The Elixir of Love

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San Francisco Opera L’ELISIR D’AMORE (ELIXIR OF LOVE) I & II SFO / Lotfi mansouri / robert darling / john coyne 2000-2001 PRODUCTION PHOTOS L’ELISIR D’AMORE (ELIXIR OF LOVE)— San Francisco Opera’s 2000-2001 production, set design by Robert Darling, revised set design by John Coyne, directed by Lotfi Mansouri. The arrival of Dr. Dulcamara (John Del Carlo) in Act I (PHOTO: Friedman) L’ELISIR D’AMORE (ELIXIR OF LOVE)— San Francisco Opera’s 2000-2001 production, set design by Robert Darling, revised set design by John Coyne, directed by Lotfi Mansouri. Rodney Gilfry as Sgt. Belcore; Rebecca Evans as Adina (PHOTO: Friedman) L’ELISIR D’AMORE (ELIXIR OF LOVE)— San Francisco Opera’s 2000-2001 production, set design by Robert Darling, revised set design by John Coyne, directed by Lotfi Mansouri. John Del Carlo as Doctor Dulcamara; Tito Beltrán as Nemorino (PHOTO: Friedman) L’ELISIR D’AMORE (ELIXIR OF LOVE)— San Francisco Opera’s 2000-2001 production, set design by Robert Darling, revised set design by John Coyne, directed by Lotfi Mansouri. Rodney Gilfry as Sgt Belcore; Tito Beltrán as Nemorino (PHOTO: Friedman) L’ELISIR D’AMORE (ELIXIR OF LOVE)— San Francisco Opera’s 2000-2001 production, set design by Robert Darling, revised set design by John Coyne, directed by Lotfi Mansouri. Rebecca Evans as Adina; Tito Beltrán as Nemorino (PHOTO: Friedman) L’ELISIR D’AMORE (ELIXIR OF LOVE)— San Francisco Opera’s 2000-2001 production, set design by Robert Darling, revised set design by John Coyne, directed by Lotfi Mansouri. Anna Netrebko as Adina, Roberto Saccà as Nemorino (behind haystack), members of the San Francisco Opera Chorus (PHOTO: Friedman) L’ELISIR D’AMORE (ELIXIR OF LOVE)— San Francisco Opera’s 2000-2001 production, set design by Robert Darling, revised set design by John Coyne, directed by Lotfi Mansouri. Nmon Ford as Belcore; Anna Netrebko as Adina (PHOTO: Friedman) L’ELISIR D’AMORE (ELIXIR OF LOVE)— San Francisco Opera’s 2000-2001 production, set design by Robert Darling, revised set design by John Coyne, directed by Lotfi Mansouri. Bojan Knezevic (Dr. Dulcamara) and Roberto Saccà (Nemorino) (PHOTO: Friedman) .

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San Francisco Opera Center and Merola Opera Program Announce 2020 Schwabacher Recital Series
SAN FRANCISCO OPERA CENTER AND MEROLA OPERA PROGRAM ANNOUNCE 2020 SCHWABACHER RECITAL SERIES January 29 Kicks Off First of Four Recitals Highlighting Emerging Artists and Unique Musical Programs Tickets available at sfopera.com/srs and (415) 864-3330 SAN FRANCISCO, CA (January 6, 2019) — Now in its 37th year, the Schwabacher Recital Series returns on Wednesday, January 29, with performances at San Francisco’s Dianne and Tad Taube Atrium Theater that feature emerging artists from around the globe. Presented by San Francisco Opera Center and Merola Opera Program, the annual Schwabacher Series consists of four Wednesday evening recitals, the last of which concludes on April 22. The first-ever Schwabacher series was presented in December 1983, kicking off a decades-long San Francisco tradition of presenting rising international talent in the intimacy of a recital setting. The 2020 series will blend classics like Hector Berlioz’s Les Nuits d’Été with rarely performed 20th- and 21st-century works like Olivier Messiaen’s Harawi. JANUARY 29: ALICE CHUNG, LAUREANO QUANT AND NICHOLAS ROEHLER (From left to right: Alice Chung, Laureano Quant and Nicholas Roehler) The series opens on January 29 with a set of performers recently seen as part of the Merola Opera Program: mezzo-soprano Alice Chung, baritone Laureano Quant and pianist Nicholas Roehler. Twice named as a Merola artist—once in 2017 and again in 2019—Chung returns to the 1 Bay Area for this recital, having been hailed as a “force of nature” by San Francisco Classical Voice (SFCV). She will tackle a range of works, from Colombian composer Luis Carlos Figueroa’s soothing lullaby “Berceuse” to cabaret-inspired works like William Bolcom’s “Over the Piano.” Quant, a 2019 Merola participant, joins Chung to perform Bolcom’s music, as well as select songs from Berlioz’s Les Nuits d’Été and Francesco Santoliquido’s I Canti della Sera.
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