Why Do Glottal Stops and Low Vowels Like Each Other?
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Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
UC Berkeley UC Berkeley Phonlab Annual Report
UC Berkeley UC Berkeley PhonLab Annual Report Title The Phonetic Structures of Oaxaca Chontal Permalink https://escholarship.org/uc/item/4bn7h6v0 Journal UC Berkeley PhonLab Annual Report, 1(1) ISSN 2768-5047 Authors Maddieson, Ian Avelino, Heriberto O'Connor, Loretta Publication Date 2005 DOI 10.5070/P74bn7h6v0 eScholarship.org Powered by the California Digital Library University of California UC Berkeley Phonology Lab Annual Report (2005) THE PHONETIC STRUCTURES OF OAXACA CHONTAL Ian Maddieson*, Heriberto Avelino* and Loretta O'Connor** *University of California, Berkeley **University of Hamburg, Center for Mesoamerican Studies Abstract The first description in any detail of aspects of the phonetic structures of the highly endangered Lowland variety of Oaxaca Chontal is presented. The paper includes measurements of the characteristics of the vowels, and a survey of the principal features of the consonant system. Particular attention is paid to the series of glottalized obstruents and sonorants, which vary a great deal in their manner of articulation and the nature and timing of the accompanying glottalization. The relative frequency of different realizations of the glottalized obstruents mirrors the cross- language frequency of glottalized consonant types. Glottalized sonorant realizations cannot be predicted from their position in the syllable. Individual speakers frequently vary when producing consecutive repetitions of the same word. Such a large range of variation may be partly due to an ongoing process of language attrition. Keywords -
An Acoustic Account of the Allophonic Realization of /T/ Amber King St
Linguistic Portfolios Volume 1 Article 12 2012 An Acoustic Account of the Allophonic Realization of /T/ Amber King St. Cloud State University Ettien Koffi St. Cloud State University Follow this and additional works at: https://repository.stcloudstate.edu/stcloud_ling Part of the Applied Linguistics Commons Recommended Citation King, Amber and Koffi, Ettien (2012) "An Acoustic Account of the Allophonic Realization of /T/," Linguistic Portfolios: Vol. 1 , Article 12. Available at: https://repository.stcloudstate.edu/stcloud_ling/vol1/iss1/12 This Article is brought to you for free and open access by theRepository at St. Cloud State. It has been accepted for inclusion in Linguistic Portfolios by an authorized editor of theRepository at St. Cloud State. For more information, please contact [email protected]. King and Koffi: An Acoustic Account of the Allophonic Realization of /T/ AN ACOUSTIC ACCOUNT OF THE ALLOPHONIC REALIZATIONS OF /T/ AMBER KING AND ETTIEN KOFFI 1.0 Introduction This paper is a laboratory phonology account of the different pronunciations of the phoneme /t/. Laboratory phonology is a relatively new analytical tool that is being used to validate and verify claims made by phonologists about the pronunciation of sounds. It is customary for phonologists to predict on the basis of auditory impressions and intuition alone that allophones exist for such and such phonemes. An allophone is defined as different realizations of the same phoneme based on the environments in which it occurs. For instance, it has been proposed that the phoneme /t/ has anywhere from four to eight allophones in General American English (GAE). To verify this claim Amber, one of the co-author of this paper recorded herself saying the words <still>, <Tim>, <kit>, <bitter>, <kitten>, <winter>, <fruition>, <furniture>, and <listen>. -
Proposal for Superscript Diacritics for Prenasalization, Preglottalization, and Preaspiration
1 Proposal for superscript diacritics for prenasalization, preglottalization, and preaspiration Patricia Keating Department of Linguistics, UCLA [email protected] Daniel Wymark Department of Linguistics, UCLA [email protected] Ryan Sharif Department of Linguistics, UCLA [email protected] ABSTRACT The IPA currently does not specify how to represent prenasalization, preglottalization, or preaspiration. We first review some current transcription practices, and phonetic and phonological literature bearing on the unitary status of prenasalized, preglottalized and preaspirated segments. We then propose that the IPA adopt superscript diacritics placed before a base symbol for these three phenomena. We also suggest how the current IPA Diacritics chart can be modified to allow these diacritics to be fit within the chart. 