DOCSLIB.ORG

Hollis Street Theatre the Concert Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hollis Street Theatre the Concert Program HOLLIS ST Tli EATRE § [7 ^ Charles Frohmaai RICH 5c HARRIS LESSEES 5r MANAGERS HOLLIS ST, THEATRE PROGRAM. WEEK OF JANUARY 1. 1912 3 The Refinements of Our Work are most apparent when compared with the work of ordinary cleaners Unexcelled facilities up - to- the - minute equipment and years of experience in CLEANSING AND DYEING Make our work distinctive in its thoroughness ARTICLES RETURNED IN A SHORT TIME CURTAINS GOWNS MENS CLOTHES BLANKETS WAISTS OVERCOATS DRAPERIES SASHES SUITS GLOVES Carefully cleansed properly finished and inspected before returning LEWANDOS CLEANSERS DYERS LAUNDERERS BOSTON SHOPS 17 Temple Place 284 Boylston Street Phone Oxford 555 Phone Back Bay 3900 ROXBURY CAMBRIDGE 2206 Washington Street 1274 Massachusetts Avenue Phone Roxbury 92 Phone Cambridge 945 WATERTOWN LYNN Galen Street (with Newton Deliveries) 70 Market Street Phone Newton North 300 Phone Lynn 1860 SOUTH BOSTON SALEM 469A Broadway 209 Essex Street Phone South Boston 600 Phone Salem 1800 ALSO Portland Worcester Springfield Providence Newport Hartford New Haven Bridgeport Albany Rochester Washington Philadelphia Baltimore New York TELEPHONE CONNECTION AT ALL SHOPS DELIVERY SYSTEM BY OUR OWN MOTORS AND TEAMS “You Can Rely on Lewandos” ... ... ... ... ... ... ... ... ... ... ... ... ... ... - ... ^ .. .. ..- - ... .. - - ^ - , . * ^ - r rr T r rn) r v |r r mn^Tr n i. 'nn I 4 HOLLIS ST. THEATRE PROGRAM. WEEK OF JANUARY 1, 1912. THE WORLD RENOWNED i; I Palmist Fletcher (Late of New York City) Do you wish to know what is before you ? Are you making changes in business ? Have you family troubles or personal disagreements? Are you worried over your affairs, and uncertain as to which way to turn? Are you in doubt as to your course? Do you wish to succeed? In fact all that relates to your welfare, be it good or bad, FLETCHER can tell you at a glance. There are no problems too difficult for him. He is consulted by all in trouble, for there is always away out. “ Florence Marryat, the great writer, says : Fletcher saved me serious mistakes; his words are fulfilled ” Thousands say the same thing, as will you, after an interview. Daily, Sundays, also Wednesday Evening . 1 74 BOYLSTON ST., BOSTON 1 <X' Absolutely no fortune telling or finding lost articles. ’Phone Oxford 2028-M ^ ^ — HOLLIS ST. THEATRE PROGRAM. OF 1, * | WEEK JANUARY 1912. 5 | Heaflijuarlers for Opera Glasses; Black Enamel and >: Leather Flnigh g High Grade Lenses g Prices $ $5.00 to $20.00 Black Aluminum and £ Leather Finish ? Finest Lenses Prices g $13.00 to $40.00 | : PINKHAM SMITH COMPANY & j I TWO f 288.290 BOYLSTON STREET! BOStOIl, 1 bromfield street] : Stores Mass. I ( She— I like a man who puts hi* soul MLLE. CLAFFI into a thing. ORIGINAL and ONLY MAKER of the FAMOUS £ He Yes, that is certainly better than MLLE. CLAFF CORSETS putting his foot in it. | May be obtained only of me in this city at $ “So you sent $2 for those flesh reduc- The Berkeley Building* 420 BOYLSTON STREET $ ing and hair falling receipts. Well, $ My what did you get?” T R E C O 1 corset in the ad- “A printed slip with this on it: To g vanced styles reduce your flesh increase your J- ” for spring and worries/ £ summer wear, “And what about the other?” >; gives the soft, “Another slip which read. ‘Falling § :J corsetless e f - hair may be avoided by stepping nimbly | feet, and shall % H aside when you see it coming your way/” be more in vogue ? | in the future £ than it has been that I sold | Grocer—Did watermelon in the past. It $ you do for the whole family? I is also very good $ Customer nearly. The doctor | —Very for athletic and | is calling yet. riding uses. § A 1 1 ready-to- $ A small tailor in the Twin Cities has wear corsets § a head for advertising. In front of his from Five Dol- store stands an oil barrel with the head lars up. knocked in. The barrel is bright green Telephone and on it in red letters is painted: | Back Bay 939 p? “Stand in my barrel while I press your suit for fifty cents.” 