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Radio 3 Listings for 10 – 16 January 2015 Page
Radio 3 Listings for 10 – 16 January 2015 Page 1 of 10 SATURDAY 10 JANUARY 2015 5:01 AM SAT 14:00 Saturday Classics (b04xrnhb) Brahms, Johannes (1833-1897) Simon Heffer: Best of British Playlist SAT 01:00 Through the Night (b04wmy50) Academic Festival Overture, Op.80 Casals Quartet BBC National Orchestra of Wales, Grant Llewellyn Episode 2 (Conductor) The Casals Quartet play Mozart, Ligeti and Brahms. Presented Inspired by Radio 3 Breakfast's "Best of British" playlist which by Jonathan Swain. 5:12 AM ran throughout 2014, journalist Simon Heffer continues the Vivaldi, Antonio (1678-1741) choice of his favourite music by British composers, including 1:01 AM Concerto in D minor for strings and basso continuo (RV.128) works by Frank Bridge, Gerald Finzi, Herbert Howells, Eric Mozart, Wolfgang Amadeus (1756-1791) Arte dei Suonatori, Eduardo Lopez (conductor) Coates and George Lloyd. String Quartet in C major (K.465) "Dissonance" Casals Quartet: Vera Martínez-Mehner and Abel Tomàs 5:18 AM (violins), Jonathan Brown (viola), Arnau Tomàs (cello) Strauss, Richard (1864-1949) SAT 16:00 Sound of Cinema (b04xrnhd) Der Abend (Op.34 No.1) for 16 part choir Film Musicals - The Last 50 Years 1:29 AM Danish National Radio Choir, Stefan Parkman (conductor) Ligeti, Gyorgy (1923-2009) The Sound of Music with Julie Andrews is 50 years old - in the Quartet no. 1 (Metamorphoses nocturnes) for strings 5:27 AM week of the release of Sondheim's screen version of Into The Casals Quartet Chopin, Fryderyk [1810-1849] Woods, Matthew Sweet looks back on the last half century of Krakowiak - rondo for piano and orchestra (Op.14) in F major the screen musical. -
The Making of the Sainsbury Centre the Making of the Sainsbury Centre
The Making of the Sainsbury Centre The Making of the Sainsbury Centre Edited by Jane Pavitt and Abraham Thomas 2 This publication accompanies the exhibition: Unless otherwise stated, all dates of built projects SUPERSTRUCTURES: The New Architecture refer to their date of completion. 1960–1990 Sainsbury Centre for Visual Arts Building credits run in the order of architect followed 24 March–2 September 2018 by structural engineer. First published in Great Britain by Sainsbury Centre for Visual Arts Norwich Research Park University of East Anglia Norwich, NR4 7TJ scva.ac.uk © Sainsbury Centre for Visual Arts, University of East Anglia, 2018 The moral rights of the authors have been asserted. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher. British Library Cataloguing-in-Publication Data. A catalogue record is available from the British Library. ISBN 978 0946 009732 Exhibition Curators: Jane Pavitt and Abraham Thomas Book Design: Johnson Design Book Project Editor: Rachel Giles Project Curator: Monserrat Pis Marcos Printed and bound in the UK by Pureprint Group First edition 10 9 8 7 6 5 4 3 2 1 Superstructure The Making of the Sainsbury Centre for Visual Arts Contents Foreword David Sainsbury 9 Superstructures: The New Architecture 1960–1990 12 Jane Pavitt and Abraham Thomas Introduction 13 The making of the Sainsbury Centre 16 The idea of High Tech 20 Three early projects 21 The engineering tradition 24 Technology transfer and the ‘Kit of Parts’ 32 Utopias and megastructures 39 The corporate ideal 46 Conclusion 50 Side-slipping the Seventies Jonathan Glancey 57 Under Construction: Building the Sainsbury Centre 72 Bibliography 110 Acknowledgements 111 Photographic credits 112 6 Fo reword David Sainsbury Opposite. -
La Casa De Norman Y Wendy Foster En Hampstead Tecnología Y Domesticidad Entre Los Años 1960 Y 1980
Universidad Politécnica de Madrid Escuela Técnica Superior de Arquitectura LA CASA DE NORMAN Y WENDY FOSTER EN HAMPSTEAD TECNOLOGÍA Y DOMESTICIDAD ENTRE LOS AÑOS 1960 Y 1980 Tesis Doctoral Carlos Solé Bravo, arquitecto 2016 Departamento de Proyectos Arquitectónicos Escuela Técnica Superior de Arquitectura de Madrid LA CASA DE NORMAN Y WENDY FOSTER EN HAMPSTEAD TECNOLOGÍA Y DOMESTICIDAD ENTRE LOS AÑOS 1960 Y 1980 Carlos Solé Bravo, arquitecto Director: Emilio Tuñón Álvarez, Catedrático de Proyectos Arquitectónicos 2016 RESUMEN Abstract LA CASA DE NORMAN Y WENDY FOSTER EN HAMPSTEAD. THE NORMAN AND WENDY FOSTER RESIDENCE IN HAMPSTEAD. TECHNOLOGY TECNOLOGÍA Y DOMESTICIDAD ENTRE LOS AÑOS 1960 Y 1980 AND DOMESTICITY BETWEEN THE 1960s AND THE 1980s La casa del arquitecto tiene la virtud de descubrirnos An architect’s house has the value of containing his universe: his el universo de su autor: sus referentes, sus pasiones references, his passions and his y sus sueños. Tal vez esto baste para comprender dreams. Perhaps this is reason enough to understand the interest el interés suscitado por la casa