"-12" 1 Both shuold be mounted on the Kick Rack Tom 2 14"-16" 1 Drum Floor Tom 16"-18" 1 Hi-Hat 14" 1 Crash 1 18" 1 Zildjian only. Any pro series will suit Crash 2 16" 1 fine. Chips and cracks are China 20" 1 unacceptable Splash 10" 1 Ride 20" 1 Zildjian Ping Ride only. Double Kick Drum Pedal 1 Not a single pedal Snare Drum Stand 1 All the stands should be in good High Hat Cymbal Stand with Hi-Hat Clutch 1 working condition Cymbal Boom Stands 5 The chair must be in good working Drum Throne 1 condition Kick Drum drumhead Kick Drum resonant head The port hole is necessary! Toms drumheads Snare Drum drumheads It's not necessary but much Floor Fan 1 appreciated All the microphones listed in Microphone/Input List. Microphone boom stands in MISC section. All the drums stands and mounts should work as good as new. All the drumheads/skins should be in new condition. LEONID AND FRIENDS pg. 2 of 2 Technical Raider (v2 categorization optimised) NAME QTY. NOTES YOUR OFFER OUR ANSWER BASS Markbass/Ampeg/EBS/SWR Bass Combo/Stack 1 Bass Stand 1 GUITARS Acoustic Guitar (6-string) with Pickup and 1/4" Will be used in some songs by one 1 Output Jack of the lead vocalists Will be used in some songs by one Fender Stratocaster 1 of the lead vocalists Acoustic Guitar (12-string) with Pickup and 1/4" 1 Output Jack Fender [Hot Rod deLuxe / Twin Reverb / Deluxe 1 Reverb] Combo Amp Fender [Hot Rod deLuxe / Twin Reverb / Deluxe 1 Reverb] or Vox AC30 Combo Amp Guitar Stand 4 KEYBOARS 61 or 76 keys, i.e. without balanced Yamaha Motif XF/XS Synthesizer 1 hammer effect Nord Stage 2/3 Synthesizer 1 The stand should be in good working condition and be able to Double Tier Keyboard Stand 1 bear provided Yamaha Motif on the upper level. Stage (drum) Riser 8'x8' (approx. 2.5m x 2.5m) 1 If such bench is not an option, drum Padded Keyboard Bench 1 throne can be used. BRASS Shure beta98h Microphones 3 Suitable for mounting on a brass bell Wireless Systems (bodypack transmitter + Connectors on the bodypacks must 3 wireless receiver) be suitable for beta98h Or something else suitable both for Sennheiser MD 441-U / AKG c451b Mic 1 flute and bari sax Alto Sax Stand 1 Bari Sax Stand with Flute Peg 1 Trombone Stand 1 Flugelhorn/Trumpet Stand 1 VOCALS Shure SM58 6 MISC Please don’t forget battries mentioned in "MONITORS" sections. Stereo DI-boxes 3 We need overall 9 DI channels. Stereo DI's could be replaced with Mono DI-boxes 3 mono ones. Tall Boom Stands 10 Including vocals, OH and HH For Kick, Snare and Guitar combos Small Boom Stands 5 mics Professional Grade Music Stand 8 As stands for our ME-1 monitor Music Satnd or Flight Case 2 mixers Power Strip with at least 4 outlets 1 Power Strip with at least 2 outlets 3 Gaffer Tape 1 roll CABLES No less than: Long enough to connect every mic XLR M - XLR F [at least 20' long (6m)] 29 and DI-boxes on the stage to our I/O Rack To connect the brass wireless XLR M - XLR F [5' long (1,5m)] 3 