290 Westminster Street 8 West 39th Street § Providence, R. I. New York, N. Y. t************** .*. ....: *** *********** :*: :*: ******** :.: ;«: ********** * * ** * * * * * ** *, * 8 HOLLIS ST. THEATRE PROGRAM. WEEK OF JANUARY l, 1912. TWO WEEKS HOLLIS TheatreThea IAN. lo MISS MARY BOLAND with JOHN DREW in “A Single Man” , BIGELOW KENNARD 8 CO. CHIME a, CLOCKS tit Striking ^Westminster, Whittington i^St-Michaels onTubes.1 xBelkx. and- Gongs Qsh'We are now making under our own patents Five -Tube Chiming Hall Clocks ChimingWestminster Clocks originating with us having many , improvements and under our guarantee and name* ^WASHINGTON STREET. BRANCH STORE 324 BOYLSTON STREET Sg S HOLLIS ST. THEATRE PROGRAM. WEEK OF JANUARY 1, 1912. | I BEACON COMPANY £ TRUST g Capital and Surplus $1,100,000.00 MAIN OFFICE: FANEUIL HALL BRANCH: 20 Milk Street, Penn Mutual Building 3 South Market Street OFPICERS: £ Charles B. Jopp, President C. L. Billman, Treasurer George H. Poor, Secretary g Robert G. Shaw, Jr., Asst. Treasurer Frank B. Lawler, Asst. Treasurer DEPOSITS | | Oct. 16, 1905, $1,795,937.33 Oct. 16, 1908, $3,679,671.07 | Oct. 16, 1906, 2,935,270.63 Oct. 16, 1909, 7,186,812.05 | Oct. 16, 1907, 3,359,972.82 Oct. 16, 1910, 7,670,353.87 | Oct. 16, 1911, $9,093,040.59 is; CHECKS CASHED AND DEPOSITS RECEIVED INTEREST PAID ON DEPOSITS AT EITHER OFFICE $300 AND OVER For the convenience of market depositors the FANEUIL HALL BRANCH opens to receive deposits SATURDAY EVENING FROM 7 TILL 10 P.M. “It’s positively disgusting!” 1 Axxxii; • •••••> “What is?” | “The way people crowd to a theatre | THORNDIKE to see an improper play. Just think! g They've sold out the for three house | weeks in advance!” § “How do you know?” g “I tried to purchase tickets and | couldn't.” | i BOSTON i “Clarence," said the American heiress hesitatingly, “I think that you should be g told at once how my father made his g Recognized as one of money. Our business men in this coun- g Boston’s Best Hotels. try have methods which to one of your >: Especially suited to the pure soul, whose motto is ‘Noblesse % requirements of tourists oblige,' cannot but % on account of its pleasnnt “Cease, Mamie, cease," said the young g location and accessibil- lord reassuringly, “tell me no more. g ity from every point. However he made his millions I can sake. But er has RATES PER DAY forgive, for your — — he still got them all right?" Single Rooms $2 00 to $ 2.50 ^ with Bath 2.00 to 4.00 Double Rooms 2 50 to 4 00 with Bath 3.50 to 6 00 “It's horrid of you to get into a bad g Parlor, Chamber and Bath temper every time I have a letter from $6.00 to $ ' 0 00 g mamma." g “It's because I know your mother so well. She always makes people illit- % able." | : HOLLIS ST. THEATKK PROGRAM. WEEK OF JANUARY 1, 1912. ( HOLLIS ST. THEATRE SEASON OF 1911-1912 W A MOFFITT CQ CHARLES FROHMAN, RICH & HARRIS Lessees and Managers CHIROPODISTS CHARLES J. RICH . Resident Manager Established Twenty Years 1 EXECUTIVE STAFF MANICURING Stage Manager H. Johnson LADIES' SHAMPOOING Electrician L. M. Tempest Properties Antonio Servitelli SCALP and FACIAL TREATMENT Musical Director William H. Capron Treasurer V. T. Fetherston A 128 Tremont Street I Ticket Agent Joseph J. Soucy Orchestra Doorman Frank W. Clark Opposite Park Street Second Balcony Doorman A. S. Austin Chief Usher Chester L. Fuller Matron Mrs. A. L. Lowe Marks—Good nature doesn’t cost any- § thin*. Seals af Prfasi daring Tha Concert Engagement Parks—Don’t know about that. Being Admission .. 