2 1 Introduction The IPA provides a variety of diacritics which can be added to base symbols in various positions: above ([a͂ ]), below ([n̥ ]), through ([ɫ]), superscript after ([tʰ]), or centered after ([a˞]). Currently, IPA diacritics which modify base symbols are never shown preceding them; the only diacritics which precede are the stress marks, i.e. primary ([ˈ]) and secondary ([ˌ]) stress. Yet, in practice, superscript diacritics are often used preceding base symbols; specifically, they are often used to notate prenasalization, preglottalization and preaspiration. These terms are very common in phonetics and phonology, each having thousands of Google hits. However, none of these phonetic phenomena is included on the IPA chart or mentioned in Part I of the Handbook of the International Phonetic Association (IPA 1999), and thus there is currently no guidance given to users about transcribing them. In this note we review these phenomena, and propose that the Association’s alphabet include superscript diacritics preceding the base symbol for prenasalization, preglottalization and preaspiration, in accord with one common way of transcribing them. -
Glottal and Epiglottal Stop in Wakashan, Salish, and Semitic
Glottal and Epiglottal Stop in Wakashan, Salish, and Semitic John H. Esling Department of Linguistics, University of Victoria, Canada E-mail: [email protected] ABSTRACT 2. RESEARCH APPROACH Direct laryngoscopic articulatory evidence from four We have examined the laryngeal physiology involved in languages in three unrelated families demonstrates the the production of glottal, glottalized, and pharyngeal existence of epiglottal stop in the pharyngeal series. In consonants in Nuuchahnulth (Wakashan), Nlaka’pamux each language, Nuuchahnulth (Wakashan), Nlaka’pamux (Salish), Arabic (Semitic), and Tigrinya (Semitic) to (Salish), Arabic (Semitic), and Tigrinya (Semitic), glottal identify the role of the aryepiglottic sphincter mechanism. stop also exists in the glottal series as a complement to In general, we wish to discover how sounds originating in epiglottal stop, and in three of the languages, a voiceless the lower pharynx are produced and how they are related glottal fricative and a voiceless pharyngeal fricative are to each other articulatorily. Specifically, we wish to also found. In Nlaka’pamux, a pair of voiced pharyngeal demonstrate how stop articulations in the laryngeal and approximants (sometimes realized as pharyngealized pharyngeal regions are produced and to document the uvulars) is found instead of the voiceless pharyngeal production of epiglottal stop. The key element in this fricative. As the most extreme stricture in either the glottal research is to document linguistic examples from native or the pharyngeal series, epiglottal stop is a product of full speakers of the cardinal consonantal categories predicted constriction of the aryepiglottic laryngeal sphincter and in prior studies of laryngeal and pharyngeal articulatory functions as the physiological mechanism for optimally possibilities [15,16]. -
78. 78. Nasal Harmony Nasal Harmony
Bibliographic Details The Blackwell Companion to Phonology Edited by: Marc van Oostendorp, Colin J. Ewen, Elizabeth Hume and Keren Rice eISBN: 9781405184236 Print publication date: 2011 78. Nasal Harmony RACHEL WWALKER Subject Theoretical Linguistics » Phonology DOI: 10.1111/b.9781405184236.2011.00080.x Sections 1 Nasal vowel–consonant harmony with opaque segments 2 Nasal vowel–consonant harmony with transparent segments 3 Nasal consonant harmony 4 Directionality 5 Conclusion ACKNOWLEDGMENTS Notes REFERENCES Nasal harmony refers to phonological patterns where nasalization is transmitted in long-distance fashion. The long-distance nature of nasal harmony can be met by the transmission of nasalization either to a series of segments or to a non-adjacent segment. Nasal harmony usually occurs within words or a smaller domain, either morphologically or prosodically defined. This chapter introduces the chief characteristics of nasal harmony patterns with exemplification, and highlights related theoretical themes. It focuses primarily on the different roles that segments can play in nasal harmony, and the typological properties to which they give rise. The following terminological conventions will be assumed. A trigger is a segment that initiates nasal harmony. A target is a segment that undergoes harmony. An opaque segment or blocker halts nasal harmony. A transparent segment is one that does not display nasalization within a span of nasal harmony, but does not halt harmony from transmitting beyond it. Three broad categories of nasal harmony are considered in this chapter. They are (i) nasal vowel–consonant harmony with opaque segments, (ii) nasal vowel– consonant harmony with transparent segments, and (iii) nasal consonant harmony. Each of these groups of systems show characteristic hallmarks. -
Perception and English T-Glottalization∗