systems to our I/O Rack ¼” Jack – ¼” Jack Unbalanced [10'-15' To connect the instruments to DI- 13 long (3-5m)] boxes, pedal boards and amps INPUT / MIC LIST INPUT № DESCRIPTION MIC (in order of preference) / DI STAND YOUR OFFER 1 Kick Out beta52a, e602/902 Small Boom 2 Kick In beta91a 3 Snare Top sm57, md421, beta56a Rim Mount Clip / Small Boom 4 Snare Bottom sm57 Rim Mount Clip / Small Boom 5 Hi-Hat c451b, km84, similar condenser Tall Boom 6 Rack Tom 1 md421, e904, e604, similar dynamic Rim Mount Clip 7 Rack Tom 2 md421, e904, e604, similar dynamic Rim Mount Clip 8 Floor Tom md421, e904, e604, similar dynamic Rim Mount Clip 9 Overhead L c414, c451b Tall Boom 10 Overhead R c414, c451b Tall Boom 11 Ride beta98h Gooseneck clip 12 Bass Guitar DI 13 Guitar 1L DI 14 Guitar 1R DI 15 Guitar 1 Combo sm57, e609 Small Boom 16 Guitar 2 Combo sm57, e609 Small Boom 17 12str Acoustic Guitar DI 18 6str Acoustic Guitar DI 19 Motif L DI 20 Motif R DI 21 Nord L DI 22 Nord R DI 23 Trombone beta98h + wireless system 24 Trumpet beta98h + wireless system 25 Sax beta98h + wireless system 26 Flute / Bari Sax / Percussions md441, c451b Tall Boom 27 Vox Keyboard sm58 Tall Boom 28 Vox Lead Vasily sm58 Tall Boom 29 Vox Gtr 1 sm58 Tall Boom 30 Vox Kseniya sm58 Tall Boom 31 Vox Lead Serg T sm58 Tall Boom 32 Vox Bass sm58 Tall Boom CONTACTS NAME POSITION WHATSAPP/TELEGRAM EMAIL Roman Vorobyev manager +7(926)380-08-33 [email protected] Igor Baydikov sound engeneer +7(916)453-17-24 [email protected] Nikita Kalashnikoff production manager +7(926)203-79-30 [email protected] ‘Leonid & Friends’ Band Input List Ch N DESCRIPTION MIC (in order of preference) / DI STAND 1 Kick Out beta52a, e602/902 Small Boom 2 Kick In beta91a 3 Snare Top sm57, md421, beta56a Rim Mount Clip / Small Boom 4 Snare Bottom sm57 Rim Mount Clip / Small Boom 5 Hi-Hat c451b, km84, similar condenser Tall Boom 6 Rack Tom 1 md421, e904, e604, similar dynamic Rim Mount Clip 7 Rack Tom 2 md421, e904, e604, similar dynamic Rim Mount Clip 8 Floor Tom md421, e904, e604, similar dynamic Rim Mount Clip 9 Overhead L c414, c451b Tall Boom 10 Overhead R c414, c451b Tall Boom 11 Ride beta98h Gooseneck clip 12 Bass Guitar DI 13 Guitar 1L DI 14 Guitar 1R DI 15 Guitar 1 Combo sm57, e609 Small Boom 16 Guitar 2 Combo sm57, e609 Small Boom 17 12str Acoustic Guitar DI 18 6str Acoustic Guitar DI 19 Motif L DI 20 Motif R DI 21 Nord L DI 22 Nord R DI 23 Trombone beta98h + wireless system 24 Trumpet beta98h + wireless system 25 Sax beta98h + wireless system 26 Flute / Bari Sax / Percussions md441, c451b Tall Boom 27 Vox Keyboard sm58 Tall Boom 28 Vox Lead Vasily sm58 Tall Boom 29 Vox Gtr 1 sm58 Tall Boom 30 Vox Kseniya sm58 Tall Boom 31 Vox Lead Serg T sm58 Tall Boom 32 Vox Bass sm58 Tall Boom ‘Leonid & Friends’ Band Stage Plot «Leonid & Friends» Hospitality Rider v5.0 Transportation 15 plane tickets (round trip) Overweight In case overweight promoter provide full compensation.