60 amiable with some people encourages Orchestra Floor —$2.00, $1 50 *bem to strike yon for ^ loan. First Balcony -$1.50, $1.00, .75 Second Balcony (Entire) ...50 Orchestra Boxes ..$15.00 FLOWERS Balcony Boxes — —.—$12.00 | Second Bal. Boxes $5.00 Loges $4.00 HARRY QUINT j Children under three years of age not admitted. Tickets for this theatre may be ordered by 199 Tremont St. Telephone —Oxford 131 — or Mail or Telegraph and Tel. will be held twenty-four hours, except when or 2914-J Oxford BOSTON | dered on the day of the performance for which they are to be used, when they will be held until 12.30 P. M. for Matinees and until 7 P. M. for Evenings. Tickets ordered and paid for by mail will be held until called for. Boston & Albany Remittances should be made payable to Charles Frohman, Rich & Harris. Patrons will please report to the Manager, in person or by letter, instances of inattention or mis- Railroad demeanor on the part of any attache of this (N.Y.:C.&H. R. R.R. Theatre. He engages to speedily correct any Co., Lessee) want of courtesy to them by persons in his service. Parties finding lost articles in any portion of 7 FAST TRAINS DAILY the Theatre will please leave them at the Ticket Office. The Manager will not be responsible for TO THE WEST AND SOUTHWEST articles placed under the seats. A FREE CHECK ROOM is provided in the Ladies’ Drawing Room on the orchestra floor for Checking Cloaks, Coats and Umbrellas at the owner’s risk. Patrons are requested to report to 20th CENTURY LIMITED the Business Manager any acceptance of fees or sugiestions that fees are desired by anyone em- Boston to Chicago 2<H Hours ployed in the Theatre. OPERA GLASSES TO LET IN THE Leave Boston 1.30 P. M. LADIES’ DRAWING ROOM, Orchestra floor; Due Chicago 8.55 A.
Load more

Recommended publications
  • Hollis Street Theatre Passers-By Program
    MOLLIS ST Tli EATRE Charles Froha\a/\i RICH HARRIS LESSEES 5c MANAGERS x x x xxxx ; ; .; x x x x x x x x x x x x x , x , ,; x x , x . , j; HOLLIS ST. THEATRE PROGRAM 3 g | "YOU CAN RELY ON LEWANDOS”! CLEANSERS S DYERS I LAUNDERERS | | I ESTABLISHED 1829 LARGEST IN AMERICA | High Class Work Returned in a Few Days I LEWANDOS | BOSTON SHOPS 17 TEMPLE PLACE and 284 BOYLSTON STREET Phone 555 Oxford Phone 3900 Back Bay BRANCH SHOPS Brookline Watertown Cambridge 1310 Beacon Stree 1 Galen Street 1274 Massachusetts Ave Phone 5030 Phone Newton North 300 Phone Cambridge 945 Roxbury Lynn Salem 2206 Washington Street 70 Market Street 187 Essex Street Phone Roxbury 92 Phone 1860 Phone 1800 Also New York Philadelphia Hartford Providence Albany Washington New Haven Newport Rochester Baltimore Bridgeport Portland Worcester Springfield EXECUTIVE OFFICES 286 BOYLSTON STREET BOSTON YOU CAN RELY ON LEWANDOS fv •>' v >' v .w .v .v >v m-mvww.v.vm'. v.v v mm v :cv. $$$•$ .v.v. :v. .v :> i 4 HOLLIS ST. THEATRE PROGRAM >j I PALMIST FLETCHER I ^ (Lat© of New York City) £• : >; | The World-Renowned Adviser | of of the $: Has Long Enjoyed the Confidence Many Best People in | j; America and Europe § S If there are changes in business, trouble, illness or accidents, happy or dark | § days in store, he sees it all in the lines of your hand and gives you invalu- | | able advice. The right word at the right moment saves many a mistake. % J There are always two ways in life — PSYCHIC PALMISTRY enables $ you to choose the right >: “Fletcher saved me serious mistakes.
