Cinémonde N°16, 07/02/1929
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Charlot Soldat, De Charles Chaplin
1 CHARLOT SOLDAT, DE CHARLES CHAPLIN Fiche technique * Titre : Charlot Soldat * Titre original : Shoulder Arms * Réalisation : Charles Chaplin * Scénario : Charles Chaplin * Production : Charles Chaplin * Musique : Charles Chaplin * Photographie : Roland Totheroh * Montage : Charles Chaplin * Décors : Charles D. Hall * Pays d'origine : États-Unis * Format : Noir et blanc - 1,33:1 - Film muet - 35 mm * Genre : Comédie * Durée : 46 minutes * Dates de sortie : 20 octobre 1918 (États-Unis), 20 avril 1919 (France) Distribution * Charles Chaplin : 13e matricule * Edna Purviance : La fille française * Sydney Chaplin : Le Kaiser, le sergent * Jack Wilson : Le "Kronprinz" * Henry Bergman : Gros sergent allemand, barman américain, officier allemand * Albert Austin : Soldat américain, soldat allemand et chauffeur du Kaiser * Tom Wilson : Sergent du camp d'entraînement * John Rand : Soldat américain * J. Parks Jones : Soldat américain * Loyal Underwood: Petit officier allemand Synopsis Dans un camp militaire, de nouvelles recrues s'entraînent avant de partir à la guerre en France. L'entraînement est épuisant pour Charlot. Aussitôt l'exercice fini, il s'endort. Une fois arrivé dans les tranchées, il doit s'accommoder de l'insalubrité et du mal du pays, tandis que les obus pleuvent et que les batailles font rage… 2 Sur le réalisateur Charles Spencer Chaplin naît le 16 avril 1889 dans un quartier pauvre de londres. Son père et sa mère sont tous deux chanteurs de variétés. En 1912, il s’établit aux Etats-Unis, où il commence une nouvelle carrière dans le cinéma. En 1914, Charles Chaplin invente le plus célèbre des vagabonds : Charlot. Le public est conquis. Si le vie professionnelle de Charlie Chaplin est un succès, il n’en va pas de même avec sa vie privée : il va de mariages en divorces. -
FICTIONS.Pdf
Contents Films in alphabetical order of directors p.4 Index by film title p.166-170 Index by director p.172-174 Index by actor/actress p.176-178 Index by film genre p.180-185 Index of short films p.186 Index by country p.189-193 Index by decade p.195-198 Index of films available in HD p.201 Index by festivals and awards p.202-203 3 The story of harmless misfit Josie, the lonely but A like ANIMATION optimistic caretaker of a crumbling petrol station. See pages 8-11 Over the course of a summer, Josie’s world shifts. A teenager comes to work with him. Events spiral. Josie’s life is changed forever. “Calling Garage a ‘small’ film would be true Dominique ABEL, enough, but the Hope diamond, all things Fiona GORDON, Bruno ROMY considered, is awfully small as well. Both in any case, are gems.” Screen THE FAIRY (LA FÉE) HD Cast: Fiona Gordon, Dominique Abel, ADAM & PAUL Philippe Martz, Bruno Romy Cast: Tom Murphy, Mark O’Halloran Belgium - France / 2010 / Colour / 95’ / Drama Ireland / 2004 / Colour / 83’ / Drama Dom works the night shift in a small hotel near the GIJON 2005: BEST ACTOR - MARK O’HALLORAN industrial sea port of Le Havre. One night, a woman & TOM MURPHY (ex aequo) arrives with no luggage and no shoes. Her name is EVENING STANDARD BRITISH FILM AWARD 2006: Fiona. She tells Dom she is a fairy and grants him BEST SCREENPLAY three wishes. Fiona makes two wishes come true Friends since they were small boys, Adam and Paul then mysteriously disappears. -
San Francisco Silent Film Festival
True art transcends time. SAN FRANCISCO SILENT FILM FESTIVAL JULY 18–21, 2013 CASTRO THEATRE SAN FRANCISCO SILENT FILM FESTIVAL elcome to our 18th summer festival. The San Francisco Silent Film Festival is a nonprofit organization dedicated to educating the public about silent film as an art form and as a cul- turally valuable historical record. Throughout the year, SFSFF produces events that showcase important titles from the silent era, often in restored or preserved prints, with live musical accompaniment by someW of the world’s finest practitioners of the art of putting music to film. Each presentation exemplifies the extraordinary quality that Academy Award-winning film historian Kevin Brownlow calls “live cinema.” Silent-era filmmakers produced masterpieces that can seem breathtakingly modern. In a remarkably short time