Recommended publications
  • 1 Microphones 6-195
    Section1 PHOTO - VIDEO - PRO AUDIO Wired Microphones Introduction to Microphones ....8-9 AKG ...........................................10-25 Audio-Technica ........................26-50 Azden .............................................50 Audix ........................................51-57 Beyerdynamic ..........................58-65 Blue ...........................................66-69 Countryman.............................70-71 Crown .......................................72-85 DPA............................................86-93 Earthworks ...............................94-99 Electro-Voice ........................100-107 Neumann..............................108-123 Rode ......................................124-126 Samson .................................127-131 Sennheiser ............................132-141 Shure.....................................142-167 Sony ......................................168-171 Microphone Accessories .....172-195 INTRODUCTION TO SELECTING A MICROPHONE—THE BASICS Dynamic or Condenser? Reading Microphone Specifications One of the first things that you need to know before purchasing is The most common and useful specs for the microphone selection process whether you need a dynamic or condenser microphone. Inside each and are Polar (or pick-up) Pattern, Polar Response Graphs and Frequency every microphone is a transducer. This is the component which captures Response Graphs. These specs, in addition to, the most important decision sound by changing one form of energy into another. In this process factor
    [Show full text]
  • U S E R G U I
    U S E R G U I D E BEAU BURCHELL VIRTUAL DRUM INSTRUMENT RECORDED AND MIXED BY BEAU BURCHELL TABLE OF CONTENTS INSTALLATION KEYMAP TAB System Requirements 2 Key Map 10 Activating Room Sound Software 3 MIDI Remapping 10 CC4 Hi Hat Pedal Control 10 KIT SELECTION TAB MIDI Mapping Presets 10 Constructing Your Drum Kit 4 Default MIDI Map 11 Microphone Bleed Control 4 Pitch Controls 4 KONTAKT PLAYER FEATURES Sustain Controls 4 Kontakt Keyboard 12 MIDI Dynamics / Gain Settings 5 Kontakt Mixer 12 Komplete Kontrol Integration 12 MIXER TAB The Mixer Channel Strip 6 DAW INTEGRATION Pan Knob 6 Steinberg Cubase 13 Volume Fader 6 Avid Pro Tools 13 Solo & Mute Buttons 6 Apple Logic Pro 13 Polarity Inversion Button 6 FL Studio 13 Effects Section 6 Ableton Live 13 Channel Selector Tabs 6 Channel Insert Effects 6 LIBRARY INFORMATION Reverb Sends 6 Drum Kit Pieces 14 Aux Sends 6 Microphone Info 14 Advanced Options 7 Microphone Bleed Controls 7 CREDITS 15 Parallel Aux Sends 7 Channel Outputs 7 END USER LICENCE AGREEMENT 16 Master Channel Effects 8 EFFECTS EQ: Filters 8 EQ: 4-Band 8 Comp: FET 76 8 Comp: 4K Channel 8 Comp: 4k Bus 8 Limiter 8 Distortion 8 Transient Shaper 8 Tape Saturation 8 GROOVES TAB Auditioning MIDI Grooves 9 Drag and Drop 9 Tempo Controls 9 Beau Burchell Signature Series Drums (v 1.0) Page 1 SYSTEM REQUIREMENTS System Requirements: (These system requirements are subject to change without notice. The current version of the Kontakt Player is required) KONTAKT PLAYER 6 Mac: OS X 10.12 or 10.13 or 10.14 (latest update, 64-bit only), Intel Core i5 or better.
    [Show full text]
  • Jaimeo Brown Takes Jazz to Church
    A DIXON KIT $ WIN VALUED OVER 9,250 • DRUM-OFF FINALS • ZZ TOP THE WORLD’S #1 DRUM MAGAZINE June 2014 The Rhythm of Hot The Voice New Gear! 150+ Photos From Winter Nate NAMM Morton Jaimeo Brown Takes Jazz to Church Steve Goulding Pub-Rocking Hollywood MODERNDRUMMER.com GEARING UP WITH THE EAGLES’ SCOTT CRAGO ON REVIEW: PORK PIE ROSEWOOD/ZEBRAWOOD KIT JAZZ DRUMMER’S WORKSHOP: SYNCOPATION REVISITED STANDING OUT NEVER SOUNDED SO GOOD Orange County Drum and Percussion Venice kits continue OCDP’s legacy of high-performance drum kits, offering lots of loud, tons of tone, and no-compromise features so you can play your best. Features like 45-degree bearing edges for sharp attack, 20 kick drum lugs for precise tuning, and OCDP’s standard suspension system for full tone and natural resonance make these Venice kits ideal for any musical genre. © 2014 OCDP Available at these preferred resellers. VENICE KIT in TUSCAN RED (also available in DESERT SAND) Your Passion. Our Commitment. Helping musicians for over 30 years. Over 85,000 Unique Products. Free Shipping, No Minimum. 45-Day Returns. 45-Day Lowest Price Guarantee. Call 855-272-1088 musiciansfriend.com JASONBITTNER SHADOWS FALL IT STARTS HERE. “During my formative years, one of my first kits was a Pearl Export. I learned how to play on it, jammed in a few of my first bands with it, and now many years later I teach my own students on a new Pearl Export kit, and it still lights me up when I hear them! I’ve played every brand of drums out there and now I’ve come home to where it all started..