    [Show full text]
  • NEW AMSTERDAM THEATER, 214 West 42Nd Street, Borough of Manhattan
    Landmarks Preservation Commission October 23, 1979, Designation List 129 LP-1026 NEW AMSTERDAM THEATER, 214 West 42nd Street, Borough of Manhattan. Built 1902-03; architects Herts & Tallant. Landmark Site: Borough of Manhattan Tax Map Block 1013, Lot 39. On January 9, 1979, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the New Amsterdam Theater and the proposed designation of the related Landmark Site (Item No. 4). The hearing was continued to March 13, 1979 (Item No. 3). Both hearings had been duly advertised in accordance with the provisions of law. A total of 16 witnesses spoke in favor of designation at the two hearings. There were two speakers in opposition to designation. Several letters and statements supporting designation have been received. DESCRIPTION AND ANALYSIS The New Amsterdam Theater, built in 1902-03 for the theatrical producers Klaw & Erlanger, was for many years one of the most pres­ tigious Time Square theaters and horne of the famous Ziegfeld Follies. Designed by the noted theater architects, Herts & Tallant, the New Amsterdam Theater achieved distinction both for its functions and for its artistic program. More than just a theater, the structure was planned, at the request of Klaw & Erlanger, to incorporate two performing spaces with an office tower to house their varied theatrical interests. Even more importantly, however, the New Amsterdam is a rare example of Art Nouveau architecture in New York City, and, as such, is a major artistic statement by Herts & Tallant. Working in conjunction with sculptors, painters, and other craftsmen, they used the Art Nouveau style to carry out a dual theme--the representation of the spirit of drama and the theater and the representation of New Amsterdam in its historical sense as the city of New York.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • Charles Frohman: Manager and Man, by Isaac 1
    Charles Frohman: Manager and Man, by Isaac 1 Charles Frohman: Manager and Man, by Isaac The Project Gutenberg eBook, Charles Frohman: Manager and Man, by Isaac Frederick Marcosson and Daniel Frohman, et al This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Charles Frohman: Manager and Man Author: Isaac Frederick Marcosson and Daniel Frohman Release Date: July 29, 2008 [eBook #26146] Charles Frohman: Manager and Man, by Isaac 2 Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK CHARLES FROHMAN: MANAGER AND MAN*** E-text prepared by Robert Cicconetti, Chuck Greif, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 26146-h.htm or 26146-h.zip: (http://www.gutenberg.net/dirs/2/6/1/4/26146/26146-h/26146-h.htm) or (http://www.gutenberg.net/dirs/2/6/1/4/26146/26146-h.zip) CHARLES FROHMAN: MANAGER AND MAN by ISAAC F. MARCOSSON and DANIEL FROHMAN With an Appreciation by James M. Barrie Illustrated with Portraits New York and London Harper & Brothers M.C.M.X.V.I Charles Frohman: Manager and Man Copyright, 1916, by Harper & Brothers Copyright, 1915, 1916, by International Magazine Company (Cosmopolitan Magazine) Printed in the United States of America Published October, 1916 To The Theater Charles Frohman: Manager and Man, by Isaac 3 That Charles Frohman Loved and Served Nought I did in hate but all in honor! HAMLET Contents CHARLES FROHMAN: AN APPRECIATION I.