after the birth of movies, filmmakers developed all the techniques that made cinema its own art form. The only technique that eluded them was the ability to marry sound to the film print, but these films were never meant to be viewed in silence and it is often obvious that music was a part of the production as well as the exhibition. The absence of recording on the set, though, meant that the camera was free to move with a grace and ele- gance that allowed visual storytell- ing to flourish and made film more than just an adjunct to the stage. It is through these films that the world first came to love movies and learned how to appreciate them as art. They have influenced every generation of filmmakers and con- tinue to inspire audiences nearly a century after they were made. -
Charles Chaplin, an Appreciation Charles Silver
Charles Chaplin, an appreciation Charles Silver Author Silver, Charles Date 1989 Publisher The Museum of Modern Art ISBN 0870703064 Exhibition URL www.moma.org/calendar/exhibitions/2136 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art - * >w WfSm- W.v. ^ ¥mSM /\ rr-tive MotAA 1608 FOR BO SMITH AND MARY LEA BANDY Published in conjunction with the exhibition "Chaplin: A Centennial Celebration" at The Museum of Modem Art, New York, January 1-June 30, 1989 This project has been made possible with generous support from Celeste G. Bartos, Pinewood Foundation, and Kimiko and John Powers. The Museum's film program is made possible in part through the support of The Roy and Niuta Titus Fund, the National Endowment for the Arts, Washington, D.C., and with public funds from the New York State Council on the Arts. Copyright © 1989 by The Museum of Modem Art, New York Appendix I ("The Second Coming") copyright © 1972 by Film Comment Publishing Corporation. Reprinted by permission of the Film Society of Lincoln Center. All rights reserved Library of Congress Catalogue Card No. 88-63507 ISBN 0-87070-306-4 Edited by James Leggio Designed by Barbara Balch Design, New York Production by Daniel Frank Set in type by Graphic Technology, Inc., New York Printed by Allied Printing Services, Inc., Manchester, Connecticut Bound by Mueller Trade Bindery, Middletown, Connecticut All photographs from the Film Stills Archive, The Museum of Modem Art, New York Distributed outside the United States and Canada by Thames and Hudson Ltd., London The Museum of Modem Art 11 West 53 Street New York, New York 10019 Printed in the United States of America First page: Jackie Coogan and Chaplin in The Kid, 1921 Frontispiece: Chaplin in The Gold Rush, 1925 Back cover: Chester Conklin and Chaplin in Modem Times, 1936 I he Museum of Modern Art Library . -
Unterhelios 3 Siclari 1974-06
8124171 UNTERHELIOS unterhelios unterHelios UNTERhelios UNTERhELIOS unterHelios #3 This is an irregularly published fanzine put out by JoeD Siclari, U30U Richmond Ave. Staten Island, New York 10312. Please note this address as it is very, very new. In fact, it will not be in effect until two days from now on June 13. 197U. This is being typed in Tallahassee, FL. Parts of this fanzine have been printed and run through SFPA within the last few months. This fanzine may be obtained by trades and LoC preferably but also by sending me 75C. If you have old fanzines that you want to get rid of, they will gratefully be accepted for trade. T of C Art cover: Frankenstein ala Karloff by William Black Front cover by Rudi Franke Contents................................................................................................................................................................. 3 The Editorial 1..................................................................................................................................................3 Supe’s On!............................................................................................................................................................ ** Kurt Vonnegut OnFilm.. ................................................................... 6 Mysticism 8 Music by Joda Maynard................................................ 7 The Sex Life of a Hero................................................................................................................................11 Miscellaneous