    [Show full text]
  • Fp7 Percussion Mic Package
    PROFESSIONAL DRUM AND FP7 PERCUSSION MIC PACKAGE OVERVIEW Audix revolutionized drum and percussion miking by designing instrument specific microphones. With the introduction of the Fusion Series, Audix created two attractively priced packages for today’s up and coming professionals. The FP7 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones with the addition of two f9 condensers. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments. The f6, with its extended bass response, is designed for kick drum, bass cabinets, cajon and other low frequency instruments. The f9 condenser mics will capture the cymbal from overhead and also the hi-hat. Built to withstand the rigors of live stage applications, the Fusion Series mics are excellent for rehearsal, school, House of Worship and a wide variety of home INCLUDES recording applications. PACKAGED SET OF 7 DRUM MICS Aluminum Road Case SUPPLIED ACCESSORIES 3 x f2 Rack and Floor Tom Mics DCLIP - Heavy duty mic clip (6) 1 x f5 Snare Mic MC1 - Nylon mic clip (1) 1 x f6 Kick Drum Mic DFLEX - Dual pivot rim mounted clip with extra wide butterfly jaws (4) 2 X f9 Overhead Mics WSF9 - WSF9 Windscreens (2) OPTIONAL ACCESSORIES DVICE - Flexible mini-gooseneck with spring loaded rim mount clamp DCLAMP - Flexible mini-gooseneck with drum tension lug mount CBL20 - 20’ premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with braided shield for maximum conductivity.
    [Show full text]
  • SONOR SQ1 2018 Web.Pdf
    FEEL THE SOUND. When we design drums, our intention is to con- shell came out as a clear winner in all test situations. tinuously improve the acoustic quality in any Then we went out to look for a birch variety that would given situation. We do not stop at wood selec- meet our CLTF and OSM shell making standards and tion or shell configuration. Many factors influence the found a unique European birch that stood up to these acoustic performance: shell material and construction, demands. drum head selection, tuning, mounting, room acoustics, individual perception and much more. For SQ1 we worked closely with Chris Coleman and other Sonor artists in the development of this new drum series. The input from a professional players point of view provided many important insights. As a first step we looked for a shell material that would meet the request for a very balanced sound. Our choice was birch because of its characteristic high end frequencies and clearly defined low-end. In blindfold tests we tried many different types of shell construc- tion, from pure birch to hybrid versions. The pure birch SQ1 shell made of pure European birch THE STORY BEHIND CLTF AND OSM Drum shells need to act as solid acoustic unities as the foundation Our OSM shell construction (Optimum Shell Measurement) for a great drum sound. We use cross-laminated plies of birch to utilizes slightly undersized shell diameters to give the drum form a perfectly round shell with great stability. head the space to float freely, allowing Each ply is laminated at a 90° angle unrestricted contact between to allow for a shell that is tension- the bearing edge and the drum free.
    [Show full text]
  • Professional Drum and Percussion Mic Package
    PROFESSIONAL DRUM AND FP5 PERCUSSION MIC PACKAGE OVERVIEW Audix revolutionized drum and percussion miking by designing instrument specific microphones. With the introduction of the Fusion Series, Audix created two attractively priced packages for todays up and coming professionals. The FP5 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments. The f6, with its extended bass response, is designed for kick drum, bass cabinets, cajon and other low frequency instruments. Built to withstand the rigors of live stage applications, the Fusion Series mics are also excellent for rehearsal, school, House of Worship and a wide variety of home recording applications. INCLUDES PACKAGED SET OF 5 DRUM MICS SUPPLIED ACCESSORIES Aluminum road case DCLIP - Heavy duty mic clip provided with D 3 x f2 rack and floor tom mics & SCX Series (4) 1 x f5 snare mic MC1 - Nylon mic clip (1) 1 x f6 kick drum mic DFLEX - Dual pivot rim mounted clip with extra wide butterfly jaws (4) OPTIONAL ACCESSORIES DVICE - Flexible mini-gooseneck with spring loaded rim mount clamp DCLAMP - Flexible mini-gooseneck with drum tension lug mount CBL20 - 20’ premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with braided shield for maximum conductivity. 6mm PVC jacketed. CBLDR25 - 25’ premium right angle XLR-XLR balanced mic cable. Quad conductor, twisted pair with braided shield for maximum conductivity.