    [Show full text]
  • Colonial Theatre the Usurper Program
    Week of December 26, 1904. WHERE SUMMER IS JAMAICA 12 MONTHS LONG An increasing number of tourists and health seekers who wish to escape the harsh Northern Winter are yearly choosing Jamaica. Its gentle climate, gorgeous tropical scenery, outdoor recreations and splendid hotel accommodations offer unusual induce- ments to the sojourner. Nowhere can winter be spent so delightfully Tfl£ UNITED FRUIT COMPANY’S Steel, Twiii°Screw U. S. Mail Steamships SAlli W££KliY FROM BOSTON ROUND TRIP FARE, $75 SINGLE FARE, $4o Write for Jamaica literature describing and illustrating the Island and tours of interest. Address Gen. Passenger Agt. Long Wharf. Boston W. H. EAVES, City Passenger Agent, 200 Washington St., Opp. Ames Bidg. Telephone 3956 Main COLONIAL THEATRE PBOGKAM. WEEK OF DEChMBER 26. 1904. 3 London Harness Company SOO ST. HAKERS AND IHRORTERS OF EVERY KNOWN REQUISITE IN LEATHER ' - ' — — T' ' Our Smart Saddler Hand-Sewn Gloves for men and women. The strongest and most com- fortable Glove in the world. Reduced to $1.25 per pair for the Holidays. Rare gift ideas in Leather, Brass, Bronze, Wood and Glass, from London, Paris, Berlin and Vienna. A display of season- able merchandise unsur- passed for its novelty, variety^and low prices. There is a vast difference between our expenses and those of similar stores in the highly rented shopping district, estimated at from 30 to 40 per cent, one half of which at least can be saved by a visit to our establishment. Traveling Bags Jewel Boxes Fobs Auto Robes Pocket Books Shaving Sets Sewing Boxes Auto Lunch Baskets Card Cases Toilet Cases Auto Clocks Suit Cases Smoking Outfits Shopping Bags Auto Gloves Desk Requisites COLONIAL THEATRE PROGRAM.
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • The Rise:And Fall of the Theatrical Syndicate In
    The rise and fall of the Theatrical Syndicate in America Item Type text; Thesis-Reproduction (electronic) Authors Greer, LeAnn Horn, 1935- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 02/10/2021 04:40:04 Link to Item http://hdl.handle.net/10150/555109 THE RISE:AND FALL OF THE THEATRICAL SYNDICATE IN AMERICA by LeAnn Horn Greer A Thesis Submitted to the Faculty of the DEPARTMENT OF DRAMA In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill­ ment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manu­ script in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: WILLIAM A.
    [Show full text]
  • ST. JAMES THEATER (Originally Erlanger Theater), 246-256 West 44Th Street
    Landmarks Preservation Commission December 15, 1987; Designation List 198 LP-1374 ST. JAMES THEATER (originally Erlanger Theater), 246-256 West 44th Street. Built 1926-27; architects, Warren & Wetmore. Landmark Site: Borough of Manhattan Tax Map Block 1015, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the St. James Theater (originally Erlanger Theater) and the proposed designation of the related Landmark Site (Item No. 70). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The St. James (built as the Erlanger) Theater survives today as one of the historic playhouses that symbolize American theater for both New York and the nation. Built in 1926-27, the St. James was designed by the prominent firm of Warren & Wetmore as the last Broadway theater erected for Abraham Erlanger. Abraham Erlanger had been a principal in the infamous Klaw & Erlanger Theatrical Syndicate, which had dominated the American theater industry for several decades on either side of the turn of the century. After the break-up of the Syndicate, Klaw and Erlanger went their separate ways, and each built theaters named for themselves.