UCSC Linguistics Research Center Perception and English t-glottalization∗ Jeremy O'Brien [email protected] http://people.ucsc.edu/~jpobrien/ April 13, 2010 1 Introduction T-glottalization is a phonological process in many varieties of English that realizes /t/ as a glottal stop in certain positions. In this study, a perceptual experiment is used to explain why t-glottalization targets /t/ to the exclusion of other English stops, and why it targets the phonological positions that it does. There appears to be a large amount of variation when it comes to English t-glottalization. The use of this process can vary by geographical region, social factors, and by phonologi- cal position|moreover, the phonological positions vary depending on these other factors. Ladefoged 2006 states that one common position is before /n/ within the word, as in beaten [biPn]. Many varieties of English, including American and British varieties, have glottal stop in coda position in general. For instance, Roberts 2006 provides data on t-glottalization in Vermont English. She finds that the phenomenon is found in speakers of all ages, and that it often occurs at the ends of words, especially pre-pausally. Some varieties allow glottal stop to appear intervocalically as well (which is the case for Cockney English). Docherty & Foulkes 2005 look at glottalization in the English of Tyneside (in northern England). They find that t-glottalization is found in many environments, but only rarely in intervocalic position or pre-pausally. Most of the research on t-glottalization focuses on social factors (age, gender, class, and register distinctions), while there is surprisingly little research about the process in general and the phonological positions it targets. -
Articulatory Phasing of Glottal Stop
Articulatory Phasing of Glottal Stop Marianne L. Borroff Stony Brook University 1. Introduction1 It has been noted in the literature that glottal stop patterns differently from the supralaryngeal consonants, particularly in exhibiting transparency to spreading2. The examples in (1) exemplify this pattern; in Sundanese, nasality spreads through an intervening glottal stop but not through an oral stop, (1a). Likewise, in the Chemehuevi examples in (1b), the features of the vowel preceding the glottal stop spread across it onto the following vowel. Corresponding spreading across oral consonants does not occur. (1) a. nĩĩs ‘relax in a cool place’ ãtur ‘arrange’ (Sundanese; Cohn 1993) b. /nukwijumi/ Æ [nukwijmi] ‘run (pl.)’ [vjuni] ‘ill/bad’ (Chemehuevi; Press 1979) A common approach to explaining the patterning of glottal stop is to attribute its transparency to lack of a specification for oral place (see, for example, Steriade 1987 for a placeless approach to translaryngeal harmony). Under this approach, spreading of vocalic features across a glottal stop is possible because such spreading does not involve crossing an intervening consonantal place specification, while spreading across oral consonants is ruled out by constraints against crossing of association lines of an intervening element. While the placeless approach to the patterning of glottal stop provides an account of its transparency to spreading, I suggest here that it cannot provide a unified analysis of certain other phenomena involving glottal stop. In this paper I discuss three such phenomena; the fact that many languages require the vowels flanking glottal stop to be identical, that in some language hiatus resolution-like processes occur across glottal stop, and that in some languages glottal stop triggers echo epenthesis. -
Introductory Phonology
9781405184120_1_pre.qxd 06/06/2008 09:47 AM Page iii Introductory Phonology Bruce Hayes A John Wiley & Sons, Ltd., Publication 9781405184120_4_C04.qxd 06/06/2008 09:50 AM Page 70 4 Features 4.1 Introduction to Features: Representations Feature theory is part of a general approach in cognitive science which hypo- thesizes formal representations of mental phenomena. A representation is an abstract formal object that characterizes the essential properties of a mental entity. To begin with an example, most readers of this book are familiar with the words and music of the song “Happy Birthday to You.” The question is: what is it that they know? Or, to put it very literally, what information is embodied in their neurons that distinguishes a knower of “Happy Birthday” from a hypothetical person who is identical in every other respect but does not know the song? Much of this knowledge must be abstract. People can recognize “Happy Birth- day” when it is sung in a novel key, or by an unfamiliar voice, or using a different tempo or form of musical expression. Somehow, they can ignore (or cope in some other way with) inessential traits and attend to the essential ones. The latter include the linguistic text, the (relative) pitch sequences of the notes, the relative note dura- tions, and the musical harmonies that (often tacitly) accompany the tune. Cognitive science posits that humans possess mental representations, that is, formal mental objects depicting the structure of things we know or do. A typical claim is that we are capable of singing “Happy Birthday” because we have (during childhood) internalized a mental representation, fairly abstract in character, that embodies the structure of this song. -