que, entre 1978 y inspired by the house designed by 1979, Norman y Wendy Foster proyectaron en el barrio Norman and Wendy Foster in the London neighborhood of Hampstead, londinense de Hampstead. between 1978 and 1979. The choice of site reveals a desire La elección del emplazamiento revela la voluntad de for privacy. Enclosed by high privacidad de sus ocupantes. Flanqueado por altos muros walls that obstruct the view of the house from the street, it is an que impiden la visión de la casa desde la calle, es el ideal setting for an experimental HVFHQDULRLGyQHRSDUDXQDHGL¿FDFLyQH[SHULPHQWDOVLQ building, detached from any context and unconstrained by any concesiones formales a una determinada ubicación ni a neighboring architecture. -
PHASE3 Architecture and Design
[email protected] 17 May 2017 BUILDINGS PLACES CITIES [email protected] 17 May 2017 LONDON: DESIGN CAPITAL BUILDINGS / PLACES / CITIES This NLA Insight Study was published by New London Architecture (NLA) in May 2017. It accompanies the NLA exhibition London: Design Capital on display from May–July 2017 and is part of the NLA International Dialogues year-round programme, supporting the exchange of ideas and information across key global markets. New London Architecture (NLA) The Building Centre 26 Store Street London WC1E 7BT Programme Champions www.newlondonarchitecture.org #LDNDesignCapital © New London Architecture (NLA) Programme Supporter ISBN 978-0-9956144-2-0 [email protected] 17 May 2017 2 Contents Forewords 4 Chapter one: London’s global position 6 Chapter two: London’s global solutions 18 Chapter three: London’s global challenges and opportunities 26 Chapter four: London’s global future 32 Project showcase 39 Practice directory 209 Programme champions and supporters 234 References and further reading 239 © Jason Hawkes – jasonhawkes.com [email protected] 17 May 2017 4 5 Creative Capital Global Business As a London based practice with offces based on three continents and London is the world’s global capital for creative design and construction a team of highly creative architects currently engaged in design and skills. Just as the City of London became the fnancial capital of the world, development opportunities around the globe, I welcome the NLA’s latest so London has beneftted from its history, its location, its legal and education insight study and exhibition London: Design Capital for two reasons. -
Momowo · 100 Works in 100 Years: European Women in Architecture
MoMoWo · 100 WORKS IN 100 YEARS 100 WORKS IN YEARS EUROPEAN WOMEN IN ARCHITECTURE AND DESIGN · 1918-2018 · MoMoWo ISBN 978-961-254-922-0 9 789612 549220 not for sale 1918-2018 · DESIGN AND ARCHITECTURE IN WOMEN EUROPEAN Ljubljana - Torino MoMoWo . 100 Works in 100 Years European Women in Architecture and Design . 1918-2018 Edited by Ana María FERNÁNDEZ GARCÍA, Caterina FRANCHINI, Emilia GARDA, Helena SERAŽIN MoMoWo Scientific Committee: POLITO (Turin | Italy) Emilia GARDA, Caterina FRANCHINI IADE-U (Lisbon | Portugal) Maria Helena SOUTO UNIOVI (Oviedo | Spain) Ana Mária FERNÁNDEZ GARCÍA LU (Leiden | The Netherlands) Marjan GROOT ZRC SAZU (Ljubljana | Slovenia) Helena SERAŽIN UGA (Grenoble | France) Alain BONNET SiTI (Turin | Italy) Sara LEVI SACERDOTTI English language editing by Marta Correas Celorio, Alberto Fernández Costales, Elizabeth Smith Grimes Design and layout by Andrea Furlan ZRC SAZU, Žiga Okorn Published by France Stele Institute of Art History ZRC SAZU, represented by Barbara Murovec Issued by Založba ZRC, represented by Oto Luthar Printed by Agit Mariogros, Beinasco (TO) First edition / first print run: 3000 Ljubljana and Turin 2016 © 2016, MoMoWo © 2016, Založba ZRC, ZRC SAZU, Ljubljana http://www.momowo.eu Publication of the project MoMoWo - Women’s Creativity since the Modern Movement This project has been co-funded 50% by the Creative Europe Programme of the European Commission This publication reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. This book was published on the occasion of the MoMoWo traveling exhibition MoMoWo · 100 Works in 100 Years · European Women in Architecture and Design · 1918-2018, which was first presented at the University of Oviedo Historical Building, Spain, from 1 July until 31 July 2016. -
Arch 5124 ARCHITECTURAL HISTORY 2 Part 2C