    [Show full text]
  • The History of the Great Southern Theater, Columbus, Ohio
    THE HISTORY OF THE GREAT SOUTHERN THEATER, COLUMBUS, OHIO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts By MARCIA A. SIENA, B.A. The Ohio State University 1957 Approved by: Speech TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION, REVIEW OF THE LITERATURE, AND HISTORICAL BACKGROUND • • • • • 1 Introduction • 1 Review of the Literature . 1 Historical Background • • 3 II. THE GREAT SOUTHERN THEATER • • • • 8 The Financial Backing 8 The Physical Plant . • • 8 LObby, foyer, and promenade balcony • • 9 Auditorium • • 11 Stage Area • • • • 16 Changes . • • 28 III. PRODUCTION IN THE GREAT SOUTHERN THEATER • 37 Scenery • 39 Lighting . • • 42 Special Effects • • 51 Traps . • 51 Treadmills • 54 Flying • 54 Others 56 IV. SUMMARY AND CONCLUSIONS • • • 57 Summary • • • 57 Conclusions • 58 ii PAGE APPENDIX • • 59 BIBLIOGRAPHY • 100 iii LIST OF FIGURES FIGURE PAGE 1. The Great Southern Hotel and Theater, 1896 • • 10 2. Original Interior Design • 12 3. Orchestra Seating Chart • 14 4. Balcony and Gallery Seating Chart 15 5. Proscenium Arch and Stage 17 6. Proscenium Arch • • 18 7. Light Board • • • • • 20 8. Pin Rail • 21 9. Paint Frame and Workbench • 22 10. Grid and Pulley Bank • • 24 11. Bull Wheel • • • 25 12. Tunnel • 26 13. Elevators • 27 14. Top of Elevators • • 29 15. Great Southern Theater, 1914 • • 31 16. Great Southern Theater, 1957 • • 32 17. Foyer • 33 18. Gallery • • 34 19. Sketch of Auditorium, 1896 • 35 20. Auditorium, 1957 • 36 21. Under The ~ ~ Act III • • • 43 22. Under The Red ~ Act III, Scene II • 44 23. The Devil's Disciple Act IV • 45 iv FIGURE PAGE 24.
    [Show full text]
  • Park Theatre the Country Boy Program
    CHARLES FROHMAN, RICH STHARRIS LESSEES 6< MANAGERS ' PARK THEATRE PROGRAM. WEEK OF JANUARY 15. 1912 The Refinements of Our Work a; e most apparent when compared witn the work of ordinary cleaners Unexcelled facilities up - to- the - minute equipment and years of experience in CLEANSING AND DYEING Make our work distinctive in its thoroughness ARTICLES RETURNED IN A SHORT TIME CURTAINS GOWNS MENS CLOTHES BLANKETS WAISTS OVERCOATS DRAPERIES SASHES SUITS GLOVES Carefully cleansed properly finished and Inspected before returning LEWANDOS CLEANSERS DYERS LAUNDERERS BOSTON SHOPS 17 Temple Place 284 Boylston Street Phone Oxford 555 Phone Back Bay 8900 ROXBURY CAMBRIDGE 2296 Washington Street 1274 Masseehnsetts Avenue Phone Roxbury 92 Phone Cambridge 945 LYNN 70 Market Street WATERTOWN Phone Lynn 1890 Galen Street (with Newton DeHvertea) Phone Newton SALEM North 300 209 E&e< Phone Salem 1806 ALSO Portland Worcester Springfield Providence Newport Hartford New Haven Bridgeport Albany Rochester Washington Philadelphia Baltimore New York TELEPHONE CONNECTION AT ALL SHOPS DELIVERY SYSTEM BY OUR OWN MOTORS AND TEAMS ” “ You Can Rely on Lewandos , PARK THEATRE PROGRAM. WEEK OF JANUARY 15. 1912 THE Palmist Fletcher (Late of New York City) Do you wish to know what is before you ? Are you making changes in business? Have you family troubles or personal disagreements? Are you worried over your affairs, and uncertain as to which way to turn? Are you in doubt as to your course? Do you wish to succeed? In fact all that relates to your welfare, be it good or bad, FLETCHER can tell you at a glance. There are no problems too difficult for him.
