Comics Seized by Canadian Border Officials from 2003–2010
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Arts & Humanities
Below is a list of titles to be reviewed in the August 2017 issue of Library Journal. These lists include pertinent publisher and bibliographic information for your convenience. Also included are titles recently reviewed as online-only Xpress Reviews. Starred reviews are indicated with **. Publishers: Please remember to send us one finished copy of each book that is scheduled for review (i.e., all of the forthcoming titles listed below) if you initially submitted a galley or bound manuscript. Our reviewers are not paid, and we like to send a finished copy of the reviewed book as a thank you. Materials should be mailed to: Library Journal, 123 William Street, Suite 802, New York, NY 10038. ARTS & HUMANITIES CRAFTS/DIY ART INSTRUCTION **Leamy, Selwyn. Read This If You Want To Be Great at Drawing. Laurence King. Oct. 2017. 128p. illus. ISBN 9781786270542. pap. $17.99. ART INSTRUCTION Schweiger, Rebecca. Release Your Creativity: Discover Your Inner Artist with 15 Simple Painting Projects. Sixth&Spring. May 2017. 144p. illus. index. ISBN 9781942021483. pap. $19.95. ART INSTRUCTION CRAFTS Lam, Isabella. Beautiful Beadweaving: Simply Gorgeous Jewelry. Kalmbach. Mar. 2017. 112p. illus. ISBN 9781627003018. pap. $22.99; ebk. ISBN 9781627004725. CRAFTS Moad, Elizabeth. Paper Quilling: All the Skills You Need To Make 20 Beautiful Projects. Search. Jun. 2017. 96p. illus. index. ISBN 9781782214250. pap. $15.95. CRAFTS DIY Kyler, Silas J. & David Hildreth. The Art and Craft of Wood: A Practical Guide to Harvesting, Choosing, Reclaiming, Preparing, Crafting, and Building with Raw Wood. Quarry: Quarto. Jun. 2017. 160p. illus. index. ISBN 9781631592973. $24.99. -
Miko Mido Is Lady Blue - Volume 1
Miko Mido is Lady Blue - Volume 1 Well then, i'll start off by conveying an old-fashioned La Blue Young lady event. This animated typically teeters in between excellent and very inadequate while using the infrequent awful continuity, super-hero plot of land gaps as well as over- all lazy specifics. All of this seemed to be overshadowed nevertheless by simply whatever else . a show needed to offer you: lengthy, useful or perfectly thought-out clips of eroticism promising range a occurrence (at times it's People on Human, sometimes its Enormous about Man, Tentacle on Our, Forms of martial arts Love- making, Bondage, Adult sex toys and Units... almost any lawful fetish). What's even better, Are generally Pink Woman has not been the sort of Hentai that put together it's violence featuring its sexuality, at least steer clear every single scene; in flashbacks and story/drama similar clips, there initially were relegations, but that was only if Kan Fukumoto arrived straight into primary. Usually it turned out great, exciting perversion in places you did not have to be concerned about young women bolstering when a hot man-beast received ahold of them. That may be another thing a regular Are generally Violet Young lady tv show presented: Entertaining. Miko Mido is often aloof plus a excellent eliminate expert, although the woman has been constantly met with crazy, comedy cases owing to your ex dwarf ninja partner Nin-Nin as well as her oversexed more mature aunt; regardless if Miko was met with danger as well as conserving the girl's mates out of lovemaking harm, Miko was your comedic figure. -
Strategy and Style in English and French Translations of Japanese Comic Books
DOCUMENT RESUME ED 463 675 FL 027 239 AUTHOR Howell, Peter TITLE Strategy and Style in English and French Translations of Japanese Comic Books. PUB DATE 2001-00-00 NOTE 12p.; For complete journal issue, see FL 027 235. PUB TYPE Information Analyses (070) Journal Articles (080) Reports Descriptive (141) JOURNAL CIT Edinburgh Working Papers in Applied Linguistics; n11 p59-66 2001 EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Comics (Publications); Cultural Differences; *Cultural Influences; French; Japanese; *Translation ABSTRACT This article explores translation strategies in English and French versions of Japanese comic books, comparing English and French dialogue text regarding local color, atmospherics, and characterization. Section 1 describes Japanese comic books. Section 2 examines translation strategies. Sections 3 and 4 discuss local color and character locus (translation of culture-specific items and of non-standard dialect and foreigner talk). Section 5 discusses the translation of register (situations of language use) .Section 6 highlights comic book character role (the soldier, schoolgirl, and vamp) .Section 7 discusses