    [Show full text]
  • Improve Your Timing Money Beats! Bonzo Bash
    A Prize Package $ WIN VALUED OVER 6,500 • NEON TREES’ ELAINE BRADLEY THE WORLD’S #1 DRUM MAGAZINE August 2014 30 Seconds to Mars’ Shannon Leto Improve Your Timing Money Beats! Bonzo Bash Pix MODERNDRUMMER.com SIMON COLLINS MAKES CONTACT HARVEY MASON THE CHAMELEON AS INFLUENCE BLAKE RICHARDSON’S BETWEEN THE BURIED AND ME DRUMKIT UP CLOSE COLUMBUS DRUM DAZE MODERN DRUMMER RETURNS TO THE LIVE ARENA SENSITONE SNARE DRUMS CLASSIC, RELIABLE SNARE POWER The SensiTone sound is a necessity. Vital, immediate snare tone that has recalls the chart-topping legends of yesterday, but with a undeniably modern sensibility. Classic beaded shells in Steel, Nickel-Plated Brass, and Seamless Aluminum deliver the goods, and the right gig-ready touches make them utility standards for the power player. • 14x5” and 14x6.5” models available in Aluminum, Steel, and Black Nickel-plated Brass • Tube-style Lugs and Click-Lock Snare Strainer 6 MODELS AVAILABLE SENSITONESENSITONE PREMIUMPREMIUM SNARESNARE DRUMSDRUMS IMMACULATE PERCUSSION Engineered for performance perfection, SensiTone Premium snare drums feature a choice of Patina Beaded Brass, Beaded Phosphor Bronze, or even-ply North American Maple shells. With 14” models available in 5” and 6.5” depths, the Premium line’s newcomer is the new African Mahogany 15”x5” Baritone snare model, adding an additional voice to the tonal pallet. • 14x5” and 14x6.5” models available in Patina Beaded Brass, Beaded Phosphor Bronze, or 6-ply Maple • 15x5” Mahogany ‘Baritone’ snare delivers unique, deep tone • Stylish new Arch-Tube lugs self-align for better tuning 7 MODELS AVAILABLE HYBRIDHYBRID EXOTICEXOTIC SNARESNARE DRUMSDRUMS SPACE-AGE PRECISION, TIMELESS TONE.
    [Show full text]
  • 0% Financing 12 Months 0% Interest Financing on Yorkville Manufactured Or Distributed Products Purchased in the Month of October
    Powered by Yorkville Sound 0% Financing 12 months 0% interest Financing On Yorkville manufactured or distributed products purchased in the month of october. INTRODUCING THE YORKVILLE SOUND PODCAST MONTHLY DISCUSSIONS ABOUT MUSIC, GEAR & SOUND Powered by gear from the Yorkville Sound catalogue: Aston Stealth | CODE: 704031 | $44900 The Aston Stealth is a revolutionary, broadcast quality microphone for studio and stage. Includes 4 switchable voices delivering unparalleled performance in almost any situation. ART TubeMix | CODE: 506282 | $27900 The ART TubeMix is a compact versatile USB audio interface designed to connect your mics to your computer. The mixer supports two mic inputs, one high impedance instrument input, and two line inputs simultaneously. Perfect for podcasts, home recordings and small live gigs. ART HeadAmp4 | CODE: 260296 | $8999 Ideal for any podcast set up or home studio, the HeadAmp4 adds additional headphone outputs to any mixer, computer audio interface, workstation, or laptop. The best solution for you and your guests to hear the action at the same time. Apex HP35 Closed Back Folding Headphones | CODE: 304547 | $4999 Perfect for listening to your favourite tracks. Closed back for maximum isolation, the lightweight design ensures maximum comfort during long hours of listening. The compact folding design economizes space while protecting the diaphragms during transport. All Yorkville manufactured or distributed products are eligible for 12 months 0% financing when purchased in the month of October! Listen to the Yorkville Sound Podcast on Spotify, Apple Podcasts, and YouTube Flying V or Explorer $ 00 Les Paul Junior $ 00 2249 Tribute DC Bass 1349 For use on next purchase. For use on next purchase.