    [Show full text]
  • Hollis Street Theatre a Tailor-Made Man Program
    CHARLES FROHMAN RICH HARRIS H(3LLTS ST. THEATRE PROGRAM 3 SPECIAL PRICES FOR Cleaning Mens Clothes UNTIL APRIL 1st SUITS 1.50 GLOVES *"1";“” 10c Separate Waistcoats 35c Separate Trousers 75c Separate Coats 1.00 OVERCOATS 1.50 BLANKETS 75c We make this offer as we have had so many requests from men to oontinne our special prices, becanse they did not know in LEWMarch in time to take advantageANDOSof them Cleaners Dyers 17 Temple Place 284 Boylston Street 248 Huntington Avenue CAMBRIDGE BROOKLINE MALDEN WALTHAM WATERTOWN SkLSVf LTNN PROVIDENCE WORCESTER AND ALL LARGE CITIES OF THE EAST “YOU CAN RELY ON LEWANDOS” HOLLIS ST. THEATRE PROGRAM HOLLIS STREET THEATRE Beginning Easter Monday Evening, April 9, 1917 FOR TWO WEEKS ONLY JOHN DREW In Langdon “MAJOR PENDENNIS”Mitchell’s Comedy From Thackeray^s Famous Novel XL.VI Mr. Mitchell, after practising law at Columbus, Ohio, his native city, for three years, made his stage debut with Richard Mansfield as Cicero in 1902. He was educated at Yale University **Julius Caesar** in Andover, and Harvard Law School. For several seasons he appeared in support of Francis Wilson, Lillian Russell, Maxine Elliott, and Robert Edeson, then ** two years in **The Fortune Hunter. He created the part of **Eddie Lamb** in '*Get-Rich-Quick Wallingford, **then followed his big personal hit in and the leading role in **lt ** Years of Discretion** of Rodney Martin Pays to Advertise,** and now he returns to Boston as the new Cohan and Harris star in **A Tailor-Made Man.** [lllllUIMIIIIinOIIUK IIIIIIIIMlillil f E worhMm&p \ -Made Clothes a&wsm I:- SWASHINQTOKf ST.
    [Show full text]
  • The Theatre Magazine; an Analysis of Its Treatment of Selected Aspects of American Theatre
    This dissertation has been 63-3305 microfilmed exactly as received MEERSMAN, Roger Leon, 1931- THE THEATRE MAGAZINE; AN ANALYSIS OF ITS TREATMENT OF SELECTED ASPECTS OF AMERICAN THEATRE. University of Illinois, Ph.D., 1962 Speech-Theater University Microfilms, Inc.. Ann Arbor. Michigan aa*" *i Copyright by ROGER LEON MEERSMAN 1963 _ < -.-• J-1'.-. v» •>; I, THE THEATRE MAGAZINE: AN ANALYSIS OF ITS TREATMENT OF SELECTED ASPECTS OF AMERICAN THEATRE BY ROGER LEON MEERSMAN B.A., St. Ambrose College, 1952 M.A. , University of Illinois, 1959 THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Speech in the Graduate College of the University of Illinois, 1962 Urbana, Illinois UNIVERSITY OF ILLINOIS THE GRADUATE COLLEGE September 20, 1962 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION Ttv Roger Leon Meersman FNTTTT.PX> The Theatre Magazine: An Analysis of Its Treatment of Selected Aspects of American Theatre BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE rw Doctor of Philosophy ./$<j^Y±4S~K Afc^r-Jfr (A<Vf>r In Charge of Thesis yrt rfnSSL•o-g^ . Head of Department Recommendation concurred inf Cw .MluJ^H, ^ya M< Committee ( WgJrAHJ- V'/]/eA}tx.rA on UP, ^A^k Final Examination! fl. ^L^^fcc^A f Required for doctor's degree but not for master's DS17 iii ACKNOWLEDGMENTS I sincerely wish to thank the members of my committee, Professors Karl Wallace, Wesley Swanson, Joseph Scott, Charles Shattuck and Marvin Herrick for establishing high standards of scholarship and for giving me valuable advice in the courses I took from them.
    [Show full text]