atmospherics (jargonization) .Section 8 concludes that American translators used naturalizing strategies, both culturally (name changes and insertion of references to American culture) and linguistically (stereotypical use of dialects and use of heavily marked register). Strategies used in the French versions are less naturalizing than those used in the American versions. Culturally, they are more foreignizing in conserving names and culture-specific items. Linguistically, in some translations, transfers and calques from the English version are used, and as a result, the dialogue reads like a translation, but not from the Japanese original. Other French translations reveal linguistic neutralization with regard to dialect and register. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Negima! 29: Magister Negi Magi Free
FREE NEGIMA! 29: MAGISTER NEGI MAGI PDF Ken Akamatsu | 144 pages | 17 May 2011 | Kodansha America, Inc | 9781935429562 | English | New York, United States Negima! Magister Negi Magi, Vol. 29 by Ken Akamatsu The chapters of Negima! Magister Negi Magi are written and illustrated by Ken Akamatsuthe Negima! 29: Magister Negi Magi person who wrote and illustrated the immensely popular series A. Love You and Love Hina. The series was adapted into a episode-long anime television series by the Japanese animation studio Xebec and originally aired on TV Tokyo. It has been licensed for an English release in the United States by Funimation Entertainmentand has aired on the Funimation Channel. For the week of November 25,Volume 24 soldcopies and peaked at 2. For the week of February 23,Volume 25 soldcopies and peaked Negima! 29: Magister Negi Magi 2. For the week of May 27,Volume 26 soldcopies and peaked at 2. For the week of September 20,Volume 27 soldcopies and peaked at 4. For the week of November 29,Volume 28 soldcopies and peaked at For the week of February 21,Volume 29 soldcopies and peaked at 3. For the week of May 23,Volume 30 soldcopies and peaked at 4. For the week of August 22,Volume 31 soldcopies and peaked at 6. For the week Negima! 29: Magister Negi Magi November 29,Volume 32 soldcopies and peaked at 3. For the week of February 28,Volume 33 sold Negima! 29: Magister Negi Magi, copies and peaked at 5. For the week of May 22,Volume 34 soldcopies and peaked at 2. -
Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected]
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2006 Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected] Follow this and additional works at: http://commons.emich.edu/honors Recommended Citation Endresak, David, "Girl Power: Feminine Motifs in Japanese Popular Culture" (2006). Senior Honors Theses. 322. http://commons.emich.edu/honors/322 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. Girl Power: Feminine Motifs in Japanese Popular Culture Degree Type Open Access Senior Honors Thesis Department Women's and Gender Studies First Advisor Dr. Gary Evans Second Advisor Dr. Kate Mehuron Third Advisor Dr. Linda Schott This open access senior honors thesis is available at DigitalCommons@EMU: http://commons.emich.edu/honors/322 GIRL POWER: FEMININE MOTIFS IN JAPANESE POPULAR CULTURE By David Endresak A Senior Thesis Submitted to the Eastern Michigan University Honors Program in Partial Fulfillment of the Requirements for Graduation with Honors in Women's and Gender Studies Approved at Ypsilanti, Michigan, on this date _______________________ Dr. Gary Evans___________________________ Supervising Instructor (Print Name and have signed) Dr. Kate Mehuron_________________________ Honors Advisor (Print Name and have signed) Dr. Linda Schott__________________________ Dennis Beagan__________________________ Department Head (Print Name and have signed) Department Head (Print Name and have signed) Dr. Heather L. S. Holmes___________________ Honors Director (Print Name and have signed) 1 Table of Contents Chapter 1: Printed Media.................................................................................................. -
Manga) Market in the US