    [Show full text]
  • Fusion SERIES
    2 F-10 2 F-12 2 F-15 Fusion SERIES ROAD Packaged sets of high quality Audix CASE drum and percussion microphones INCLUDED Audix, with the introduction of serious microphone packages Fusion 6 for professional artists and engineers, has revolutionized pack illustrated drum and percussion miking by designing specific mics for specific instruments. Now, with the introduction the Fusion 2 F-10 Snare , toms, congas, timbales, guitar cabs. series, everyone can afford Audix quality. Integral mic stand adapter. Built to withstand the rigors of live stage applications, the 2 F-12 Kick drum, floor toms, djembe, cajon, bass Fusion series mics can also be successfully used in a studio cabs, sax. Integral mic stand adapter. recording environment. 2 F-15 Overheads, high hat, goodie table, acoustic If you want to effectively capture the sound of any drum or instruments. percussion instrument. Get Fusion. FUSION 6 FUSION 4 Durable road case Durable road case 3 x F-10 3 x F-10 CALL: 503-682-6933 FAX: 503-682-7114 1 x F-12 1 x F-12 2 x F-15 www.audixusa.com Audix Corporation PO Box 4010, Wilsonville, OR 97070 . In Canada, Cabletek Electronics LTD, 604-942-1001 fax 604-942-1010 All rights reserved. Audix and the Audix logo are trademarks of Audix Corporation. ROAD CASE INCLUDED 2 F-10 2 F-12 2 F-15 Fusion SERIES Affordable quality from Audix FUSION 4 Now everyone can afford Audix quality and capture the Fusion 4 package contains: sound of any drum or percussion instrument. Here are pre- 1 x Durable road case packaged microphones which are tough, durable, and offer 3 x F-10 snare / tom mic the type of sonic performance associated with 1 x F-12 kick / floor tom mic microphones costing much more.
    [Show full text]
  • NICK MASON on the Occasion of a Monster Pink Floyd Reissue Campaign, We Detail the Drummer’S Many Sonic Charms and Chat with Him for His First-Ever
    !.!-!:).'% 02/ 02):%0!#+!'% 13*.644+":-"/&t4/"3&#&%4*/%&15) 7). &2/-0%!2, VALUED ATOVER .OVEMBER 4HE7ORLDS$RUM-AGAZINE 4-".%6/,5)&'6/, 5*14'30. (&/&-",& %&'*/&:0633*%& (3*14501&3'&$5 :0631)3"4*/( 1*/,'-0:%4 .)#+-!3/. /.$!2+3)$% 7)3(9/57%2%(%2% 4(%7!,, !.$-/2% 5)&'-&$,50/&4'6563&."/ +";;(3&"5#"33:"-54$)6- */'-6&/$&4+*..:$)".#&3-*/ #-"$,450/&$)&33:4+0)/'3&%:06/( -ODERN$RUMMERCOM 3&7*&8&% (3&54$)3&/08/.&*/-#:;"/$&45":&.&5"-803,41&%"-(.4461&37*/5"(&5*()54$3&84#-6&.*$4 Volume 35, Number 11 • Cover photo by Bob Gruen CONTENTS Bob Gruen Ash Newell 32 JOHN FRED YOUNG Black Stone Cherry’s super-animated sticksman isn’t above pushing his playing over the top to add fuel to the band’s already fiery shows. by Rick Mattingly 56 JAY LANE More than two decades ago, he helped Primus find its sea legs. He made the difficult choice to move on, and kept honing his craft in funk, jazz, hip-hop, rock, and jam bands. In a rare example of sec- ond chances, the Primus ship circled back Jay’s way, and he’s at the wheel again, on the ride of his life—earning and owning the gig down to the last tickle of the hi-hats. by Michael Parillo 38 NICK MASON On the occasion of a monster Pink Floyd reissue campaign, we detail the drummer’s many sonic charms and chat with him for his first-ever Modern Drummer cover story. by Adam Budofsky Paul La Raia Kevin Packard 12 UPDATE • August Burns Red’s MATT GREINER • Battles’ JOHN STANIER • PAUL STANLEY-MCKENZIE • The Flecktones’ ROY WOOTEN • Drummer/Percussionist DANNY FRANKEL Courtesy of Solid State Records 62 68 INFLUENCES JIMMY CHAMBERLIN BARRY ALTSCHUL The differences between straight-ahead and avant-garde, melody and rhythm, and straight and free time become 96 PORTRAITS Job for a Cowboy’s JON RICE intriguingly unclear when you’re studying the work of this jazz-drumming great.
