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PLOT STRUCTURE PLOT The sequence or order of events in a story; what happens PLOT A plot must make sense! If it doesn’t, you will lose your audience. CONFLICT The main problem in a story. CONFLICT What is a story like if there are no problems? BORING!!!!! External TYPES OF CONFLICT Conflicts Character v. Character Character v. Nature Character v. Society Character v. Supernatural/Technology Character v. Self Internal Conflict QUESTION Have you ever started watching a tv show or movie in the middle? Was it hard to follow what was going on? Why? EXPOSITION The characters, time, place, and other background information that provides the context for the play. PLOT STRUCTURE 1 = Exposition PLOT STRUCTURE 2 = Inciting Incident INCITING INCIDENT The event that starts the characters on their journey. INCITING INCIDENT Harry Potter? Hatchet? Hunger Games? PLOT STRUCTURE 3 = Rising Action RISING ACTION A series of complications or new twists the characters must overcome on the way to the climax. The longest part of a story. COMPLICATIONS New problems or plot twists the characters must overcome. Part of the rising action. PLOT STRUCTURE 4 = Climax CLIMAX The point of highest suspense or tension in the plot; a major turning point in the plot. The conflict is won or lost. PLOT STRUCTURE 5 = Falling Action FALLING ACTION Whatever happens after the climax. Do all questions have to be answered? PLOT STRUCTURE 6 = Resolution/Ending RESOLUTION/ENDING The conclusion, the tying together of all of the threads. PLOT STRUCTURE 7 = Button BUTTON A feeling of satisfaction at the end of a story. Part of the resolution/ending. Don’t just end your story. Finish it! .

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Philosophy in Literature
Syracuse University SURFACE Syracuse University Press Libraries 1949 Philosophy in Literature Julian L. Ross Follow this and additional works at: https://surface.syr.edu/supress Part of the Philosophy Commons Recommended Citation Ross, Julian L., "Philosophy in Literature" (1949). Syracuse University Press. 3. https://surface.syr.edu/supress/3 This Book is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in Syracuse University Press by an authorized administrator of SURFACE. For more information, please contact [email protected]. OU_168123>3 ib VOOK t'l hvtent <J/ie tyovevnment //te ^United cf ai o an f.r^^fnto iii and yccdwl c/ tie llnited faaart/* *J/ie L/eofile of jf'ti OSMANIA UNIVERSITY LIBRARY CallNo. 9ol//k?/^ Accession No. < Author ""jj^vv JLj. This book should be returned on or before the date last marked below. PHILOSOPHY IN LITERATURE PHILOSOPHY IN LITERATURE JULIAN L. ROSS Professor of English, Allegheny College SYRACUSE UNIVERSITY PRESS IN COOPERATION WITH ALLEGHENY COLLEGE Copyright, 1949 SYRACUSE UNIVERSITY PRESS Only literature can describe experience, for the excellent reason that the terms of experience are moral and literary from the beginning. Mind is incorrigibly poetical: not be- cause it is not attentive to material facts and practical exigencies, but because, being intensely attentive to them, it turns them into pleasures and pains, and into many-colored ideas. GEORGE SANTAYANA TO CAROL MOODEY ROSS INTRODUCTION The most important questions of our time are philosoph- ical. All about us we see the clash of ideas and ideologies. Yet the formal study of philosophy has been losing rather than gaining ground.
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Tragedy Tragedy: Drama That Shows the Downfall of a Noble Hero, A
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