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Papers in Economics The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US Takeshi Matsui Working Paper #37, Spring 2009 The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US * Takeshi Matsui Graduate School Department of Sociology of Commerce and Management Princeton University Hitotsubashi University Princeton, NJ, US 08544 Tokyo, Japan 186-8601 [ Word Count: 8,230] January 2009 * I would like to thank Paul DiMaggio, Russell Belk, Jason Thompson, Stephanie Schacht, and Richard Cohn for helpful feedback and encouragement. This research project is supported by Abe Fellowship (SSRC/Japan Foundation), Josuikai (Alumni Society of Hitotsubashi University), and Japan Productivity Center for Socio-economic Development. Please address correspondence to Takeshi Matsui, Department of Sociology, Princeton University, Princeton, NJ 08544. E-mail: [email protected]. The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US Takeshi Matsui Hitotsubashi University/Princeton University Abstract This paper outlines the historical development of the US manga (Japanese comics) industry from the 1980s through the present in order to address the question why foreign cultural products become popular in offshore markets in spite of cultural difference. This paper focuses on local publishers as “gatekeepers” in the introduction of foreign culture. Using complete data on manga titles published in the US market from 1980 to 2006 (n=1,058), this paper shows what kinds of manga have been translated, published, and distributed for over twenty years and how the competition between the two market leaders, Viz and Tokyopop, created the rapid market growth. -
LOCAS: the MAGGIE and HOPEY STORIES by Jaime Hernandez Study Guide Written by Art Baxter
NACAE National Association of Comics Art Educators STUDY GUIDE: LOCAS: THE MAGGIE AND HOPEY STORIES by Jaime Hernandez Study guide written by Art Baxter Introduction Comic books were in the midst of change by the early 1980s. The Marvel, DC and Archie lines were going through the same tired motions being produced by second and third generation artists and writers who grew up reading the same books they were now creating. Comic book specialty shops were growing in number and a new "non- returnable" distribution system had been created to supply them. This opened the door for publishers who had small print runs, with color covers and black and white interiors, to emerge with an alternative to corporate mainstream comics. These new comics were often a cross between the familiar genres of the mainstream and the personal artistic freedom of underground comics, but sometimes something altogether different would appear. In 1976, Harvey Pekar began self-publishing his annual autobiographical comics collection, American Splendor, with art by R. Crumb and others, from his home in Cleveland, Ohio. Other cartoonists self-published their mainstream- rejected comics, like Cerebus (Dave Sim, 1977) and Elfquest (Wendy & Richard Pini, 1978) to financial and critical success. With proto-graphic novel publisher, Eclipse, mainstream rebels produced explicit versions of their earlier work, such as Sabre (Don McGreggor & Paul Gulacy, 1978) and Stewart the Rat (Steve Gerber & Gene Colan, 1980). Underground comics evolved away from sex and drugs toward maturity in two anthologies, RAW (Art Spiegleman & Francoise Mouly, eds., 1980) and Weirdo (R. Crumb, ed., 1981). Under the Fantagraphics Books imprint, Gary Groth and Kim Thompson began to publish comics which aspired to an artistic quality that lived up to the high standard set forth in the pages of their critical magazine, The Comics Journal. -
Protoculture Addicts #61
Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF WHAT'S GOING ON? ANIME & MANGA NEWS .......................................................................................................... 5 Claude J. Pelletier [CJP] — Publisher / Manager VIDEO & MANGA RELEASES ................................................................................................... 6 Martin Ouellette [MO] — Editor-in-Chief PRODUCTS RELEASES .............................................................................................................. 8 Miyako Matsuda [MM] — Editor / Translator NEW RELEASES ..................................................................................................................... 10 MODEL NEWS ...................................................................................................................... 47 Contributors Aaron Dawe Kevin Lilliard, James S. Taylor REVIEWS Layout LIVE-ACTION ........................................................................................................................ 15 MODELS .............................................................................................................................. 46 The Safe House MANGA .............................................................................................................................. 54 Cover PA PICKS ............................................................................................................................ -
Report on Micro Data, Sorted by Title