Metathesis of Stop-Sibilant Clusters in Modern Hebrew: a Perceptual Investigation
Metathesis of Stop-Sibilant Clusters in Modern Hebrew: A Perceptual Investigation Item Type text; Electronic Thesis Authors Jones, Kyle Stewart Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 09:11:20 Link to Item http://hdl.handle.net/10150/621557 METATHESIS OF STOP-SIBILANT CLUSTERS IN MODERN HEBREW: A PERCEPTUAL INVESTIGATION by Kyle S. Jones ______________________________ Copyright © Kyle S. Jones 2016 A Thesis Submitted to the Faculty of the SCHOOL OF MIDDLE EASTERN AND NORTH AFRICAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2016 STATEMENT BY AUTHOR The thesis titled Metathesis of Stop-Sibilant Clusters in Modern Hebrew: A Perceptual Investigation prepared by Kyle S. Jones has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Kyle S. Jones APPROVED BY THESIS DIRECTOR This thesis has been approved on the date shown below: _________________________________ _July 5, 2016_ Samira Farwaneh Date Associate Professor of Arabic Linguistics 2 ACKNOWLEDGEMENTS I would like to begin by thanking my advisor, Prof. -
Articulatory Additions to the Classical Description of the Speech of Persons with Cleft Palate
Articulatory Additions to the Classical Description of the Speech of Persons with Cleft Palate JUDITH E. TROST, Ph.D. Chicago, Illinois, 60611 Three types of compensatory articulation used by speakers with cleft palate and velopha- ryngeal inadequacy are described: the pharyngeal stop, the mid-dorsum palatal stop, and the posterior nasal fricative. These articulatory characteristics have not been previ- ously reported in the literature. Each is defined radiographically to depict deviant place of production. Each is also described in terms of perceptually distinct speech character- istics. Production features of these articulatory compensations are contrasted and com- pared with those of the glottal stop and pharyngeal fricative. The use of compensatory articulation as replacements for target phonemes is distinguished from their occurrence as aberrant co-articulations with target phonemes. Additionally, phonetic symbols for use in narrow phonetic transcription are presented, and implications for speech remedia- tion are discussed. KEY WORDS: articulation, compensatory articulation, cleft palate Introduction snort" (Backus, et al., 1943), "hissing noise" Throughout the literature on cleft palate, (Van Riper and Irwin, 1961), "distortion-na- the deviant speech characteristics associated sal" and "substitution-nasal" (VanDemark, with impairment to the velopharyngeal valve 1964), and nasal emission as distinguished have included four chief stigmata: hyperna- from "nasal turbulence" (McWilliams and sality, nasal air emission, weak pressure con- Philips, 1979). Although this assortment of | sonants, and compensatory articulation. labels implies variable expression of nasal FHypernasality is the resonance disturbance emission with respect to articulatory contrib- which accompanies vowels and vocalic con- utors to air turbulence or audible resistance, sonants, the glides or liquids, and gives rise to specific articulatory gestures associated with deviant voice quality in speech production. -
LIN 3201 Sounds of Human Language Manual by Ratree
LIN 3201 Sounds of Human Language Manual By Ratree Wayland Program in Linguistics University of Florida Gainesville, FL 2 Introduction There are approximately 7,000 languages in the world, and the sounds employed by these languages show both similarities and differences. Thus, an interesting question that one might ask is, “What factors affect the sounds a language can or cannot use?” First of all, we are constrained by what we can do with our tongue, our lips and other organs involved in the production of speech sounds. This factor may be referred to as the ‘articulatory ease’ factor. Secondly, we are constrained by what we can hear or what we can perceptually distinguish. This is the ‘auditory distinctiveness’ factor. Thus, no language in the world has sounds that are too difficult for native speakers to produce or to perceptually differentiate. To nonnative speakers, however, certain sounds may prove challenging to both produce and perceive. One of the goals of this course is to familiarize students with the various sounds employed in the world’s languages. Students will learn how to describe, produce and perceptually distinguish these sounds. Describing Speech Sounds Phonetics is concerned with describing speech sounds that occur in the world’s languages. Speech sounds can be described in at least two different ways. First we can describe them in terms of how they are made in the vocal tract (articulatory phonetics). As speech sounds leave the mouth, they cause disturbances in the surrounding air (sound waves). Thus, another way that we can describe speech sound is to analyze its acoustic sound wave (acoustic 3 phonetics).