arch 5124 ARCHITECTURAL HISTORY 2 Part 2C 23 September 2013 13.7 Mb, 7,526 words Lecture 25: Late 20th Century (only) Wells Coates (1895-1958). Canada, London, Modernism, engineer, product designer. Sunspan Houses (1934-36). Only one with intended construction system built, at Mardley Hill, 1935. Lawn Road flats, Lawn Road, London (1934). Embassy Court Flats, King’s Parade, Brighton, East Sussex (1935), Shipwrights, Leigh-on-Sea, Benfleet Road, 1937. Palace Gate Flats, 10 Palace Gate, 1939. House, West Wittering, West Sussex, 1957-58. Lawn Road flats. 1 Iannis Xenakis (1922-2001). Greek architect-engineer, worked with Le Corbusier, and one of the most important post-war avant- garde composers. Under Le Corbusier, he collaborated on the design of Sainte Marie de La Tourette, Éveux, Rhône-Alpesnear Lyon (1956-60 and 1981), and alone designed the Philips Pavilion at Expo 58. In 1953-54, composed his first major work after studying with Olivier Messiaen, derived from an Einsteinian view of time and his own memory of the sounds of warfare, and was structured on mathematical ideas by Le Corbusier. His most important works include Metastaseis (1953–4) for orchestra, with independent parts for every musician of the orchestra, and percussion works eg: Psappha (1975) and Pléïades (1979). He wrote numerous theoretical works including Formalized Music: Thought and Mathematics in Composition (1971).1 Sverre Fehn (1924-2009), Oslo, Modernism, architect and teacher, Oslo School of Architecture & Design and Cranbrook Academy of Art Michigan. Pritzker Prize 1997, leading Norwegian architect of his generation. travels in Morocco, he discovered vernacular architecture, which was to influence his work. -
EUROPEAN CULTURAL HERITAGE Caterina Franchini and Emilia Garda
AN EUROPEAN CULTURAL HERITAGE AN EUROPEAN CULTURAL SINCE THE MODERN MOVEMENT WOMEN’S CREATIVITY WOMEN’S CREATIVITY SINCE THE MODERN MOVEMENT Caterina Franchini and Emilia Garda AN EUROPEAN CULTURAL HERITAGE AN EUROPEAN CULTURAL HERITAGE AN EUROPEAN CULTURAL SINCE THE MODERN MOVEMENT WOMEN’S CREATIVITY WOMEN’S CREATIVITY SINCE THE MODERN MOVEMENT Caterina Franchini and Emilia Garda AN EUROPEAN CULTURAL HERITAGE MoMoWo · Women’s Creativity Since the Modern Movement An European Cultural Heritage Caterina Franchini and Emilia Garda PUBLISHER Politecnico di Torino GRAPHIC DESIGN CONCEPT Emilia Garda Caterina Franchini LAYOUT Pre-press La Terra Promessa Giuliana Di Mari EDITING Caterina Franchini Cristina Cassavia, MoMoWo Polito (Assistant editing) PRINTING La Terra Promessa Società Coop. Sociale ONLUS Beinasco (Turin, Italy) ISBN 978-88-85745-06-3 Publication of the project MoMoWo - Women’s Creativity TURIN, 2018 since the Modern Movement. This project has been co-funded 50% by the Creative Europe Programme of the European Commission. This publication reflects the views only of the authors, and © 2018, Politecnico di Torino the Commission cannot be held responsible for any use © 2018, MoMoWo which may be made of the information contained therein. Table of Contents Introduction Toward a ‘Reshape’ of Historical Narratives: Mapping Women’s Legacy in Architecture, Construction and Design 11 A Conceptual Architecture to Develop a ‘Women Detector’ 12 Identification beyond Changing Boundaries 15 Education between Barriers and Opportunities 25 Professional -
Review and Accounts 2014/2015 National Life Stories Chairman’S
Life NATIONAL Review and Accounts 2014/2015 National Life Stories Chairman’s When many people think about history, they think about series of innovative interviewing programmes funded almost books and documents, castles or stately homes. In fact history entirely from sponsorship, charitable and individual donations Foreword is all around us, in our own families and communities, in the and voluntary effort. living memories and experiences of older people. Everyone has a story to tell about their life which is unique to them. Each collection comprises recorded in-depth interviews of Whilst some people have been involved in momentous a high standard, plus content summaries and transcripts to historical events, regardless of age or importance we all assist users. Access is provided via the Sound and Moving have interesting life stories to share. Unfortunately, because Image Catalogue at http://sami.bl.uk and a growing number memories die when people do, if we don’t record what of interviews are made available for remote web use through people tell us, that history can be lost forever. British Library Sounds at http://sounds.bl.uk. Each individual life story interview is several hours long, covering family National Life Stories was established in 1987 and its mission background, childhood, education, work, leisure and later life. is: ‘To record the first-hand experiences of as wide a cross section of society as possible, to preserve the recordings, to Alongside the British Library’s other oral history holdings, make them publicly available and encourage their use’. As an which stretch back to the beginning of the twentieth century, independent charitable trust within the Oral History Section NLS’s recordings form a unique and invaluable record of of the British Library, NLS’s key focus and expertise has been people’s lives in Britain today.