English Language Graphic Novels Winners and Nominations of Comics and Graphic Novels Awards up to 2004 (list sorted first by title) Prepared by Olivier Charbonneau [email protected] Concordia University Data current as of May 18, 2004 PS. Please feel free to use and circulate this list – as long as the person using or receiving it does not use it for commercial purposes (selecting books for a library is OK) and agrees to send me a thank you letter at the following address: Olivier Charbonneau, Webster Library, room LB-279 Concordia University 1400 de Maisonneuve Blvd. W. Montreal, Quebec, H3G 1M8 Page 1 of 56 Title Publisher Wins Nominations 100 Unknown 1 Workman, John letterer 100 BulletDC 4 5 Azzarello, Brian writer Johnson, Dave cover 2002-2003 Risso, Eduardo artist 1001 Nights of BacchusDark Horse Comics 1 Schutz, Diana editor 1963 Image 2 Moore, Alan 20 Nude Dancers 20Tundra 1 Martin, Mark 20/20 VisionsDC/Vertigo 1 Alonso, Axel editor Berger, Karen editor 300Dark Horse Comics 2 2 Miller, Frank Varley, Lynn colorist 32 Stories Drawn & Quarterly 1 Tomine, Adrian A Contract with GodDC 2 Eisner, Will A Decade of Dark HorseDark Horse Comics 1 Stradley, Randy editor A History of ViolenceParadox 1 Wagner, John A Jew in Communist PragueNBM 1 4 Giardino, Vittorio Nantier, Terry editor A Small KillingVG Graphics/Dark Horse 1 1 Moore, Alan Zarate, Oscar A1Atomeka 1 2 Elliott, Dave editor Abraham StonePlatinum/Malibu 2 Kubert, Joe Page 2 of 56 Title Publisher Wins Nominations Acid Bath CaseKitchen Sink Press 1 Schreiner, Dave editor -
SEP 2010 Order Form PREVIEWS#264 MARVEL COMICS
Sep10 COF C1:COF C1.qxd 8/11/2010 12:22 PM Page 1 ORDERS DUE th 11 SEP 2010 SEP E COMIC H T SHOP’S CATALOG COF C2:Layout 1 8/6/2010 1:36 PM Page 1 COF Gem Page Sept:gem page v18n1.qxd 8/12/2010 8:55 AM Page 1 KULL: THE HATE WITCH #1 (OF 4) BATMAN: DARK HORSE COMICS THE DARK KNIGHT #1 DC COMICS HELLBOY: DOUBLE FEATURE OF EVIL DARK HORSE COMICS BATMAN, INC. #1 THE WALKING DEAD DC COMICS VOL. 13: TOO FAR GONE TP IMAGE COMICS MAGAZINE GEM OF THE MONTH DUNGEONS & DRAGONS #1 IDW PUBLISHING ..UTOPIAN #1 IMAGE COMICS WIZARD #232 WIZARD ENTERTAINMENT GENERATION HOPE #1 MARVEL COMICS COF FI page:FI 8/12/2010 2:47 PM Page 1 FEATURED ITEMS COMICS & GRAPHIC NOVELS ELMER GN G AMAZE INK/SLAVE LABOR GRAPHICS NIGHTMARES & FAIRY TALES: ANNABELLE‘S STORY #1 G AMAZE INK/SLAVE LABOR GRAPHICS S.E. HINTON‘S PUPPY SISTER GN G BLUEWATER PRODUCTIONS STAN LEE‘S TRAVELER #1 G BOOM! STUDIOS 1 1 DARKWING DUCK VOLUME 1: THE DUCK KNIGHT RETURNS TP G BOOM! STUDIOS LADY DEATH ORIGINS VOLUME 1 TP/HC G BOUNDLESS COMICS VAMPIRELLA #1 G D. E./DYNAMITE ENTERTAINMENT KEVIN SMITH‘S GREEN HORNET VOLUME 1: SINS OF THE FATHER TP G D. E./DYNAMITE ENTERTAINMENT ACME NOVELTY LIBRARY VOLUME 20 HC G DRAWN & QUARTERLY NORTH GUARD #1 G MOONSTONE LAST DAYS OF AMERICAN CRIME TP G RADICAL PUBLISHING ATOMIC ROBO AND THE DEADLY ART OF SCIENCE #1 G RED 5 COMICS BOOKS & MAGAZINES COMICS SHOP SC G COLLECTING AND COLLECTIBLES KRAZY KAT AND THE ART OF GEORGE HERRIMAN HC G COMICS SPYDA CREATIONS: STUDY OF THE SCULPTURAL METHOD SC G HOW-TO 2 STAR TREK: USS ENTERPRISE HAYNES OWNER‘S MANUAL HC G STAR -
2015 Conbook
conbook2015.indd 1 4/4/2015 12:16:09 conbook2015.indd 2 4/4/2015 12:16:14 BLFCorp APPROVED CHARITY SAFE HAVEN RESCUE ZOO We welcome once again the Safe Haven Rescue Zoo as our charity for 2015. They had an amazing time at the convention in 2014 and they are excited to be back! FIND THEM AT: safehavenwildlife.com “Safe Haven Rescue Zoo is a wildlife sanctuary located in Imlay, NV. We provide rehabilitative services and permanent placement for wildlife in need. We respond to assistance requests from state and federal agencies, law enforcement, veterinarians, and concerned citizens. Many of our wild residents are former exotic “pets.” Several have come to Safe Haven as the result of major rescue efforts coordinated by agencies and sanctuaries nationwide. Our solar-powered facility is designed to have a minimal impact on the environment and to serve as a model of renewable energy practices. Safe Haven conducts tours and on-site and off-site educational programs by appointment. We are open for visits seven days a week during the daylight h o u r s .” ALSO FEATURING* FURSUIT BACHELOR AUCTION BE A FURSUIT BACHELOR. BE A HERO. 3 *APPROVED BY BLFCorp conbook2015.indd 3 4/4/2015 12:16:14 Thank you, generous and loyal Citizen, for joining the ranks of BLFCorp, now proudly providing its third year of pure enjoyment and bliss. I promise you will not be disappointed. Lots of fun activities have been prepared for you this year, which you will enjoy. This book has been prepared to guide you through integrating as a BLFCorp Citizen.