    [Show full text]
  • Guitar Department
    CLICK HERE FOR THE MOST UP TO DATE EDITION Link Item This edition expires on 10/10/2021 Price Contents Accessories Cables & Connectors Clothing Flightcases & Bags Furniture Media Stands & Racks Computer Music Audio/Midi Recording Computer Accessories DSP Effects Plug-Ins Ethernet Interfaces Firewire Interfaces Midi Controllers PCI Cards Thunderbolt Interfaces USB Interfaces Virtual Instruments/Samplers iPad/iPhone Accessories DJ Equipment CD & MP3 Players DJ Accessories DJ Control Surfaces & Interfaces DJ Headphones DJ Mixers DJ Software/Hardware Packages Turntables Drums & Percussion Acoustic Drum Kits Return to top All prices are ex. VAT and may vary from the current retail price. Please note: Errors and omissions excepted. Page 2/202 CLICK HERE FOR THE MOST UP TO DATE EDITION Link Item This edition expires on 10/10/2021 Price Bells & Chimes Blocks & Claves Cajons Congas & Bongos Cowbells Crash Cymbals Cymbal Packs Darbukas & Doumbeks Djembes Drum & Cymbal Stands Drum Cases Drum Clamps & Holders Drum Machines Drum Thrones Drums Heads Effects Cymbals Electronic Drum Accessories Electronic Drum Kits Electronic Percussion Fun Percussion General Drum Accessories Guiros Hi-Hats Individual Drums Kick Pedals Other Acoustic Percussion Percussion Accessories Practice Rainsticks & Sea Drums Ride Cymbals Shakers & Maracas Snare Drums Sticks, Mallets & Brushes Tamborims & Frame Drums Tambourines Timbales Tuned Percussion Guitar Department Return to top All prices are ex. VAT and may vary from the current retail price. Please note: Errors and omissions
    [Show full text]
  • Fusion Series 2 X WS9 Windscreens
    FP4 PACKAGED SET OF 4 DRUM MICS Aluminum road case 2 x f2 rack toms, floor tom mics 1 x f5 snare mic 1 x f6 kick drum mic 3 x DCLIP mic clips 1 x MC1 mic clip FP5 PACKAGED SET OF 5 DRUM MICS Aluminum road case 3 x f2 rack toms, floor tom mics 1 x f5 snare mic 1 x f6 kick drum mic 4 x DCLIP mic clips 1 x MC1 mic clip FP7 Drum Microphone Packs PACKAGED SET OF 7 DRUM MICS Aluminum road case 3 x f2 rack toms, floor tom mics 1 x f5 snare mic 1 x f6 kick drum mic 2 x f9 overheads, high hat mics 6 x DCLIP mic clips 1 x MC1 mic clip Fusion Series 2 x WS9 windscreens PRE-PACKAGED SETS OF HIGH QUALITY DRUM AND PERCUSSION MICROPHONES OPTIONAL ACCESSORIES: Audix has revolutionized drum and percussion miking by designing specific mics for specific DVICE instruments. With the introduction of the new Fusion series, Audix has designed three Spring loaded rim mount clamp attractively priced packages for today’s up and coming professionals. MC1 Each of the Fusion Series packs contain a combination of f2, f5, f6 dynamic microphones Nylon mic clip and f9 condenser microphones. The f5 is tuned for snare drum and can also be used for DCLIP bongos, timbales, guitar cabs, and general purpose acoustic instruments. The f2 is suited Heavy duty mic clip provided with D for rack toms, floor tom, congas, djembe, bongos and timbales, bass cabs, and brass. series, SCX series The f6, with its extended bass response, is designed for kick drum, cajon, and other low SMT25 frequency instruments.
    [Show full text]